# Profoundd archive — Epstein Files
# Bates number: EFTA01854415
# Title:        To: • ' gmail.com]
# Dataset:      10
# Pages:        7
# Images:       7 detected
# Tags:         epstein, doj, dataset-10, image-described
# Source PDF:   https://profoundd.com/epstein-docs/EFTA01854415/download
# Doc viewer:   https://profoundd.com/epstein-docs/EFTA01854415
#
# Text below is what Profoundd has extracted from the source PDF.
# 'ocr-enriched' tag means OCR was applied to scan-only pages.
# Image descriptions are AI-generated factual captions (llava:13b).
#----------------------------------------------------------------------

=== SUMMARY ===
To: • ' gmail.com] From: Sent Sun 10/23/2011 2:21:33 PM Subject: Re: Fw: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov 2011 I know... Thanks for trying :) I'm still gonna get back in shape and maybe I can see them in the future. Do you think I can go to the show as a guest? If its not possible, its no biggie. What are you doing later? Sent via BlackBerry by AT&T From: Jeffrey Epstein leevacation®gmail.com> Date: Sun, 23 Oct 2011 10:13:49 -0400 To: Subject: e:1. M/ 1


=== EXTRACTED TEXT ===
To: • ' gmail.com] 
From: 
Sent Sun 10/23/2011 2:21:33 PM 
Subject: Re: Fw: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov 
2011 
I know... Thanks for trying :) 
I'm still gonna get back in shape and maybe I can see them in the future. 
Do you think I can go to the show as a guest? If its not possible, its no biggie. 
What are you doing later? 
Sent via BlackBerry by AT&T 
From: Jeffrey Epstein leevacation®gmail.com> 
Date: Sun, 23 Oct 2011 10:13:49 -0400 
To: 
Subject: e:1. M/ 1W the Alexander Technique, 
Nov 2011 
in the gym ... you can count on my help„ when i can„ i spoke 
be possible . we have to rebuild first .. they are swamped. 
On Sun, Oct 23, 2011 at 9:57 AM, 
O, that's so sweet! I already paid! 
I just sent to show you which class I'm taking and the technique. 
How are you doing? LA 3-day ON CAMERA Intensive, 
re vs show.. and this time it will not 
wrote: 
Sent via BlackBerry by AT&T 
From: Jeffrey Epstein <jeevacation@ ulna II com-
D 00 
To 
Subject: Re: Fw: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA 
Intensive, Nov 2011 
would you like me to pay.? its a treat to do so 
On Sun, Oct 23, 2011 at 9:23 AM, wrote: 
Sent via BlackBerry by AT&T 
From: "ICristof Konrad" 
Date: The, 11 Oct 2011 1,3 -0700 
EFTA_R1_00250678 
EFTA01854415
To: 
Subject: Re: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, 
Nov 201 I 
hi Alina, 
Thank you for your interest in Los Angeles Acting in Film and the Alexander Technique Workshop, 
NOVEMBER 11 - 13, 2011 (FRI, SAT, SUN) 
I'll send you an e-mail- INVOICE and you can pay with a credit card or bank acc. 
Workshop Fee: $ 464 - ($14 payment fee included) 
I will hold the space for few days to recive the payment. 
THE PAYMENT IS NOT REFUNDIBLE AFTER NOVEMBER 6, 2011 
Best, 
Kristof Konrad 
Original Messa 
F 
To: 
Sen : ue ay, co er , :13 AM 
Subject: Re: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov 
2011 e — 
Ok I'll love to enjoy the class , how can process with the credit card ? 
Sent via BlackBerry by AT&T 
Front: AlexanderTechworks 
Sender: AlexanderTechworks 
Date: Mon, 10 Oct 2011 14:0 . -
To: 
Rept 
Subject: Acting In Film & the Alexander Technique, LA 3-day ON CAMERA Intensive, Nov 
2011 
Having trouble viewing this email? Click here 
EFTA_R1_00250679 
EFTA01854416
ACTING IN FILM 
and 
the Alexander Technique 
People don't always. eyress their inner thoughts to one another; a conversation may 
be quite trivial, but often the eves will reveal what a person really thinks affray, 
Alfred I litchcock 
A Three Day ON CAMERA  Acting in FILM Intensive, 
LOS ANGELES 
with 
JEAN-LOUIS RODRIGUE and KRISTOF KONRAD 
NOV 11, 12, 13, 2O11 ; 10:00 a.m.- 6:00 p.m. 
Tuition: $450 
E FTA_R1_00250680 
EFTA01854417
An actor's vision is lived emotionally and physically. That kind of performance requires 
more than instinct- it needs interpretative intelligence and a mastery of physical, 
psychological, and emotional craft into performance. Internationally acclaimed teachers 
Jean-Louis Rodrigue and Kristof Konrad team up to present an intensive workshop to 
explore the skills and tools that are required for the extraordinary creation of characters 
and performances. 
O 
call Kristof 
e-mail: 
COURSE CONTENT: 
*Stage versus Film Acting 
*Being in your Body, Ease and Availability 
*Becoming versus Performing 
*Trusting That You are Enough (What does that mean?) 
*You are more then Your Habits 
*Freeing our movement by learning to organize body relationships 
*Freeing impulse and response patterns, allowing spontaneity 
*Discovering Stillness and Vulnerability in Close Up 
*Listening, with your whole body 
*Personality and Character 
*Breath as energy and vehicle for the emotion 
"Yor Emotion, not your words, communicates to the audience 
what is really going on 
*Relating to Other Actor's Emotions (Sadness, Happiness, Anger, 
Love, Fear) 
*Emotions as an Undercurrent 
*Five Arts of Film Acting 
(Concentration, Not Knowing, Acceptance, Giving and Receiving, 
Relating) 
••• 
JEAN-LOUIS RODRIGUE 
has most recently coached Leonardo DiCaprio for J. EDGAR and Chris Pine for 
THE LIEUTENANT OF INISHMORE at the Mark Taper Forum. He has worked 
with Larry Moss on the movement and vocal aspects of Pamela Gien's award 
winning play THE SYRINGA TREE, Bo Eason's RUNT OF THE LITTER and April 
Daisy White's SUGAR. He has trained and coached performers at the ROYAL 
SHAKESPEARE COMPANY, MARK TAPER FORUM, GEFFEN PLAYHOUSE, LOS 
EFTA_R1_00250681 
EFTA01854418
ANGELES PHILHARMONIC INSTITUTE, STEPPENWOLF, SAN FRANCISCO 
OPERA, STUTTGART OPERA, CIRQUE DU SOLEIL, VERBIER FESTIVAL, 
GETTY VILLA, and on BROADWAY. Past and current students include: ANG 
LEE, JOSH BROLIN, IAN McKELLEN, HELENA BONHAM CARTER, JULIETTE 
BINOCHE,  HILARY SWANK, SIMON BAKER, KEANU REEVES, PATRICIA 
ARQUETI E. and JOBETH WILLIAMS. Jean-Louis is on faculty at the UCLA 
School of Theater, Film and Television. 
KRISTOF KONRAD 
was born in Poland, trained as an actor at the NationalDramaticAcademy in 
Warsaw, Poland and the AlexanderFersenAcademy in Rome, Italy. While in 
Poland, he studied and worked with theater and film masters JERZY GROTOWSKI 
and ANDRZEJ WAJDA. In the USA he worked with directors KENNETH 
BRANAGH, RON HOWARD and ROLAND EMMERICH. His credits include: 
ANGELS AND DEMONS, HOTEL CALIFORNIA, INDEPENDENCEDAY, NIKITA, 
SCANDAL, BURN NOTICE, UNDERCOVERS, RAISING THE BAR, OPERATION 
SAMUM, ALIAS, THE AGENCY, JAG, E- RING and many others. Kristof has 
taught for the VERBIER FESTIVAL & ACADEMY in Switzerland and UBS 
VERBIER ORCHESTRA. He is teaching Intensive Acting in Film and Alexander 
Technique Workshops in: New York, Los Angeles, Milan, Berlin, Toronto and 
Vancouver. In the U.S., he has taught with Jean-Louis at the LARRY MOSS 
STUDIO, HOWARD FINE STUDIO, THEATRICUM BOTANICUM, MEDIA 
ACCESS and recently worked with the artists of the ROYAL SHAKESPEARE 
COMPANY and the CIRQUE DU SOLEIL. Past and current students include: 
KENNETH BRANAGH, COBIE SMULDERS, JOBETH WILLIAMS, ERIC DANE, 
and SHARON LAWRENCE. 
Visit us at : www.AlexanderTechworks.com 
"I really like to look into the physical acting characteristics of my character, because 
it helps me to transform. The Alexander Technique helps me to burrow into roles 
like gay cowboys and drug addicts by focusing on my posture, movement, and 
presence." 
- HEATH LEDGER 
"Jean-Louis Rodrigue always brings a personal and positive approach to his 
coaching work. His involvement is timeless and complete. He is generous, genuine, 
and creative such that even when a character or a story is frightening, it becomes 
about exploring the work and being of service. Jean-Louis has a dear view of the 
character the actor is playing and also an awareness of the purpose and structure of 
the whole movie, which engages the entire actor's intention and responsibility with 
the project. His work is a useful and exciting way to open my channels for my 
research as an actress. 
- JULIETTE BINOCHE 
"The Alexander technique is invaluable to actors of all ages. It helps us find new 
depth in exploring the physical and emotional life of a character. And it has helped 
EFTA_R1_00250682 
EFTA01854419
me correct physical issues which affect my daily life. Jean-Louis and Kristof 
immediately create a level of trust and comfort in teaching this technique which 
allows all of us in the class to open up to the learning experience. I continue to work 
privately with them because I believe so strongly in their skill in teaching this 
technique, and its positive effect on my well-being." 
- JOBETH WILLIAMS 
"Jean-Louis Rodrigue is a popular movement coach in Los Angeles whose specialty 
is helping actors bring gracefulness and fluidity to their performances. A 
combination of acting coach , AlexanderTechnique teacher and movement 
specialist , Mr. Rodrigue uses techniques that have much in common with dance 
training. His teachings emphasize an awareness of the body and the physicality of 
performance. When performers make the physical component of their work as 
important as the intellectual, they become far more convincing and 
seamless." 
- VALERIE GLADSTONE, New York Times 
"The absolute best Alexander classes are given daily by my four-month old son. 
Kristof and Jean-Louis are a close second. They are not only expert in the theory and 
application of this incredible technique but pursue their work with a vibrant, 
contagious love. Their endeavor to help performers choose a new physical life that 
allows them to be more fully present--in essence, to use themselves differently --is 
profound, and has implications not only for life on the stage, but for life in general. 
Kristof and Jean-Louis create a beautiful work environment: safe, rigorous, 
personal --and sprinkled with a healthy dose of humor. I am so grateful to have had 
the opportunity to work with them. And they don't spit up nearly as much as my 
son!" 
- PETER HERMANN " War Horse" Broadway 
"Jean-Louis is a gifted teacher. Some teachers are able to adjust, fix, or produce 
results in students immediately. However, often their work does not have a lasting 
value. Jean-Louis is not in that category. His understanding of the Alexander 
Technique and the psychology of the American actor is such that he is able to leave a 
lasting impression on most of the actors he encounters. It is a pleasure to be able to 
testify to his skill, ability, and artistry" 
- LOUIS SCHEEDER, Director of Classical Studio, NYU Drama, TischSchool of 
the Arts 
kristof konrad 
AlexandetTechworks 
Forward email 
This email was sent to babybabyapeyahoo.com by IcnorthooleOyahoo.com 
Update Profile./Email Address Instant removal with SafetInsubscribe" . Privacy Policy. 
EFTA_R1_00250683 
EFTA01854420
************* 
The information contained in this communication is 
confidential, may be attorney-client privileged, may 
constitute inside information, and is intended only for 
the use of the addressee. It is the property of 
Jeffrey Epstein 
Unauthorized use, disclosure or copying of this 
communication or any pan thereof is strictly prohibited 
and may be unlawful. If you have received this 
communication in error, please notify us immediately by 
return e-mail or by e-mail to jecvacation@gmail,com,  and 
destroy this communication and all copies thereof, 
including all attachments. copyright -all rights reserved 
RR RR RR RR RR RR * 88 Et 8R RR RR RR RR R8 *R88 * R8 * RR RR RR 1. Et 1. Et RR RR RR RR RR * 
The information contained in this communication is 
confidential, may be attorney-client privileged, may 
constitute inside information, and is intended only for 
the use of the addressee. It is the property of 
Jeffrey Epstein 
Unauthorized use, disclosure or copying of this 
communication or any part thereof is strictly prohibited 
and may be unlawful. If you have received this 
communication in error, please notify us immediately by 
return e-mail or by e-mail to jeevacation@gmail.com  and 
destroy this communication and all copies thereof, 
including all attachments. copyright -all rights reserved 
E FTA_R1_00250684 
EFTA01854421



=== IMAGE DESCRIPTIONS ===
[Image 1] The image is a black and white document, likely a flyer or brochure, with text and a small photograph. The text is about an event titled "Acting in Film" and mentions "The Alexander Technique." It mentions a three-day workshop in Los Angeles and includes the names of the speakers, Jean-Louis Cohen and Louis Kornfeld. The photograph shows a person, possibly a speaker or an actor, but the image is t

[Image 2] The image is a photograph of a printed document, which appears to be a letter or a report. The document contains text, and there are visible names, dates, and logos. The visible names include "Kristin Kondrath," "Stephen Flaherty," "Jeremy Sams," "Jennifer Lester," "Jonathan Marc Sherman," "Kristin Kondrath," "Jonathan Marc Sherman," "Jennifer Lester," "Jonathan Marc Sherman," "Kristin Kondrath," 

[Image 3] The image shows a document with text, which appears to be a letter or a report. The text is in English and discusses various topics, including health, education, and personal experiences. The document includes quotes from different individuals, each attributed to their name. The visible names include Talia Gladstone, Louis Theroux, and Joseph Williams. The document also mentions a book by Talia Gl

[Image 4] The image shows a document with text, which appears to be a course syllabus or outline. The text is too small to read in detail, but it seems to be structured with headings and bullet points, which is typical for educational materials. The document is printed on paper and is presented in a landscape orientation. There are no visible names, dates, places, or logos that can be discerned from this im

[Image 5] The image is a photograph of a document, specifically a letter or email. The document contains text that is partially obscured by a black rectangle, which suggests that it may be a sensitive or confidential message. The visible text includes a salutation, a thank you message, and a request for payment. The document is addressed to someone named "Art," and it mentions a class and a credit card numb

[Image 6] The image shows a printed email with several lines of text. The text appears to be a conversation between two individuals, possibly discussing technical issues related to a camera or a video recording. The email includes a subject line, a sender's name, a recipient's name, and the date and time of the email. There are also several lines of text that seem to be part of the email's body, which inclu