# Profoundd archive — Epstein Files
# Bates number: EFTA02460125
# Title:        From: Terje Rod-Larsen • ;•
# Dataset:      11
# Pages:        3
# Tags:         epstein, doj, dataset-11
# Source PDF:   https://profoundd.com/epstein-docs/EFTA02460125/download
# Doc viewer:   https://profoundd.com/epstein-docs/EFTA02460125
#
# Text below is what Profoundd has extracted from the source PDF.
# 'ocr-enriched' tag means OCR was applied to scan-only pages.
# Image descriptions are AI-generated factual captions (llava:13b).
#----------------------------------------------------------------------

=== SUMMARY ===
From: Terje Rod-Larsen • ;• Sent: Sunday, June 26, 2016 4:06 PM To: Jeffrey Epstein Subject: Fwd: OSLO Begin forwarded message: From: Bart Sher Date: June 26, 2016 at 17:03:42 GMT+2 To: Subject: Fwd: OSLO We are getting lots of this. Hope all well. B Sent from my iPhone Begin forwarded message: From: Andre Bishop Date: June 26, 2016 at 10:25:10 AM EDT To: "J.T. Rogers" SIMIONIMIIIIIIa >, Bart Sher <mailto Subject: Fw: OSLO Amazing! From: Jeffrey Horowitz a» Sent: Sunday, June 26, 2016 10:22 AM T


=== EXTRACTED TEXT ===
From: Terje Rod-Larsen • ;• 
Sent: Sunday, June 26, 2016 4:06 PM 
To: Jeffrey Epstein 
Subject: Fwd: OSLO 
Begin forwarded message: 
From: Bart Sher 
Date: June 26, 2016 at 17:03:42 GMT+2 
To: 
Subject: Fwd: OSLO 
We are getting lots of this. 
Hope all well. 
B 
Sent from my iPhone 
Begin forwarded message: 
From: Andre Bishop 
Date: June 26, 2016 at 10:25:10 AM EDT 
To: "J.T. Rogers" SIMIONIMIIIIIIa >, Bart Sher 
<mailto 
Subject: Fw: OSLO 
Amazing! 
From: Jeffrey Horowitz a» 
Sent: Sunday, June 26, 2016 10:22 AM 
To: Andre Bishop 
Subject: OSLO 
Dear Andre: 
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Last night I saw OSLO and wanted to share a note of =ongratulations. JT's play; Bart's staging and the LCT 
prod=ction are brilliant and moving and urgent. 
I'm an atheist and grew up in a Jewish household.&=bsp; We rarely went to temple. Being Jewish had a cultural 
meaning — not=religious — and the core cultural values were rooted in morality and jus=ice. It was impossible to speak 
about Israel with my parents. Some of my family died in the Holocaust=nbsp; and I had two relatives who lived in Israel 
and were miraculous surv=vors of Auschwitz — they married when they got out. 
Arabs were monsters who wanted to push the Jews into=the sea, i.e.to destroy Jewish identity and exterminate 
us. &nrsp; Arafat was a synonymous with Hitler — inhuman. = Arafat --- like Hitler -- cowardly and heinously killed 
innoc=nt civilians The Israelis were blameless. They didn't take land.&nb=p; They didn't make Palestinians second 
class citizens. = There was a UN treaty after Hitler. The lar=er Arab countries fanned the fires of Palestinian 
discontent because Arabs=hated Jews. They were jealous of us. Anyway, I was told, the larger Arab countries c=uld 
offer the Palestinians land for a homeland. 
It was impossible to make peace with the Palestinian= as the PLO were terrorists and didn't want peace. They 
wanted our e=termination. When I visited Israel with my parents ,it was poi=ted out where such and such a battle had 
been fought; where the streets had run red with blood; where innocent children had horr=bly died. They had been 
killed horribly, but it was not mentioned wh=t happened to Palestinian children. </=> 
The conflict with Jews and Arabs/ Arabs and Jews was=the defining moral conflict of my growing up. Before the 
Civil=Rights movement, before Vietnam, for me, the burning questions of justice =nd injustice were made clear in the 
Palestinian -Israeli conflict. Clearly, there was no clear right and=wrong. There is injustice on both sides. Peace would 
be a canv=s for trying to work out differences and allow co-existence while th= fury on both sides would hopefully 
slowly abate. 
What I found so moving about OSLO as theatre is that=it brought alive a simple, human belief in the possibility 
of people who h=te each other; who had done mutual injustice; confronting each other=and talking. OSLO makes this 
achingly human and dramatic. The complexity of debate and negotiation =96 words — become wonderful theatre. The 
movement of events =nbsp;works and the OSLO doesn't end -- as we know -- with sw=etness and accord but with 
possibility and ambiguity. A =andshake. And all this was happening while there was terrible conflict happening. &=bsp; 
No matter what we think of OSLO, people who had never talked to=ether, but only killed each other, met and spoke. It's 
a great dis=urbing subject for theatre and art and, of course, vital for us to be reminded when we demonize the other, 
or our enemies, th=t it isn't so simple. 
Best, 
Jeffrey 
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