Document text
.-}_ i./W i___¢ __- _..,_--._|t-.... .. - -
_..--;- - '*.- , -I |
1 O" ' . . , .- we -»~ '
,-
-_....~.
. ~ - | ll 9 - 3' has never given me a winner yet." "-"
- up '1»4
n1
|
' " _'92_l" =9-:1-:.of Pigs invasion. FBI Dime 1'I I-Edgar Hoover, he writes, hes "e"o1f%-Ble reputation." Hoover d_id not eatch'urgess or Macleen; he dad not catch. . another Ryseian spy R-udolph! Abel forH, years; he did not even catch me. _i. Philby ra-tea the CIA as superior to? . aha FBI-in social graces at any rate.., - The G-men he dismisses as etolid,"- country~bumpkin types, g-ruff of !Vp9E¢h_' and insensitive to the nuances of wi
ne. - _ selection. The CIA boys on the oth , er henci, at least knew that Bu-rgundy is - * .- - served at room temperature.
xPhiiby says he once asked Hoover w at he thought 0! the spy-catchingT ability of the late Sen. Joseph McCarthy, 'jmd that Hoover replied, elliptieally: "I" , often meet Joe at the race track b t h
. So much for the drollery. The fact-L remains that Philby gave his Soviet mas-._' ters just about cvcry winner 92ve harl in'4-the stable, all safe bets. It is tempting ; to do anything to prevent this happeningagain. . Perhaps it would be better to say.I"anything the law allows," for as LeCar:-e notes, Philby is the price we pay-for being moderately free."
a,. 1
, ,..-5,9. ~l- ~- l
92.
| _. -_'92---~s..._s1 '!_"'H_ - - I 4-;.__.
1 11
_ _.92__.___ -.--- ' _ -
.-
bY 4
1 .I I
.,.,,,_
. Ie "_
- ¢ I92t92 92 _ ', K - b
, . . : 3--=
. .._ 1
92_ n . -1 '" IN 92.
4
1
r92
¢
J
:
1|
1
»
92
1
l
I
ll
|92
1
=.
nn
0
D
1
u0
a , n
' ' 1 r-'-,--___-o- o
7 .
i .
Q
_ , ,_ _ ' iii? _ _,_ -.|._.L 92 ~ . -1 -- ml. . i . '- -1 . -..»'n.'e.-!L_f,L~.J.-~- ~'>- *1 i "* ~& .- .-I-'5-.7 -- . l . if , . -the
.,|..
' . I " _ atW-r-.1; .-.-. - . .-. .:- -1 . ,1?-.<-. ,-- 'i~ 92: -" i -hi? -¢";;_.*.§,-,1 ._-_< -. ,~- .. ._ - _"§_ _92. ,:__-___,_<- ..v.-L '" Lil-5.-' *. " '_ Q. .-
._,; ,¢_l:4n»_._,_'_._ "1'. !,_:_ __
. _,£_§.= .; -.*5--*-"17.-.??"=*-.=*-r-.-=¢.¢--§'.__},__T =;L2. ..?__._.___.._.._
- -1 .- -. . .-.7; .-v??92 -. *1?"-~-;-. . -L. . _,.__. . 92 ,.,
.-. -"?'.3.-.~..»m...._..} _ ~j_ 'v~92:92 -92--~~..._.- P-' 92, ,-waik K."=92.~?.l»iP=.--i 3- -Y ... W. . " "I,§_..> -.. " ~---1* -~.-1
i ._'.
. _","92_: Q sf '- .. . ._ ._92- ~-- -1 #5. -.-T-z"-:_. -» 92~ -_. *,
. " '§!._,_;___ _: -. __
1* I " _' -
_ !- " 1.-:"_~ _ 1 -'-;*~. -".1---.-..-= ---,-':_ .- --h--=¢ .,_,<_ _. v___. . ;__ ;. _ _ _:92t 'r.'vw':QQ.-vulv92g-1-- .¢_ ._, . ,.._
.929'92._.92;, . q -.< ..
92 n
A." » ' 2'-."JL-1'. - -..-¢-~1~ - ,1-~¢. - -- -, -,__._q..92 S _.- w,."'92~._92< w, rm P .'_|»92 --_,_ -1 "'4'
"v--.._,-;-.-_._.., M _.,_
' *- '5*92" - -_§92.:;;: _.."_."."§ ."s..--Q . - ._ _. .%7 ": ""'@ "; """ "5?-*~..J Y7<-ii?-§;l;-1- '92 _~
_- :;92" '. . - ._ ,,,_,_ . 92 ;-_;~'.§=_.__'i _'._»'=.~" .
92' -P Q- 1~"i§.-,-1.-:.2." -.=-'--. _-
--s E1. '_ '* _*j~_; ,Y.;;<='. S. ->.-
'?'%-', -."?¢ '-5': --. . :. §_ e. -_-' §~;¢,..WA -..92- . -. - __> .7 ix-in '5 "{!:- H- M,»->. N ' .-:9 " , - ~ _., _ ;.
-. ..¢_,.~- _-- - - _-. .-._ . _ §.. I_.'_<;--_ - .. .4 ., _ _ _.;;"_.92,y._' ' -.-;-»:~-._ z.~ - .. J: =.
;.*r;- . .
'_ - _ ._ "_;¢*. ' 92 --: ---- -r~.. _-.Y,,|-f "'a _ pg
92 1
.. azj--r--_-,:,...,.=_-_-¥"¥~iWj*" - mi: -uuji I;|_.._;:-w_,1- I » ". '_:l'|;"_ -,'_:_;?:r~_.;!T_ I .','j_,'92 |':*'-.u~u_-925fq[Car .- --__-$ .-.-Q-Ii. -5, ¥ .- '.;#~=,--,_-. -__6_.--_:;92L!;_!":-_-din_ J-. 92 ._ ."j|92x 1 ."41 '92'-'1'
I . .4 +92-.. ~ =='_' *
.. #2-_:'-T .
. _ -.~
' ' |K .v - -_-.1!-"".'i- -2.; g@r;-53.
. --1 H . -L ,r JG -.?l>;,..§; _ ._;i . 92_?_._b -._ ;|'-:w:---.-4-i--= .-:"$-;*- . 'w'='1~<"*.;-F; . J" " .. . . - . t -_ |~ _.. § ii. -r _.:! -.-. __,*i~,::_.-f.,_,,n,~v_,_,A,- . .-. -.- .:. - "
= '~ I. 92
' --.{..92 1.-,T . J .__ _ 1- ..=~t' "J J_u$§-.-A1|:T1H-K-92 |-hm -nil-wu.-..YE " --,-!9 -. _. .--M, 4f92'§?f?V92'%?"'P'-1 .
, ' n 4 _
. "!9, .:'-..~-.-____ W -- . __2 .-"-:---;-iT~§,..._, ..;$3?§i<f-. ~.-:.-".<"i*-2%.»;-<'-"-1.->v.. ' 3 ._..,,-;$,. . 92 _ _ K . L~."92
X-- f - k ; 92 . _ .-. '--___ .- --_- - . . _- -"-.- . I... __ . _. . _- _f--3" --- =.- .. |.-_92-- Q-., -1' .- . - . ' L-.;~ ;-- '-_ 5._ ., .: ~:. ' _ v . -' _'-___ ~*---K. .. ..___._.... ._.._.. , -,,- L. -. _ _, _ _ . HF- -_..__ _._... ___ __ _
*3! ' . 92 , _ _.-
§¢"~. .~,--""9292 -R, - '-. _.'_ I il . 1-X -
.< .9292 ~ - .-' . " -:'1-.' '92 -.'.~ .- - .92 . '.,-:, -1.3! f;~ . 3 ¢ ¢ .-_.-_-; £.<_-,._ . ---,. ,,. _ .~ ,. K... - » ~ , ¢ L , . . " 4 -' » - x .»:.:-;;_ :.~ .'1 92 ..-M-.._-__ 1 - ".. 1- . __1 >i' .92/ '
. ,...- 4 -.,-|__.4- '-'-* n...92-|.-,-.;w-'_=-,_-_'~= 1 __' .. -_. ;1 _ '- .1". * -.4- A -1'-92 ~"---fan...-_,
' ~_~ .92..4'»-...- - ..- ....».,.< _..-6
_ -- .> -_-.
.-._. _. -_- '_~ f '--.5.<~.-','; i _'" '-'_ ,.>¢_:-,2.--v'.~,-¢¢.~»...".,
3-¢__;...{ E - 92:r'...a.m<.'- '1; --.;- 5. , ;;92.--,=;;,"a.;.§q__ : ~-~ w I-W2'wm':-'mw92<
7;=" JUr jI? "-'1-Id=trf'92*r92r! W n _.' . I -..._, 192~..- 92-3j92 > ' .
'*'._£-=:""=-""* :?Yt'r.*.**"..:r***l -" ..°""r " ...
I. d-
-, --.: 92-~ ~ .,.-. ~* ' :_1-1';-.g-92 - 92 ' 1' .-._.- _.-_--=--*,1~.<-". -- .. ; .,.-. *..@j. -I.- . " . ."§ ..""-'- -*'-- -* -F-*' -
_.;;,j,-~ ._. ; . . .__ ._ - -. _v~- ,.--..92> . .92. - . _ ~.-_} --u-.5.-.-¢_~..~.¢... ,92. v~ , -._V ---_............_..._...'§_ '- ./2:? '
; 92 _l-Y-..,.....,_92.92.__. ~_,,.....; _,_ --. , -.-_.-._..- . .,..,.- M 4. .__.¢;..,....... ..'._- . -..~-_----»--~_-.4--.., . ._..J--»;.;»"' " _ I ' - -1;" 92
.-f1....-. ~~ __ ,._ .
.
Av-2'1-*-zvevpnn-o-_~-"1.-ga|»-Iloquu
1:3, .'."".= - »-
. , .Q_§::;-?%$-92: i92Kz-,
4: ' _-92 . .
92 . - I
J..'.92,_
I»
.92 .'1~ fs
. 4-,»_t- . 1,13. .-
-, ¢=.<~
. .
1.-rm-.-,._ 1.- --_ ;,>.: _-I» .T 92;.~=;.-'- . . 1
. . , _.
" If -is -.-.-1' -._ .'92 <5 _ . "?92'-.'-¬.- .1» 1" " :. .
_._.-.-.,;,W.-.:____- ..=_ ....-K _. _
- .1 =1 -,,;.":_'=~'~-;',;. , _ ., .._ -v-=,. -*,1=- -.-'=- ,g-'-§..-=?~:1i"-=>,"-,. ». - .. ~ -. . ..-=. .. .- , I -- "" - '._="»Y-§_-,'<-<~'~¢-;;,$.'.;_-Q/1 - - " ;'- -£'.._-.:.;."~' 1;}-.~"';.j.:_92.f¥:;5§§';~,?"§'-'-*;_; ' '- ~;.=-. f. -. .-; 5-----»_z§».rl31--3!, = L1".-;~'"--, .- --.~=-'. :==-~;""' ' " - " :"~'*-';-'-¥- ?......." . -' " 3;:-' - -5§'»'7-i*"<-.'---'=.-3--1;-*5--33-=?¥..'. ..........._: -~..-.. ~ _ -. ;.~--_.'-. .- -. . ...__.._, .. . , M, .._ -- _.j.F.i§;_-I».';- g! 'u . - ._.;_ 5,-_.a+ , 5; ~ by _ . .
r. 3 - z-6 , <
J F9 .'__ . :.'-.,-§.'!.-5?- ._;.T3;_f_7;:IiQ._,f:t§',§.f.fE@";.§; "-'1-31.5.:-'. 1; §;~'- 2. ;_';.'-_:¬_=:@".r~»-1%-1;; 2'1;-'¬?"¢:- .-, -1- 92- .. _. _W " ~ Yr-r §~= - ..--- .. A"-|~ - '1 -'-'--'--'-§ -'13--==~l/ -_ 1 .
. i--'1'-,'.e-f-I"--F--. .- _. __ .'' 92-"'-"'- ' ~ _»v".1§ wt J " Z" ' =5 ,~
,'? '-.7
Q" 2:.-1-i.£'_..:.-.". , ii._'!§A "'-28 _'.- .-V ~ ,, 5'-2- +mi~" '7 .-. __5 42'" -w-----. .:.-I--- A '..;' ""7 39. 3.I » ' -,.¢' 1 .92
| A »-.---.'-'-.-1 {E-,".,,92.§'
'-u,_>_ -.-".?--.-. - '- "J/-.*:"'¢Q-1"-';<":'.$-pk '- 1 I '-- . " - -- -21¢,-. :2 1 ---»=..*.~*92i.'- - - .-H. »:_._. . .,,...__- é;?_::]' n. j ,¢.-~,__ _..-...~,- . . 72,;-*~ 1-
~1c$Q;- '_-7'.-.~."'¢.~ " L "" 1'» 1Mz -T - "-':" "<;'f~'i-.=."-."-':*..:-1.. . .-" " ..' -T-7* ,';.. l.--.-f".¥ %.1-1':92 -92J ._-_. _'r- . ._ -.__l_,»_,,i;:~ -__-- '~.,._ 5.-_,_-1-<"~ " .-'3;-;92».. . ~.92- -- ~====4.. -- ;-r.-~.--.- -..» - ,.i<.-.~ -.-_.-,- .. _-;' » _7_-_:-_#]:~., 4w _.:_.1
is :-
92 ' - ._
M.
92--<
. __. .
92; _
.
1.1 ._92'92
92I
- V I » : '- . 7_.- ...». - . Q F
.r ~. 5;:-ill. > ..- _{-_,,. ~- -1:7 --Y"--.1. ?'<<-1'§""¥".'§- _. V - ' .. '-z .-3.; -1' .-
5 --I -. .|;._.4.¢.._* -_'
.' ' . 1 TJr h D r .--I a ..92'-..- '...., "2 » - .----- » _ --3 -'~.-: §-I -1,.-. .1...-,._._.__,- '~_-_..» --
"I. _ » I:':¢;.- -
- ~.: ,--.. -._a__ . _.
. .--'.4.§"h..T.';. 15;,.- -.:--,3u.- -. . . -, +.-- -. ¢-. A ;,.. ~.,,.;..<-I. '§,;,-$6.:,5j-Y !_-1."f;g-wk? §!.i._;_ r : _. _ . h .., . ;_,._ .. .. . . .,_ ._.._~ _ _ ,_ __ '-»~-»~..... -.-- - 1" ,- - 7 - A _ , _ _, .k92.,q.,/,,,,_.,_.-q_*'-:Q,,_ 4-s../.. A_;_ _.- 1; - -.. --..¢.- -ln_: -.44-...,J, F ,. _ ._,;,<-*-sew, uw F ~ --l_"4'.q;n..,.3? . . - #4 -.i.;,.;~w, ;.<.-.-
v __ v. --:4; , -< - -.~ if , .j .' _i"' , .--Q H ' A-P _,,_ __,..":_ _» A{"~,<,,'h_ . , . _ . ,. ~. ... .1n'-»é*,- ,;1.,f/qf h/.,._»@-7-".-=I~.r,f;-,-';,,.- -.| ,,_,;,--;_ ~- . " i-!.'; 2' A .
hr».
" '§ i=*;.-1'
< . , Wu.1, ..._._ . - -- .'-'_<*1#."+T.- 3?. :_ g,_5...-... , _. _._4 ; .1 ,_,-_,"._:,_.92f' .,-____.z 92/ . .;_.-7,, 5 _ ff-. - ~,_: .
-1-A2.
I _ I * .., __ V; - J .
~..' "'
w; ¢_; .
'- ?:
. -.",_<.--,:.'.v-f .". .~_,; . - _.
,-
u-+,,,___lk_, We
a
F
._'.¢_>_>......-M". ...__'_ .< - .. . : .-, __ .12.
--;;: __-. = -. -I .'=.. -
..-_- _ i ya-2"x~.. ~ .~ . ""51.H p92 . . ;92 .--n
~-~x~*.:=?'-? - I-"*>'1-- 5
-k --
ed',; ,v-
:
"2':-an. %
...""TP-- '1 'L -}§" 1- ~ '-.|'.p-" " "1"? ' 1? |-'¢ ' -3"- El . . * 1 :-. ,, .
»..
."
/ 1;.4 *~5_ IL-'*'-"'=»~_~,, ~ . - . . , ,-
. . - - -- » ..-<.;:-1»
.
. .__J.92,_ .'--:='-.?. W - --_.-_j'--;.<~:l,:;f? 1%
.<.-1,. _ ..- I4-*3 _- 11--~ .~ ;;'.. ._» .
. _ _ _. - . -. ;;|; HM4* "- '
--- ---. . T5?
w ..2=-- .,-;_- .- -- m.-=.._ w
-------~--4-1»-.; -.-_.,92-..--..92r..*'.
1 L.' n1 G
-3 ."-~ . --. .. 92. .-- . ,- 'E'.1.--' /.-. 92. _. _ . . ,. .;~_~ . .
E;'._§. _
92,.- _.| .
... -. _~~.'1'-... _,"a.
:,;"
.. §5'._ 7,]...--- 5; <_ - in; 1. ar.--,5
.-92 -__:-;.._. ~ _-. .92-M!
i-r .1 V .km.92 - ~ -.~:-$,,, -FL ,_ _ . k_. _, , I I I513? ." - ".73 . . 5.5. -2... -.. " ;* __ _.; ~ -" -_ .-1., ,1. .3. . , 1%. J4"_ _ P N: .92 ,,:_ - -. - pf.-..,_ _.< _, _¢_ » J 5: ¢_ .:z/WW *._ > _.. .3-§,§ --;92--. .-. 92 H N , -R . ::,¢92:'»..-;.. "$3 . ,1? . .. -"L-7 -*.- Z1: lg" -?".=>-- -< . '» K - . - * - - 92. -921-'-- f, .-. -F. -__¢ =".,r.-._;.* A _." =» :1-,v.,=»:-2 .-1;}-?_= * 1- '.T';1:'-*. '-". £1;:-4* ;I_:§.~ ° a- --N-._-492_1..:-1!- 1-; - .- 1-. -- = --.,--. - 9;---»>*:-n.-.|., -.-= .-- -- . . ...3-.._. .92; ,1 - - ~-.' :1-.-= --.---»',-¢=,;.~_:=--g.---92 - - ,1 . 1» , > . .. _. .- .- .9 n ,. .-r -. ,.-. ,.., __ »__ . ~._ ._ Q, um 1--,9. ...-3, - - . ._ -; _- .,~1.---A? ; __.=--=.---.....-m.---_..
x 1 §- 2--.». - _- '- - - .-. . - ,.» - _ .§._..,' Q M -z-;-__T,-_,,.-7-1;7.?;,§-I3{*__.__ I - ;'_ _ _, _'-'-Y,-;'% ~- -35 ,3 .- .';- . ..' . §, 5* 1.-" .- --.. ":**-1»>---- - » - <2-"-:11.»-_ .,.__f .: I"--:1-j '.;:-.-f§z*.§_<W-i? r_*- -"-** -E . I" hi. 4 ._- - ;#- --=, . .._.;,§3_.:¢....z¢- _-._r.,-5
Q
-»v-."|-- . . .--= . |"..92 . . . ,.,.. - - - -arun-u-e=~ --._.-_,.. - ;.92.¢ _ - _ . :-. nf_. - M . J _. ~ > .. , ,>; , . . } 92- * 92 , .' ¢4= . r -~- ..i/:'."">- ti--'-*.{392 .>"- __.-_--.... .é~- -.-.'.*'- ..I ' ""---~¢-»»-"~»-= 8-11$.-1 . ... ..,.._,_..., r,_. _ g ._ v » .1 --
. I-°
-_. 92|. ' .»_. . erx _
1 Q -.4... ..
- Z. ~"
'5 "ii- -=~:-.=._ . . .;=.=-. -. -¢__._-_.~92>- -. .4!---1.
.'- ,1 _'. .
=§'...".=:.I--- '
.:'__.. .:_,_i, M! _* "» .'-I .--*' __
' .'. --0
I --P9292- :_ .:_,:_i *9 W _ 2 _
' - |<:n~; Philby d - .n Moscow |a!sf sgafnwififli d1?<:LriE;1lc:vtif?e f .eiinda. he lounqes fr] wifh son-in:|w¢_av;:F, -
' r.. 1|'>.
- -' - I ..-. F-'.=1¥ -- -= - - -1 .-.; 9.-$3! F53.--._~?- - - . 21+. ..--= -.--5;
__;_ .I . I
x_" _ 1
._..92 -- -
..¢- _- := -_ ; .= _'=-- : ~'-~"Z " -3 -2 - _'-.'-_':.<.<.--. 9292_--:-.92-E» . , -92- . ~92I§1'.
- ' as -'|"'-3., ':- 1"; 92 '._..____,_. "__. ,9292 ? -_ .- ..-. -a .-'~_
-. -
1
.-""'. -T.5* = -.5-'73'.
-1
. EH
I
_.
-~.Ea
. 1-7:. W._.-_
1
-~11 92' rm--v -- -- _x
.- . - ". -92 - -1' ' L 'v_ {'5' x . r "f7_ ,-,'92 ' . . .- - .- '4
-.-. _..-- _._|
- ..-92 1? . . . . 1- . .' '-- 92 _ "1, " . -- -- -._.-_'. u-'._-' ,
s. ~' - . ~»~.»_-",-- .9 :=.?'|. ""_;~!_. ;:.-,§"_ _.r. ' ._ , M_ 92 _ _ -. _Q.-=§" -~ -". »_:_~=:- .-.___~". . . - 1 -= --_ A ...,M_'jE} _ , .m;92_- J _... 1 - =4,. Fm '1 . . . . ' 92 . .. . ---. ' 92-Q» ;.¢-.-.3.----_.-i. .5 -, .1 .._.
l .-5.-
' T.-".-*1 iii .v__ >.|,; __ _|-,_-- _ . 1 -J. . __ y. _.<-fh _ ~ _'. . -92--a~..,.,_._-.;_.;-_;--'3 gt-".1-'-:.'»¢- '~ '-- --1.»,. ,- - <-. _ _ _ |;¢,;92-£___._92 .._-H: »,92
¢+_<.-=.~"=.*r-,.--1;.-.'_- -U}. ._,-I; _-» 92 }-~- '* -< .'.-, .. _. . -_|- .1--' ,- 5-'-1.. .._ ....92__92_,__.. ,;,___u_1 ." .;_ .92-92__
»- .Pr' ' - .-. ._-92».- . .¬9292|;&
;§.. i. 1-. .-»".;_
. 92- . 1. .- .. . .k 0:;-;r. ,_-1.1 3' ._ - -" - 1. ..- - -+-
92 v .' $1 R - _- _-:'*_"";I-=92;_-.-- ' ' ~' E" --
R ¢ 92 * K, '92.N. - - M Hr ml»-. E _ s -- 1- - 1,. - .-,' - _. -~ ' -.-".-»--u.unnn~iuw;q;92.|- ,2... {-- ;.,, . . _» . -
.-_pf»-.--.-' . 'h.'~3'F W:-'Q92 -- ' ' ' "92.§' - . - 1-.-*-:92-=1! --':. -1.:---.~_ -. .- '5.--v" ~ - '.-Jr x-;' =:~' -""¥=-- »*'~¢~. --» . --.----."-~.v__,f,,_.-92, _+ gx-_-';_f_.f. .. ...,... .
.. -:l.9292?_I92:4 92 x-10,9-_-¬_-.:|;'l'EI..il:ZJd 92 92 NM? _ rm: V I1. v K.-_'-..~_. 4 - V Y-- ;._¢_}_:,- ' "_-,_w.=,.92/ 'u'_-,_ . . ___ W2 °"f *""Y-'-'-"-"i .- . . 1 _-,¢.-'-" --" qw .- ' .. I323!._- __ . -' . '-I 1 "1"--5n...*'~ --
1. V --92--"".Ei- 3- -
- ,.-__ _. .1"-'~=-.'
, .;'__¥ _ _!..--..w....,,.,,_--v .. .-' ' B *» .. |__ _ _ _ ...,.....~........~._ _ j _ '- . --'.{§._.---..-<---.._.-......q,......-92! . -. ..$' - '~92-.- - -ff: ..92 .-.' ' . _
-- »92 Q . _ _92'"-1'-.--< = -" ~ '- .... -.. --,..-..~_...- . . .'.1'.----$3-5"<- ' - r -n
" - -"-T _':_;--~ ?1?'¢?.Y'4 .r..E-....- " 92._.._- ,; _ 1 ' -' "-f"2=~-'-" - ..-.. ...-I-:¢°-~~$-==.::>~t*~<*->-*.*--
-.-~.-». . .- . >¢v 92.-*r----M-"41-vv-1r-"-1. ,4._.-1"-.;,{'é--H _ 9;. >.-. .92 1 92.92 C-21-:§92
_ 5;-¢.'_-.-i-_, ._ .- '1 ~ cw - '* _. ~' - ' ', '*- . -» -<5 .-.. .. ..__- - . ,P __._ , ___ __ W...._ .....- .¢..92:7_-..... ...._;z.;_M._iM_;__M*iA Mm" ' *1 l92q-t 92-_...~-._.;- _
1'.1~."- -*':$>§»"'-,'-;-?-- .-"*'-F; J, . - . --->..-. _,. _ v z . -,-92.,.,._.- , - ---s>".:-.:- ' ' *' " "'.";~ ,;- <"é*.~. ~ * - .-.'.92 »:@..=-'.-- ;' ._ -~- 'f~.; ,- . .1 ._. 92- . .. ~_:.T..>. -1-.5-3 .' = _ a. ' -_6 . - -/,. -M ,-'.--_:-' -' ~-<- . . " -, 1.;---; : 1
'1*- -- 27*. -. ..... -. 6,- - _. my-_'.' -. 92 - _' - -__.-_ '. -...._. -,. -_ _- ;, "7 -1-'5 : t ' . _"'* .< 1 -92'-".'_'-jr-1 . .'
.¢»':°' hin.._.-
ia.-5'-if--.a":l-:1.?;.1T:"~ ._. _ ._ - . I - _ . _ ,;~;=§2-.;3;;§*,"-£--.5-if.
92 . » I _ '. 3 -.-vi. ' ' r §_-_ -~1= =¢..-*3 " ~ .
: -'. -" - ' -.U : _92 . _ _-1 32:-
<r- ii. .
.__r.-._..I
2§¢ i
»;
.1_~." -. --- 1-.-m.-=>- 1-' .--7 - +3 * . -4'-g .,92,_. 92'-¢1"*,92---u;....-¢-» q . . _ _-. ~"-!.t.--"T ' "4,". ,1? ".--. .-;'p"-[ 't=1.."=1-»-- - _--_- _. - . .' 92_=. . ---='-..- n. , .--- - i _ _." -.2» -"' .9-'»-T-"~* '.:.%~.?!- -4-=-» '- - .- . -I... - -lg . ,. __ ... _92 .r _., -_.92;|;'__,|-,9! _ J -l'_K:v~v;q.-pg-_|; .,.-..- __. . .._..." ,. , --. :--;-._<5 _, -.
»-Y , _. .r| .l!'@F-K-l.-,,;_"-.-.'-1-_f:::T=...-:~,3 ' V __»-;;_-.;_-,- .--.....¢.:...;_!:- -_. ~=..-:~- " '5- W '.-.=*-;¢@""~"",g1¢=,*-¢.""é . .. . .' ..,'_-.:,:§d;_.!.., .,
'4-_-if , ; ' '."-P
v-q..";'§"/--,-,-4
-n4. , -..».,
-x"J -_;.V,__-l -.. ._' _q:w." ,v .
. ....&;x.'_
-; '921-.=.n<F92 -.f..=.-E|'>>'.. - -' U..';.":-°*- .-I-1.-*~~f -..:~-"-'92 . - :-*-- =Pf -. .1; -_..*--,;---'9§?"' -;,rf92, ....
Q,-I
1-1 K
.'g
J:~"§'.:" - - .- , . . .. . . .-' 92 ' .£:f:§-.!::1§f_<;:=" -lizfif_;-?;;f'iL_92;_"§=_;-1:};_;; ,;: V -_ - - 3- . 92.. . v. .-92. J .,_,.. . .' ¢; -'14:. F2--" =-~.:*'92, .--- Y
-= . a. _ :1 . - -=. Q
"-an-Ir-§¢wQ* J
<.-§'»?. _ ;f;__;§** ~'~*=1;"f-;z '...:-~- ; %-..»- ¢-%l%-..f%-:1--: --+- *'. .
;5~,;.';f:_.
', 2. _ . . ... ___,,-=.-§-..- v - .-__ M ~.k..§;3% . gt:. . ,9"- - "' §. ~ ---.--"-----,.'- -- . .. --1 -_-"..-n-.+= - - . -- -.-,-, .' " ..- -* -' Q Th *": ""' 1*:-1-.1 W. '- .- - I. ._ -..
11/
. .._: A.-V -...¢ .'- T}?-*;.;§;V ' H 4.?-§
4» s-'**-11'.--"'5',-3.',-<
-.-,j ,_.
.-;'*.- -' -. .,-92's '--* -. :. -,..;»=Yw2~="/=-=-.-¢ =-
-,. _~.11: -.. 1.. ,,.}~;_U
_, A. , . W . .
;_.I~. A_==, ,-.-*;'-."=|:r.-1..-:;;....-.'.........; M? _ - _ .- _,-*?-_'.;,'=];.-'__j<."- ---» . W - 1--_.92-;;-- - mt-% - *3}. -$0--_ . . _. ""._-m-..--V-.-.-ili;=.-=¬--fr-K:1%-:.>v. -:,. - . -a ,-- " "" " - 1"-..?~." - ' ', '92--¢.~',- '--5.;-la ,92<;¢ _. .5 3.-'_."-7">hnri,.-..-."'-'-.+ . ..: 3-Q7 '.!-3' "Q-" ..
1.1...;,;:;,::zn.-- 4..-1, - ¢-3-z, ::..-.-.9-.,.-£_.,v P. -A 3&5 14...} 2,-£1, -
,5 +1; .;-r.- 1...-..~_.-_-.. 4» - -2; <3--'-y. j. ':_ - =;,"- - /Q-'.:f 1" .-.-'- ' ~».:r,- _..> _;..-I X -" a-
,,
~ -- .. 3..-3-.-:.--' i;,.:;;."* V ._ 4-2--.-..92<_. ,_;.__.c.- rt-1 9./__'-_: _,;>' , . -
-=. ---92~92.- -1.. -..1, . ' . I
--'?fi*§-*:>.- - - - .4--.._:_-.--2.;-92_:;' j. _ - I - " " -Y-5-.2 ~ '1 - - - ;' Kim Phby U!. spy and fraifor, pi -..'1';._r__4- ,K¢ _r _ _
-~». - -' 492 --.-.' .-.-. . .
. -." ;;~-.*"r"~'='? -. ». r"-=-=2
,__.-....'.;_-..._..§I-I? A. -' ' __
._. , ,_.=____H..._,. . 2.. .. . _J5 ,. -I3.-.f-- -'1' ' v- <- ' -- ~- #..a'~[7* =..'--u-- . - -"92 .£ H". _.-; ----..--:-- -- ..--<-. *1 -~ - -- - M-; . -- -1--__-92-< .,92 _r v_..._,__r_¢ _. _ >92->3-*5 * _ . . -Y :_-~_ ';_1-3.1. .. ., - *s-I-W1?- -- -- ' --I92?~.+ -..1a:= ;-,-.*-,, __,-2, .-_-3. -.92-"1-:1_
_ 9' . ._ . . 3,. .
'1'-A-;""::l:. ii?- ' .. -. .<;:-w . 3 . '3.' -.1-':_
-- -- . A .--,,Tg,h -i .. ~- - - --1.-92 ~ 1;? . .. 1: i 3 - I 1; ab"-v Ml. -ix-*1-.1.-.r|!m N; .. M H 1., ; ~ 1_;_; _.__<__é- I§:|-§h_»._4:. ._l. <9" E. 1 '1 - A "_MeIinc|a,he .lounc:es..lrl wifh son¢I;A|;1_§_.T::'_'
A H I ' ' - 2.~I 1 I .. . - we - 1- ' -' - 31,1 ...'__ .»:-= - 'i.=--mi.-:.92*§;A -J-""1" 3
1.'>' 1:1.-. d .='v:<§.592~5 ..» -'- "< '7:
.»- . ~ - ~ - - '92--.-2 ' - - --.. -T .. --. - . ." ' Q ' I 5- - Y-:5 l?.5&$ ' __ - .4 s --- 2-»'.'_f_.__<.-£?I'E§._92§-'1-~,;§;-:.~ . . u g A * - 1----~-alt-a--~92-=-=.;-?-".'-Id-'-;= -= "- 1-» »".*- - :1?!-.: ;:.-n-;-=i§-5?}: ,- G?!, _h; __
- - - ', 92 , .. 31 .._- - --.'-.%.5I;§2§3fI+;.*-. ' .
iv -s-"~» - " -- "W I~ I uni. xhl - __ A --- .5 l . - 92~"L"*.§_ ..'_ " ._ " j ; '- -1' -1'"»' . 1 ' " - i -" - r ; *' "' -' . -'- ..
' 5 > __. '- -_ w -- "_ -'- "J; I ._ _ _
" - é "<:'-. 57, -#~' 1' -.'.92.~'- .-- 3. .= - ' :' ; C"_-._ , a "P.-.r ., é.'.*-- .='-'- -. . , 1 - .--_ -5; ._ --_ _ A 92. -.__ _. .. 5-_-92¢- -»- --.-_-~_.._-92;¢;92;. .~§- M ~ '_ -5 . --.--,.-_
.' .-at 92~... ,. _-- A._.g--_-,. - :_%¢=e.:...: _. EI..:|1_~_-.{._-{.Ii;I:7_.:: . _ '_.___._I.,_:,5_;t- -.; 5.-4-_ ; he}. . A é.92..:_-I:I- . !.,_»_.f., ,- .1. - . .. .. . -_ I ,- _.-92- ,
b -- . cfured --In Moscow lasf year. Wiih fourfh wi'Fe -..--.-...._._..._.,-_.¢.a.-. . ..-. ..-._'
_ .. -!"~V5"'92".- _ - *'5.'--M1-'.' .*"<- -92"--'."=.-"=~.l ;.;¥.§-1 1WI "' - '. ~.92.a" ,,.¢-.- =' !» n-.--"~11-'---'-~; 92J<>. . - ..92_;....»~- -V... >-._..-,2. !92.~1-1:--F"-'<;.:3;;,iu - _ -I-¬._ .-.-.11»;___»f .. '-_--.,<a=' = qT."§1',,. ' '1 .. .<,-.~!l'~=a!§;.-_-r-g;,<iv- 1 4: W - %Y"L,:_. T? ~-9". > . W-i* * ' -'¥ $f*--*.'%'<.r..@;@ Y? . . - .a- . ""92Au1 .{_:§:" J? -" 5'. -1' ' 51-+36, '.- '- - _ 1- '.:|" ~'-1,-92!J.>,,_-;.5 92 " ' .~'-"1 3 " '- ' ' :~';~*'i ~-..'.-"t" 1 .- -.'f*?'-"*.3F*'=. - -3, -, - 92_,- -.,1
11.-
. 4- .-
'<";'§'..-1 -
*?? --;§. it1!;-*8»--*7 -
, ,.- _. .*. _. ;_._.:._ , .._ .>..-.
-5 7'-.-"3--1*:¥":'- '.;é-3-;.,-é<= 2.1%. - ~ --.. .. -. -é? -'5.-.=Tj":E_7;l. l?i, " "1 -1- ". --4--"1;-ll-I5???-5ii.7-3é .." " /-" '*' .' " " "' .- -I . E ' I "
K - ~- *1;i - 92 I -3 -'2. 4 *1. H---n
-='-_g ~| '.'..;>',. ;__~ H .- ¢_
|. - _- a--';~|-
92 .
5 11' l .
c J ' :1."/I4 .
|92
._ 0
I .
I.
1
vl
|
Iw-T
1
/ . _/-'.' To] scin _ /o-20 Rev. 7-27-6?! C; <'F""92 " LI... DeLoach_$16/32 Efiéoai
- _ _ .- Casper __.._._....i,.
Callahan ......____
// Ol'92l'G........_............_iFelt ____i_
_ Gale _...__.._.....__1/', I Rosen I 4 - .I l T Sulliva _5I Tavel ..............__..._._I, 92 FT Trotter __.__._______by ' - Tale. Floorn __.._I ~ ! Holmes ________..____92 v Q ' Gancly ......__._._...___ 92, I l> ' lax. l- D ." -I
92 ' / T
057A ~ B. APPW7I,.-I-_'_§i../9 1
NENz1Es 5/31 NX I .LONDON UPI!-MAJ. c;EN. S1F§__%_'I'E.!.~lA_ QETNZIES BRITAIN'S WORLD WAR I1 1svv CHIEF AND A PAoAAsLE"*NonEL on s Y1 sTEA "FT" IN THE _.1AJ>u-:s BOND ISTORIES DIED THURSDAY. HE wAs '78. dpc-P-H;: 5/=_MENZIES HEAnEn I. I. 6, WHICH DIRECTS sRITIsH-EsPToNAcE, FROM1939 UNTIL HIS REUIREFENT IN 1951-LIKE FORER M I 6 CHIEFS HE LIVED IN S=CRECY AND SIGNED HIMSELF .ONLY As "c" IN His'woAK. oN or HIS NARTINE EMPLOYES NAs THE LATEIAN FLEMING. FLEMING NAs SAID To HAVE DRAHN AT LEA5I SOME OF HIs
"M" CHARACTER FROMMENZIESA . -.,.-NEN2IEs RAN M.I.6 AT THE TIME WHENY§%B%b%h KIM! SHILBY A BRITISHSPY FOR THE KRENLIN BECAME THE AGENC . EF or A TI-SOQIET .EsPI0NAcE. MEN21Es.§ENT INTO RETIREMENT AT TAE TINE or THE FLIGHTTo MOSCOW or BRITISH DIPLOMAT DONALD NACLEAN WHO sTOLE ATOMICSECRETS FROM THE UNITED STATES, AND cuv BURGESS, A DIPLOMAT ANDl A FORMER M.I.6 EMPLOYE _rmwzun dégj Q,§¢>¢} j j If/Qyéatl
_ DELETED cow sun A Cam-L5 -N;-AI} -l I I _H 7 LEFIERH iliawlg L. iii . .-bit! J» __/£7 WR rm r1';Cl.lEST £3 ___m_F_
I I / H0 _
§4lJUN13L196B ; A A A .' "IIA' - '71-1'1»-' WASHINGTON EAPITAL NEWS SERVICE? ' ' -'- ".:I.'-'." _"§.- A. _ ' _A
-P .,,-92Q'4- '-f.---1 lib-|.. . - 92= ' ' _ _ _|_An *"-5&1 AI __i'_%.__1n.'.Q_92_AQIn* -3 AI.-....-5 ' . * '"»" -.»I.m'v.-'.-:.< l¢~m.I l-L1-la; ' "' _ I -1 . I 31:-, Tn" "W8.-.,,I
HEH~ _ , I q~NI
528SROI
N .
G
_,,
"--1-e-..-t
%._;YlP,--_
Notonepersonina thousandsuspectsthe real
meaning of this famous double portrait by Jan van Eyck.
Actually, it portrays a wedding, and all the fascinating de»
tails are symbolic references to the sacrament of marriage.
As}ohn Canaday points out in the rst portfolio
of the Metropolitan Museum Seminars in Art, the little
dog symbolizes faithfulness; the discarded sandals, humility;
and the single candle, the presence of God. Above the
mirror, which signies purity, are'the words, Jan van Eyck
was here, r434," in script proper: to a document. For the
painting really is a document: a painted marriage certicate!
lfyou had come across this painting in a museum,
would you have understood what the artist was trying to
tell you? Or would you have missed the hidden manings
that make his work so valued and respected?
,_ A surprising number of otherwise cultivated
persons have a blind spot so far as painting is coneemed.
Visiting a museum, they stand before a respected work of
art and see nothing but its surface it was to help
such persons that New York's Metropolitan Museum and
john Canaday, art critic of The New Turk Tunes, created
the Seminars in Art, a unique progiam of assisted self~
edihation in art appreciation.
Page 24 I - 'I
_ ' ' Lg
Each serninarcomesintheiormofabandsomc
P01150150-theooreofwhich isalecturedevotedtoone
aspect of painting. Each is illustrated with many bladt-and-
White pictures and contains twelve large separate full-
color reproductions of notable paintings. As you compare
these masterpieces side by side, Mr. Ganadafs lectures
clatify their basic differences and similarities. and so re-
veal what to look for in any painting you may see.
Soon paintings will be more than just "good" or
"bad" to you. You'll be able to tall: knowledgeably and form
your own educated opinion when you visit a gallery or
museum. And parents wiil nd themselves sharing their
understanding with their children, thueby providing a
foundation for a lifelong interest in art.
Examine the am porIioliowi1ho|Ilclm'p
You can study the rst seminar by mailing the coupon on
this page to the Book-of»theiMonth Club, which admirv
isters the program for the Museum. You will receive the
rst of the twelve mrtfolim, Wits: is a Pt.-inting?, for a
twoweek trial examination- Subsequent portfolios, sent at
the rate of one a month, are devoted to realism, expres-
sionism, abstraction, composition, painting techniques, and
the role of the artist as social critic andlI_4' Hi Q a ' Thepainngiatmadeamarriagelegalp
V --Innis.-'
Ifyouehooeenottooontinue, simply returr
portfoli0andyu:rsubscriptionwil1beoanceled.Thtnofurtherobligation. Butifyouareconvincodofthe
grim! worth. vw my only is-an PM I "N11 dunoovermailingandhandiingexpense,iortiiisandfo|-ea
theremainingpca-tfoliouyouacoept.
"""""""""""""""""""""" " '5': Ii
Seminars in the Home ' '
/o Bookof-the-Month Club, lnc. .
345 Hudson Street, New York,NewYork roor4
Pleaseeruullasn|becnberand|endmePcnfol1
he Painringflfaftertwoweehldecidtmtmountim
yretin'nit,canoelingmy|ubsclipt:irn.Iflretainit,billu:e$
usasmall|nai1ingclurge.rit|ndfu'eachofther:nni:
ptxtfoliol-utheyarereteived.lmaycu.-noel thiasublcriptiu
ytime.n
mu: e _ We as 1 sf
0ABIJLK, _ in ' i t _
We _ __ t _;g_lI.|92l"!, __ II?
II%ll492l."~lQIl.I+IIl§IQQ.l§l-llllli.
BOOKWOBLDJ-fl?-'
_-... I
I
I
' " " 4--0.... -___
E _ __ ':|._l:_! W _ T1: _ _ __E!__l____:!__:_ A*-1§MaMH_A,tU_ A ' PC ___ __ ii !_'|__l__l_ 1,55 Ii.'_1|l' __!{"11I__i" £1; __' J_pm
T L M
L111. 1051 92,o0xuook by Yogi Vilhaldas iimi
3;:-._Susan Roberta; Vietnamese Cookery by Jill -=f _ Huang Miller; The Cook's Companion by"_"{'ii~Frieda Arkin; The New Can-Opener Cook- "_ j%& by P"??? cihn; The Chocolate hob I" -irz-book by Willi§5;_I. K_a92lil_:gm _ }_ _ j 7_ 'um u "M, U Mums" £5; békflllli. Imn iprllu ll, Ohio 92 v
. IlIW""'lIllvI- W"-2";-_-2'-_ _ f;i; i _=2. ;= »~ A *9 - VCHAR&$IHAM1|-TON -"""-1*," mumuoon ' .'.'_._ ~_92lmrutc|n:.IIOrhclsu1 Eil 'P&lIll-N'|'
imrhtmincuhhglhm
NI.UHl|hn,Dhictp, III.
' 7 1fif;l» __5__'-"""""'_' _7i. mc.¥'-'7 . _ .~ 1* nuluruomnnrnoonaaua m.pa-1|, - ' _'l'92ll92-Iimll ._ltstmsii-. urn f : ",¢v.a.1m1na4m.uaum¢. _ Q " ' " -
§!g3;§,GuHivera Troubles,-:q..|ib¢ Sclling érlmer-" 10 ' '
F10:-eign_ llglicy by_SIa.n|gl Hqmgan iby Carl Ymhlemsiciiwin Af iirshber I
;"_,_'_,_1irar1l_c _1_1oiJinsoq_92[iLh AI Sycrma|:|:_: wAwR~ BENMN @;.'.i..;..;.~.;;.....;.;....--;<*= -* '_-A OGRAPHS i ' hi-15¢-f~.l¢adnnl.F.D$.9lIII92l1l$.B1 Ti§}E{_Upa and Downs in Baseball by Orlando Cepeda - 92 I 1 -* Jggvim Charles Einstein; My Life In Baseball by 92 ~ .< .i YT i i ~__ II. ' '
=_ _ ____- _, "sh 1337- ~§§i11nia_§';1iye1_- Sea by Sir Qllizur BrLm_tW' I4 ; <92 71-. i I~;=*§"» I " 1l§;g1j1;¢_c;@i=_@¢w,by_gob¢nn. nykgm * 15,__w,m_mumMM ' _ _urumrnu|vu:z
Disintegration; 1;! F0l'l71;iVl1V1IlQ by§F{Ench Kahier ' I§{¢é :+_rf' '1=:'~ - ' - Y F ' _ _* _ _ ;a~f P Ile-'§'£e<;I!=»r¢= i i '-_ umrlmrrewondaou..-- -_;¢?-riafmininumtcouemw '-
_._____gq|leop1onnq||u|.
92 .. *K.,- "L"_; u~_|uIr | *_" _ "i,-1777', '~ , i W 7 '_4n e ~q_'_ 7 if ' _ 7'7 ' it I F ' U WRITERS! 4
piilnrlrlllhlnhnnllallldu,
lou~Icllun,l'urp92bl#catiouu=lIIll
Fltnllvmnuhnu
zhldlilx,
Iiarllm nprlnuanrrillq,
lallngenat¢a:u.IrlhBn|LIE. -'
~uu-osniunrma »= -1~
_-50lI'l_|_:-Inf:-l9lh!Ju_rlc||0,I_92'.1175'l
.
gqg_1|,;'1m locum An. at ma St.!
Inn .
1*:-j;§u>t-;192;.i{ir?iIfvo1.u'1»rn:§ *7 i if i 1_u:,_l.92f 10021 ac §P.BllIll92¢IhI&?FrI|IlIi||- K ualalusllmlncurguunum.
UTEIIATUIIOIURIIINA =.}_"'rBE§"[SEJ_ILER§:i7 ' V 7 f * i * *J * * :* i *:_ 7; nu M ms muinumruxE<§1?APEnBAcKs * i * 92 * =
lI'l'II.lIl$_i hlrturlul mum: mm :;,'¢'fErTEi i lis UH W Z ' i i 92 mucn, mum, rum, comm, lmuh.55E81UI|I1fUI!.Il'I'|'qrl,I.92'-{QB
L9
__i _ __ §_ _ _ _Z!§ 92pl¢_ any pile: mu or lutogrlphs 'Po|'tu;uuI, Fetish nirscrlponl ll Brio!!-
-:1, ' nu, newspaper:-aluhoola. 5IIvlIIIP|b-92 hri .' .-If""' °"""""""" '"' ° 7 ma mum. as um om, rm: 10021.
iti
I "Q
i
'i
i
1i
ii
iii
1
i.1
iiiI
1
i
i
i
iIf 7-.-» -.-.-v-~"
. _l _. " t ~~-r;:j;._'_' '_. 1-7-7; __
|__ '7; ' " 'J|__7' J_ " _. .I .7
n ,. ,- -11 L..- ;._
. DUQLQ VVURLD
' - cmbimgnooncsfooir-n4B0at.Mu:ic
I! 11 __ 7 ..._ 7 ' _7 _. " *=l
Editorri Byron Dobellfy y W"
Associate Editors: Eve Auchincloss, Marvin Gelfand,
Charles Monaghan, Belle Roaenbaum. Editor, Chil-
el-er.'s Books: Polly Goodwin. Editor, Paperbacks:
Clamnoe Petersen. Contributing Editonr: Robert Cro-
mie, Georey Wol. Design Editor: Waiter Bemard,
Producnbn Diieclor: Gerald Seymour._ Copy Director:
Mildred Andrews. Editorial Assistants: Duclcett Bel],
- Dale Gold. .
Business Manager: Frederick M. Shaina:
Adverhking Manager: Thomas Tincher i
0 1968 howl]: cup. O no w. 41 51.. 1~|.r_ u.r. moss. Tel. :1:-In-not
Distributed by The Washington Post and the Cbieago Tribune
._l.J Ii
I .
i
.i
.
i.
ii
1
iiii
1
Is ' ' .
2:0 West 4lst St. ';_a,~=,';,";:,.,] _,
New Yorl, N. Y. moss _'.'?rr- -$4 I it
or vrifo "Book M rg_"'6:'J»?_it ._ 'soox WORLD. a q
... -92-_ _ I 7 I I I I I, it I
.§l,._,;_M r _
_ _ .-.¬<,92_-,1 ,Lilgnygg "-y . . nooxorruuuos ourorrnnrr-.92-I< - 1i
AMERICANA 5.
Send For Our Catalogue 8113 Iluiing in
American uistory. Politics, rmlgn Ahlrl.
Ibcriallr. Eta. Fm on nqusot. .= , §
STRAND? itr
cTnnc
orumz, _
m aaoaavwr . 92
um roan, n.r.:aom
L ll _ I I
- ;l_
iL
i
1 .Books ' Page
Ea; limb; bWBi WP iPm11i ;l§13i;hdey>axldDa:iii i:ii<{h Y _ _' . PM
3
4Kin&gQueen, Knave by Vladirnirwlflabolcov
Rome Fell Today by Robert H. Adleman and"
golonel George Walton _ _ W I _ __ i
The High! Peigloby Stephenlirminghrim f y2,5, .:¢: _ _1CIVIL WAR Books " . i
0.A.8liilu.30l nmsipo-.'_||o_s||r|u|,ra. 1
C .;.". _
AITQIIGAPPI-l@lI'l_ '
nmnun. unlaeurms, actions: chum.
Mire, Brsqin. Moderately priced. hnl 50¢ tor,
Iliustrlted emism. mm n. lurmlnor. Io-I
so son Annie, Elmhtrnt, tun tort 11.11:.Fllllt lllllil I.I'l. oi I3 Ilryldllllt
High Street, London W. 1. England, have re-
ll|!' Issued I Cltalogn, containing elrty
boob on America, Australia. Alrica, Alla. etc.
WrltntorDatIlo|||lIlu.912,tnueaI-
pilntion. .ll
IUIIIII
Tototteetnnolttovicstnnlooisttagaete
Wrttettuvr toebtninournurrthlytatslogun
DUI 12725 Bltbldl IONIIL Cliltit
1. I. sum. in. _
I-l% -
-up - mesa - -w.q~
P.0. lo! I3, Atflllghn, VI. Q10 i
U03! 522-I-I99
BOOKS OF THE SEA 8. SHIPS
ennui, sr-as an Hm, mm, an um}
not-IF-IIIITIII
authors names not
"aianii Ta. 'susIr' * , iooisu
nny,'I'oledo, III: 4399.
_,,;
J "T4
_|3|
'I
I
I».
,¢.
....-..--. -t -___-.--
_--. -.4.-___. ..-..._... 92., .. _t -'=_ __ - - - ' '--92;5"_ .92,. _, . _ _-. . ___ _, _V ,'.a-__ .-,. 92 . _ ____" .
- . ._ _ .
500.GnleWiQ'Ih ;' In-a, Mwpm Hi-
. ms. wan" um-to " _' - _ mpri Null], "536 Canterbury
Tales, Geoffrey Maori Mlle Ale-ldnrm landingCaqia-eatil el ISQI All
l'ae.0rlnuaITn92-ofUhnr U
_ _
"sow
nttt _ 1. 1
. ' 5,, IE
528,Coqleta§leIt 515. The Ulynl-,1. 5I0.!n-soft:-aal 505Stories II Mark Homer. Marie An- When-,'|'_ £_ 14'.
Trrala. Tm of Uh lei-none nphra bv'M- ream. CoI>a'en-6and- setreplica I-ll. enonnpn binding. XV, zoesom -
_esnumi:24
* mnaroow EVERY PAGE TOP
92 -
ELEGANT RIBBON MARKER n
. BOUND mro EACH votum-: iCOVER AND SPIHE t
ELABORATELY EMBOSSED §
_ tN GENUINE
24 KARAT GOLD
I Q 92 uh! 'IA "IN; A:L'$'1-@-I,,,,.tt--4: 5°
:" S '1' Jillyn i ] Lii,. -1 ...-
, I |.,,,-"alwaotarm III ""-"
3' -,|an.un|IIlI'II'
anrhndlt.. . H
JVIAQI Pelee, _.Leo Tolstol. C _Ania-an r_ nrrlinlMada; Abridged .
4in Q i
/ "92
I CLAIM YOUR 3 MAGNIFICENT VOLUMES TODAY! I
I _1IZIiiii Iiii ji1Zilatsnatiaaal tialteetars lllnry, Dept. 85-Btln ;Garden City, ll. Y. 11530 _
Please accent my application for Inerllbershlll and send he theItasiemoris whose numbers I have prtntrd In the bones below. Billate only $1, plus Illlrllll and handling, tor all three. If not daltmted,I may return ttmn n lll days and my tnelnlaersltip urltt be eanealed.Otherwise. I'll continue to enjoy lull members privileges.
Every month a new ntastenvorlt will be described ln advance. ll ldo not want a selection, I may notify you and lt will not be sent. lgsole obligation ls to truy la: tau ts tour volumes at entlgs$Gf.95 lam.ll I tptusahlpo lll'ld|lI92|Il[]t|t| lt[!lIllII112lltll't.l'tlll
llIlt7ottarse.nttaraeeeatlu|tniu,lnua1resl|aatat|_rtltlelIlelt.
F. J F1 Tl Lffi
Hts: _ _ -
I _ trhm MW!
no . __ .
Ill ~ . Jln ,
Crltlll llrlltee _ . _
Y~o.tr|rnlahobnte|:n:"|hf:r1h1l artleaartiaant staraibanluu linen
P2322!
..,-.-_t..., __,._.ZZZ -jii__z____j-_u
~--L.-t ,,, _ . Iitn true to the liilit °f Now You can acquire a library of classics in binditlt-ah M me dmHence_famous old designs that often only a trained etc t I mltms of hm you
Cnoosn any 3 of the masterwork: on this page for only
$1 with trial membership in the International Collec-
tors Library. We make this extraordinary oer to intro-duce you to one of the greatest ideas in publishing history.
The private libraries of the past have bequeathed to usrare bookbindings of hand-crafted design. Today thesericeless originals are found only in museums and in theBorne libraries of very wealthy collectors. Now the Inter-
national Collectors Library brings you the great elmimof ction, history, biography, poetry, drama and adven-
turein authentic period bindings--replicas of the designson the priceless onginals.
As with the originals, the beautiful deeorations on the
deep-textured bindings are elaborately worked in genuine24 Karat Gold...the page tops are covered with pure Gold. . . a rich ribbon marker is bound intoeaeh volume. Qfhesebooks form a library you will be proud to own and dliplly
. . . eloquent testimony to your good taste as a collector.
_----- -- - -. _-_.._..__.s._---...~3~.-m .¢ ._. __ _r ---*~- ' - --------H -.- ..._ ,.___,.__.,...s-' --For slid! =192Il '. :?i.92 sumo eat but *1 1."' ' "mm pawl In t I , mqrihutes thett_t eachtstvely tolltllllll C0llt.92l9292 ,"':4 01 each trim llvvllltt ml 111"-its nttmbcrs tor 92"l 92 ,.,; than the 60}! M mm? b°°hbq!d|i"n_11,Mmt~e M nmmn? lrltttllttgt: Your sole o h-nmpomn. limit-st n I my as our selections in the neatgation is to at92Pll '
12 months. M ||||rtldtttlory vulum_es now. If you
3" ; {r 51-at t--"|' by their helttty sno value. n:n.|rnare not 092't'r9292 tn-inlet M " ,,,,|,,n¢tip, and owe nothing.them in l0tta921tt;:"92.m' mil humllttutl for all three andOr. MY 5' ""1? ' ti. enclitslvn lwnetits at P"¢"!"° y1;1;continue ltt P" W I nu um MW ma!"Send no moan-. |t|.tt'~';;',,';,,t-l'tt1r~u92t. COLLECTORSthree no-I<" "" 'tN-mj N. Y- "-"°- _. --*:.._ t lettL' A ' "ML Tm; courott ro. r.srzuo no untl I-,3-;:'.!'9!tm.!.'=;l.._ 2
mlm "92lI.|-U Icy I2, I90! '~.-~ 1, ,_92 x
/ »_ _ __ WMq_Oo g :2 Z_ _
_ 8_'___"__'____ oug _g°_~__§____;:i NL Wt J 1 . M I NJ 1 Iail __E__:_ _._______:_ __£__ I: __________ '_§_c ___ I i
!lia_§ __M____ ii: _:__=_=o _:_. I A agig 8 ___:=_-I gm H Wiah _____$ I up 8|_92__n_
_q_ 1
3? K L, __ F
,
_;__ _ _7_ ___J 92'__' _
___ X? '___ mp
_t%_ m__K__ __w"__92L__H92_ _ F 3| _ I tn _ V___ H__¬_ _ if __ ___ xi , _ _ _ _ _H _ _ _[1__%__J_mH8 :OQWH<m<V_ m ___§® ESQ mU_mmm$Q *_ 58 goo;*3? _ WV H WV bi! JO Oh °__ _'w _M "I
?a _ _'__|J,
I _ _ _ &J _ Um
l _ J .. .tc.»_'..tt.,rtt-..~, .._l'-l a»;-
rme both fashionable and demotic it could have
trvived one or the other, but not bothl and is being
l __iampled to death by hordes of status seekers and audi-
ltce participants alike.
l {4Al-ong with Professor Kahler, I amnot against the
nv. In the Battle of the Book|_g£t92vo centuries ago, I
'Jl.ll l have been at least as much on the side of the
'-oderns as on that of the Ancients. But the battle of
ie books has become a battle against the books. Books
=.e becoming nonbooks - catalogues like the nouveou
man, boxes of interchangeable sheets, cut-outs and
ate-ups; music is becoming pure noise or impure
§ence; painting and sculpture, children; and anthro-
jids games, or accumulations of bric-ti-brac and
to-itus; and similarly with the other arts. Worst of
iii are the mixed media, which can be dened as a
inch oi pseudo-arts forced to perform orgies in_public
an audience oi voyeurs. l
lErich Kahler's The Disintegration of Form in the
its is a series of three helpfully illustrated lectures:
Forms of Forrn," The Preliminary Stages of
bintegration and "The Triumph of incoherence."
lthe rst lecture, we proceed from a brace oi deni-
uts: form is structure manifesting itself as shape"
5.1 art is form created by a human, intellectual act.
9. are shown that "even in works with open form it
in Simon is 2.-re movie critic of The New Leader
to-no critic of Commonweal and Hudson Review.sec -as lJll':92;,.é hut-H"-t 4--n r.r,ntrtl'Jr.'-92, I-iJ1o92.l'|A..l.:eiI
fclgiionghip bet-wwn OOIIBCIOI-lanes! and 16 RCO!!-
scious. Fin; rationalism took over from religious
dogma, and the work of the Devil became a sphere of
ingngtual cm!; andisuperstition to be examined by a
budding empj;-iggl psychology. This led, by reaction as
__mu¢h Q5 by linear dgggcnt, to a "speculative romantic
inquiry into the irrational and transrational which,
in turn, led to a more scientically analytical study of
the unconsgigus, applying "rational methods to empiri-
calsearch. .' T ; _
Reaction set in again; and the unconscious no longer
remained a mere object of conscious acts of explora-
tion; it seized upon the artistic act itseii and emerged
as the very ennctor of artistic creation, as . . . in beat
literature and action painting." Finally, we reach the
state of aiiairs that lohn Cage . . . explicitly recom-
mends: a purposeful purposelessness. What all this
leads to is beautifully chronicled in the third lecture,
which contains the meat oi the book. But precisely
because it is so pregnant with horrible examples and
cogent conclusions and caveats drawn from them, it
resists adequate synopsis.
What Kahler traces in "The Triumph of incoherence
is, rst, the growing insecurity of language and com-
munication. He sorts out three phases of, to be sure
overlapping, linguistic disintegration. First, the divorce
of language from all emotional signicance; second,
the redaction of ling-cage to prehut-nan, animalisticI-uI'1:92.lut.i!>It¬ba. rxanrer per-uncutiy attacns that intri-
lectual demagogue McLuhan, who confounds raw
perception with meaningful consciousness, the accumu-
lation of data with synthesis. Our arts make of the
cleavage between original reason and functional, tech-
nologcal rationality a progrsnmretic schism. At Lhe
extremes lie things like creative vim" and , pro-
grarnmed panic -» the announced aims of various
groups at the recent International Destruction of Art
symposium in London.
Kahler shows how in its ultimate stages this dehu-
rnaniaation reaches the physical constitution oi man:
the very megalopolitan noism that threaten our health
are reproduced and further magnied by art. Con-
sciousness is not expanded but exploded, with the nal
winner being advertising, which turns all this into
means of moneymaking. And, as the author perceptively
notes, the devaluation of words reects on the feelings
behind them, which become accordingly undermined,
making of our arts not just a disaster area but a chain
reaction, a self-perpetuating cataclysm.
-One may disagree with certain details of the presen-
tation; one can nd occasional lapses in the diction,
perhaps even a slight general grayness. But the bajc
argument is so well thought out and so sagely marshaled
that this third lecture deserves to be reprinted by a
foundation or perhaps by UNESCO, if that organization
isn't defunctl and distributed free of charge_ wherever
people convene --» at street corners, if necessary as agesture; third, the brealting up of words into sounds giant anti-happening. yr-3x , IQ I.
int woaw May 12. ms -' ' Page 2:
*"""* - ' ' "'
.,_q:.,,;.,:.;;, - __ e . _, _, ..___ _-.. - r-.. - ..
' " " " """"-" v -"-' '7 r '-92-=~..,.-e r --92»&+!I-.1. , _ » .92.__,,,n____ _____;. , ,. _, ~ - , *v-'--_ - W e. -;,- ; _..-.,-_ ., I, _, ,_ "*}-_=-'ur "*'I'- .-».L__ 1*-,.w ,~ 5'--. . _. .- 9--..~._ 1 _, _ '"-»' I _ » _- . .. ~ - p ~ - - . ..._.
. ,-_,,.,,_,...,._....-"|_-_..-.-__._. e.._..s..__ ._._. 4 "~ ' ~* "-:¢-w- ~ - .. - .. ._._.... _ . ..¢ -- -t-. ------ -
I
% l N onbooks, nonmusic, nonpainting 2:. _
i
tween gar mask _
i
iCharlotte M oorman
-nu, playing canwith 24" ruler " '
1 *. H.A_ ' , ;'-itii-Q ,_ I IL
:~".:"?-
Clues Oldenburg:2- 7 '1'?-"1' ' 1""l.::t_/ @1113é- iii "1';-_~ ii-"I-".13 .=~;*§,.--=.="_. t .- 5;-._-I !s;=,~:e"-- 14-'é"E'l '1-1;.-' _'.-;._- . .~_- ,3 3;:
1:;-'~. Ya;-'2?-5". -¢'%;.l
___ _ __ _ _
i ='l l5f._.=_'
sl :5.-
'2 _;_ ".,-
. ti; ..i3;::V,.-I
'~;c_=:=~.;¢. ' .i#,:l,, - »-_a~.-*- --' .éIl- .- '
'
,. ..
,- .
-_¢
. I plastic mind
_ tunnel by artist
. Steve Paxton
_ Hermann Nitsch i l
_' performs his Circus fa-F,' Mutilation let
.
1. ' _-__; _'._-_-,.r..§,-Ir;-I pk- . F tr 1., if-"-_--iii" -J ... .. 1 " ~:92=1 "-Uft i 4; r4I."92' :"VI;-'*"7_, 9-|.-_-:.._l'~;,:l'l,"_ ' V _. Ir; 9292 féiis.
-
' ._ on -i.':-?==f:;:=. §e;;.1-
_ ' "==-"~;. ~,'a-"-:-;_j;+r-
" -l'._~ asks.-.._ ' -== ----s -
Physical Things,
92""='!"'P-""" '. §""$ _,.'.__l--"- i ' """'.
-.'_=-.-_1. .-tt1 __ . .- as ~_»._ .2;-' rr _ ._
"*"3?"1? - I-;. "- -» . .. " tLest - "--1.2 ~s- ~~*-<*.=-<1"-e_ --,_,--. :'- 1 ~mg~;~_:--"4." - . .. -=- ever-"-¢-',=-re - .7 K - .--¢}--.=-1» .:.-_- ~_- J .,. ' ,. 1 -11-"K 92.-#' '~r-v'§' t --.< s ''9292
i/---4
Composer Iolm
Cage present: his
Variations VII,"
in the so-called
mixed electronic
. media
Allirecln-.
stnlctionby
r -at or
"1
'l
: i
.;l
i ;l I '
'l:3
o3-"!"'j;="92t'_~ ~ -:~-- -~ ~ - --- _ .._ _ _ . _. . .
5;, -*i;;_..,¢;r {;;§;gag;»§§=>-=1-@W%lt1"%t:wamt?-rsriit~ ,j,;;*:t;~:a:j.--..!.OR._$4tCRBI5 P:-IRFUMEFire =» .. '1>rt " *"""*'**o-*~--4 -"'=.92"-r-we-.'¢»'3~*.i~>=*
__%$~ I _ -_ .=:--" t r 5 *1: 1 _!'_.- .'.-Z -9". I '..,;i§-! - _.-=_-._ :5; aw 5% !HhLi RE FOR oowcrhrrrotstt » '.J§ ->1-tr:'g»-f$;%!*-,';*,,':_-,§>»§'_:.__¢!:é§':'»T;.rFg_.. ';;92¢:~...---,1:.--=. '=t.;~;:'i"=l,i~.#;1?#-it:-,_-Q - '-*.~- ~_=.l-r.-; -';.' ' ' """"' -'~"""""""" ""
--1.2?.Z§i=.i>:te@'<;:;:;-~rc"ggmse-9=¢,1b1=I "Its qwqrstoa 8rt». c t .. . -
_ l . = s ,, . ; tr fascinating accoturt3 .-' of &e amazi.'t*¥1:1~:=*4tt.,'.'.r,'?-. " - - - P. > 1-, r ""=§i_¢tr that t_'mal<e.__t'l*1e Bible
still the 1wo'rlds1'1. ,2l..:."§:v,iPg;_ A -.1 e QK-3;1?+';*x.-=i-" EU. " bét seller.
rl43?:'L"fiii,; ,§§ 3 ~ ' .i
l-ABINGDON
1
.5
9r..' _
,;~..-I." "1l'Vbt>. _ I
f l
lPage 20
.~.~_..-_ -. . . - _ _ _ __ __ _ __ __r_ ____ if ______ _ _ _ .. _ __ _,. _._,, hit. ...
creased concentration of PQIBI
in the Federal gore:-ulnetttf
Citing growth of ,'__1tltion.el
Problems, decline oi loyal-ties and war, is iiitigkrrlts
inateacl of naming the entree. The
reason is that [he I-ggjl gov.
ernment has tuurpqljlro least
elertsive anti moot _ lucrative
forms of taxation and left prop-
"W and Sllea tale; tqtstate end
local jurisdictions. ' 1
Until a melhoti is to
Fill" llic proceeds of the with-
held income taxes and hidden
excise and corporate taxes with
the states our citizen; will be
°°mP°llcd to seek amnrera in
Wa5lllt1gl0l'l--not hum, 11;;
Pfblcrns and solution: are na-
li0n&lbut because that is
Where the money is . . . incl
tolerate the incflicient and tm.
responsive complexity oiwbig
government as well.
JERE L. co1'rscH.|tr.tc
Lake Forest, Illinois
Literary lights A
shine brightest A"#1 in BOOK wontp
' - .-.- -"___, ,_ ,. v _ . 1 4SOLDIERS t
a play by l
ROLF lflO¢l92ll'llIl'Il .
author ul Deputy
i555, now aryour ironi-itorn, or order diced
from publisher. Please 1 ___enclose payment with order.! - ~ _ l
GROVE PRESS. 315 Hudson Street. New York N. Y. 0 I
I ;
- i Behind the headlines -
7.... -.§.t the forces at the heart of
Y the explosive l.l!!4!al!e East ' 3
;; situation - '
Threatened from without by armed hostility and from within
, by complex political and social problems. lsrael has rarely
been fully understood by outside experts. Now, an American
it ' political scientist has thoroughly analyzed the country and its
people in a "useful, thoughtful survey that gives much more
_ information and penetrates far deeper than most survey-
treatmenls" PubIishers Weekly!. $6.95 at bookstores.
V aLYaw"saJ1lf?P:f= P1e_
by momma J. mm, n1.l.'l'. '~
1 - !.l:*...'-e, 2=='-- '
/'92..' J
iooir Worm Icy 1:. maEQQ /%HlHP° '>* . .
:
l
ll
J
J
i
W
1
»
ex
i.
g: |
;t
j-t
!92lu-'- ~- -- --- ~ - -ann-ma-»-¢.h¢p..---q-t;.¢-.ui;.-u ._¢--»' " *.w-w-nmQ3¢&$~n;&nu-ii1ua~= -a ,.._.~_
1Oth"e'lditi0n-completely.________._. ii
revised and enlarged
. over 755 O00 sold to date!
- LOVEJOYS
COLLEGE, GUIDE
Urmmz-Mtuurz detailed infoniution on 5,262 American
colleges and universities, an indispensable guide lo: the
college-bound student, his parents, teachers and advisers.
or how to yam the college um
but sum you
D entrance requirements
$'schola:-sltips, loom, granti-¢'cn_-'1
I career guidance
Thaw to work your way
through college
Other features include: Col-
lege Board requirements, Early
Admissions and Advanced
Placement Plans. Engineering-
Liberzl Arts ".1-2" Plan, do
by correspondence, on-mmpus
religious groups, career elues
and programs for over 500 spe-
cializetl elds, Peace Corps, job
Corps, and much more. "What
Baedeker is to travel . . . Love-
joy is to educ.-ation."Netvsweek
$6.50 cloth; $3.95 paper._';7-»-"" '
92=EJ !Y'3
_ __ . n__:,Lt.. ego uuwvi
_ , . . 10 _ . R ., . __ _._.. - :_ ,92 -' I sot.: 3 --T L-' 1-_ " ,..-s mi "
. . I _,~ i,
I3 »- _ ..'. .,-av o .--'__I ,,o92"'1'r'
Also available: lovgigy
Coroor and Voeotiontai
School Guido $6.50 cloth;
$5.95 paper. Lovoiofs Schol-
arship Guido $4.95 cloth:
$9.95 paper '
u. - . ~i I Ailctlllbookstoros ' Simon and Sehustor I
_ 2 _ i ' ' * ' i. *** . i
SACRIFICE ittsccmntve i
FOR SACRED PERFUMEj "'----¬_..e=. 'vS
1 =-
l 92 *2
l olg 01¢Q lPoor Iggelton, said Dr.
]9I92_,n,_4_l,_,n!t, Olympian ii!-
chin, he wrote to thank the re-
viewers! '>
Much as I stand in awe of
i even the Great Chanfs nhade, I
I will risk to contempt by show-
ing my gratitude to Mr. Anthony
i Burgess by directing him to the
epitaph or epign-am which, in
his review of my Dictionary of
Quotations {April 21}, he said
l he had sought in vain.
92 It is by Sir Henry Wotton and
is entitled On the Death of Sir
Albert Morton; Wife." With
masculine assurance Mr. Bur-
gess had assumed that it was the
husband who had shown such
mernorahie constancy. But it
was the wife. The lines read:
He rst deceased: she for a
little tried - "
To live without him, lik'd
it not, and died.
He will nd it on page 155 of
the Dicliondry 0] Quotation-3.
j: acne:-:1~| EVANS?T¬vNortiteld, Illinois
Why Washington? ;
it is that the
author and the reviewerlof the
book Stornt Over the ' States
[February 11] fail to "recog-
nize the true reason for the'in-
creased ooncentration of "power
in the Federal govemmetit.
Citing growth of national lL1 WI _ _. . QI ,J__ ..a»'Jee- .. ._--»I --
5 '5 2?
4--QU
"Ill"ho- ,
"A literary, gunless
safari in an
engrossing land"
4t. Louis Globe-Democrat
'l'hooutItoroftl'|obost:oll-
!t'.:¬-ettgo !.ltel.92ede.|'l.Itt!I.e
thou-tlmatmythsofnriea
inwhatlvanT.5sndenon
lntrcl ti calls in his o uc on
onoofthomostvtvidflrealistic contribution
natural history, othc
and zoology that I t. .0
over read."
AEIIILI
KITABU
If Jill-PIERRE HAI-LETit I-LEI DELL!
lntrootlolt IIIIron T. Slolorloo
so.li.oowot|ottrboohbn
II,lllllbll HOUSE
|a|-I I.
Ari " ill. :__:°:I:5°a d h_| R [M
1 M °A___*Ls_____QM_4___a____%H_v~_W'_n1__M___<%__ F _ _ J H _ _''1___. 2 __ a% H ? __ _________K I I_ E _____ _I~ ____t______ ___; n_ >A_J&_M_____a _ > 2 _J___ ___ _ V P J! V ' _; ~_ I r ___"~__'__L92,__'_ ' H _ I ____"r__ _i_"____ I a_ Q-
__4_|__ ____92_,_ _r__ ____~
_ _ H _ _ 4 C
_ _. _J _ _
_ __ _ _ _~ _J._ tn?! _lq_ 2'? _'_ Q __H |!_M_h1 9: _§______u ta ._=___bOmd ___o______H_m_ E538:
_3__§____*°3_ ___ ___*_a_:___G ___gE___:___
______§_____ __:_____E__E_92. iii M ZHQE HUZ§jT_NmEHm_B ______ ans aa SE DE: £0012 H __d___ m
=5 Eu ___; __U£__ 0:03 5:
mt: 15 gm 9_____g _=_3N|_u£__
___ ; EU_§ "jg _m_U:_O_H_
E21 ks F5 =____s "E ___:
35 _U_____O__ Hug ga 3 Yi
H sh ___O* Saga _¢U=UUE
UB2 __35O=____ ___": E _m mg;
53 SJ £1 mu: nus Hm mo
ca sew baa i__O___ mm __¬U_>_
20¢ ha _§_mnmO__ _£______V_ Ea
in I=H_U O_?U:H___ ___£_:__E
g____m 2; 3:5 £3 E _ _Om_ ids2 SEQ *0: 0:3 £__§ 015°
U__m_U__is Us _=__* _H_8__:_ k__:8___
__§n_ EEG Em bg 05 MO mg
_A___2u_ Di _1_Om mgnm E0
E g_____£ __ MGEOEM p_E__0__
__=_ E 25 55 =_8___U 2?
28:5 _gOw__E3__m 8? aom
jg: ____é U______m_a=!_
GU: E_____a u_U_$O_=z __U___"_2m
H0 __Om_Ua Us E H53;
¬__ Oi 8 __SO_____ "___: < YI _ _____OO__ ¬'38h%_1H_5O__mHUm=_=_ Ouiau G SE
M3 ____O man ___ ___: ___: _v________O_
V5 _____am__ U350 m5__:_ P_8__
_85___m_u___ 3 m__: 1 ___ __J_______ _§__:b_____ 22; __
_B _n_____E_£ _%____m 8 N ___
___ _E¬3__w 15 _VR_HB£__ __
_m¬°mO_E_m SE5 ;_E___ J___ _U_
U5 as £50 30: U5 O 31$ __E3mbE< q£_____ is oh
m_____Um>__O_E ma 8:3 O>w§&m
E Am : £95 565$?
"_§_m ___°___m>E _s_£_ gag
as 8 smsm __ 0; 2 o:__W
____% g __8=lp__m £5 U5 Q L S853 £2; 3 £¬_§U__ Mai
t 2 G051 g _m 15 h_____:__m
_w£_ _ E286 g£_H¬_v Oi
WM _w____=: : H2 5m___8__m 3
15 __u___B:8__ *__h_8m_ 2 g J03
2; __mN_g _8_8m_ _8_8& _6? Pig mug ___Om:u:_~_a __D>OO
_m___g_ __2*_w n_Nm__n_ hUN_:___H_ 2;
E ___;< gm _____%__z "___:
____O__ ___O____ 523 __£_:__H_ 3::
___: I:UEU_u ___: :£__;
$3 =2 n_________s_ _£m_____ H 62 w__O8__ __O 1 : DES 3 gs Hg; __g___Umv 1: 853$
B as v__E_* F5 E um __m_§£
_J,_____mmH :05 "____63 3 MOM _15 8:; 5? 85:? JGUB __§§___ _8__u_%_ _8__£ ta __in _B__E___E _£___n_____£ _E°wu&
BE >2 nghmoz o "Ea
____i____________ _____ nu:d:_ 2 :3 mag J M
__"
_ _
___
__wm
___1_ :__ H U_U~__L_&__H_ E 2 _m§__ um?EU ___ E£M___Ou~__ :3 _n______£ "I _"_LAMif _
6
M @_W, __ _ ,
_!: "° PAPEBBAGKS
--. _ 1 I I'-
_* K - - --._-,
Hie 1963 edition of the Guin-
ness Book of World Records
Bantam, $1! is out, and once
again we are reassured that the
year just past was not in vain.
Donald C~s_I:-ml;-ell set e new
spmd-on-water record of 323
m.p.h., Sir Frarfcis Chichester
set a new single stage on solo
eirenrrmivigation record of 14-,-
750 miles in a 119-day voyage
and Dr. Barbara Moore set a
new greatest-distance-ever
waed-non-stop record of 163
miles in 41 hours and 40 min-
utes. There were new recordsvealing beyond ordinary
tationa.
In The Terrible Choice:
The Abortion Dilemma Ban-
tam Extra, 95¢! the medical
loot: and the etlzieel issaa us
explored by doctors, psychia-
trists, lawyers, clergyman, social
scientists and others who par-
eipated in last September's
International Conference on
Abortion; with 16 pages of
photographs of the development
of the human embryo by Len-
nart Nilsson.
Bertrand Russell waited more-~ 0----we-. H-"-'p._,¢¢.---alw'~- er}u,|[ ._U,
....x tn.. rv
3 2 E BIO I8:92 5_ d IJJFQQ gr __%_____ 2%
as tag Hii WIW =_d_____: A _ __*:=E_3 m__mOw__m___E__
B _____w__E__? _u2___=_____°E _U 1 __ 85? EH3: 1:05 15 E: __S__OuD£ Onga |___ Uhti
1535 :n____ Q: :"___H__£ £3
_£____8 __wE§_H__ _ _ _ _m saga
ha &__n__H_O__8 __E£W8__E__ =5
_m__mE____ ____8_aa b_______8___:__8_
_0£___ E______ E 8 §OH_ BS8:
gin Ihsa ___E____8 132
Pi O33 b§m__ ___UO_ 2:2
£2 _£_____E_H3 __DE_EU_
_£____ he _8___ O5 B p_%_________
mg: =5 naog ____O=£ __m2___ =__
_______ _§_g_ 2 SE £3 E:
S EOE E ____ 8%
_3E_O_H _3O_ O sgz U5
______ 2 ____:_s_£ 5 A HA _2_____23:8 U5 2 E: "E3 EOQE
¬_= b___=z__O: :5 _U=____3 Q Om
___$__m_u_m__E__ oE_$_B___n m_EO__m_
5 1% DMQOQ _q__O_%
__m __m ___°__ _______:__3u hza
__OE__3O__A_ I O OmH8_U 05
1: HOEIZ £___au *0 2__2I___ 2:
3 _§_¬__ __O__E_ unmmq Emma
as 3 um E : Oi Gig n:__
hag 32; 68 :30.
2: m_______ _1Q UEm=UHUw__:_h,
g $3 B3 _8_____§ he
__g_8_I ___'___§____2_m gm =58 TH: Ii dais u"____»_mm_M_E,__________=___ P? _£:_u °_I_:_O_=u_U 3 85:83_ _'_ J_92_~_|" |_|___92_1__L_ _, __q_M_92lh_ F :_||q1 _ V"~.w ____¢I 1 4 m"____gm Q §______§ q<=_m_mm_%m°j _§_ B ma I!
_ __r 3 W__¢___%___ M_%_m ED: __u_v__O __O _u_°§_8_ 5g E mmiYa _ _ f P y I " H V _ _ 92_h_|a92'||. H__~ N 1 H M ' H_qa_|92 N__:.h92AW|_V * ¥WLwmwM_h_ _92_ _ |____'92_q_:_____N_Mc_92_&__,H__:_ __ _ '_
_H_ V ' {J _
dam P _ AI . _I___ _ :_92___1:?__q__ 1:_ Ix _ J__ 4_7 1 M : k f l ET: [1 _ __3______w__ 92 _ L
__ 1__w _> __
Wn$_j_m_h___|$__P* JP _ __A_m_92h__L____W_h__~___' I L___?:_'1 _ ___; _____'__ _|_92_ _ '___ __ _"?_ A f.!,i¥"_dHw4_r*Mw$a7h * __V Mm A__ _ V, >d__92A. _' _.:_'g_ HJJ»HWmNM§,#i_ __W_":_J,___n_J_h___ P MW
.3 _,,__n_ _ 2 ____ -I," _" f ]h____ _
1 _h _"H||__r_'| ___ 3 ___ FHLH
__ iv _r_A|__¬
_' _ Q _'_vwY}v_}_ J __ _ _ _____ _ hi L
1 _*__g__$__'__ L1: I I A 92 _ _ __"_i___" _._ ___ Sr _ I _ _
I I _4,e_ J_|_k_| I 1
_1 ____ I _' I mi ___H _ 3; _ 1 " _ E N
J A A V M NW =%%wkH_ W_1 _ 1_ _'_ F7T }"__bN __'_|_ °___s___*°
N _ e __ _:§_.__n_______ ___ ==__&__ Aw ==_=c_"_°H___m__ 2 R N Ex > ____2__°__ _
_ __ __L__M_H k 3 MW _ £_?___JM_ *__ _ _
92 _ _ hrvuhl _; ° 3%?
W? k92__~f92____ aim ____ __v___
1 , ___¢|
__r hw__ M __
w_h_i___H_m_i
_£__w___
_ M _ Vwi'1" hH__M929292_____ J 3 _
__92 9292___/_ _ h_wWH_
Mix % _/__;_______H___d_%_ __ M, _ _ __ J q _WJ _ V. Wmwmwd _
3 __._I _ 92_____;_%__4h__
_ __ _ __t My g m ___ n _J? J
Q?
EH? . _ _
1?
____§H_UL __a___w_ ________@_!_
d _____ :4
P val?0_l _H
H QE
A W£__
W E
an m____m_U__ ______m3; M __ __
HM my __
M Em_ 5?
h _"_
J?
W ;__
___ gm ___ 5 __
_ W im __ W L
__ F JP;A L
_ é/_*_ H 1
_ W2 _: mp _ E
~ G:
A M WVQ Y J
l__% __
E:__n4__
i _ _{_
_A if U __
_ 1
i - ' ~~"-"' ~--* - ~ - --~-...- Ow, _ . ,__.__. I __A___ _ Q? U _ _
s
fin!
lei
4
. _t
92
l 5
= i
.
<
| 2| I
. l,l.
,l
5 I
y lYour name is =-
Roberifwatson. You are s '
convicted and imprisoned
in Mulberry, Florida
tor crimes you dldn
commit.
You're lucky. in the old days they
would have hanged you in the
town square. u 1 "E
Forgotten but alive, Robert Watson was even
luckier. John Frasca, a reporter for the Thmpo
Tribune, took up his cause and, through a series
of relentless, hard-hitting articles, which won
him a Pulitzer Prize, found the true criminal
and freed an innocent man. This is his story and
yours.
An exciting story . . . in fact an answer to the
Sheppard 'Irial."-Mor1-is Ernst
"Spotlights the awful impotence of the little
man when confronted with the full majesty of
the law and makes the reader wonder how many
other men are serving time for crimes they
didn't commit."Libfa1-y Journal
Proves how many different types of people a
little truth can draw to battle, with tears, money
and effort, and how that deathless fool, the cru-
sading reporter, is forever."
-James 7! Mcermott, Judge,
State of Pennsylvania
m 1
. ,» .1 -rt. _u ._ __ I _ . ..
- ., -'- l.= . 1.1.. _P
-.-- , _ --. ' -. Q. . .. . .. v...-Q"F._ ' , . ' ' - '-_I '- -_ V"-'1." 'j_ I '-.,-¬'-'.. " ' '. .'-- -. 1_.-;..'!1 ..-1-4 . 'f,.">,"=1}Y§. ._ ri _ _¢.-.,, » -..,,.,,, I ,. Ar-
-; = 5;"". i * um.BERRYslThe West
Continued from page 16!
carriers of splenic fever-it
was not yet known that a cattle
tick was the culprit - and while
the Ionghorns seemed immune,
losses were heavy among do-
mestic cattle. For ibis reason,
cattle trails were continuously
pushed westward by law, but
not quite as rapidly as farmers
were pushing westward in this
period. There was also the dam-
age done by trail herds that had
no respect for a farmei-s planted
elds. Some communities tried
to guarantee pay for such dam-
age, and to route trails away
from the sodbusters holdings.
But as farm population in-
creased, so did the conict be-
tween town and country.
For those who had nothing to
gain from the cattle trade. there
were other objectors to in con-
tinuance, notably its accom-
panying violence. Even ii the
violence was exaggerated at the
time for political eect as well
as by later romanticism, it did
exist, and local taxpayers footed
the bill for law enforcement
mainly against transients. Cam-
bling and prostitution, centering
in numerous saloons, were other
undesirable elements. They
were defended, not only as ne-
cessities of the trade, but also
because licenses and nes con-
tributed considerably to the
costs of government. As: time
passed, a growing lesp0'Cla.l!le
element demanded an end to the
tolerance of caitle~trade evils.
Dykstra believes that senti-
ment for prohibition of alcohol,
for instance, has been much
in-J4-1-hr-air-n-ifr-rl nlrrinrr ";92§92-' - .92"'.;~~"i='. '1 ".2 .' ".'7. . " ': "; u-'. ._ ,_~, - _= .- e-.%=.:i- f' "" 2.1.-2.1-iq;3T-'1- '.,i P i92="--x», '='-4" - - - .'-. .- - __ _ .'-;, ~" .'-.'.5 . *'}"';..a- *-:.q. ~--I>*.t==;'_.'i '-we-_ ,1-1.; J.,_. _a_?_%_ _e, ;_"¥L.1 ,-_.. _ e ,, __ ,l___ I1- <
' .- WI .1'~- '* -V a. _ 1» 4- ;- 15 5 _- i. 4» . >- _ .1: '1 ._;..- 1' '-J5; _ . -;_..»'_=-._- ,_' -'-_-_--la __ ls!-2'-_,=: ~ .- #1:" $5:-51-"'~'@+"._.1:~~? -1??-. éi-1. -' =»...<~',,-=»--». if.-11>...-_ _--*"~---92_-£:'_'?_gb_ ' . ._. - 13? _ _ -.='-1 .5, _;j. .. __ _-_'~'-$3" _ .. lo - L . » 5'
'1 "' I §" V - . . . .1 y;- .-_-
Rosemary s Baby -_ '_._* ._~_ _ . _ , . _ _;.-;-_,.-y 1- -_. . ;'l@,,:. _;.:__¢:;~4,*.A .. - i .:"92 _- -.|_'_ P .r _~_._ _-'.-,_ "err " - *-re" *'=.=n~.¢= - . . '"'-Jsl-.1-"J- ' 1-7,-"3- . - -sir:-i;':1-li.,';§.r.:-.»-:._;. oi-f--' --w,-1,_'-_,-7: ;' F . = 1-7, -+._ ft
Levin- -__' " ' = -. ..-=..-'-92-r'~.¢»-'>'a.. _ .-:-=<w- .=--.-~.~ us---,-,~,-_:»r?>,. --1"f.-:4-.. .-air--.w. F#lifmfLf'.-}§,$$l-s- F . =, ..»,_.j.;r_-;._-;,-;,__~__»;.,-,-,_;.
Q -.1 ' 1-""93;
"la.. o'er--.7-'. - ._
1-..i.l.
G0 To :lhe Widow-Maker Jones._ .r"*" X--"@s§"". §
Capable of Honor Drury*
-"e
P Z;
Madame Sarah Skinner
The Lernonliaters i iy _ Sohl.: Pr
_* J*.
Secret of Santa Vittoria Crichton '-.i""*'i?§
5
QThe Fixer Malamud 3'-.~ _ _ U.~.».-.92.- -
Games People Play Borne.¬q923"¬l '1"-Qtii
An Expensive!l:l_n_ee_;I o DieDeigbton. . .-. .?!. ' if-
_Ii-_"-,"_1.hl~1
Arnold Palmer Method Palmer
I, A JfHoim '¥:~"":i:'C-' 1,:1,5! i,= e_E..i-
-' ft
L 1;:
I2'lai-Pan.__7 __
Clovell
13Stiletto H i Robbins,.92~ -''z
1%
R ul?¢'. '"._T"'I ", __, Wit -: '-5
14.Candyw §_2r1 z.t!1£gfn 8 Hoenberg
I5The Territorial Imperative Ardrey
_ _,-;_, ,7. -,- . . ' ._ _., .._|..;_.. ,_._
i L Fielcling's Superllleonomy Tolgurope
7: /e F1-oze_The First _ J *4
_ 1968 Complete Buyer: Guide _ y
. I 39$ Part Time Jobs For Women-ts--_,=-..*I.¥.i~'}~'*"-
Iv ' K
;Fall- :-'I i 4-. e *-._,';-;¢* '~=.- or-el.' :"- -_.,..._'r_ LT - 1-_,'»=-_ .. - .-"'- ~~._- ,',.-r, -.' '
Dr. Spock On Vietnam> ..._:Z Q": llIr a..:'zI'--.-
CT_ - ,-r. . .- ., , !j'_.7." .=. ?;
_,...;3,_'-
'. ahw- ."-11.111-vi.
arc.
* #i national bestseller!
i AIITI-IIIR I-lAll.EY'S 1
S-{.I"'_..__ _n:__|I __[ _]___r|
__|_l " i kl Vi !J1_' r; Ii": _ If v _ I _ |_,|"_ T ! I|1_ ¥l2__ __ VI |_l _| L; i I _ ____ 2 U 82 _~_ _______
_ _ IIOUI.'I.'I.U.'OIO..II...II-Q...O.'II......OIOIII t i.
. .... |_ _ JL 1_ E. _________o___!___
.
H
I" _gezog =_ RY ____'p__q. u p E gag _-_ zeal _=__O__~°ID__O I Gm 8: E E ______ E.Eg__g____
H _ ____ Us 3 Egg. =38?
u I S 8:: =_____°> Dz 2 ___O__
__ Eggs Bit. _-____£G___ E . >OO5: Us IF Z_ $3 F21;0__°>°_____m__°__M _ aO§_a§__8n __ §___w____a g____O__8_" EOE
m U_ as B 23 3 82 3
_ _ 2B__°O=Q___ _U=°2£' ___AH __ _ _
. _i____?"_q___ 1 _ M J _ A 1 H__ %f%_§*_" HI
._lQB-B-O-BI. _ii'la £23
§z__i§ _.ii-Es:
!!__ E 23 1 F_-8 2 ha P: ii E:
l_8_ S 52% :5 I35 T:-_ :25
_F_3__-" .5 gas 3 I55! is
I__;i__: Ii. 3 l_v___I_Z _ _ _ 61!: =2
_I_ EU: ,3! iii _U£_!_.___ E E
82 O HQ 6:: _i _Z _g_il 7-,
:5 On :8 E . _I_ I 5 V2?-I In
.2 8: F! E 8 it Bab ta:
IE llig : __.l : E as 3.
5 Its: fi I Si. EEO_§§___§ _=Q_¬§__&_§__ §__
§§%%§§
§_=__t__§e___§Q:$§xi FHQ __I5% -UH!K Q gig
__ ms __§a_§ U5_ B_gM______ g 2
8 as __¬5 S am92 __ Age 5ge___u *0 m____° _Us Mg Us __________ EN _§________ __g______ 2 283 3aY8A___ _____£
_ ____EB 82 _°°= 2. 2:9: H________H_B g _gE gag!%_____w___Z _m_u___ __ ________; _ _I=1 58: ____8__2_ -__M_'_:_ ___B__: E_gm ha ____:_=_O__ ______. MERE m~_ E_us__ :3: ___£_!E____ J55 U5 HO ~3____-__M__3 < __-REF TEN ha __3._°_H__ _F_QT __§E_ 2 is? "Es. E2 U§E*w_ N h:_°____j___ __° _:_£___ 5____ _ _
_ 3:55 E :___°B Ea M-B E; Q _6 gum Ea. he P50 U5 gggwn __ _____ kg: _____ Eh __E_H ____ ___'__u___H U_____PM 0-he £2 ____________:u___u ___Y__:___$ < _ Q :_8__£__U__ ____F__ ha £ _ _£8; 2: g £9: E5 Q é M _ mix ___'§_____~ _° BE S: 2; 03 H jg: 3 J_________H_____ ______ _______u_zm m g Ha E>§m1 oi is 85" E: _____"_ _Is-B H Bi: L3 £20 UZHE SFv _ _
___!3__ _q_2_2_m __i-_ £1: saga: £_82 M gnu: 26, is __~_=_* :2 I6: EEEME E____Em 3 tits :6:Wmg u______t__ 3 as O $5 _3i°_a°_______n_- __°__ <E: Hag 3 2 13 2; __ JNF NH r __a_33° at 25:2 2 gag ts < IE8 6 E1: Q 3 {=6 3: 15: is __§§@_ A=gg§Jr_~§_ _%_ _in A V it 1 _ I H H _ H. MT;4|3 "_°__:!n____:__________o__§__°____"______________ _ MY_2__ __
_m_°____°D_ _WE__°__um _w°E H _E_=________ Y: 4 n___%°_ O 2° 3 82 E B g _g_w___ §_____8 =°__8___°___=8__°n_ _" _ H N gs _m___E f M
M £__§____ 2:: __ '. 0:2 Eggg _.... tam :Q..I..I.II .*OI..I...IO.II.OI....IIUOIQOI..IIO_ __ W gs __r_z J: __8___m ____°__ E3 Q; V§____ =_§_______ 5 E ____________n__} _ _H _ gig 52 _ , _92 h _W :2: Egom _ _ _I_____________§__ P Wg? __H 92_ % ££__8________ __ __ W
+ 5355 92 1E!____ ___a2 _H_=_ ___ y 3: _ ___§_ _ __
__£§__§__"__,8B_uE__!__ Hf. _A _ wV E: 3___E_ in G: ___ ___u_8___ _w W _
_u 22 >___:___ :_____ iauuouam g W__°E__ o___ 53 E E ER _m_D Boa 5: =3 2:; dag
W Vi __:_=_E°n o___ E E____u_> _° °________=_ _____$__:_________u___ _53% ______ E5 __ ¥_;___8_o _ .W 2: Eu "225 a__O__ __2n___eIn: 3 __°_=___2__U_______m EC ___£_I_ . _
__________e 2 ab _§ £22 E _ .W hg__m__: _ ___=d___ __E__'__E=_E_= _§a _ Wuémag N aw ___ 8:0__s___ S: 5 __~__:3_8__g ______h < OH
______£__: g__b_____u 3 ___________uEa aoz _I0tU___< _9 __:__=I 2*. E __§ mG____:u___ _9:8_U his De ____ ts. !=_ Q _aw _ _________m Egg? 3 _ ___UFi___ it mu :_£U8__E_o U~ Ab. _B_5__=_un saw _Om____°>P=3_=_OU _ Q
_____________u ____Ei ____°__ 3 _______E_E_ 2; 3 N 1 ML 92 > 1 i __sE_'£ 5 _° akiga Y_8m 2_____°B _ N N _ its sit: ha .OG=___g "523 U:IHD__:_1 _I___ _?____§__m 53 ~u_§_ ¢ I W -1 9 as 3 iok Q H_____ ha ? 3 *__ Jag 2: __° in o__u___2 5 mEB -E: ha gin Q 8,5? 2=__ has : Ea é Q M nip ________ 3 _=_______o8:8? acuuim - N _° E g imai Hi 0%: M 13 __o__£UE 3 ___2E_:>5:: ' 1: EE < N QN 1; £8 3 dlqgi E: my I g ________ _ anus 3 1____T_ gag ~ _"U_m___________< 3 _t__e_92 4 :92 in ; ii E_ Smg >§_§b_ _ __wE__ :§'Ei5.!!!:!i§I:::1!_'siIEJ
3*.-_i:.=.-I i i!-:i3'!i1
1!}! a1i!it"lI3!éEdam gm_
W II'_ ___,___~h'_ I _'J3" 4d ___ v 1+I__'_u___W____ _IF
'___ M
3
W iy Hm J 9292_92w92 _ _ _ I!
' kt : u 1 I; _ H I u
IPm I6 -Ari!. J nu: cumpicx tJl.i-$t.$ tllttt ¬VCI':t:| it-.1u...,; up .o ML.Bolshevilc llevolution are accurately explained. . . . High-
lighting the book are many contemporary photographs, car-
toons, and prints of the revolutionary leaders and activities
which together with the excellent text will help provide the
necessary understanding of these developments." "*
- ' starred! Lihrerylournnl
chairs oanwnv AND
. rt-na otucm or srecnzs
Author: Warren Kane. Consultant: Da. I. W. Bunaow.
-"A vivid, well-researched narrative of the life and work of
the great naturalist. The author presents an absorbing por-
trayal of Darwin extending from his carefree childhood to
his maturity and death. . . . The accounts of the Beagle
voyage, of Darwin's formulation of his theories and of the
ensuing controversy are excellent." Library Journal
' CHARLEMAGNE
Author: Rrcnano Wmsrou. Consultant: Du. Haanv Bosrn.
Here is the greatest ruler of the Middle Age-sruthless
conqueror of western Europe, staunch defender of orthodox
Christianity and, through his patronage of artists and
scholars, the father of the Carolingian Renaissance. A stun-
nlng re-creation of a man and an age, Ci-raiursracttr is illus-
trated with splendid reproductions of medieval manuscript
illuminations, statues, stained glass windows, jewelry, rel-
iquaries, and other artifacts.
Ages 10 up. $4.95 each. $4.79 each in Hanrrncnzsr Library
Edition--publishers price only and in no way reects theprice at which available from any other source. %
Crested by American Heriuae Pbliahlnl Company, I|'92c_ l V
Dlilftbmd by
Harper e-J Row
-Ihave generally assumed that
these communities deserved
their reputations. Professor
Dyltst.ra's computer, however,
comes up with this stsrtlmg
statement: "The average num-
ber of homicides per cattle town
trading season amounted to only
1.5 per year. That would hard-
ly last an honest television series
through its pilot lm. In cor-
roboration of this nding is
documentary evidence that Wild
Bill I-lickolt performed the
duties of street commissioner in
Abilene in addition to those as
marshal.
The pattern was similar in
each of the cattle towns studied.
Abilene was rst, and much at-
tention has been given to the el-
iorjs oi Joseph G. McCoy to in-
duce Lhe railroad, in the post-
Civil War years, to make that
town a shipping point and then
in persuading Texans to drive
their herds there. As long as the
cattle trade was a principal
source of outside income, it was
welcomed by a majority of resi-
dents, but even from the begin-
ning there were some objectors.
Texas longhorns were reputed
Continued on pogeI8!
Don Russell, ct Chicago writer,
is the author of Lives and Leg-
ends of Bualo Bill.,5 "me RELUCTANT QUEEN "r- ll &?_ ~ trtt. LAUI KUIAL anu -
¢ l $5.95 at your bookstore ' . l" y
= . " I; ,..- ~._.- - - -a. . ~"- 'p _._.:..._'.L__ .__._,;,..-it.-=.1._1?.».*~>$."~_-,92__ ,92tr}.3r11tr.-!%_0_,.: -.3;' ' - ,,,9,%i;-, '- '- _ ' ' 93" *5$__.:'. ¢ i 1+1? '.r-~:. Ill" '5? =1 - ,. _ '~,'.
'- :1. .. ' _.: . .-; 7
Beckbar BOOKS
presentsGHOST TOWNS or "rm: AMERICAN wesr by
McCatferty-Profusely illustrated and narrated by one of
our nation's leading photographers. From ourgreat frontier, it's history and legend as itlooks today. Over 200 pictures, many in full
co or.
WILD FLOWERS OF THE ROCKY MOUNTAINS-
THE FLORA AND FAUNA by Lester 'l'inkerMr. Tinker
is a well known westem photographer who has worked with
leading biologists in preparing a technical, yet interesting
text. This ne publication pictures the plant lite of the moun-
tains, where it grows and tells what enthu-siasts wish to know about it Both color and $l fit and white photography, this scenic
grandeur and oral beauty are unparatieteo. -
Iat-publication discounts through Jlme 30, 1968.
Discount 15% - MONEY sacs |r not ssnsnso
A. , j. 5. BECKBAFL inc.
407 E. MICHIGAN ST.
' iv1iLVv'I?92i..ii<i':"E 'vv"iSCGNSii92i 53%
' BOOK WORLD Hey I2, I96!=. ,
11
es,
:4ti.
i.
W
%
m; .i
t
l
la4..-. --... .___ -.
|
l The way the _ »-I/i l
.,,. , Wesi was
ll
Iv ' s. ' - GI
1
lm HORIZON CARA/El. BOOKS
'°" By The Editors of Honrzoiv Magazine
RU5§lA IN REVOLUTION
Author: E. M. HALLIDAY. Consultant: Cnur. E. Bucx.ff; "Clearly outlines the root causes of discontent in Russia
from e=_r1y in the 19th ce:-.tuq- to the rst revolution of
1917. The complex causes and events leading up to the
Bolshevik Revolution are accurately explained. . . . High-
lighting the book are many contemporary photographs, car-
toons, and prints of the revolutionary leaders and activities
which together with the excellent text will help provide theTHE CA'I'TLE TOWNS. By Rob-
ert R. Dykslra. Illustrated. Knopf.
336131!. 81.95.Eybon Russellml W V 7
Anyone who hams on a tele-
vision set more than occasion-
ally is familiar with the Kansas
cow towns of the great gun-
ghters. They were the setting
for thousands of Western dime
novels and movies, long before
they fell into the untender hands
of the TV quickie dramatists.
While we readily recognize most
of this as ction, we continue to
regard these towns, or some of
them, as existing in a never-
never land that embodies the
frontier h-arlitinn
Now, in this important book,
one that may well set o a good
deal oi rethinking by writers on
the West, Professor Dykstra has
put the towns of Abilene, Ells-
worth, Wichita, Dodge City and
Caldwell under the microscope.
He has run them through a com-
puter and analyzed the chemis-
try of their politics. And they
emerge from this process no
more romantic historically than
Lima, Ohio. .
That there was some violence
in these cattle towns cannot be
denied, and serious historians
have generally assumed that
these communities deserved
their reputations. ProfessorIt _l I '
J...
Y».
- .-*1?
= 1 -3- H»,--" _-..~4!' :12 -A
____, ,3.-..
:-fl ~
-:-:51
. a_h
.92 ~-t§.~.*- "*
fél ".;."
}__-
ti
. ,,__.
. __,,
1
if .."/11. ';5_~!',¢;?».
-r , . 7: -_3 t- '~_. "5' _>"'1- .:.,cl.1? _1 ¢'r,_;*§"¢l.' ,3 I v I ,-";92- --fJ|]
."%ll"r
-3."! '1-f _, 1, - -
1-. .».=:'*'.._'..
, . l . > 1.. ___,. ; ..x.,.te- ll*3;7-9'
ti
. ,-s- -t-1-
_92
-2
§
.1,9 -I
it
-r
.-§-
1
z-
1."
-1
.
,a_
@--, - __ 7-. HI it
"A welcome addition to
historical Fiction. . . . a well-
wriiten novel that brings
history alive. Z
MY LOR
RROTI-I
LIl9292_Il I
THE
LION HEART
A NOVEL av
Ml I V OCTAl92-ll-LII 92-p92-/hJ'|I'
The twelfth-century Kings Cru-
sade is the background for this
novel about Ioan, daughter of
Henry II of England and Eleanor
of Aquitaine, and favorite sister
of Richard Ce-est! dc Lion.
This fascinating story tells of
]0ans adventures and misadven-
tures during the Crusade, ending
with her joumey across Europe
with Raimond, the man she
loves, in search of the kidnapped
Richard.
By the author ofl
1
T
p.__ _.3...--{L -
-2- .G
. _e-
1- -Ft
i >~:;;_
g .
. -.3?-?1_~w 5:.-'_
.- _ YE. Lq.-l§§ =- "' I-92¢ ¢ J1- ~a¢'G. ._.wJt ' Y:Q; I n-7'
-2 . ml?-I-.
*-ll "3: - 7.4.; - '
HAYCRAFT ~._-
"1 .-1,0!
*" - 5'?, ,
..,;"~i.;92_.-./_~'I
. - .-*5:-;--"i|. "*_3,"_,._f'/'" h :52?
i oww --'
I. r';:;r ' ,., -5
_ IT
i'-it
I i breted leather
P
N,Rlehly bound
In glove-eott
decorated in
genuine 24K gold.thrill t0_their fa.rt0us_st.urtes, put tncir l.ut.'4_,to use In your own _life. I volumes as you wish - or none at all. You may
These books ll in the gaps in your for- cancel any tune, In any ease, your free volume.-
rnal education. They offer you the en- decorated in genuine 24K gold, it yoursto keep!
riclirnent of oelebrated ction, poetry. Mail the coupon now - see how you can make
drama, philosophy. They liven your c0n- your home the gateway to learning! The Harvard
11 versation, inspire the respect of others. Classid, Riverside, NJ. 08015. ,tun |...i_. ..... .» - _,
.»"'92.
Preview Selections from The I-laryerd Classics
dine pleeeure! The rnastererorits in this greet
I Iil-el-a- A
library include the brilliant, alweye timely Autobiography ol
Benlamin Frenin; Cervantes magnificent entire Don
Quixote of the Maneha; Dante: Immortal Divine Comedy;
lolit-lore and fable by Aesop. Grimm, Andersen; inspiring
essays by Bacon. Huxley, Swill. Hugo, Thoreau. end others;
plays by Shakespeare, Marlowe; the world: oreatest epic
poem, Homer: Odyssey. and much, much more. The 20
selected volumes will contain 1,228 great work: by 281 of
the world: moat honored authors.
Hey I2, I968for your FREE deluxe
Harvard C lnssics volmrie -Jlul mm! the coupon _
. SEND NO MONEY
MAIL THIS COUPON FOR YOUR FREE VOLUME
QIQ PIE |li92R]'AIlI Cl-ISSICI. DOIL HI{,3 Front ane iron iiniii, iivoriiii, iii m %
Pleaaeaendn-.92easaFree Gift -Volume0ne ofthel-volumeG1t8l
Literature Edition of The Harvard Clarsits, decorated in genuine 24K
gold, with no obligation to buy anything.
As a Charter Subscriber, I will be entitled to receive each month ad-
ditional volumes of this magnicent set for 1' days FREE examination.
If not delighted with each volume, l may return it at YOUR expense and
owe nothing - or I may make it e permanent part of my home library for
the amazingly low price of only $3.39 plus a small mailing charge.
a I may canoe] AT ANY TIME after taking as many or es few volumes
as I wish or none art all. But the gilt volume you will semi me Lt mine to
keep free in any oer.no obligation Io
buy anyiliingl
Name . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
museum?!
Address... . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
City. StateQ Zip No . . . . . . . . . . . - . . . . . . . - - . . . . . . . . . . . . . . . . . . . . . - . . . . . . . . . - - . . . . . . . .. .
B-IA
it __________ __________ ___
I Page I5
t*9
.=
T»1-
:'i.---_ J-'-IL _ _.r_. "-my-_.-.-.t_ --1 _,.-___-.7,. .. .{'92g_d,_. ,,,,_ ___
- ..,_l_-. .
e America's ereetest cultural librarv to vour home...
'-= .~-.- ¢ .-=-- 5- -=1 . - -- --I -.---_92- ' --. ' .--r . ._ ._--, -1. u 3-_-'"' 92. 92'_I I -1. '. .-;.r_ L1 -1 ~f';,-t"~, =i_, - 92 92, a , -.- _» "I , ,. _ .- i .- - ~ _. ~.'-. ~11. 1 ~. . . 1 -_r _92; ,,-. . - -.~92,,- r -___ ,.¥r _: J, . ._1|#.__r _r:;r__ r~. -r-.-- ,,._ -l*~==-,.- .., '-PRACTICES,
UNNATURAL
-u1- mil
By Donald Barthelme
Now at your bookstore
FARRAR, STFIAUS & GIROUX
r>-<1?
n><I>t
.,.- l J I 7- . .inn s. ; 5 __ Q _ 'l Yb
. 2;. er -:__-{__
' l -§.i;l- __ . __r-lms-;j .-- 1 .;92 ti-Cr.
"
"3"F -I r
_ U
. -.=i-l..92' '92 .»-- I "ll"i of I<5 .
log!--*1-J» ---92-' .t..-..... -- . l i..--
pre-industrial England. We are
reminded that such a 17th-
century swell as Lord Guilford
thought little of installing I
pump to drive the piled ordure
from his cellar into the street."
However elegant the facade, we
are made aware of the onow-
ing sewage through the years un-
til we come to industrial Man-
chester, grimly pumping it into
the polluted lrlr. However full
the earlier centuries may be of
beautiful people we are not
spared their plumbing failuru
or their cruelties: How they
lled papal etgies with live oats
to make them scream realistic-
ally when burnt . . .
vat if fl-i-an lirnnu lnnf 1-. ilsn
spiithlllé j:l§lyl1:$1§§i§ §a;il
side, their dominant texture lies
for Sir Arthur in clear and
grucciul ii-ll1t"ist.:ttp9275., ill.
diets, in an easy social structure
where class wasnt caste, nor
discrimination snobbery. The
people are vigorous and poetic,
tough, jealous of reputation,
sporting, extravagant and - of
course - ercely Protestant.
Edwin M. Yoder Ir. writes fre-
quently for Book World.--fining a bit too sharply. Of
course we are told today that
history so dened--history with
a theme, especially nationalistic
is romantic? Themes, we are
warned, are devices of art not
history and are beat left to the
vanities of patriotic and genes»
logical societies. -
If Sir Arthur Bryant knows
of this fusty academic war cry
he ignores it, and for that we
may be thanlrful. The grim men
at the computers have their own
style of historical falsity, if i'al~
sity is at issue.
I miss only one thing. As he
has shown elsewhere, with por-
traits of great gures like Wil-
liam the Conqueror and Thomas
Becket, Sir Arthur has a Dau-
mier-lilre genius for caricature.
Great characters are largely
missing here, and their absence
is felt. The narrative perks up
when he introduces Lord Pal-
merston, the mid-Victorian
Prime Minister; but this is the
only major portrait tssayed. I
wish there were more of such
wrtraits. But that is a trivial
complaint about a beautifully
teittured, entertaining book. 4'devastation, holocaust.
Forty-three killed. White man.
Black man. Sniper and cop.
Bystander and arsonist Who
were they? Why did they have
to die? What makes law-
abidinpilizens burn their own
city down around'them ?
Two veteran newspapermen
have explored the lives and
deaths of the 43 who perished
while the Governor and
President played politics and
the anguished Mayor watched
his city burn.
A report on Detroit '67 that
p could become a forecast lo;-92
1 summer '68. '
Ill llflllllll
A Rebellion and Its Victims
1 Van Gordonauter and
Burleigh Hines
$4.95 at your bookstore
H@nryRBg@'yC0n1inr92y
aoor woam are ¢
.. .. .m__ -92_..,,_..-.....-nil
é
l
l
l
4l92
l
Fl
l ;
l
ll
it
4
ElEl
i
wt
I--,,;_,;,»-1...;---~ -.._._....._=.-.-......-.--..-... ...... . ..___ . . . -
I
:4".-
vi1? K/3..,
vi
2%rhino '-
lC|lOSylICl'3ttC,
explosive stories
by the author-_
of Snow White
Donald Barthelme's storiés in
UNSPEAKABLE PRACTEES,
UNNATURAL ACTS. are with-
out doubt the most original,
indeed the most revolutionary
in American today. They re-
semble the traditional short
storyso highly rened in
this country-about as much as
the movies of Fellini and
Antonioni resemble "Gone
With the Wind" or kinetic art
resembles impressionist
painting. Barthelme's stories
explode the limits of the form,
and of the language itself. In
the main, the stories deal with
various aspects of the struggle
sometimes ludicrously comic
-to be human in a world that
seems heii bent toward com-
plete depersonalization. But
they should not be interpreted;
they have to be read. $4.95
UNSPEAKABLQE Fifteen mysterious, L
I I n lHow Englanda t '
star nu A srrvan saa. B; sn-
Arthrrr Bryant. Doubleday. 359 pp.
$5.95.
Byi:lildwin7hl.7Yoder Ii. W
Sir Arthur Bryanta kind of
English social history
with Lord Macaulay prowling
the hattlcmcnts of Londonderry
for detail and continues by way
of the Trevelyans into our time.
This book is true to the great
tradition: detailed yet well-
shaped; objective in tone, yet
almost doting in its evocation
of character and landscape.
Sad to say, we produce noth-
ing quite like it or haven't
since Henry Adams and John
B. Pvielriaster tried passable co-
lonial imitations. Perhaps we
could, if the taste and power of
Samuel Eliot Morison could he
hlended with the appetite for
detail of magazine journalism.
Sir Arthur is in Macaulays
line, and he turns Macaulay up-
side down. Macaulay was a
Whiga progressive. Bry-
ant is a nostalgic with a Tory's
love oi the in the national
attic. This survey of England
from the Restoration through
Victoria takes as its theme the
trauma oi industrialism, the {all
of England from rural _inno-
oence.l paraasse was iosi. .
Each national type is pic-
tured: it rich squire, despite his
high income, stalks waterfowl
all night on the ice stark
naked." Pitt, Castlereagh, Can-
ning, welliugton and Peel all
fought duels in high oioe to
conrm that they were gentle-
men. Long Robinson, a game;
cricket player, had two of his
ngers struck o . . . [hut] had a
screw fastened to one hand to
hold. the bet-. Flirasagaisls?
There is a peek into Lord
Derby's colossal dining room.
Pray, sslredagucst, are those
great doors to E open% for
every pat of butter that come:
into the room?
But when Sir Arthur encoun-
ters the age oi steam and rail
his tactics change. Technicolor
dims to monochrome; the or-
dure that was a sporting nui-
sance in Lord Cuilfordis day is
a health hazard; the ease of the
18th-century squirearchy gives
way to the Regency's inanity, its
dandyism, its vicious snobbery.
A bit of straw on a lady's pet-
ticoat. implying that the wearer
had been forced to resort to a
haclcney coach, would set a room
of ne people tittering. !A -
Doubtless Intake Sir Arthur's
portrayal of the decline oi Merry
England sound more schematic
than it is. This is, after all, socialwry in the classic mold:' I
" .......Q "
, William
,1 Styrons A
A rmpha. l
1 bestseller
.1 -1 1 "'3
-= '
l_ THE_ f 1
tmuqsumul
Nat Tumor"
A Novel
ll
l $6.95,nowltyourhookstore IRANDOM l'l0USE&
lP
; .1_r
-_92,__
_ U _________E_.2E_Jh_ _I|_'q__
_ ___ ~ _ M__ ______ _ | ~ I L; Q?% /070¢&6%__ $0_m6m _m%m_@i$OJ_wM/_~__ _0p @ M? _¢?¢&w%$9 [ %* _1 ___A____
E: '_ 4_. _<8 é WV ___ J P__
_
_
_
______
___ _ T
i___ F __
__
H? IIJJ1:§_t"_ ' V J .i
I " ' "' "lr
I.
|
I ::II
THE ART OF WILLIAM CARLOS WILLIAMS
' ' ' IA DISCOVERY AND POSSESSION
I pr mzmca
James Guimond
The rst full-scale developmental study of the.; poetry and prose of William Carlos Williams:
- 9' ivir. Guirnond not only analyzes changes and5 ' stages in Williams techniques and themes from
his Poems of I909 through his works of the
late 1950's, but explores the creative process
that made him unique among the great poets
, of his generation. 272 pages. $6.95.
I _ _ _
rt. Robert E. Keaton, Jelh-ey O'Connell,.. ,.o* " _SJSCAI and John u. MeCorcl, eds.
" Leading representatives from the insurance in- L dustry, from the plaintiff's and defense bars,
from federal and state government, from the
academe, and from consumer groups debate
Lhe pros and cons oi present methods {or
handling automobile claims, and evaluate
much-needed proposals for change, including
the controversial Basic Protection plan. 300pagm. $6.95. ' Flgo
! _ .,- Z _
-.-_~' -. - 1,.-'
"".,7" "'
W1 .1.-_ ?3|t§'-,1?
,, Pqclll
__-
,,_,__,_ _._ _ V..,...--....... ..---~ - -~--~_ III
Page!!! I' II
I
Ia
II
I
I o
I CI in
delighted in seeing his son wind
1 P
leagues and then, last fall, on
Ynz, Sir, That's My Baby buz-
tons all over the New England
landscape;...D --..,.; _;, ..s.....- tinny. -ya 513.
lions of the Deep South, while
now l majority appear to be
descended from sun-baked Cali-
fomians, the game today truly
has a melting pot representa-
tion. Coneider our three heroes.
Carl Yastrzemslti, who now
' ~ talks to Presidents, is the son of
Polish Long Island potato
11 farmer. His father was e ee.rni-
jaro shortstop, who never ud-
an - cecl beyond the eighth grade
school. But Pop Yastrzemslci
at Notre Dame, the big
Frank Robinson was born in
Beaumont, Tests. the lest of ten
children. His father was part
wuer of e funeral parlor and a
I grocery store. But, an Robinson
I tells it, he wasni a real father
[0
the family moved to Oakland.
ame. When F rank was four,
lilornia and he never snw his
father again.!
Cepeda, whose full name is
anuel Orlando Cepeda Pennes,
Iv -1-.wIRoyllllobinsori is
for Good Housekeeping.
v----lg-, ..,- _itoniusori, :1 gag;-Q, A5 gbm.
son somewhat bitterly point;
out: Being it Negro Triple
Crown winner was, l lcnew, not
going to Illtllte me rich." {He
did, in iabt, make lea Hun
§l0,U l0 in the olheason of
1956-67, While Yon earnings, a
year Inter, were considerably
higher.!
Robinson feels has-.,b=l!s own-
ers are victims of social lag in
their unwillingness to invite
Negroes into the front ooe and
into such non-playing posts as
managers and coaches. But he
insists there is a lot lag sell-
consciousness about race now
than when he rst broke into the
minors in 1953. A ercely oom-
bative man, Robinson probably
would k = carbon copy of Leo
Duroeher as a manager, if given
the cbanoe he doesn't think he
will ever gel. But he thinks and
feels lilte Uuroeher.
I hate all the fellows around
the league who are wearing the
other uniform," he writes. Tin
for hard-nosed, no-nonsense
baseball . . . it's ell that really
matters to me."
There are many rewarding
and constructive inside tips
for youngsters in these autobi-II
I1
l
I
I
II
I
'I
I
I
II.l$k U W n 'b
SOUTHERI
COOK BOC
_ agnmk - complete! " and up-dated jvitb
near-iy i recipes, featuri
the best of the old um!
' the hat of the new
!92_rnetiees favorite eollati-on
recipes from the Southlant
most inspired kitchens has sc
over s halt-million copies in -..
editions. Now more rrloutl
watering that ever. it calls ft
easilyavailable ingredients antakes full advantage oft/kt
mixes and packaged foo. J
it retains the original sou... ol
the Meson-Qixon line" aw:
that has made it so well loved
while incorporating new. tr0s~
mopolitan touches.
Tempting. distinctive. hen; are
the dishes that grace the South;
nest tables. $6.95
At your bookstore
-....... THE UNIVERSITY
OF NORTH
CAROLINA PRESSdune! I-Illt,"__" Mirth Carolina mu
. '43"-;:;- ~ am.fr: 92¥-0-.4!: y . 4:- ' "3?-. _'
poo: IUlu..|J any H. 1"ho .'. the
i _
_iF{_r_1_ .. 7
'
aL I|
l:4
~ s
___:t
___..
l
i
IJ.
ll
-l
1:. .-_4» H
0}
J
L
1
1.
J
7
,i1
ITHE SPANISH PRESS, 1470-I966..t-_..,-... .,,._..,...,. 4...:-is
ll-1965
-'5'» H; - '"
= -of -"Ye . _
§_.
it 1-rmir i unlit
DMMLIIIITY
.- -" "'*l- '55 ~': "" 2-"
:i.-It
.* *i.-.*3_"??'-;i-.
Q, I P... ll
@'"92-I ~J-A
._I;=._' _ _. e
- _ _ _z" §_ brluw-l51. .4 . _ l. - -'37in
. . =' »-ri .__;:'.""iPRINT; PQWEIZ. AND PQL!1.'lCS
Henry F. Sehulte
The full story of the Spanish periodical pres
--frorn in beginnings in 14110 to the sne-
ment of truth" reached under Franco: con-
troversial Press and Print Law of 1966-told
by a former UPI news bureau chief in Ma-
drid. For those concerned to know how a
freel press can exist in a nation alternately
tom for the past four centuries between impas-
sioned license and dour repressi0n."---Benja-
min Welles, The New York Times Washington
Bureau. 280 pages. $5.95.
0a
COLLEGES
A PRESIDENT'S VIEW
Thomas E. O'Connell .
In this candid, hardhitting, and often irrever-
ent book, the president of Massachusetts
Berkshire Community College takes a search-
ing look at the rapid growth, present state, and
future role of the new community college
vis-it-vi: what Walter Lippmann has called
the gigantic work of adjusting our way of life
to the scientic revolution of this age and to
the stupendous growth of the population." I72
pages. $5.56. _
I
AMES TRUSLUW ADAMS
HISTORIAN orin-1|: AMERICAN cram
Allan Nevins .
A highly personalized biography of Nevins
longtime friend and colleague, Pulitzer Prize
winning historian James Truslow Adams
{I878-I9-1-9]. Nevins enhances his memoir
with a selection from Adams vast correspon-
dence, revealing the many facets of an influen-
tial scholar and an enduring friend. 300 pages.
$6.95.
THE ART UF WILLIAM CARLUS WILLIAMS
,.._.-....._._-._..e.._- . .i?
1
L:
tr
l
P
11
i
,92
l
r
Ll
lThree men
YAZ. By Carl Ytralrzemsll with
Al Hirsltbeeg. lIlustrated_ Viking.
iii? pp. $4.95.
HY UP?! AND DOWNS IN BASE-
BALL. Br Orlando Cepeda with
Charles Einstein. Putnam. 192 pp.
$3.95.
MY LIFE IS BASEBALL. By
Fr-nnlt Rolliltnolt with Al Silver-
niin. Do%lediy. Z25 pp. $435.
By Ray Robinson
A few years ago a friend oi
mine, who has provided ghost-
writing help to several outstand-
ing athletes on their autobiog-
raphies, agreed to do a book
with a former baseball star. The
two men met, ate, talked and
presumably exchanged con-
dences.
Several months alter the book
was nished, the hallplayer,
asked about his ghost-writer, re-
plied, Who's he?"
The three prominent baseball
players featured in these books
-- Carl Yastrzemski, hero of the
underdog Boston Red 50: Amer-
ican League champions ol I967;
Qrlendo Cepeda, Mos! Valuable
Player oi the runaway National
League champs, the St. Louie
Cards, in 1967; and Franlr Hob-
inson. Baliimorfs triple-crown
winner in 1966-shouldtft have
such difficulties in remembering
their respective collaborators.
If most players of yesteryear
seemed to hail from the swelter-
ing swamps, farms and gas sta-
tions of the Deep Scut.lt,lt-.'l:ile
now a majority appear to be
descended from sun-bal-ted Cali-
fornians, the game today trulyin the catbird lseat
was born in Puerto Rico. His ographies. The most me
llll. Pvlll. once was rec-"'*p¢t92haps is. recorded h
e.-;;ni% as the geatest hasehali
player in Puerto Rican history.
Though Perucho once played
for $3.50 e week, plus board, in
Puerto Rico, he adamantly re-
fused to oome to the United
States to play. A proud and stub-
born man, he was furious that
discrimination was practiced
against Puet-to Rican players in
the United States.
Bonn with it right leg that was
malformed, Cepeda inherited the
name of "paralitico --the crip-
ple. On Cepeda'a fteenth birth-
day, a doctor broke the bone in
his leg and set the foot 50 it
would point correctly. The leg
loolced normal --hut Qr@do
wound up with an acquired
gait and a totally spurious rep-
utation for not going all out.
In his years with the San Fren-
eiseo Giants, where he became
one of baseball's legitimate slug-
gers, he never convinced even
his teammates that he wasnt
limping around unnecessarily.
Traded to the Cards in 1966, he
literally begmt life all over again.
It would be hard to nd three
more diverse backgrounds and
environments, yet all three men
are today iull-fledged American
sports icons. True, Yes, being
white, probably was able to
reap greater commercial divi-
dends out of his American
League Triple Crown than Frank
Robinson, a Negro. As Robin.
son somewhat bitterly points
out: "Being I Negro Triple
Crown winner was, I knew, not
going to make me rich. He92ltriernski, who umierwt
happy experience of see
boyhood idol, Ted Wu
baseball: last .4-00 ititlet
into his chief batting
when he came to the Red I
1951.
You have to retnember
things, Williams barl""921
protege and succes: ' ,
way Parlfs left eld. Une, 1
your stance and back a"
Two, watch the ball. Three
the ball through the mid-
Four, be quick.
Last year, right through
.World Series, Ya: followed l
llama counsel to perfection, '
the lint-1-'1 &y of the season
riddled the Minnesota Tvri
with fou_r hits to win the pennau
for Boston's 100-I sltol&eve
though. as he confesses to M
Hirshberg; he couldn't sleep
wink the night before. 4
-7--* -1* -A- pa-58 -
d%'@%7
Back-sand more
genuinely; iilelrclously
Southern -than ever
MARION
BROWNS
SOUTHERN
COOK Rnv|| mien",
| 4i 4 --.__,
and seductive --T HE
SKY, SUSPENDED
is truly navy -stuff. Best
of all, it is as timely
asitoniorrow. Old Navy
hand ]i1n§Bassett has
done it again, and has
done it Well, indeed. -
Allan R. Bosworth, Captain,
.., . d"-----a|-.l----U S Naval Reserve Ret! $5 95 at your bookstore DELACORTE PRESS 03
BOOK wonum May 12,190: ~;
-l la '
} v W 92 F J I I 1 _®>:U3U_Um wgw _W AA Ad _ __ A _ _* V E _ k/_t_ w rHn:O _6¬:q:§OGOQ _WgOm|_:__P_ _H§ :83 Hm as ism BE W _w®C:N U
RZUQ g EO8_m_ Hag Hm B H8_E:w EH lo MWGDHU _
U/g woow 92£_mUU% i __ Q H_ _ v My H_mEw> vim km _ __l {gum gape L 92 _ _H__m__A msomwwm _m ma % __2 E awng _ggM 6 U_ W __J H_U_rmIg__H®=8l92COHm_ E2 2: _Uéwgwa Ea 536% oczmDE £5 zwawm EW%§ _Eda Q6 gogg Us 50¢ Esucgwm g gh 2: UsumE_H_m'}% gw _g8_%m:U]u6 _HO¬:m$v_gm_p_r I _
W42 I qmwg Magi EN mg ktg 6:555 wag
_ as 59/En_mD§Mw mg goa E Us go
om U6 wig m 0:6: Esgigwm mgW_®®Jg®2%% i? W:_ _I _l:___
_ __ _
__E _ iii;
2 __{ lllllll lllllllllllllll I11 was _ _: ,5 -5 _-°.___u -__ _m :2 _ __ Q __~ E W2 E: § ______ 8__%_8__ ____8 _ H9 ______ ____U__dm_P_ w_____§_E___w _ _ N l_ O _
_ 4 Pi NA __: I i E0 _ __ _ ~~92~ N _ _ W__
__ 1 AN _5 |||||||.||.|l1 __ any __
_ _ :_ mmw_ _n_O<iPa f_ [ k
m
M11 _92 t:_ _;_ :__ _ MnI 1 __ 2 it M __ __~_ __
W________ ________8 E: 3 :__°____§_ _o______ ____ as _____° g G Q____________ ___ =58 2____ ______w__m______________ _ ________ _______ . gm: =3 :2: . f ____ ____ A 92 A A A _ é_ ~_92~92~~~|92~92 7 £95 _ fn_ _ ___k____92§°_m__ AN 92 Mg: _ _]l____h_M~ __ __=°_____ ____________u______ _ w H _
__ ___ _m_EZé<_6 _ 1 _____%__ _ B 5_______ _ as H__________ ?_"__o____°>g___ m_______s$___ E __ °______ _V__m_§_u____ _____d______ _v_M__ _ 5% J_%_3 _ ag_a__% S _oao___ d%__E __1 _ ______.____ __ Q2 g __. 5 __=__ ___ ___.___;=_ 3 FOOD O: 59$ oi _ 8% N _____3 g5$____ _ W i
_ ________ Q: _ _ __u2 __ _ 8_ v _| :°_us_ 7 _§:m__g_____ sgaw _O__s____a . 35$ hp 3o_______s $5 _E8 __ as __ _p___'_ Cg 3 Om__u__8 ._O m__8_6m h __§__§__ _s____v__ __a___mw_ ____ __%_=___________ _ _ _ ; __ §_____ 65 ___ E8 I _%____§_ __E_ e gm _ __a__u WE ____§_g g L
L mg: £6 g 5 ______$_u 3 6 :2 _ "u__________ _ 22 _ _
_ % |||||||| :mm wH_W____=°_u5=w _ %__ 2 _- _ _ _ 7________ cg; gm has . gm ____ :5 ME . E _ _3 __|3|__ _W _ _____g___ __ aw 7 7__ ___ __§___ _§______8 __ __i____"_i§§a____g_ _______________8 m Mq_______H_m E5; 2_ 3 __ __ ______e8__ 3 B __%$___°__$ B do ac "Mit w n% W I I35 :d*}___F 1
:___u____ _£ ivitu Ea w_________"___W_ E _ _ _ _%ag____ 0 L M_an __:________ sags pg Q5 E ?_ *3 .__.: .5 am: __ a_____g_ MT A Hi
___ _;1_i____v__m____:H___N _g_z_'§_ jwj
tit
iii
I
|
l
Z
~¢
| iI Y
it
t
i
h ." "'7-~~"-'---=s-------_co----_,.-.....,..__,__.-.§-_~.._~ ___._~._ e..... , , _V "are .-.*~_,-!"'@'Plt'!Il°"z.J, _ I ._. _. , I-3 _ I Kw-__ H I -MTG-_ HAL U.t l l.,~?W'l'1 '_ t. .W~_"!@3'l" § "l-J _* "t!""1<"._v._._:
Acool Ionic at Wfashington-"3 mi3iak¢3_ i
cuu.1vEn's moons-:5, on ms: sn'r'nm; on
AMERICAN FDREIGN POLICY. By Stanley Holfnunn.
2'55? _ __ isiiilsqiiitttiss i t
it - ' ii '*'
ppEn,"n he l'riet__1'sll;r njilh ;§ifs:i'}4'dillerc;_:t Lsnd'elt1su
mutually hostile} eountries'.":idd seen-on ideology,
and the course of world politics is likely tolsllect home
opinion either as a disappointment pr e shock. As
William Vsughsn' Moody put it: z .
Lies! Lies! It cannot he! The wars we wage
Are noble, and our battles still are won 1"
By justice ior us, ere we li it the gage. l
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat
And scramble in the market-place of war . . .
Stanley Hoflmann, in a brilliantly interesting hook,
has analyzed these contradictions, and the mistakes and
the disappointments that attend them. He would like to
see an American foreign policy that is a little less
ideological in content, as little more coherent in its
choice of objectives and a little more skillfully handled
at the bureaucratic level. His general message, in fact,
might be summed up as Take it easy!" The atmosphere
of excitement in the Washington bureaucracy surround-|
Anthony Hartley is the editor of lnterplay, a new mogu-
zirte of foreign nairs.ing the progress of an articular iiche hclieves, undue huge: If the pIdl!i¢yYfEF:f|-5-:3.§:noillinf lelt to do gut make evm louder noise; about it.iii *1 ~ 4 1' .i . Ell liii-*il~; i1
». -1 '1 ,_ ;_.:t92*_;-.!;;_@,5§ k 'V1-,i-;'=:- -yfa ;j.;-;
vans 51'n.=h't= sin -merges-mister Tc-int-I 1-an. sttltingihappens. Ttie skeleton of the llritish 19th~oentury
policy of "guarding the road to India" lingeredlolt
until just the other day, qgljien the evacuation of Aden
closed that particular chapter. France still imagines that
she has interests in Lebanon and Indochina. Concern
by German politicians for the homes of the Sudetm
Germans is a sort of pale Pen-German remnant. Even
B.u_.-tsis often eee_n'.s to view C-errnsny in terrrs of 1941
--an absurdity in s nuclear age. '- -
Much of what Hofhnann has to say applies to any
foreign policy, and, inasmuch as his book gives the
impression that America is peculiarly unsuited to
formulate foreign policy, it is misleading. But he does
make many shrewd points about Washington's charac-
teristic mistakes. He is right, for example, when he criti-
cizes the tendency of American diplomacy to prefer
technological and economic, rather than political, solu»
tions to problems. A glance at the inuence of Me-
Namnra on American foreign policy shows how dis-
astrous such an approach can be. ln general it also has
the eect of involving America in situations far more
deeply than mere diplomatic steps would do. To give.»~_,,,,
s
!--'»t..,..-92..-_,~__-'___._ . . . . _ _ Q_,
92
aid or suggest n uncles;-__,_gg£_antee is to stick one
neel: out. i ¢
F Hoénanal would have the American Gulliver content
1 Q T Q - in Ht , it * i
- is ti» Flstefi lctl:i"t;_,_o,"'»s*i'it§itthe picture oi some ¬§o¢Eun;~pgsns more ortliodofsf in
their rcptttnlion than Presutrtnhly America has
now reached a point ivhere any solution st all of the
European inahroglio would be welcomed. '
Probably, in the long run, it is as vain to salt of u
country that it should change the style of its foreign
policy as to eels an individual to alter his character"
Personally I am inclined to that, for better or
worse, the United States is condemned to intervention
and even to empire. Holhnsnn's cool view, if it weir
accepted, might not only help get rid oi contradictions
and reshness but might also tend to erode the cor-~
structive features of American policy. lt is useful for
statesmen to become swore of their own prejudices
both in terms of direction and of style, but since the
war American policy has enjoyed a success which no
one-except Americans--would have predictt-' in
19--l-6. if l'l0llmann'3 hook mana55 to correct _ia
distortions and failures of comprehension, it wih"be e
helpful, as well as subtle and interesting, addition to s
continuing debate. But it will be of little help if it simplv
contributes to a general loss of nerve. 4'
A
4 ta " %> l r 1m92t1$ *1 0V ; r1921'lQ°EDU . .....csv¢"* - rue one! con92 Y -~- . » 1' '1-i_;',f t
s1
] i
-Pn... .. 5 _...- ~.i., av-....°.4 ..--92-.e»-en.! U-Ac-S nu: re.
sonal assurance to Parliament, Harold Adrian Russell
Philhy had been a dedicated agent of the Soviet Union
for 22 years.
The Kim Philby for whom the future Prime Minister
spoke was a fellow member of the Establishment that
had always domftttld their nations atlairs. The son
of an eccentric, Kiplingesque empire builder, Philby
was the product of a good public school, an excellent
Cambridge college, and the right London clubs. This
was the man who had entered British Intelligence in
1940, who set up in i944 the special new section to
deal with the Soviet Union, who was sent in 1949 to
act as link man with the C.l.A. in Washington, who
until 1951 was being groomed to head the Secret
Service.
But there was a second Kim Philhy - the real one.
And thereal Philby wasnlitelongommnnistwhn
was recmited by the Soviet intelligence _ni-ganiztation._ . - 929292' ._ _..._.
his ofcial positions within both American and British
intelligence to destroy Allied operations, silence or kill
"Allied agents, protect a major atomic spy, and with-
hold vast quantities of intelligence about Russia.
This was the Kim Philby who served as liaison oili-
oer with U.S. intelligence on a particularly sensitive
operation -- and thus assured the bloody miscarriage
of a C.l.A. project in Albania. He saw to it that a
Russian detector named Volkov, who was about to
tum over to the West the names of Russian agents,
got instead a feet-rst ride to Moscow. And when sus-
picion tell on him as the "third man in the Burgess-
Maclean aair, he escaped it with the same upper-class
charm he used on associates, friends, and tour wives.
l-low did it happen? And why? Tins PHILBY Cote-
srntscv, by the same London Sunday Time: lnlight
Team which rst broke the details of Philbys defec-
tion to a startled world, is the only complete, step-byF o,. , -.._.,- -4 -~- . -t-.-. is-4--tau; _.<.t_;, all -use u1|.i=-.aut.-
tion to a true, hair-raising spy story. In that introduc-
tion, Mr. le Can-6 describes the book as brilliant.
Others have called it the spy story of the oentury.
Whatever else it iacelled, Tan PHIi.I1rCot-m-ImtCY
on added meaning because, above all else, it is
documented. Autl1enticatetII"T'r-I3! »
To he published this week. A Book-of-the-Month
Club Selection. With 16 pagm of pil7l0graPhli $5.95
at all booltsellen. e
ff iv":-1 -. ,§. '.__;i;"".;.,.?_{'.;;"= ."», ;~ " .-, . , ,-' _ , -_' .-- . 1 .*':.. -R: '".71 "' ...,-, ~ .""!"33*;';=-*~%;t"=-§' l1":;=".z.*'-"il=;t~".<.' ." -. r e.~~n .13.-'.-~'§.;=,_, l"-.u,,.,§.":'.':-.;.*'?'-e'=-' - P? 92.§5.§~=> "P .-"- ;.>¢".'t-'~v"-*¢_:"='-.--1.13% _'57i¥'3,--. .,_ .., :-Jf,-5,; .~ ;;-"-y.-m §., ,,;Iq_e_ fl -_92,-:_ .-_ -.__;, 1 _.e ct ~-"*~%-i...o1r"=".2-.t ;;<?'- -*5, -' ,,. |t;=- '-J1."-'1 3-». _'.:-.- Er 3'
I. - vi H: " __ v _rtts31 _ it ;:fm-,» -:,i--t:,;,h;-,._._.~,§.,-_ f.-' we_<-" -re *1 ¢P~ "'., :;,§ii55Q! .u____ 2, '92..._._..
Wm1&1? -r ;g " _ ' '- ' '. . _sz~: . 1. ..'s-§ts.9¬-Jgsl.step account - and the only book on the case with no =.gl'B__¢5 L-G d ' ..
-a-"5"" :
From the
publishers of
these other -
coast-to-coast
' bestsellers
OIDOUBLEDAY
/ .-.
.¥~ .
_;_ i_*_ _A - , ~e 4;-- 0 n_ __
__.~ .,t_K-.;_@-q;;_.,_,,<.i,,_1:,,," - ' " 92 Q',";I92-.1»: _ » . <_ r-'v"- . ' - ¢""_'>-¥. ",,".,'} -.rf';T -3 92Zt.."¥:.= 7fl ' ' ' _ V. g;-; g;'=:."= ' -.-: -.1"--"_I-4-,e_...;-";»:l_ _ tr: - Ht __::r _~-Q--1- 3- _ L; _.-5;; _.__ "§.._ _._§-I i , J- ,3, . .11-1 __-?3_¢r.92i*_:.:;*;__~ . _ J ,-' , _ .. .',"." ,'f_'T':',-_:' ,§. " ' - '13._ ,. .-.. - _ 3---.--q~ ._. . _ __ _ . ,.92.. , _-,0-1-_ -u-¢- _H.. ,_ r_:-_-:,.',.;f.'92-- ' > -1- '.-.4,.x_..- - Q .- O I n O
-,,,,_ _L__ _--4-=4 re-ta-t>."=<. .- gvll V - "+.-- -; '' :'-W"-.15% i . . ._,,_,. - _ -t_:_*i~£!IB_,_§~,nr;¢-;r_,_;-$5-d!_*,._t92,,-._._92_.-..,; _ V n__:;__,
t. ' . l.-;r.t-e;-. _.-_.:._a_.:_.........._..._.. ,..... $._., 92 k%_; _ ,,_.-»<-. -H-.-t...-.--a-. ;@'-@@n ___ __,,..._..__._,..,,_,-...._-1---»~_--"--.-a--o-_--1
BOOK woatn Mar 12.1968 Z rm 9
t____._ n A He A e '
1 i -1*. "- ' e . - _ - _ t -- '__,_,¢.92-we. 1 »--- _..- ,5 _ _- . | ,. ' -. _ '-- -.. .- _... _ __ i I I _ I, .14,- -- --» ____- -. v.-_ gt-.1.' . V "_ "" ' ---Q-.3, 4 -- 4 ,.-..- - ,e,. ..- _,, . _... .. M , _... .__ _... -, 92- . -_.. _. . . .- t .. .i_.- .---., . 1-'-I a---_._....__t. " "
' _ ,
{i4-Z,j...---»
iii
ii
92
2 7""E $7 ! have no reason to conclude that Mr. Phiiby has at
Ucjny time betrayed the interests of his country," eeid
ii K Hamid Macmillan in 195$
By the time the Foreign Secretary gave this per-
! <nnnl -92r<~nr'=nr-e tn P?921'HnmPI1f. Hnrnfrf Adrian P9292q=eHwhen he was only 22. The real Philby was a mater
of duplicity who earned a Fascist daeoritioa on ii
rst Communist assignment. From the midi-forties
through the coldest years of the Cold Wet. he used
his oicial positions within both American and Britishpolitical ueatogrind and no pencmleonneieneeato
iDoii|eorprotect.Aznna6vmcerwiewu-inPu5Hda-
an- Weekly notes: No lea an authority Gun John le
Carré endones whit the authon say, in his introduc-
tion to a true, hair-raising spy story. In that introduc-. .
r - - --_w------.. .,..-..t..n t£u'i=uH1§5.t0Up. the
white, heterosexual ghetto of the north.
I We are, looked at closely, all that: left
of what was once the American dream.
It is possible, in English Canada, Ed-
mund Wilson has written, to have rea-
sonable eonversltinpg in which people
pretty well speak their minds --they
listen, I noted, to one mother instead of
shooting off their feces in competition,
as we are likely to do . . . In the past we
have also brought hrecingly uncompli-
cated literary standards to bear on new
and vulnerable works. For example, when
my rst novel was puhlishecl in Toronto,
in 1954, I was not insttmtly savaged by
what Truman Capote on a recent sales
promotion trip to London, called the.leW1sh' H Maa. Neither was I ridiculed,
London-style, by an unspeskably witty
homosexual critic. Instead my no-uom
sense, aw-shuclss Toronto publisher
grinned and asked, ls it a thick booit?
Canadians like thiclt books.
Such, then, is my cultural heritage.
Brawing on uncouth ' ted stream
of experience, I oiiegjudgnteuts on the
diilerences between literary London and
New York.
Money.
The denitive dierence between the
Page!
Iiqjial -of four on £20 a week. Good Lord,;
the lIdlCll Ml. "h.lvg|3'[
you got a private income?"
For the most part, literary chaps are
paid in gentlemanly guineas, rather than
plebian pounds, actually a difference of
a shilling, and, unlike Blew York, it is
considered coarse to inquire about the
sire of payment before accepting a oom-
mission. To eel: for more money, it goes
without sa_vin5 is unforgivably ill bred.
When Norman Podhoretf Making It
is published in London it will cause a
dillerent sort of literary unrest. What
'-'-'ill'astonish 7-enurious, indigenous cri-
tics is not the revelations about family
in-ghting, but the hard fact that in
America it is possible for a reviewer to
he paid $750 for a monthly book column,
as Podhoretz was by Show. For in Lou-
don, book review payment is innitesimal
mdeed; but there ere p...-rice . . . that is
to say, free book; maybe eight when
you are only obliged to write about two.
01-, most enviably, expensive art books.
And come Saturday, reviewers from
Hampstead to the veldts of deepest Sur-
rey, thirsting for Saturday night gin or
bahy-aitter tnoney, eagerly await the oom-
ing oi the Man. The Man, a Fleet Street
bookseller, pays all the chaps hell-price_ r~~ --av--t-. -J --.-wv--1
to colorful anecdotes illustrating7 the
other man's pathetic lack of mutual prom
ln London, insult is at once less prolix,
more contemptuous. Oi a rival one thor-
oughly loathes, you never nay more than
delivered with u patronizing smile, this!
"What a nice little man. Little man
being the ultimate insult. Then, when
asked what you think of another mans
rantly p&lie...l*ed novel, you don't re
spend with éa detailed denunciation,
which would be gauche. instead, you
smile and say, He tries so hard, doe-snt
11¢?" t l
My absolutely favorite London insult
goes back 10 years to the critic, a notori-
ous drinker and free-loader, who, having
arrived typically! uninvited at a pub-
lisher's party for T. S. Eliot, and then
having this gently pointed out to him by
a lnc:i|1l.w""Lf of & iii indiy waiired
out, bellowing, I leave the rest of you
to your common American friends.
Sal]-promotion.
With a book about to appear, a New
York writer seems to embark with im-
punity on a publicity-seeking campaign,
enlisting literary iriends, eejeling critlw
and having editors to dinner. A boys
got to push his book, as Truman Capote,
£-lllll II Ilulv ll II Ill! gag I311
authors are not prone to their own er
volured brand of self-promotion. It is,
instance, the done thing in some eirr
to send a signed copy of a forthcomi;
novel aioitlfliterary, editor: with
note that says, "Pm sure you'll hate tin
dreadfully pretentious little hook wildlj
butjustincaseyouhavesploel
waste. - . ."
Taking this a step further, writers wil
phone gossip columnists a wee: before
publication and declare, It's simply un-
true to say I smoke pot. I want to go on
record, denying it." f
Penury and inventive :Ifproh"92.~4l.I
were once wonderfully entwined when an
acquaintance phoned to ask if I could
meto ipartyilterii-weopeningofhii
play at a theater club. Before l could say
yes, he rattled oil a liat of glittering
trendia who had already ageed to at-
tend.
Well, sure, I said.
Now, um, the thing is I'm not having
a party, actually. Can! atiorti it. Eat l*m
collecting a list of names for one of the
columnists, and as you're already said
the! you would w% l %-.=' this is e
bore, but do you mind if I say that you
_did come? --nouoecu lucuum
5,...
I301. WORLD Ht! Jill !
o.
1. -iii
i
' ¥
t
§
'1
r
F,-
El
if
1i
llJ-ll
II
_l
3
l$3
<35
kmI
1_F* ' é 7 In ---W - --- _-%__.-__.__._._-e_, _ _ es___ ._ F. if
W Srnsme --» r
VOLUMES
A nice, very nice, look at literary London and New I.
' i'
Setting out to compare the manners
and idiom of the literary life in London
and New York, let me rst ed:-nit to my
vmutge point. Though lve lived in Lon-
don for almost 15 years, making occa-
sional forays into New York, I remain a
Canadian, that is to say, nice, verynice,
but just possibly subject to our northern
paranoia, a tendency to regard non-
Canadisn life through a wrong-ended
telescope, as witness what is still my most
cherished Toronto newspaper headline:
1960 WAS a coon rem roe PLAY-
mucnrs mom oursms cannon.
On a recent trip home, I discovered
that many a disgruntled Cinadian lit-
terateur still regarded London and New
Yorl: as cities characterized by virulent
anti-Csnadianisnt, which is to say, we are
not celebrated in these capitals because
one is a snohby homosexual conspiracy
and the other an iniquitous Jewish closed-
shop. Concretely, this means a surly
Presbyterian Toronto novelist saying to
rue, My stu isn't published in New
Yorl: not because Pm lousy, but beesuse
it's set here. If I were willing to re-set
my novels in New York and give all my
characters Iewish names, they'd be fall-
ing all over themselves praising me. two capitals is economic. Though the
present generation of British writers is
largely drawn from the middle and work-
ing classes, there is still a lingering as-
sumption that writers are gentlemen.
Especially socialist writers. And so Pm
@.ar~ed. that when Kingsley Martin -r.-as
still the editor of the New Statesman he
stopped at the desk of a relatively new
sub-editor to ssk, How are you doing?"
To which the young editor is said to havefor review copies; moreover he forks it
out in tax-{rec cash.
Insult.
On occasional trips to York, I
often feel myself an innocent traversing
a battleeld. No editor you lunch with
today, has anything but room for the one
-you _ate with yuan-day, and the same
seems true of one writer talking about
another. lnvective is rigorous, deeply
personalland rich in upletives, runningan acknowledged elpert, has pointed oul
AhoysgottopusllhishookinLon
don too, but not hy championing its
virtues. On the contrary. He's expected
to belittle it. And so, you don! let out
that you have written a novel that trill
make for a revolution in the conscious-
ness of your generation: instead you
allow that last mpnth a hore, you
nsy ho% and an-nitted % mrgid
little book, which'_'every0ne's going to
hate. Rather than liadger critics and lit.
editors of your acquaintance, demanding
attention in the name of friendship orpast favors, you avoid them for ure-
puhlication months, for to do we
would he frightfully pushy. For their
part, editors and critics who have been
long-standing friends make a point oi
hsndingoutyonrhookforreviewhode
clued enemies, if only to demonstrate
that they, too, are alt-use corruption.
Before my list novel appeared in Lon-
don,in 196-&,anol¢lfriend,whohad
enjoyed reading the manuscript enor~H
rnously, admitted that he had hm sentthehookfoneviaw. l'|nsureyonunder-
l--1"course the splendid recipes developed by nuenaer 1" itiu
and his Italian consultant Luigi Carnacina. These begin
with crostato dz" ricotta, a sweet rst confected by the
ancient Romans, which displays an imperial talent for
combining in one dish a variety of ingredients without
losing the separate identity -of each. The mild, sweet-
med ricotta cheese custairl-sohich lot-ms me pic's has:
is enhanced by rich marsala, lemons, oranges, raisins,
citron and nuts.
. The full range of Italian cooking provides a journey
across space as well as time -- from the spicy olive oil,
tomato and anchovy dishes of Sicily and Sardinia to the
whimsical pastas of the southern mainland {for ex-
ample, omorini fat little cupids, and stounlmi --
little boots!. Rome pflers such specialties as a classic
lasagna and a mouth-watering gnocchi ollo Romano -
balced semolina dumplings with butter and cheese. In
the burnished cities of the north, golden butter, tawny
"veal, pale lemons and saron-tinted rice recombine in
endless variations. Try the superb osso bucco braised
veal knuckles! or the unexpected counterpoint oi rice
with lemon. Throughout, vegetables and sh abound:
arely boiled, they are braised, stuiied, baked or gently
poached in combination with one another, with eggs,
spices, cheese or the aromatic smoked meats of the
oounyside. Finish your meal with the superb lialian
invention, gelati ice cream!, and have a sip of that
civilized stomach settler, Fernet Branca, while waiting
eagerly for the forthcoming volumes on American, Bus-
Gloria Levilas it an anthropologist whose evocation is
cooking. '
HOOK WORLD May 12,196! - ;
...-+._-_-. ..a.---- -- . .. 92- _L...-- . ...C... - _
magazine is very good indeed. The l'C¬.ipg5 ,1- m_{¢ com.
l°l"-am! between the lnevefcnt enthusiasms of the Far
West and the classic grace and urban !, mudayeg with
Sacramento and San Francisco. This year the editors
cullinus are to be found in Cooking Bold gm]. Fear-
less Limo Books, illustrated, I50 pp., $3.95; paperback,
$2.95!. Prirnarilyffor men, and emphasizing barbecue
dishes, the boolrs particular distinction is its successful
blending of Oriental, Western and Latin stylesoften
in one dish. Corn roasted in a cocoon of been sprouts
and chicken avored with soy sauce, gm-damon and
curaqao are happy examples. Two superior dishes from
a second Sunset publication, Soups and Stews same
publisher, authors, 96 pp., $1.95!, are Brazilian
[eijoado and the Chinese Chrysanthemum Bowl. The
jeijoada is a robust potpourri of beans, tongue, ham,
sausage, bacon and chunks of orange. The Chrysanthe-
mum Bowl is for omnivores: guests cook their own
crisply sliced portions of meat and vegetables in a
steaming broth, and afterward drink up the broth, en-
riched hy the hlended avors of the cooked foods and
delicately scented with chrysanthernum blossoms added
at the last minute. . e _
The Form Journal: Cooking for Company, edited
by Nell B. lilicliols Doubleday, illustrated, 431 pp.,
$5.95! , is a cookbook whose hearty American dishes are
designed to please country people. The book is notable
for its quantity recipes and its portables" -- dishes de-
signed to be carried along to community dinners,
church suppers or large family outings. Most of the
meat dishes are unsophisticated medleys, but the pastry
0Ilul lIl00Llli1'i'l!, H-0 UIUL tétutai-t/us .|.192,,L_| -um ti<..-.- 92t..._ . .
in the absence of such essentials, she advises when sub-
stitutions may be made and when to get out the ham-
burgers and forget the whole thing. -
Pd like to thank Frieda Arkin-her The Cook":
C-hr-'rpai-lion {Douhleday, illustrated, 172 pp., 3-i-.50!
saved me several hours of communion with my burnt
pots. Her suggestions are equally useful in pi-eventing
kitchen disasters or lor use after they have occurred:
Did you imow, for example, that spilled eggs can he
picked up easily ii covered with salt and allowed to
set? Or that the proper way to ripen tomatoes is to
put them in a dark place?
Obviously Poppy Cannon's New New Can-Opener
Cookbook [Crowell, 314 pp., $4-.95! has a built-in
audience: all those who purchased and enjoyed her
previous eorts to rranslorn canned goods into culj!
nary delights. Frankly, lrn unimpressed by this latest
venture. The section on soups is creditable, but I have
serious reservations about any book that suggests the
use oi %ne-.'l potatm {pasty and bland} or macaroni
a mushy disaster!.
To end on a sweeter note, there's William I. Kauf-
man's The Chocolate Cookbook Doubleday, 168
pp., 54.543!. its author has happily resisted the tempta-
tion to oer meat in chocolate sauce the Mexican
molé that sets my teeth on edge! and has conned him-
self to a catholic selection of desserts. Like s scrump-
tious skillet soulé made with coee 'and chocolate,
they're all woefully, gloriously fattening--but then,
isn't everything? -F
Pugs?
C
I
l
I-m__.i_l
,
:[
92-
_ -n,l.
i l
iiiv.
li-
t .
il
§i
.1
-5
i
1
l
|
I
in
liii?n,
L}.
r_ Q. <v~. _ I
_,,_ at-._,...r... -._an-n--..----Q --~-
_ We knew you wereileiibningi so we baked,. . ' . e - ' . ---.-»--- ,"*5/rozled, stewed, freed,-steamed and szmmered i
Feeding avidly upon themselves, many magazines
routine] ublish cookbooks atched to ether from Y P P 5
their recipe columns. Not for Time and Life this deriva-
tive and dilatory process. instead they have entered the
eld with a series of original regional cookbooks, under
the general editorship of the scrupulous Michael Field.
They may end up mining their cookbooks for magazine
pieces, but at present the editors only ambition is to
put out e new hook every couple of-months for as long
as there is a public to buy them. Two volumes have
already been issued: The Cooking of Provincial
France by M. F. K. Fisher and The Cooking of
Italy by Waverley Root both Time-Life Books, illus-
trated, 208 pp., $4-.95 each!. If others in the series
come up to the standard these two have set, the enter-
prise will be a distinguished one. ,
M. F. K. Fisher's survey of French coolring habits,
for which Julia Child and Michael Field have both
acted as consultants, has only a single aw: it fails to
reect the variety and ingenuity of French Provincial
cooking. One can argue with the editors selection but
few will argue with the verdict of their senses upon the
excellence of the recipes. Each dishl sampled was dis-
tinctively delicious: an authentic bouillabaisse, delicate
sweetbreads, aromatic légumet it lo grecque and sump~
tuous strawberry tarts. Illustrated with evocative photo-
graphs by Marl: Kauman, the hook is eo beautiful
that most cooks will he reluctant to use it in the kitchen.
The editors have taken care of that pioblem too. A busi-
nesslike spiral-bound notebook containing only the
recipes accompanies the handsome hardcover.
In his brief introduction to Time-Life's The Cooking
of Italy Luigi Barzini tells us that the word recipe is
Latin ,ior procure. I suggest that you procure this
volume immediately, the sooner to savor Fred Lynch's
photographs, which capture the brooding sense of his-
tory that permeates the Italian landscape; Waverley
Root's incisive text that gives an intelligent perspective
on Italian food as it has developed in the various re-
gions and an account oi its Roman ancestry; and of
course the splendid recipes developed by Michael Field
and his Italian con.-mltant Luini Carnar-ina. 'l"lv-=»- Iv-winBY 01915.? .l"* °
_..
l
92
l
1
cooks prefer this method for oiriesl asd_ fatal results IronBeating egg whites Ior o snafu with c bellows whisk.
The Cooking of Provincial France!. ,
sian and Scandinavian cuisines. '
Books derived from magazines are only ls good asthe magazines themselves and California: Sunsetis, as is usual in farm cookbooks, rst-rate. One of r
iavorites and e hard recipe to come hy-produi
a sweet, cool, aromatic pear pie.
The season brings two tributes to the lowly hes
Victor Bennett's The Complete Bean Cookboo.
Prentice-Hall, illustrated,298pp.. $5.95! and Marga:and Anoel Keys The Benevolent Bean ]Z:$'92Aa
192 pp., $3.95!. Each has merit. Bennett! r. .
tractive and imaginative. The Keys concentrate moi
on imparting information: a fascinating history of the
bean, cautionary calorie counts, recipes from lmperis
Home round out the collection. A variety of cold beau
salads from either hook- spiced, garlicked am
dressed -- make s succulent accompaniment for eocl:
tails. Or you might try your beans pureed with sour
cream and onions as Victor Bennett suggests.
You don't have to assume the lotus position to use
Yogi Vithsldas and Susan Roberta The Yogi Cook
Book Crown, I37 pp. $3.50}. But there are problems:
perhaps had vibrations ruined some of the appealing
sounding vegetarian dishes I My yoglsurt cur-
ries were watery and the lentil dmnplings--some-
thing of a staple for the Yogi -- were leaden and faintly
bitter. Hie chutneys, on the other hand, rivaled anyI've eaten anywhere. Im inclined to be mm? to-
wards both the Yogi and his translator, Susan . ..,
simply because the hook, with its highly personal tone
and its proud petulance, was so much ion to read.
Far Eastern coolring has an excellent ambassador in
Jill Nhu Huang Miller. Her Vietnapseee Cookery
Charles E. Tuttle,_l1B pp-, $3.95! ~oers an unfa-
miliar cuisine backed up by foolproof instructions.
MostA|nericsnsareputobytwostaplesoftheViet-
namesekitchen: salty fermeutedshsauoeandcilro-
nells root, with its medicinal associations. But by and
large, Vietnamese cooking resembles Chinese cooking
andmoetiarnciersoftientaleuieineshould iindthe
recipes for shrimp paste, tasty steamed dumplings and
--n*@n&_»=*-e-w% :-PTHE M0'rALlTY h[ERC .r92l92TS- By 6- 51:0 liynnltlst
McKay. 242 pp. $4.95.
TI-IE CONSUMERS UNION REPORT ON LIFE INSUR-
ANCE: A Guide to Planning and Buying the Protection
You Need. By the Editors of Consirner Reports. Harper It
Hots. $3.95; paperback, $1.95. '' 7 " - - e-_~_d=II=i5r~ '-in * * * ' ' - if -1 2 e:-*~
By Paul H. Douglas
Modern life insurance companies have joined together
two separate functions: rst, a pooling cl the risks oi
death whereby small payments from the many, par-
ticularly in the active years of life, lessen the losses of
those dependent upon the comparatively few who die in
any one year and, secondly, a form oi compulsory
savings with the_funds managed by the insuring com-
pany for what are sometimes high charges.
The rst of these functions toprotect dependents
against the death of the family supporter --is highly
benecial since it reduces both the total amount of
economic utility lost by death and the worry experi-
enced by all. This function can, however, he pericmed
by so-called term insurance whereby one buys pro-
tection against death alone for a stated period of years.
lf this is for a given xed amount payable on death,
the chargtai or premiums increase with age because of
Paul H. Douglas, former U.S. Senator from Illinois, is
rs visiting professor at the New School for Social Re-
ieerch one a member of the Commission on
Urban Problems. -
Page!rates become virtually prohihive in the late sixties and
seventies of ones life. Of course, when the insured no
longer earns through effort, there is little or nothing
except funeral costs to insure against. Another form of
term insurance provides protection through
the years with constant annual charges or premiusns,
When the-age ceiling is reached, the payments stop.
In the rst kind of term insurance the higher risks oi
advancing years are brought home by increasing costs;
in the second they are rellatted by decreasing payments.
In either case costs can be compared against benets
and a rational judgment made by the individual.
If this were all, then insurance would indeed behighly
benecial. By accurate mortality tables it could be re-
duced to a relatively precise science and easily under-
stood by all. ~
It is the contention of both of these studies that this
function has been confused by splicingonto it various
forms of compulsory savings such as ordinary life,"
limited payment life," endowment, etc. Here the in-
surance company acts as the investing agent for the
policyholder and makes an invisible and frequently
unstated deduction for its services. Most of these sav-
ings plans call for a cash surrender Value md III!-'_!t1I92_lt
the policyholder to borrow up-on payment of interest up
to the amount of his savings above the amount required
to meet the mortality rate. If he does so, however, he
commonly pays interest on temporarily receiving back
his own savings.
yr ~---q-t,-W -...-- _._.-.--~, . ~._~__. ,.-.» _._..--.. -_~.. _- .- _--._ -5* - --...---_.-...-..,_.:,:-...._--. . ._ e. .-.._.-.._.% -.__--.-,- . .._ . _---._-;_,,, T _______, ______;mv___. _ _ ______*?,¬-F:r92 - :-_,;_
1ieits for lapsed policies in the early years are execs
or whether the interest credited to the cash surren:
policies is adequate, the main thruist of these boot
that we would do better if we separated insurance f
the compulsory savings plans. This would mean taki
out insurance and then prcvitl
compulsory savings by some other method such a
separate form of insurance or periodic payments i
savings institutions or mutual investment funds. '1
latter would probably yield a higher rate of return
they were made. But defenders of the present systt
would probably reply that many men would be rel:
tnnl to save in a systematic and periodic fashion uni:
they were also stimulated by the fear that their deper
ents will be left badly crippled by their death. In thi
view, the companies justify a less than Inaxinn/92"te 1
return on their customers saving by asserting Lsti it
necessary to pay for the organization and eorts 1
make men save and insure at all. l
Insurance companies try to discourage conversion o
compulsory savings plans into pure term insurance
they term it twisting. No such opprobrium is visits:
upon changing term insurance into the other forms
This E girm the mcrslly $22.! ten-.. cf move.-sic-..
and is welcomed by agents and companies.
The argument will continue, but these excellent hook
deserve to be widely reed and pondered. They clzu-if;
the issues and add to the consumers range of informer
choice. _ '-_l J
Elli. WUIIJ! III II, 1'
.__-- --- - _-fe . __ ---=-7
H_ ,_ _ A W , .-_.. ._.n.. ~......-»--w»-92.u.--..-----_- *~ --r4-Isl - -i V . . - -_ 1.» -0» . . _ . . ..-__..._. -.,-...- I
i~»*1
{-'4
t Z
i
l
IJV
l
ll
pl
'r
4
I
-
<_.-s_-They were young,
THE AlA'}0NQUT{PWl"lS. by Robert mam
Illmtiated: Citadel. l76pp._8-5.95. -_-_ _ - yr 7 _
By Heywoodl-Isle Broun
Historical plays about the Founding Fathers usually
depict them as men fully aware that their majestic
presence on insurance company calendars is already
in the hag. They meet and greet each other in dialogue
as exible as the bronze on which it is engraved . . .
You know Ben, it seems to me that the sunshine patriot
and the summer soldier are always with us.
Too true, Tom, but it might,eonsole you to re-
member that early to bed and early to rise makes a
man healthy, wealthy and wise. Say, here comes Jef-
ferson. I want you to hear his views on liie, liberty
and the pursuit of happiness.
So in -other trreas "of legend, Shelley is always pas-
sionate and Queen Victoria never is, Florence Night-
ingale is always adjusting a bandage and saying some-
thing kind, Henry VIII is always tearing a chiclten
carcass and saying something coarse, and the collection
of playwrights, columnists, press agents and actors who
used to meet at the Algonquin Hotel in the Twenties
and Thirties are always lling the air and the ears of
those privileged to sit near them with trenchant, witty
things. .
Well, of course, there are grains oi truth in all this.
Shelley was probably more lim at a party than Victoria,
and if you broke your arm Miss Nightingale would be
more help than Henry Tudor. So, too, the goup around
the Aigonquirfs Hound Table was certainly livelier than
the average alumni luncheon, bankers club get-together
Heywood Hole Bram: reports on sports for the Colum-
bis Broadcasting System.
A few words about
THE MORTALlTY MERCHANTS. By G. Scott Reynolds.they were witty Tr»
r
M 3*?/l .Z
i ,5: ; _' .1 _ u}.-".'. __ 92 _
1 .i...
1/ 92 92 1InI I}-ff-If~1 y f',.efja':.'. "1
._ -4;.! I _.~
1~-'- ~.--- __ _ ~.-1' -*-""'"" - -.» ..-.-+ -7
-lI fl? .. -"-=..'.=:=_-=c4.""
;.L
',}".._..l:' l. _, ' ,, . _ _.
t] -Heywood-Brotm Sn!, by Peggy Bacon I
or a publisher's cocktail party. Still, searching through
the collection of distortions, legends, hall-truths, mis-
understandings and lreen insights which make up my
own xaemcr-la oi those days and those people, it seems
to me that repartee, while an honored guest at those
luncheons, was not really the master of the revels.
This boolr is simply and directly a joke book, a col-
lection of paragraphs in the format if not the style
of that old traveler's time killer On a Slow Train
through Arkansas. In reading through it one is im-
pressed by the number of lines drawn not from the re=
ported talk but from-the writings of the Round Tablets,
the bits that survived the xxxxs and wvnvwws on the
lonely typewriters to which they returned after lunch.
Oi course, the talk was good but not perhaps of that
order where only a tape recorder is needed to create a
'5
I
life insurance
the attendant higher mortality rates. In this case theI
t-we l£!3_l!_!l5l t o.=;='t£!t?5='=nt sum.-.-.-or - ttigh
damaged the reputation of Johnson, and in the ca-
the magic young people in the privileged middle c
fun-lled faraway 1920s, as in the case of all the
celebrated salons, the legend is, for us, the reality.
" The jokes are often lame, but in our age ol the
the Pop, the Put On, and the Absurd-when the
seum of Modern Art shows Turner and the Met:-opol
displays a modern work which its owner describe
terms of its overwhelming square footf- - -
wouldnt venerate a bunch who seemed to kno. .,.a~
how best to spend the oh-so-few hours which one -
allord? Certainly it is not legend but documented
the lodgers of galleries, publishers, theaters and c-
cert halls that the wits, critics and attendant hon rivm
of the Algonquin could drop lame on one as easily a
gently as they dropped their napkins on the table at I
-endoflunch. When Mare Connellycame into the d
ing room the day alter a Ziegfeld Follies had opened 2
universal raves and said cheerily Well, shall we let
run? there was the exhilaration of power behind tl
joke. when a young actor jock the Provincetou
Theater for a unday evening conmrt, it .lr'n.:..":e th
event of the season because Heywood Brows, Deer:
Taylor and Franklin P. Adams announced in the N. l
World that anyone who missed Paul Robeson: aingin
debut would:-egretitallhisliie.'I1ie to-.umph was Robeson's but the crowd which ~d i
the street begging for tickets was proof of the .. ienc
of the group.
Lawyers and judges sit at the Round Table non
but perhaps this is appropriate. In a more comple
world, they deal magisterislly with the mdamentn
uncertainties of our society» II. lorig ago, the youn,
writen in a society fairly lure oitaell dealtjit
seeming oartitudes. 4
C
While there are also questions as in '-~
| ziiileuazt Cicutc éntttha um use taut Lctntuty tutu qa 1.4 , 3.1111:
time was almost consistently despicable as a man.
He thus poses most acutely the aesthetic-moral quea-
tion of how the creator of music as radiant as the
quintet in Die Meistersinger or as heart-wrenching as
the reconciliation of Briinnhilde and Wotan in Die
Follcire could have heernpits so consummate a gig in
his daily life. W
A monster of egotism, a fanatical bigot, a philanderer,
charlatan and double-dealer, Wagner the man com-
bined the charms and talents of Tartue, Rasputin and
Dr. Goebbels in his diminutive, satin-clad frame. But
at the same time he produced some of the most glorious
music the world has ever heard; music by tum heroic,
hypnotic, wrnpassionate and neurotic. in Cuimans apt
phrase, he was the Grpheus of all secret misery.
This ne biography, an outgrowth of the author's
lectures to the Bayreuth master classes, wastes no time
attempting to reconcile the artist with the man. Gutman
sanely admiru that which is admirable and detests that
which is detestable in Wagner. He thus provides a long-
needed modern, one-volume life for those readers who
are already fairly familiar with Wagner-s worlzs but
are unaware of all the searny details of his life andwho wish to see him placed accurately and objectively
within the cultural context of his time. '
So objective is Gutman, in fact, that one wonders
how he could have home living with his subject for as
long as he must have done to produce this book. I am
the Cerman spirit, Wagner once modestly proclaimed,
consider the incomparable magic of my works. Gut-
man does so, in absorbing details, but nds Siegfried a
Richard Freedman teaches English at Simmons College.
aoorwoarou-u_:.1oas _
.,,____..,...-_..~-.-.,_.-. .- _ , . . -. . .; ,_ _ ~ ._. .-_..._...._e-- _..- - . .. ., ._ _.. .a._. _,.__ . . _ , .._ ,,_ -_._ __ . -,., _ . . , . .._ . .._ _._.,,,_.. _ 1__ .192~/9 _. . -"L? '=_'. .--r. .=- ...-, =~.- 92- * VJ-
. a r' 1' 1 l r -. - ,-§_ ' . . 1,*"",!;§;_»,;_-1 - L. .-~
t '-' Yr '
.-
, 92
¢ "*¢_, -' V ' .. - _..._ .-:_" .
" .* "-_;-we ~ -1, y=- . 5/ ,;;+ _ -_ '__;- . _-' -T-' 1 ' Top l .- -'
-L -I ».--_"._é I _.- . 1- .'_}"=" '= -.1.-F . _ > '- .. I . - -s- "5 " J; : .v7g':.»;_!£ Q4 ._ _ __ .| __?. _ .___ .. . ,. _... _, 11;, . .3 1"
an z '2'» -I .',' '_-.u: - .,.,--. ,--5 D , '. ,2.-E1--.w »."" ll i
t ?;¥,g-as-;,.I
, 1 J .
-J *£'¢'92"=;*» ' @-
r . - ~ _ 4. ., -
"'4'-"v-.'*-. " I "'i."' 7- . '
-~'-': " . . ii '' , . ,-.4 ?- ' ="- .; H. _- -3 I "_. , . ; a I ' ,1
J . _-if ' ..-§:.=_-'.,,.=:$~ Q. ._ ..-H,-,,_,. _
._ ' 5- .7'.r"1-42-. ._ .v:,'"~e*r~-t;§i1Ii."§li}q§§Q¢a-so. ""l§s iiLn713;' l
Gut.ma.ns attitude is similarly ambivalent. He B en-
-thralled by theepic decadence of Wagner-s art, as any~
one must be who gives himself fully to'it most anti-
Wagnerians simply haven't listened to him carefully
enough}. But he is that Wagner
was also a respectable, let alone a profound, beet and
thinker. He has read all Wagners dreadful polemica!
essays, and exposes their shoddy ideas for the evil
twaddle they are.
On the other hand, Wagner was a genuinely tor-
mented genius whose paranoia should elicit as uch
sympathy as if he had been committed for its And ii,
while lashing out at Franco-Jewish nancial canni-
ness, herobbed everybody from Ludwig II to the pettiest
tradesmen, it was on the perfectly valid theory that the
world owed him a liv-ing-and a good one at that.
I cannot sleep on straw and drink bad whisky, he
once exclaimed. I must have money . . . but what is the
good of hundreds where thousands are needed? Con-
sidering the sort of peopie who generally do have
thousands, was the creator of Tristan and Isolde en-
tirely unjustified in his demands? Isn't Wagner: insuf-
ferable arrogance somewhat mitigated by the fact that
he really was every inch the genius he proclaimed him-
aeli to be? It is usually those who are well-o who
expect sell-ahnegating spirituality from their artists.
In all lair-rats, then, Wagner ea Mt-..nti:~ely %!.
If an inflamed nger prevented him from attending the
funeral of his rst, long-suering wife, Minna, he was
genuinely distraught at the coincident death of his dog,
Pohl. He was a great lover of dumb animals. It was
only people he hated. ti
-$5
é-- - ' *1-
iii
||_ F
1 y .
t
:
5
l
.5......,_.lc_..,_ .. ._ >#,q,% _w¢e .
- _ __:a»-r;,...-n--- -"
at .1. 1' " -
a fast-moving bicycle '
paign ran its eccentric gllalmaod-start and lamentsbly
full-length course. Fresh air is pumped into the long-
staled strategic arguments and new light is thrown on
the tactical dumps and deadfalis, of which, in ltaly,
there wasra plethora. But this is no study of war, made
at hatlayaphere depths. lt is done kimono-style, covering
all, while touching nothing closely. As light reading for
the summer, preferably in a hammock on a hot day, it
isrecornrnended. -
His colleagues and others who respected his work
sometimes questioned whether the late Douglas Sonmall
Freeman truly wrote military history. Was his forte not
rather the study oi character and personality and of
how one man rubs o against another? The military
backdrop gave breadth and denition to these portraits,
but his battles either didn't quite come oli or were seen
as by a bike rider whining past a tall picket fence.
The method here is comparable for it seeks to make
understandable the twists and trials oi the Allied cam-
paign in Italy by oenteringmain attention on person-
ages, great and small, on both sides oi the hill, or
caught in the middle. The list is highly selective, and
quite a number that were excluded, such as Generals
.9 -11.-.- Iron Mike 0Daniel, Middleton, RaymondMel-ain and John lurch, were key gures in crisis.
Naturally enough, |],, qgoil gure is General Mark
T/'ay1:eClark, who conunagdedthe US. Fifth Army. His
béte noire is Majotimq 1'-red L. Walker, who com-
manded the 36th lnlantry_'Division, and along with
some few Texans never for-gave Clark for the battering
that outt took in trying totorosa the Rapido River-
Walker made a career of burying Clark thereafter
tthough his own handling of the ght WI! B0 B10461 ll
the ¬omm.-and School at Pt, Leann" worth. The one-sided
debate Clarlt saying as_to who was victim
and who villain has been going an ever since and it runs
the length of this bool: like _a fugue theme.
The authors raise the question: Was Clarlt a great
general, an average commanderlor a mediocre publicity-
seeker? To answer, they have vigorously applied scis-
sors and paste pot, directly quoting assessments and
sidelights from a medley of witnesses, tall and small,
pro and con, some speaking then, some having their
say now, others retching their_bile under a cloak of
anonymity. One of the fairest-spoken is rare Bill Maul-
"1
-1 '.92gP'~'=- .-
1 ;_._
Acmez-eons Wagner? c
J ' 7 V ._{'* 41* r _' J _'_ or _ _ : _m__..__'
RICHARD WAG1'tER= The Man, His Mind, and His Music.
By Robert W. Colman. Illustrated. Harcourt, Brace l World.
490 ppL!l.2.50. y _ pi y i l i i
By Richard Freedman
One responds to Wagner, as to no other composer,either with heady-eyed adulation or with the repugruance
and t:0ntcmpl'l!etLing a man who both temperamen-
tally and intellectually was the archetypal Nazi. Both
attitudes are justified, because Wagner was thesupreme¢Xample oi the amoral artist --perhaps themost signi-
camt creative genius ct the 19th century who at the same
time was almost consistently despicable as a man.
He thus poses most acutely the aesthetic-moral ques-
f Ztion of how the creator of music as radiant as the hooligan and Parsiial a eretin. He points out that
Wagner is only part ol the German spirit-the part
that triumphed between 1933 _and 1945--but that
Goethe and Nietzsche represent a saving remnant.
!~!i=%=, for inswce, w%at iiir: lull Wagrrean
course. A youthful idolator, he said that allthings
considered, l would neveruhave survivedmy youth
.~- s . -t -,.- 'r if t -__ _ _...». .-ivf ' * * . 7- .' r- 7.1. ,,_ ..' ' ~ = . ' ,~ u '__:_. . -.11
_ '== H fit
.-_ -
92 " 92 ' l" '
ax arG ll' -
..J I,~ ~ ~
no .
-urdrȤ~s92-t~
din. So you pick and you choose, and it is all quite
unsatisfactory. Having been with Clark several times
when he was under the heaviest of pressures, I add my
two cents worth that, like a singed eat, he is better than
he-loohs,atleastinthiabook.Possiblymorethan
normally ambitious, a man of strong convictions, he
still disagrees fairly, and will reverse himself when
proved wrong.Whether lengthy quotingofwitnessesproandeonbetua valid way of writing history, one must doubt. Many
of the subjects are or were my friends oi many years,
such as the late General Lucian Truaeott. The consensus
is invariably more eonlusing than was the man in the
esh. - .
Italy was a dirty campaign, a bending raoe of glit-
tering prospect, tantalisation and gloomy disappoint-
ment.Thenear-disasterat5alerno,thehogginglt
Anzio, the battling and bombing at Cassino and the
fall of Home are all treznendous episodes and have
inspiredgreatwritings.Heretbeyaregirentheonoe-
over-lightly go. Far better for reading than for refer-
ence. '; "
. t C
without Wagnerian music. -Theo, courted by the
Master in the hope that this brilliant young man would
lend intellectual respectability to his own odious theo-
rising about life and art, Nietzsche found himself re~
pelied ' '92'i*'agners arrogance and bythe alrlly-tnirrg tendencies of his worh and by the horde
of vulgan IY°°Pl92I11tie Wagner-ites with whom he III-
rounded himself. _ i .
He ultimately came to prefer the "lloditqranaan
sweetness and light" of Carmen to the Teutonic vapor-
ings of Wagner's late works. Yet, toward the end of his
life, Nietzsche declared in Eoee Home that
must be a poor place for one who has never been sick
enough for this voluptuoosness of Heir!"
Gutman's attitude is similarly ambivalent. He is en-
thralled bv the chic decadence nl V7"--~- '
_92 6%
_____ _o_ ash 3 ii < =£__°a 32 ___;_ £8 M05 $33 _8__u__U_uAmi ___! m__u"___"_____ 3 huge 1 8 gs
"___. 3% £8? 2=m____ ___:__9__o_E__ _° =__§___ gm
it 5 =8 3. 2* 15 ______£§_ _8__.: ggs
o______ _§_______u_"_m__ E ________ ___; "___ _____§____ as _ ___ _v_m__-I Eiia E8: P?__'_- h___:_H nu :_E:
gg Hg 8821 ____m_ Ea __m________ __o__nm_____
_8_____ J £3, ___ gr E Q: gig? _E___
3 81 A é ___¬_=____ 5 gigs ms
658 E5 Jag jug "Q E gm: ___b_u_a__
_m 13: M3 £3 A3: E __£_1__ g
_h___%__ ___O £8 __£_____ ___? 2: 8? ____8_
_ at E gag _§£:§m HUTME8 8&8
has Hg G88 £0? :2 U5 mo __ ___2 GELJ. I E: _w__=___v EU£:¢m *9 8: I Baa _U5__iv E: mag - P: 8__2_&E8 ___ _< ____O____at 2: 5 _m 8 Boa ___U______ um £5 "__gE E SA E O ta "mi aha? _ as£88 *0 ___o_"_____ I £15 3 9: ___8E° groi __I
5 85 ___ hag? A ~88 EU: "£8 :5 as um
_m________m§* _m a§8_ __E____m£EE is *0 25 _ _ NJ _m ___ mg? __§_ H3 SE g ___: 2* 52 ugh.
wag E: gm ___ u_A_maa __ ___: "E3 J: 3 SE
2__Ot _ __°W_B___' - am 5 is at =2: wag __.
E =8 Ego hguwf 3 as 81 Hg 15
A 3 gm ___ = *0 E_________ Oi E21 BE: $58
H h_n__OE_O _d _______m__mEE ___ 55%: ___§__&j agnwg ___ 8. 05 Bibga ts II m ___§_%______ ha 8_= EU "magma: ___";321 O _°_ ___ 8 baa ___ oz 2 ow 3: a____ H: Jg u_____g J Uzi ________ jg E Ea 21 E ___ ____§_ mi EE 2
___? p____O__ ___9_T__| __ _ __=§_____t£___U S 3 H: I §_
__O 50% u E5 §_ ___ ? £1 Eu E; ____O___ Chg
£0 U5 E5: ha 2 E _ _§_§_§_ 05 E 328
E _O n 2: Eva Fa _0_§_ __§O= Ba U__Oh____ Ea;
_n8_H_5Ou_ is gmgs 8H_=__mH__ 5 HO ___; o________
:5 §m_£ ___: = _____R_ H _*__ W55 ____£_____= BB_ ____Om_8_HgU __v__£__=___ SB _n___O_________ *0 __§ _U d __§m_n__B _nm__Em E3 ___ g
aim g £1: O5 _B_h_£ §Oho G9 :2__2_O U_O____$
=3 81 Eammgm ___: Ad: Eh ___; 305 ___Om__ ___ ________ 5 Tm ___92___< ___ __h___§_____:_________ J_ I-_ _;_|__M "_
I V_ 4: _
n_' b
_
___ _ _ _ ____92 _____H I ___ __ __ _ gi _ __ gnaw __n___u_ 2E ? kg Us____ ____5m_5M_ ?_U_____Um 5 Essa __ _bS______ Eu§u62 Jsuhgi 15 _%¬__"__E£ ___: 33$ _____R___§__ I
:5 nm EEK :5 _=__ U55 2 £3 ragga mm Hm
_n___Om E: $60 am raga _m_£_ __£___ _O BO ____:_m___m___
HE ___: ___? "E: I ___ ; _§____ ___s__& I 5;: _U__g_H_nm_n_2 m ism 3 _gE_H_< 5 _____§En E
L515 EH DEE 3 3; Ha I g 3 8 g
____§_n M32 h_9£ 8n___ G|§O;O __ _"_m§____H
I U___m_6_a 39* kg £5 spasm mg E9: H:
53$ U5 tO_"__5n __v_____ 8_OHH_ 9?, baa 3 iom
21 $5 £5 m__§_¬m__ _E all 5
___ 8!_m Gm Ea I __hO?0 gnaw __p_g_E_O ___: Ho_ _ ""839 ___ _2 Oz ____£"_m_
_n_____ 3 3:3 __¥_ E ism =6 _$¬_ _ 9_____: I
BU£§ EOE __U____£:__ ma ass 3 655$ H £033
3 I is Emgmm is ___3E__U 38" E3;_____§ §E__%%m ism "___ gs £mn§_ :3 h_______ um 5 _O_ ¬__i__:m__ ___ ; 3
;=d_8m _OmU=OU ____E&Bu gs 2:3 :5 E0522" aw
2: 8&8 U___ _§__S _0aEs_° hOh_ J8: Q Haw 3%
I 25 "A £33 Hm $835205 _$=_____ __ am map __J__U§£__§m ___m3m__ O5 =3 U: __=____ O __2__E___ H055 __ _§_ = 3 E3 _§E___8 ______§____u
_____°__ J03 __OzOm_'O n___Om:__n_ E E '__:____ bmsm
E jg o_§___ ___ I am Egmm ___: _§________* ___ _m___m__=____ E =3 lkwg L85 sspaE EBUQE 3 E05 ___2_d 18 ___? E; _Es1 E05
Gut; G2: 1: _*__ ___2__ gs Fa m__E_ __mU_____ 8:8
0:3 Est; 2: 5:: _2__mt Oi ___ MED saga __=_mm____
Q5 in ? ___O&_ Jam _85____§E hmoi 815 _q__O_~
Vs ___ =0 g m__U__OE2 bauz B agent E_3uum
*3 _ U: 53°: gal :15 2 sma _5_:n¢H ho U______m 2_
___
___
_____H__"__$ ______
__ __
___?
__ ____
_ __ ___"
____EL
:__ __
_ 1;_ I ' _____ __
____i _mm__w________
_
A
Z
_M SJ ?
_
W
U E
M W__1y_
M 2 ___ WI?_ _;_
gin
if
______
%__"E_ ___?"Hm?_ ___"__
__u_W 1 j am E
-_. <..a~..._:s._92-._.--u>-.__ .,__mwaaj- ?¢§;__. "W ___
. 1'1";. -' '9292> __!--11, _,, ___ _ In-A0-~¢|.
"" ' " ' " " ' ' ' . - ... ._... ~_,__._._,.__._.-._,_... _-.- -. . .
I |
::.= ..,_;_ %Th'eItalian campaign seeds from
.___4
J
I---av _.~ .r. . 7'7? - _i
1<-.~'§¬1"'»"'-'~"".'"5=*t.§-.l7- '- =
--;-'-+-'..* _ .L;-;""¢g .-- _a
a¢_j's+. :'-' '::"m": -.
._ . 1; _ _ ,
-7 _, . Us _
--..f '1 _ _ " - ._ - -5. -,|92.. P "
Ur O M
l ,* 92Us £1 F & H- - I . . . ., __ . -1 l - _r. - _92 * - V .
-__s- _..V.. - 5- __ r .-_' 92_- }' '1; -Elf or vZ92,; ' I
hr 92 " I - r. "*4" +3-.'
....-,.=-g" -r. Q. "I it -. e _ _
V Joni the Fifth Army enter: Rome
How right can you
_ sftiile we if ~'** _ eh e. V if
THE RICIIT PEOPLE: A Portrait of the Arneriean Social
Establishment. By Stephen Birrnlngluaztt. Illustrated. Little.
Brown. 360 pp. $10.
*
ti *3 Theltrouble with The Right People is its wrong. There aint no such animal. From time to time, particu-
larly in periods oi great stress or foolish dress, people
like to think they exist-especially people with an as:
to grind or fashion pages to sell and boolts like The
Beautiful People or Nancy Miti'ord's piece on U and
non-U, make their appearance. But, upon analysis, the
"right" people end up no tighter than the writers who
""'l"* their vino rst mal-cine them uh and then writingROME FELL TODAY. By Robert H. Adleman and Colonel
George Walton. Illustrited. 17-illlvt Brown. 336 pp. $7.95. f
By S. L. A. Marshall
Soon after V-E Day I talked to the late General Lord
Pug lsmay in London, being curious about why
Winston Churchill had lavored a main strolte into
south central Europe from the top of the Adriatic as
early as 1943. As secretary of the Imperial Defense
Committee, lsmay should have been in position to
know. It was startling to hear him say: "It wasnt to
thwart the Soviets and prevent cornnmnization of the
Balkans; be didn't speak to that point until 1945, shortly
before Yalta.
Some weeks later in Frankfort, I quoted these words
to my immediate chief, Lieutenant General Walter B.
Smith, Chief of Staff. Smith replied: How oould Pug
say such a thing? Hes dead wrong. At least twice in
General S. L. A. Marshall was Chief Historian of the
European Theater of Operations, United States Army,
during World War H.
get? A .. l
But Mr. Birmingham should not be judged for his
book's thesis, wrong as it is, if for no other reason
than that this is not really a book at all, let alone a
thesis. It is, as he himself admits in his introduction,
a collection of articles he wrote for Holiday on "Society
and the institutions it supports.
Among the "institutions" Mr. Birmingham treats are
private schools, debutantes, the Junior League, the Kept
Man help is awfully hard to getnowadays, as you may
have heard! and the Kniclcerboelter Greys. If you
dont know who they are--look at it this way, they
"er ~l-. .=_~. --~: = - _ . tar. *" ' . ~, *-ti '-_.»~. _.' . ' 7 t . T tr.-'__ . r'-.<~_i*-' .. -~ .- Y1 4:-92.; _ __;;;._ ,_1944, Winston talked to me on this soore and once he
had tears in his eyes as he asked, What if this wan
ends with a free ag oating over not more than three
or four capitals in Europe? .
Then Smith added: lt was the one point on which I
disagreed on strategy with the Supreme Commander. I
thought we should have gone in through the Ljubljana
Pass."- I asked: And now, how can you say such a thigz
Either that would have excluded Normandy, ' .
would have had two centers of gravity on th an-
continent. And if it did exclude Normandy, what would
it have proted us to liberate some of the Balkans and
have the Red Flag come to rest on the shore of the
North Sea? I
The anecdote may illuminate what a German general
meant when he said that strategy is just so much spiced
garbage, ii it does not suggest that all military histor-
ians are oddballs forever imagining that they can tell
the story full and fair. t
Mr. Adleman and Colonel Walton did not really try,
though they have collaborated on an mtertsiningly
brisk narrative about how and why the Italian cam-
'3
By the same token if you believe that Society Iutllfl
expeettheir so-nstohavelearnedby thetimeoftbeir
maturity to ride and respect horsellesh, to handle I-
rearmoratroutrod,tosaila boat,andtobe'hind
topedigrooddogs.Girlsareexpectedonlytobeal>lato
ride"--you are also going to enjoy it.$nt again, vie:
verse.
Mr. Birmingham's people may he well-born, but a
goodmany of bisstori-as arswell-worn. My ownlesst
favorite is the story of the New York father of A po-
tential debutante who, according to Mr. Birmingham,
said, I'mnotgoingtogivsapartysoalotofdronhl
and hopheads can raps my daughter.
Such a story illustrates the {set that underneath his
apparent lightness Mr. Birmingham is obviously in
dead earnest about the snobbery of it all. Since he is.
art ntstury ,,¢..- .. .. . _
rtant as the ex ression of certain ideas P9 P
H .'about_the art of the past in a literaryi if i I form. .:, '- - *_ " '
"~"AfterIleftHarvardIwenttostudy
-with Berens-on -in Flomtme. Mrs. Berea-
son was the sistgriof the writer Logan
Pcarsall Smith. TE whole atmosphere
of l Tatti was one not only of erpertise in
painting, which was Berenson's great
contribution, but also in good writing.
We used to read aloud at night and the
whole atmosphere was closely related to
books. I was always s voracious reader,
but Berenson st@u!ated me to read
more outside the eld of the history of
I11. V.
' I remember reading Browning's The
R5.-:5 and the Bw-It, a '-rcnderful poetn,
andagreatdealofProust.Edith=Whar-
ton was a great friend of the Berensons
and we read her The Age of Innocence
and The House of iiiirih. Bercnson aiso
knew Henry James and I remember read-
ing The Ambassadors. We also spent I
great deal of time on the Russians-
Dostoyevsky, Tolstoy, Gorlry and Trek-
hov.
One of the sorrows Ive had in my
profession is that I've had to read so
much straight art historical writing and
the level of quality, from a literary point
of view, has become lower and lower.
There are only a few outstanding writers
in the history of art that I admire as
stylists---Kenneth M. Clark and ErnstElytc, . Ana _ .. .
his catalogues at the Museum of hiodarti [Oil I.»-Au-.~ 4,, _
Art and his writings on Matisse gnd 55-painting and literature in tr rather nus I-4|92_ .. _
others, then, I think, heis an art his- fllhion-1_Will you tell about _pI=l'l-'llpse92tenonourprl0li<;<=$, mt_1qr1gn__Bu;jfh¢j,;i;np17w1ingl:-=f§ithat? , - ' _ >---Tlte.Brown.Deoodes,Stl'ck|and$t
straight critical work I wouldnt consider Ind I 3855? W? ""1953 ' '
an rt hip[o|-ian -' GU ltnltsttai. I MIBVB II
Do you think um writing about m
contributes in any way to the quality,
the nature, the trends of the arr mg;
is actually produced?
Indirectly, yes. For example, it; [pg-
cause of art historians that artists began
to look at primitive as an art form.
Before that it had been put in the ethno-
logical museums and people didn't really
consider, let's say, African sculpture.
But before artism .%gan to be inflows-ed
by African sculpture there was a hind of
discussion by art historians of ethno-
logical art as an art form.
It's very difiieuit to teil which comes
rst, the literary discovery or the artistic
discovery. There are, very denitely, re-
lationships between painters and writers.
Uhviousiy Virginia Wooit-'s descriptions
would not have taken the forms they
took if she had not been loolcing at paint-
ings by Duncan Grant, if she had not
been discussing art with a writer and
critic like Clive Bell.
Can you see a parallel between move-
ments in er! and changes L: literary
style?
Yes, I think there are denite resem-at that time, though subsequently
people have done it too. We decided
§IIoJmke a series of paintings in the col-
gicétion of the Iiational Cailery of lrt
try to nd writers who were not art
;"historians, whenever possible, but who
the eesmce of the paintings.
There are obvious connections between
repainting lntl iitcrature. All artist IE6
Eaude Lurrain, who lived in the 17th
was steeped in classical litera-
' tare. 'I1:|e parallel between Virgil's writ-
ing and_Lorrain's landscapes seemed evi-
dt to us and we took a quotation from
to Qow how cllgly related the
:two_were. Sometimes we found that a
Jrriterhadaniltsightintothcstyleofa
which art critics lacked, or at
{east %-ruse of his literary gift he mn-
veyed it more vividly. So, for example,
-"_we'ldiscovercd that D. H. Lawrence, who
was himself s painter, had certain in-
sights into Cezanne which we thought
were more beautifully expressed and
perhaps more perccptivcly felt than any
other writer that we could find on
Cezanne.
=-I think an inspiration for our booltand The Caltureyof Cures, to nanss s
Tell me about Malriux, not ver
tervcsthsg man who is both Fro:
Mtnls$.§tnte for Cultur-alAl
and an art historian
Ithinkhishoohonthehistoryr
have made people look at works of 1
anewway.Hehasaverywidean|
cyclopedie knowledge of art and ht
brought together fascinating com
tions and revealed new facets of 1
his jttxtapositions of worh of II
ptltiodss Many findone of the greatest art histotgoq.
I understand that the NI t.
let-y has had a happy relationship
$-[nuts -
Yes. The National Calla-y owes I1
grcatdealltwasthankstohim tht
were able to show the exhihitio
Fmnch contemporary painting v
just ended. He has also announced
he hopes to arrange a comparable ea
tion of contemporary American pain
at one of the large state museuu
Paris. He feels the French should l
more about what is being done in
Xgrki Qt! this, tor 4 Frenchman,
very remarkable, cosmopolitan poi
view.
_ _ ._ . _ c . . _ , s . I'D:Hm? .* __ _ _ , oaooxwtg -1
Mr. Walker, in preparing your-sglf gq;
become an art historian, did you rely
on visual ex,%:-ii: -:'=: reading
also important?
The magazine articles on modern art
that appeared when I was young certainly
had an inuence on me. But I am always
urging people to look at works of gr;
rather than read about them.
I grew up in Pittsburgh, where the mu.
sewn, the Carnegie Institute, possessed
a splendid collection of etchings by Rem-
brandl. engravings by Diirer and prints
by the great masters of the graphic arts.
These I literally devoured with my eyes
and I learned more from them than I did
from any books I read. My enthusiasin
for these prints made me decide several
years before I got to college that I wanted
to spend the rest of my life working in a
museum.
Which art historians had the greatest
inuence on you?
The ones who inuenced me most were
A. Kingsley Porter and Bernard Baren-
son. rorter was a genius who had in-
tuitions about the history of art which
were olten conrmed by documents dig-
covered later. His dating of Romanesque
churches in Spain startled people and it
was discounted for a time. Lifter docu-
ments proved that he was right. I stayed
with him one summer in Ireland. We
went around looking at -Irish crosses and
we used to tall: often. He was a poet and
a playwright and he considered those
creations far more important than his
contribution to the history of art. How
ever, he was remembered as an art'his-
torian; not as a playwright.
Port-er was-ey one thing to rue that
had a strong inuence in my life, that
art history per re was not really as im-
portant as the expression of certain ideas
about the art of the past in a literary
lotto. '
After l left Harvard I went to study - - Y-' st. t'92...,...,.. ..- ¢....,.,,,....~ ' "
-~._ _I
J <...*_t_-
' . Y1. =:$..-' p_
Dnntm A
1 92Ju.11 A
."._.,,e5
" ";L=3r-tr;'.,-,~ ,=.....r;§F%;;t >,.' X
92.L.l['92I.l
s ' Walker» a I
; p;,..,w,-;¢{¢1t.; itlarionol Gallery of An, ;*¢'92by Milton were t
. _l_1 -1;: H-.
t
-- ;_ -..-~- ~ .,
-.;,;;' .
____:._
J
. 1 ' '.-: 1- .. , _-»9292 _'._,;, .
. _A,"___.;,;l .-L .. ,'.-».;--I ., _ _ l ',__92c..._ - '.4 .
-~ ._»--
eune from a letter of Horace Walpole in
which he speaks about antiquarians and
how learned they often are, but he also
says that naoeithan know how to write.
And, unfortunately, art historians in our
dayseemtohaveloetthedesiretowrite
beautifully. In a number of sections in
our book we quoted Walter Pater, a pure
stylist. Among the reviews of our boolt
lwaeveryamusedtond thattheone
thing we were for was men-
tioning or using Pater at all.
Could art exist without art hiato YOh, art could certainly exist
art historians. In great periods of 811
there have been no art historians. What
little criticism the Greeks wrote about
art, when they were most creative, was
oi a very naive nature. Eventhe Rania-
sance bad very unsophisticated critical
standards, in today: tertm.
Doeaartor artwrttinghave anyrolo-
Vance to eontunporary problems!
Not today. Some writers during the
193%, -.-.-% .*...-.er-Z_:-as-. .-.-..=-'.i.sn -.ee.-re in-
1l '_ '" ' '1
|, 1
I
r§ a1
r
2>1al-I-m.¢¢ar-uv .-.-. .. _
I
Continued from page 1} he was a member of the
Communist party.
Here, it is important to make a distinction between
the security services of the two states which fought the
war against iwisrn --"- by side. it is inconceivablethat the United Statzwcovernment would have em-
ployed a drunk of Maclean's public renown or a man
who boasted openly oi his homosexuality as Burgess
did. It is true that there were Communists in the war-
time O.S.S. Some of them performed bravely on tasks
behind the lines betting their peculiar allegiance. Gen-
eral Donovan, who headed our wartime intelligence,
said he was proud oi them, but whenever he said so, he
would name- their names, thus proving a point. If he
missed a few, there was no one then to say him nay.
But that was before I946. After the Central Intelli-
gence Agency took over from 0.3.5. in 1947, it would
have been impossible for a Philhy to have joined it.
Why? Because Philby had joined the Communist party
in his youth. No matter that he covered his tracks by
feigning sympathy with Hitler and winning a fascist
decoration from Franco in itself enough to bar him
from C.l.A.!, the Communist record was there.
Yet Brish security permitted Philby to rise to the
rank of No. 3 man in S.l.S. and appointed him chief
liaison oioer with the C.l.A.
There is no way to explain this stupidity except in
terms of Pl-.ilby': family, Philby's whwl, Ph%y'e uni-
Philhy's fathers membership in the right sort
$0! WORLD May II, INI
; , .92_. .... .of London club. The l1llh°1'=- nu an ClLC1tt:n- yo-
explaining what is really inexplicable to an American-
But now comes The Pflilby Conspiracy: nal shock:
What good is security within a secret agency if its sec-
rets are impsed to i friendly but penetrated foreign:
intelligence agency?
The record now shows that America's C.l.A. was
badly compromised. At the least, it was-compromised
between the years 1949, when Phiihy came lo Washing-
ton, and mid-1951, when he was recalled. At most, the
record could say that the C.l.A. is still compromised-
Philby knew the organization of the Agency. He
knew its agents and its operations in the planning stage.
Most important, he knew what C.l.A. wanted to know.
To know this is to know a great deal. lt would be
dilhcult to decide when time relegate: such knowledge
to disused ling cabinets. Philby admits, for example,
to one crime based upon information he in
Washington. He admits to the massacre of hundreds of
brave Albanians who parachuted into their homeland
in the early Fiftim, taking part in a joint C.l.A.-S.l.$.
operation. _
He does not admit to an equally important crime,
and the authors do not charge him with it. Nevertheless,
in the opinion of this reviewer, it seems probable that
Philby gave the Russians the information necessary to
put them on the lookout for the U-2. when the U-2
went down, ktroying the summit ccderenee ht!"-..en
Eisenhower and Khrushchev, Phiiby had been gone
___a_ _7 Le 1a.. 7- .v-----v-F ____,-I'%__.~4-ma. 4 _C.l.A. wanted to snow. no I-la: . W
So the damage Philby did to the American intelli-
gence elfort is still inestimable. What_can be dh
-Jrsut it? Tm semen sum up om side with appalling
succinctness: When the extent of PhiIbys treachery
was nally realised, the C.l.A. had no choice, short of
disbanding the whole ° t 1° "Rik b"'¢lY
and carry on. - '
Still, by now, a law of returns must have
set in for Philby. His value to the K.G.B., where he
goes to work each morning in ldoaeow, must diminish
a iittie with passing day.
But we too are subject to a law of re-
turm. In the days of Philby the intelligence community
consisted of a top-level sta and some assistants. Since
then, this community Defense Department Intelli-gence and C.l.A. - has grown to a vast industry {V
spends about 2% billion dollars a year, employs -
than 60,000 people and produces an amount of paper
which God h|msel' f would have digesting even
if He did not already know what the Russians were up
to. The growth of our -intelligence effort is surely one
of the reasons why Philby's value to the Russians must
be diminishing. He could not encompass it all.
Butcanwe? Howcanwemakesurethatallthese
peopleandallthispaperissecurelllyhiringmore
to 92.-.rstch paper nmd people? The prospect seems
asgloomyaathepest. ' J
Pegs!
iii ' i W" *1
.
|
:
l
ll
i:1,1
y irI
l.
ii:
K r
92 1
7
. V
I. _,1_E
y, .-,
1;.12.
'.9292rI.
Nabokov as a young virtuoso _i
';~§ .
£151}, QlJEEN, umvrz. By Vladirnir N-aéisvlliri-no
lated by Dmitri Nabokov in collaboration with the author-
McGnw-Hill. 272 211- $5.95. i
By Pm: West
Most eternal triangles look alike and are alike, their
ptincipleas,Nahok0v reveals with icy panache in
this, his second, novelbeing the uses to which the
participants put or do not put their Cod-given sexuality.
Eternal triangularity is as bald, as banal, as that, not-
withstanding the hint in "eternal" of a publime venality
to which all triangulators, as programmed cards being
shuled in God's pack, are entitled. Ownership of the
beioveds body counts for more, it seems, than access
to his or her soul. Adultery is esh and hydrodynamics
only.
lmplying all this in hissons of sardonic gaiety, King,
Queen, Knave ' rst published in Berlin in Russian in
1928 and itself set in Berlin can be read as a sermon.
Or as a long sneer. Ostensibly the story of Franz, who
comes from the provinces to work in his uncles em-
porium but soon begins to cuckold him as well, it is
also, even predominantly, an exercise in articulate super-
ciliousness. Not that Nabokov morally censures either
the fumbling nephew or the expertly lascivious Frau
Dreyer; for they, like the mechanical walking dolls
that Herr Dreyer say it aloud! plans for his shop and
doles upon, are puppets only: queen and knave. But he
can, and does, judge them on aesthetic grounds. While
lust, boredom and suburban romanticism go to work
on the two lovers, conducting them to the clicbé terminus
of plotting a murder they cannot accomplish, Nabokov
ridicules them in several ways.
Simply, he views the erotics with a mechanic's
"'-.'~._ I
g ,_,.__-.-'-' Paul Wes: teaches English at Pennsylvania Slate Uni-
_t_ ; _ vanity, .
Kim .Phélb_*u..,,l
.92
ml.
Nabokov in u rays» 1
aplomb: her rapid cries expressed erce satisfaction.
Complexly, he observes the mire en scene with fanatical
care, as if to say: how, planted amid the lush vulgarity
of the Dreyer house all the furnishings chosen by her-
self!, can Martha not feel herself to be part of the
physical amenities? And that is how Dreyer treats and
regards her. Or how, amid the shabby clutter of Franz
apartment, can they bear their lovemaking to come to
an end? W _~
Pawns rather than degenerates-he wears his pen
in his pajama pocket; she, after a miscarriage, has an
almost hygienic fear of pregnancy they become our
lovers, with which proprietorially indulgent but dis-
owning phrase Nabokov annula them as people, only to
incorporate them as Punch-and-Judy-couchant into a
glittering heraldic design that includes dummies oi all
kinds: dolls bourgeois or battery-driven, as well asFrans landlord the whole world was but a trick of
his ! whose wife, of 'wh-Q--Frans gets only the
mercst glimpse, is a wig on a stick iti a shawl, for-
everand everin the samechsir.
These and sundry rich idiots, concupiscent stenog-
rapbers, tennis athletes, chess croucbers, a whole con-
cert of dehumanised yawns and yahoo yodels, not to
mention the Nahokovs themselvu Sometimes the man
carried a buttery net . . . her anoé or husband, slender,
elegantly balding, contemptuous of everything on earth
but her !--these are the targets of his ttnoomsionatc intelligence. The novel develops, in fact,
virtuoso piece in which Nabokov the sardonic cal, . of
specimens records his gratitude to the world of phe-
nomena for its just being there a cosmic favor done
him because even God wouldnt like those verbal nets
of his to rot unused.
Manifestly a young man: book, coruscating with
self-conscious but original cleverness and a-twitch with
ebullient jubilation, King, Queen, Knows is exactly
what Nabokov himself calla it in a sly foreword: "this
bright brute. . . . Of all my novels . . . thegayeat. The
only person it is about is, of coune, himself; but then,
he knows himself better than many novelists know their
characters. And, in an extra sense,'he is here his own
specimen, introduced by a reviser, twice olden than
twenty-eight, who points up the young Nabokov: ami-able little imitations of Madame Booory," wpang of
cruel traps set for Freudiana, and remarks - ' he
lack of any otional involvement and the fan,-tale
freedom inherent in an unknown milieu. . . . l might
have staged KQl n in Romania or Holland.
.lustapackofc_ards,|hen,asNabokovknows,yetlrar-lngeven aoearly the sterile sheen, the scalpeled, gloating
preeieionthatmakehiadetractouenviousattimeaand
sendhisadmirers intoanariatoeratictranoe. -I
I r ____ go? MOS_' __I£FQ __gg______§ _o__ ____u_____E__ raw aajuhh _. E: £3 E n
M 2% G3 M 8-%Q_mEm
%°___ g E _
_ga £5 mi ca u_m_°Q___§°__%W
K ____%g< b___&___£__ aw u_
H oz-__g_E8 umat 2 653%
Ego? $1 5 0: __8__a_m_s___
_ g Ehagg E
§__%_ ca Oi 2 _u_____ SE
in E23 jig ab, __ EMF
8 n £10 Est: éI:_£E8 ___y__92_i___a__ E __ _____ =3
E 3 _____ ________
5&5 C g oi *6 _ BK E ____m_ £8 E2 £3 ________
E D Ibo, *9 §_°E8__$ P E 38E_% 2% mm 8%? 3m__°_____é016%oF____________W__%__ ______H__M__h__ E __Q up _
E_°51°, __8_°__§mr%1"_ H_
g Doi S 3 jg '3 ____.ii _m'__ u1___{__H__M___HH_ _M_____'_J__ ____u__ __.___ E E_ :_______J Q go __ _£ M _ME E s_ ____w__m Em ____Us :5 Em; Hugod__m_v_m_____w___m__n__$__E___3_o__ ii
mi gag h__3__8_u_ use E 0 A02, g 25 Bm 1_ _m__MM_8 _____ _§%__ __ =§__m__ :34
H? _m d :5 w8°>§% 0 E, _%____:u he _°m _h_2m___ pas um Ybg___3 3 Em E5: Q3 uo 533 :__o______&___w I S _m_§a_ Baa E J93; 5 _ _éI ___ 3; 233 Ewg ____ up NEH
I :5 m_____£ 2 Egg 8 Eh?
_ :2 £330 O; S1 F _
"%&__n_____________O___ _ __ _8_ 2, Q B 8 Mg J
E gag _&=__Q__
LE gm; g gi BF H _¬§L__:2: ___°m§_u E ED at __E E Oi dgh u¬B6'iE2 Bmmow SI 206 ~ ¢_- wg B. ti :1 5-_-Us guns ___ __ § 5_=Um gnu ox: EB E __2_; I it E m__m:__ __m_%
_____ E 0% E gag __3____m ___:_____w
"52 H w__gOO_ g Oi EA Aw . O;
*U_ EEO 0% gs 0: Oi E5 __%E___uB__ BOOB 'm£w__m> _h_m__OT£o
E _=__3 5 n__ _____& =85 amiiogg
8_%__"_h_o1 row g Sag _bgO3:U
Dani Va 5 ruhg b_w_§m_ ca Jam
_ _ FF 0:
£3 h___s__mmH_ E aw GOG __H__¬ m__HHH8%__HM_aM 5% 3
A B £3 am: 033 in
_P_3_____3_ 5% _:__ §_Qgn___o_ W_Wo__W _m_HW%___
bis ___Ew sag 15 at 6:8 Ga E K 53 mi H_ :5_ E _ OmQ5 _ _ _ aw: _ E _ u_8_ 3
E _§i8%§_g§bN=__% n Hagguw ___ w__ gs
aw g, 510% _J__£ u___ oh h _h_ 8______
2*: _ F _ __ _ gag h=IBOI
E as Ob 2 ESE mag y ____ W _m"_ 0 O 5 _u___:= oi
E *0 Fag qgzu :7 H Ga 8 "I; D: E s_Em_:__OG
A8 2: Gm um H_nHOWOg} 3% mgligmk =5 ______ E 5Tag uaaia gs is = iegwf __ __:___2__E H: 5 E5 Egg é _ on _ mi inc =_m_m_E__
=_m%m§F%§ ggg =__%__O ______m_________ E __ HI gr _ ma O m_£gm _ g _3__i 9Jf___i__ jg E 5 A 3 u_ __j__ 1! _w__1_:_ E $5 E_ __ >|:__ll rm =6 H2 £220 an 92 @_% % :5 as O rs ; U______ E
P_2_L w___m_____§___v %__ I 3:0 P: p_o___H_
__"U§O£_ E: __U_$O_ U808; mg 'o*O
Ea Egg: I Ea _b:_____v 31 _ 3
__ wan: _8___snE F: dammit J0EE"
F E 3 5 §8¬__
ha pm Q3 Es _,O_=8 Ha *0 go$2 _ _ so _hO_§O___ _b_9:?_8g
%W?5zr£_ HO an HO 1% n%
I En 5 QB _ L°? é__:£h _
_m_8__ £805 Z5 BE: om Q
81 _§__%m_ ______§ ___ gum 5 my j
3__3s_____~ F vm 3; :5 E2 °b%*%__-l
EOE 05 Ho damn gem 5 5 .:;§JE*O iwgqgs ___W__°m___O3 ism Us 1; SM
2; n_w_Hm______°__m wag hag 0 _m=_O Psa __'hdh°%___H g
q%H EOMUE? G g________ Q; M
2 __s___o_ 3%? 3* o%8§__ sou
O5 E 5% ___ E81 E 2 E W_
gut gm E 21 EA __°m___abG
Sm _ aé Q; £33 _m__E_m&
M: ago ? F $3 EH o____ g Ea :5
L ____m_8_H__ Di, iH_g____E____m g
£3 gm; ca O Ea Q 2 @%a EHgEi%_H _:mHB__ Q 5 Hg m_"__ _92__m_ ___WWWWi__92
J____92 _ __ wk; L T
Mi
Wm
WMH H
WF_h
V
M
_W
W "H __ T___H
:I -=__._
II a
|
-W
ié.._._J t
. l _
Mr. Walker, in preplhlng yqu|- =11 M
become an ad historian, did you rely
on visual experience or was 1- din;
also imporumr
The magazine articles on modern gr!
that appeared when I was young certainly
had an inuence on me. But I am always
urging people to look st works of art
rather than read about them.
I grew up in Pittsburgh, where the mu-
scum, the Carnegie Institute, possessed
a splendid collection of etchings by Rem-
brandt, engrsvings by Diirer and prints
by the great masters of the graphic arts;
These I literally devoured with my eyes
and I learned more from them than I did
from any books I read. My enthusiasm
for these prints made me decide several
yea before I got to college that I wanted
to spend the rest oi my life working in s
museum.
Which art historians had the greatest
inuence on you?
The ones who inuenced me most were
A. Kingsley Porter and Bernard Berea-
son. Porter was s genius who had in-
tuitions about the history of art which
were often conrmed by documents dis-
covered later. His dating of Roinanesque
churches in Spain startled people and it
was discotmted for a time. Later docu-
ments proved that he was right. I stayed
Q with him one summer in Ireland. We
t .
F I
*1went around in at lrié ere-=% ad
we used to tall: often. He was s poet and
a playwright and he considered these
creations far more important than his
contribution to the history of art. How-
ever,hewasremem.l>credsssns.rthis-
torisn, not as a playwright.
Porter conveyed one thing to me that
had s strong influence in my life, that
art history per se was not really as im-
portant as the expression of certain ideas
nlmttt the art of the past in a literary- .-..... ________¢ e »-as--,... ..,.-»- _.,_____,__. - .- - ... l
- .'...:~t '5tl¥". - - -.,.--.Arn -'-H"-'-I. ,=-... 1
:_:~ *;T-t*¥,~=_._- I
PORlRA1T.DF§92 MAN READING I I f _ _ ii ;_-7, ,7 1. 4-§A5@__,r'f,"l'_:-._1'
L 2 I _ G._ - 1" 1- I "'_c-- _ I.-If r'*" :.;'b.iQ}'- - . r .~:;2--..-t-_=r-~-=- X- T =*-'fl;.-@0111» W-Ike, s t
j p;,,.,,,j§;f}i.;§3yanona1 Gallery of Art,
In ' .I by Milton Viorst
.. . 1--.--1'--'¢"?.'
.._ ;.
ts-".
.ri '
I. '- 9 - ".
-=".z"~:*=
r "!~; . '"0 i
. _***~<'i» --1 ,__ .s'_ 11* _ , . -
- _r ,<.-_;.._.. , .t t. '
Gombrich in England, André Mslraux,
of course, Roger Fry of an earlier gen-
eration, and Alfred Barr when he does
write. Some hoolts that come to mind are
Clark's The Nude: A Study in Ideal
Form; Malrsuf Museum Without Walls
and Gombrichs Meditations on u Hobby
Horse.
Do writers who comment on
pol-ary works of art count as art his-
torisns? -- -:1". .
I rlrnk t t te rh ml I You cash 0 up": e hut Ims_y not have found the rh _historian from the art critic. when a'
writer deals with cor-porary an ad
puts it in s historical context as, for ex-
ample, Allred Barr has so often done in
his catalogues at the Museum of Modern
Art and his writings on Matisse ande .
l
blsnoes. For example, the way William
Burroughs tnltes sentences out of context
and weaves them together can be paral-
leled in certain at-pattern euhist paint-
ings. The stream-of-consciousness tech-_
nique that appeared rst, I suppose, in
James Joyce and also in Virginia Woolf,
very closely paralleled the abstract es-
pressionists .of the New York school.
Whether they were directly inuenced by
literature, I dont know. The printers
that lilcnow have never been great read-
innnn . * 1- ' '~ 'I1--we. - ,
gln s beautiful series of volumes eslled
=-Pageant of Painting you and Hunting-
ton Cairns have attempted so relate
painting and literature In n rather
-_=_- :-.t.:..-92. Will you tell nboui92 -1
I
1; J i if ivllifl i *7 Iz'IKif i came from a letter of Horace Walpole in
which he speaks about antiquarian: sud
how learned"d92Qoiteu are, but he also
says that none of them icnowhow to write.
And, unfortunately, art historians in our
dsyseerntohavelostthedesiretowrite
beautifully. In s number of sections in
our book we quoted Walter Pater, s pure
stylist. Among the reviews of our book
Iwaverysrnusedtondthsttlaeone
thing we were for was men-
tioning or min; Pater st all.
Could art exist without
Oh, art could certainly exist w.__...ut
art histoam. In great periods oi art
therehavebeenno an-tl|.i.st.orians.Whst
little criticism the Greeks wrote about
art, when they were most creative, was
of s very naive nature. Evenltlte Renata-
sauce had very unsophisticated critical
standards, in today's terms. ' .
Doesartorn-tun-ttinghavo snymle-
vanes to contemporary problems!
Not today. Some writers during the
193%, when American artists were in-
terested. in see-Q! prob;-see, I!!! s er.-stein
eect on contemporary society. We are
often disdsinfuIoftheSovietartthatis
socloselyrdatedtusocislproblemshutduring the 1930s our artists
ex-
oeption$ovietsrtistsadulated tne.r'so-
ciety, whileAmericausrtistsweresodslenncs oitlneirslpreferihesocisicrics.
Buttondsny releranoetooursociely
inOpsrtorAbstraetExjIs'$iotl'lItpsint-
"-'ingisquitedillieult.lop.ort,ontheothsshand, tnsyhsveltssems stpreseutto largely; satire
aloioursoeietysndlsuppessthatissoeill
urslwritssshsvehsdsg:;atdesltoss]shout the importance art m on:
Lewis Mumford. particularly
hsshadsnimpactonoursocialthought
. . . I . ..92I =1 .-4..u92.92. lllku "-116 eta
-- never that to an one, not even to his wife--0 fact
I
i|- t
.[_ _y _, ._,' ..s_~ ¢»---».whieh.mi5hug-unnotte6d only in a secret service where
1 1- ' ble disc ' 'annca ngagernent is also good secttnty. But one
a had a drink with Philby at the house of friends. Be-
cause he was the personication of the alliance, ller
Majesty's representative on matters most secret, one
greeted him in the BEE of the boss rather more
cheerily than one might greet a fellow member of the
mll
One was guarded of course. The boss would raise
the subject about which the representative of the British
Secret Intelligence had a "need to Still,
one thought that Philby was on friendly terms with all
the senior partners, that he had more access to the care-
fully compartmentalized secrets of the various divisions
cf the than any of the nns junior executives.
So where does the mind come out? It is at last forced
to face an aliasing truth: that it is possible for a man to
accept from those with whom he walks all that they can
give in affection, well-being, education, trust and honor,
and in return lie to them, steal from them, betray them,
even murder them.
Now, in 1968, after Hiss, after Nunn May, after
Tuchs and Blake, after Burgess and Maclean -who
play secondary roles in The Plullby C0rupiraey-- the
case of H. A. R. Kim! Philby is still shocking.
It is shocking because Philhy had none of the wealt-
nesses or oddities which might cause acquaintance to
pause on the brink of condence. He was not a drunk
Maclean! or homosexual Burgess and Blake!. He
was not an adolescent egornaniec {Nunn P-lay and
Fuchs!. He was not even passionate about austerity as
Colonel Penltovskiy seemed passionate about luxury.
Nor did Philby have any of the excuses by which the
Thomas W. Braden worked for the C.I.A. from I950 to
I954. He is now editor and publisher of the Oceanside,E?-wffolijornio Blade-Tribune; '
0, o
. .....- ,. . . ,_ ,_ - 7! _ _ . _ __ __ _ . , - .. t s-92_-s .. .- - . . . . . ' 92. _ .. ~ ..s.. , .s.,.-.-.--.4-... --,,....--w-.-----a-.-V-_.¢.-.....nth
4 .
sociologist or the psychologist will explain our mis-
behavior. He was not poor. not deformed, not a mem-
ber of any group which other group-_, ls;-.,k '"rGi'i an
inferior.
But Pbilhy is shocking for a more important reason.
He is shocking because he grew up in a society which
tolerr-ta rebellion, even to some degree respects it. iie
betrayed this society to another which punishes re~
bellion with death. It is tempting to compare
with Penkovsltiy. Both were intelligence olcers, though
on opposite sides. Both were traitors to their govern-
ments. But the temptation must be put aside. Penlrovskiy
rebelled in favor of conscience; Philby turned over his
conscience to anti-conscience.
Philhy grew to manhood at Cambridge as a student
of economics and history during a time--the Thirties
-- when economics was not worlting very well and his-
tory seemed as perhaps it to the current college
generation! to grow gloomier as it came closer. The
authors of The Philby Conspiracy quote John Maynard
Keynes, whose lectures the young Philby must have
attended. Keynes deplored the tendency towards Com-
munism among the young of that Cambridge era and
attributed it to a recrudescence oi the strain of Puritan-
istn in our blood, the zest to adopt a painful solution be-
cause oi its painiuiness.
But one can nd little of the Puritan rebel in any
other aspect of Philhy's career, at Cambridge or later.
Surely this university student who campaigned for"I.abourwithaspeeebab0ut"t:hehecrtofBsgland"
beating not in stately homes but in the factories and
en the fenns -eceld =l% he-.-e gl-rm dwght to the
placeoftherebelinhissociety.Hewooldhaveeon-
sidered the challenge rebellion creates, or the changes
it frequently brings. There is a place for the rebel i
iree society. Fniihy cannot be granted that status. i
was a traitor to conscience as well as to stale.
50 much for the shock imposed by the man. There
are two more shocks presented by The Pltilby Con-
spiracy. Let us take them not in order of importance,
but u they come.
Therstistheshockofseeingthesocietyoffireat
Britain as it took Philhy and his ooconspirstors to its
bosom, nurtured them, protected them, drew them closer
and refused to repel them in the face of obvious warn-
ings that they were sucking its life blood.
Meclan, let it k repented, was e drunk. NM mi-ely
a man who had one too many too often, but a gutter
drunk, an angry, brawling drunlt, a drunk found in the
morning on the oor of other people's apartments.
Burgess, as i remember him in Wasiiingion, wore fur
on his shoes and talked about his "boy friends. But he
was not just etfeminate. He was a police-blotter hom{'92
sexual who had an openly avowed fancy for collecti
whips.
And Philby? Well, Philby was a model of the circum-
spect intelligence oihcer. But he had told a few people
at Cambridge and later that {Continued on page 3!
" -- ----r ~..-D.-._»
.
'14!
::= the lnnshnmtczt mat
é I v-I n. nu. ts or-an cusp." Mb
BOOKWORI l!
E5
T THE PHI!-BY CONSPIRACY. By Bruce Page, Phillip
' Knighlley and David Leiteh. Illustrated. Doubleday. 312 pp.
& 85.95.
1 By %omas W. Braden
Aghast, one puts down The Philby Conspiracy. The
- joint product of a team of journalists working for the
London Sunday T imes, it is the most sustained, the most
horrifying and the best account of international espio-
, - nage that has been written, at least sipce Rebecca Wests
- . -. The Meaning of Treason. _
The mind searches for reassurance. Finding none, it
. - - springs to self-defense. Thou shalt not false wit- :!';_ ness, it recalls. One would not have known such a man,
*7 he could not have been in the circle of one's friends.$3 But the exercise is fruitless. Kim was in the
kncircle of ones friends, not in the close sense of what
friends thou hast and their endurance tried - he was
' never that to anyone, not even to his wiie-e fat
f. , which might go unnoticed only in a secret service where
_' * amicable disengagement is also good security. But one
' ». "had a drink with Philby at the house of friends. Be-
cause he was the personication oi the alliance, Her
5 _ Majesty's representative on matters most secret, one
' greeted him in the oice of the boss rather more
cheerily than one might greet a fellow member of the
nrm."4'lI- ' Cleveland Amory on Paul H Douglas Paul West on S LA Marshall on The best new
' the Right People on Iifelnsurance earl Nabokov the Italian campalgn cookbooks p 7
Kim Philby of Her Majestys Secret Intellzgence Sew-ewe
5.1
E:
._" ---.--... am
l
1
i
l
l
1
F
in
l
I4
1
II l
i
ll
1
i
1
i
l
3a i
6
_ 4fl'II'BI'I'! wr Qnnnmaasl ' '-.,.-we--an; M-veep»--uP_'?"Q
"The Phllby Conspiracy is a full-length
account ct the activities oi the three men,
written by e team from The Sunday Times
of London. For a combined effort, it is un-
usually successful. It harnesses 1 large
amount oi materiai into i coherent nami-
tlve. The authors are sparing in their own
judgment, but supply enough facts to let
the reader make up his own. It has more
drive and more genuine suspense than e_
dozen concocted thrillers and will undoubt-
edlybe the source ct a dozen mere.
My Silent War" is Plillbys own selective
story of his involvement in British espio-
nage: how he joined it, how he rose in serv-
ice, his near escapes and his fall. He ls
often fierce in evaluating others, pitiless in
writing of! those he injured subtle in whet
he wants to tell and what he wants the
reader to inter. It is an interesting ac-
tivity to compare the man who emerges
from his own book with the one who is the
subject of the other.
One thing he doesn't do is fully to de-
clare his motives. The other book does
better. it points out that after turning
Communist, like countless others in the
thirties, Philby went to Austria in time to
sec the Social Democrats destroyed by the_
I-ieimwehr. He was in Spain, reporting train
?rancos side. when the Spanish Republic
was abandoned by the Western democracies."
Unlike others of his age, Philby saw what
could happen to the Left in practice, not
only in theory.- It is almost as if he reasoned
that he could do more by clandestinely
helping Communist power than by identi-fyi with it group that would fallvictim to next maneuver oi the Fascist
leilinns. _ _ _ t - . __v_ ____
Q.t .
I1
F|
§
i
i .
!
ll
l
l
l
i
i P
l.
!
-
I
1°°§ 0 __ "*3 1< W126 Times ' iiilg
-ii-_, f. Entrances and Exits """. -. 5i- I nyrno1vm_s_1,¥3g_ ,_,_ _l__._'---:_:-
THE PHI!-BY'CON'sP1RlCY. By Bfld-BC Pill!-;t;~; David will and Philip Knightly. aoo pages. L- -Illustrate Doubleday. 55.95.
iii By'r92.im .--ensdies.
ROM the late twenties through the lF forties. one of the more popular E-5 l
. in book publishing was the confessions Eof those who had become Communists. 58W i
the light and defected, and quickly hastened I
to tell the world how they had been duped. |
From Benjamin Gitlow to Howard Fast.
they poured out their souls, telling how
their god had failed them, and askmg why
others were still so obtuse as to continue ,in their blind Trays. -
Perhaps the best or these books was{
Whittaker Chambers: Wltness"best in l
the grace and lirnpidity of its writing, in its ;
conveying of the atmosphere of Communist
activity from the inside, and in the search iof Chambers's -lumbering spirit for a trans- I
'cendent l ex erience in the dross of con- 3 P
spiracy,-hack politics and menial jobs.
the two books at the head of the column
are striking in that they deal with three
who stayed. its is well known by now;
they were three upper-class. Cambridge
University bred, English clubmen, who
worked in high and sensitive places in the l
British Government and transmitted i.nf0r- l
rnation hack to the Russians. Guy Burgess I
and Donald Maclean did it from some time ,
in_the thirties until their escape to the I
Soviet Union in 1951. Kim Philby was a .Soviet agent for 30 years, until he showed Iup in the Soviet Union-he called it I
'!home"--in I963. It comes as a slight jolt ;
to read Philby's contemptuous reference in
his book, "My Silent War" to those de-
factors from Communism who chose "thepolitical position or querulous outcast" or I
to hear Burgess in The Philby Conspiracy" '
defend Stalin's paranoid ruthlessness as
necessary and in the long run beneficial.
, t
and lucky-until they broke down tmder
the strain. It must take great nervous and -
spiritual discipline to maintain two separate
pemonalitles, to be always on guard, to
possess only e. public face, never to know
when the action of a second man will throw
you" lnt0'.the greatest danger. Eventually.- . .1" I -' 'Able,antl A.Si.tlt_e'_ |- p LThese men were able, astute, iron-willed W
5 icouI §onder ll} Yhaghelr careers _ O 01 S0 ong. e toppings;with which the secret Se ice agencies were .run in Britain is unbelievable. Class bias
and snobblsh blindness are documented in
"er? chapter or 'f'rl1e Phllby Conspiracy."
.0ne oi the things that protected the con-
spirators was the unwillin . f 3,l3ritis1'r n5"5EHeve that the tlitgetheiirennweaif
ll3_ l°_ °lh§?!!P2l_.!i2 ._§n=1;
do-eas-_cqpnections could possibly be work-
lllg for the Russians. ¢-=_+.__,. -.
As a resuit,,Philby, easily the most im-
portant figure. rose very high in British
intelligence, at one point serving as head
of a section dealing with Communist at=
fairs. in Washington, he worked as liaison
man between his organization and the C.I.A.
and had access to material even high rank-
mg Americans could not get at. There still
seems to be some resentment in Washington
over how Philbys case was handled.
I-low much they helped the Russians and
how much they inhibited British policy is
sure to be debated in_ the future. But don't
fool yourself into believing that theirs was
merely a cloak-and-dagger operation. For
example, there was a time during the last
war when the army and other units in
Germany became disillusioned with Hitler
and tried to find out what terms the Allies
would accept short of unconditional sur-
render. But all such feelers that came
through Philby's sector were stopped by
h|m_ from going further. because the great5°Vle¢ nightmare was that the Allies would
make peace W1th their adversary and let
the Nazis fight on on the Eastern Front.
And there were other incidents when the
Russians seem to have been alerted topo-
tential detectors in their own ranks and'to-
sa fen dro dint S ~-'~--m are o_ovi--t-,--I-slanted.
I"! M1
""1, 's>l~-Iiarm 1"nnnrn corr SENT A
92 r.- '_'/,,th "t ce I h e s e showed.| -"Menlp.?-52:: Bliirnéilic begzrgeuliritreasinelv q i i 1" -1 v *'3 P H _ __ . _._ _ _._.._._..._ ._.._ ___°_,_ _v--. _.-. _ - ~ ~-U,
fnnstable an ill before their escape. The ingwonder is t their wildness and obvious F ER pm REQUEST
'-jrresponsibili didnt get them cashieredl ,__earlier. And Philby exhibited sure signs of ' Q7 S-
al disorder and anxiety when he knew
of the trail had come. "" '.*"'-H._;H._.___._n_%_._.. . .-. ll__.'-»»1 W»-~y §5t~:/ll" i "92C@g0¢®Cos er
__ Cullohon
Conrad ...._.....__._._
' Felt
Gale
Rosen
Sulllv --_-----
Tavdl ..._-_-_-._-_-_-
Trotter ____.___
Tole. Room ___.__
Holmes
Gcmdy
r!//
/1.+§;i$7it pi 6; iii i i /.5
ii " isr ll
,3/l_liw92 '..' '
i.
The Washington Post '
Times Herald i.Z________._
The ashington Bigly News __...__.._.
The Evening Star - Washington! ._..__
The Sunday Star Washington! .__._
Daily News {New York! __________
Sunday News New York! .______
New York Post ...__._______=_,__
The New York Times. L
The Sun Baltimore! ___,__________
The Worker ____ . _
T1-in Np-.¢ I --A--u1l92. Hurt I-4 ,lIl.lCl
The Wall Street journal _.__ ..
The National Observer
People's World _____________________
4-
--ni wammwswmww-=MwmI
4
l
I
l
l
i
ll
1
ll
l
l
t
t
i
l
I
It1M'l.i..1Z.DlHYtlu5,.Piilii::lirrI951-{$6
. ..-sir»,-..- '.i:5":,-' ' l ; i
so ' l
lo Q -s=1!Z:i"- l}{.ts.Dl:~ r.e.tr~cs.orr, Eiieniii 1P1-uidntt
L l|l.92NCI8 1.001, Vie: Pr .entnrsnsew risncit. Vin Pl id :
IVAN VItf,'Vic| Prcridunt. _
TURNER CATLIZBGE, Encutiul Editor
JOHN I. 01113, Editorial Page Editor
1 0
n-:s't-ta M.uun::.., Auoelota Editor
JANIS I-ESTON, A nrciatl Editor
"71
_lI_:1-ie U. N, Nuclear Debate
By 1980 peaceful nuclear reactors around the globe
will be producing enough by-product plutonium for
15,000 atomic weapons annually. Making such weap-
ons will be s possibility for almost a score of coun-
tries, some of them deadly rivals of others. it is to
head off thisni'ghh-nare prospect that the resumed
session of the IQN. General Assembly, which begins
today, will be lted to endorse the joint Soviet-American draft fuclear nonproliferation treaty.
The complexities of this document and the long
arguments over its details at the seventeen-nation
Geneva disarmament conference have tended to cloud
the mutual interest of present nuclear and nonnuclear
countries in halting the nuclear weapons spread.
There has been a great deal of loose talk about
dividing the world permanently into two classes of
nations and maintaining the "hegemony" of the two
superpowers. But what is at stake ls the survival
Of civilization. something of equal interest to nuclear
and nonnuclear-nations alike. '
Seven years have passed since the Irish resolution
proposing a nonproliferation pact was adopted unani-
mously by the General Assembly. Three years of inten-
sive Soviet-American negotiation have been required
to complete the present draft.
The views of the rest of the world, as presented
bl" U18 Tepfeientative group of fifteen other nations
-it Geneva. were considered exhaustively and the
General Assembly debate, while vital to the demo-
cratic process, is unlikely to bring up anything new.
it is obviously impossible to negotiate a treaty-or
even to substantially revise it_in a 124-nation body.
The essential question that faces the world organi-
zation, thus; ls whether-to-~se-ize..tbe moment-and?
assure conclusion "of the pact or to delay, continue
the debate over detail and risk loss of the most
important East-West agreement since World War ll.
For that indeed is the danger that lies behind the
move by some African countries to postpone a vote
until the Geneva meeting next August of the world's
nonnuclear countries.
. - I I I
_ There are several countries, presently or soon-to-be
nuclear capable, which have substantive reservations
about the treaty and undoubtedly will delay in signing.
Brazil remains concemed about being able to benefit
from peaceful nuclear explosions, de
…[truncated]