Yamaha FM Music Composer II Owner's Manual (GB)

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YAMAHA

YRM.5O1
FM MUsIC
EOMPOsERII

OWNER'S MANUAL

EOMPOSITEUR
DE MUsIQUE
FMII

MANUEL D'UTILISATION

a
a

.'o
FM MUsIC
COMPOSERN

BEDIENUNGSANLEITUNG

a. .;j;..1ffi
ffi

,tIN,T-FQ-DUQT!Ory.:irrr..:,:;:!.;!;i:.?1_,:.:i.-n,,j:r..:
._j..;:i:.:
j;.._ .:..:.,,.:::r.,_::i::.r..::_::j.i,;:_.j,.

Congratulatrons
on your purchase
oJ the yamaha FJ\,4
[,4us]c
Composer
II
In order to apprecrate
the fuI perJormance
of this prograrn pr"ase ,uad thrs owners Manua caretr_r
ry
and completely
Keep it in a saJe place for furure rererence

TheFM [,4usic
composerll s a RoI/ cartridge
prograri]
thatenabres
you 1o ul rizeyouryamaha
oxsl,r
JVusic
Compllter
ior computer
alded mus c -
,
omposrt
on orchestration,
and full perforrnafice
conrrol.
Here rs a list of the program s main features.
' l\lusic compositron
with up to g separate parts can be performed
automatcaly Differerrr
vorces
can be used for each separate parl and changed at any tirne, permitting
tuli *ni,u ou"r,n"
orchestration.

I Notes can beentered
Jrom eitherthe
CX5M keyboard,
a yamaha yK_O1
or yK_10/20
Music ^eyooard
or from a l\y'lDt keyboard. The external ke
accompaniment
of ,,auro,",i",,
pu,fo,","vi;:,(opili"ifi?liiiiriir";,3ii":i:;"r,""jil,:,:::Tflg

and ' played' by the computef )

. NotaUon
for dynamics
{crescendo,
decres
enrered
from
ihe conrp;i",
k"yb";,;,
;";ffl;"";i:ii:ft:T:J;r::i:do
€rempo
etc ) can be

. rhe LIV lvus c C onposer
ll ..nbe. sedr
prayed
back
on yamaha
. o*;y;;.j;;,:":;0";1ff 3ii:ftTi:"';ffi;il:osirions can be

ll: tl! Tr:: :::.,.", "lons \i/trh
a perrormance
conrrot
daia can be pr nted our tn ,,nard
copy.
w/tn a suitabte
^,1SX
compaiibie
exrernaiorinter
andlorsavea
on casseie,upi oririppv ot"i t"irn
the sFG-05
FM Svnthesizer
un rl

. l\rlouse
capability
al/ows
for easier
ooeralton

Most of the operalions used by the new FM fulusic composer II are the same as the opera|ons useo
by the yRMiol Fr\,4
l\rusic composer.
users w

'rn upcrduo'rs
useo

.,
no atready own ihe old version
of lhts program can find
rntormatton
about lhe new features
in the Appendix.

:":i:'j:::_ll:"ll::f:T."_lt: "1 lh" ly. yTj" composer
rr is fts cornparjbiriry
wirh new versions
or
H: #:i'::,"1:^".":l:::,lnd
ihe
rvsxra;;;;;;;"";;ffiil;?;J"11;ilI"'ffJi":,:1,:TilJ

i#"yj;:: l;,p::"^l11
,har
are nor avairab'
wim,n"
lxsv r,.i,"i"-ci,#";,;:l#;;T::i::
throughout
lhis manual.

E
is a trademark
oi ly']crosofi
Corooratlon

2
2
3

5
5
6
7
7
7

1 4

1 f

10
10
10
12
't2
12

1 4

18
18
20

21
22
25

32
33
33
34
35
35
36

37
37

pERFORMANCE
INDICATIONS
..................

Dynamics Markings....-

Sefling rhe Cho'd Mode

39
39
40
41
41
42

47
47
47
47
48
48
49
49
49
49
50
50
51
51

Enlering Chords.....

pLAYBACK WITF| AN EXTERNAL MlDl 1NSTRUMENT..................................................
54

Automatic Sequencing
ol Oiher lnslruments.,,,,,
54

Synchronized
MlDl Perlormance-..........,,..,,,.,,,.
.. .. . .. -..
.. 55

Simultaneous
Perlormance
with an Exlernal
Keyboard. ............. ... .......-. . ., 56

Changing
Ll O Pa.ameters....................................

Keys Useo in rhe ComIrand
Mode.....................

lJsinq
the Mouse in Comrrand
Mode..........................

ERROR
MESSAGES.

LtsT oF coMMANDS
AND THEIR DISP1AYS...................................

Octave Setting ..........-..
Tempo Settin9..............
Adiusting the Length of a Note ...............-........-.
Repeat Si9ns................
Utiliiy Commands........
SimDle
Plavback..........

Key/Time Signatu'e and Poly Settin9s.............
Performance lndications and Other Parameters
Playback (various forms)..................................
File Commands,.,,,....-..
LFO Parameiers,..........
sequencing a MlDl Instrument........................-
Synchronized
Perlormanc€.,,,..,,,,,,...................

OLlpul Jack Control
Music Keyboard and Synihesizer
Unil Conlrol .

Dynamic
Ma.kings.......

MIDI IMPLEMENTATION CHART................

58
58
59
60
60

62
63
63
63
64
64
65
65
65
66
66
67
67
68
68
69
69
69
70
71

CENT
R AL CO M P UT ER SYSTEM

The ma n component
olyoufsyslern
is the Yamaha lVus c Compuler
(CX5t'/)
Th scomputer seqLrrpped

wtfr a Yaanaha
FM Sound Synthes
zer un t You may aso use anotherYamaha
MSXcomputerand

D!y a seperate
Yarnaha FM SoLlnd
Synthesizer
unit (SFG_01
or SFG-05)

The SFG-05
unlt al ows for operatlon
with a d sk dr vei the SFG-O1
does not

The centra compuler systern
inclu.les
the Music CompLrler,
a mon tor or TV the FNI Mus c Cornposer

II ROM carir dge plus any olher cornputer
re ated peripherals
you rnight lind !seful

Fig. 1 Centrat Conputer SYsten

ffiffi

Fr,/ Mus c c.mposer Ii(YRM 501)

fll
l l llllllllllllllllllllllllll
-

(cxsM)

The FM Music C,
ser II ROM C

The YRI\,1
501 Flr{ Vluslc Composer
II cadlidge s p lgged into the top slol of the CX5N4
Yo! shoulcl

iee the caftr dge slide onto the nternal connector
as you press t ffom the top Nole lhat lhe cartridge

WILL ONLY GO lN ONE WAYI f the cartridge
simp y stops and ooes not seem to seat properiy
when

p lgged n don t force tl Try nserting t the oiher way around A so NEVEF
PLUG N Tf'lF CAFTRIDGE

WH LE THE coMPUTER
POWER S oNll Al\\rays
insert or remove
ihe carlr dge w th the power oFF

, 2-

flS:z tnsettion ot the Prcsran catttidse

CA-01 Rear Sloi Adaptor must be iitted to the rear slot fo owing ihe instructions supptied wrrnthe

. The FD-051 interface can then be pluqged direcfly into the rears{ot adaptor.

3 Connection ol tha Floppy Disk DivetData Menoty Caft .rge

Data Memory
Cadndqe
(UDC-o1)

@looo,
oo* orive
Inreria@
(FD{s1)

-3-

video connections will vary accorcling to the particular model of your compuler and the type of input

orovided on yourvidoo monitor or TV. Refer to your computer manualfol video connections

lf you're going to store daia on casseite, the 8-pin DIN p{ug ot the supplied cassette cable must be

pl;gged;to lhe CASSETTEjack
on lhe rear panel, and tho EIAR,
['4lC and REMOTE
plugs al lhe other

end ;f the cable must be pluggocl into the corresponding iacks ot the data cassette recorder'

A prinler is nol an essentialaccessory
fotthe FI/ Music Composer
Il ltcan, however,
bevery handy

for obtaining printed records of your compositions
Refer to the printer and computer manua!s lor

conneciion
delails.

-4-

MUSIC PERIPHERALS

Music Kevboa

A Yamaha [,1usjc Keyboard (YK,01 or YK-j0/20) makes it easy to input notes. tt can atso oe useo ]o
play along with the FN.i
Music ComposerlL Connect itto the lVtJStC
KEYBOABD
connector
on the left

side panel of the computer.

Fig.4 Connection
ol a Music Keyboad

l-ffi-

i
'I

lnstead of a l\,1usic
Keyboard,
a MlDl Keyboard
sLrch
as a YAMAHA
DX Synthesizer
can be !sed as an

nput devce. Aulomaic sequencing
of the [llDl Keyboard and additional lvllD] nstruments
s also

posslble,
as wel as synchronized
perfofmance
us ng M D compatib e rhylhm boxes.

Fig.5 Cannection
al a MlDl Keyboattl tar lnpul and Plavback

M I D I I N

Fig.6 Connection Diagran lat Additional lvttDl lnsttunents

,ru D><=--5t-._
ni
!u

Fig.7 Connection Diagrans fat Synchronized Panarnance

IN
OUT
IN
OUT THRU
IN
OUT THRU

IN
OUT
IN
OUT
IN
OUT
IN
OUT

ffi

-6-

AUDIO EQUIPMENT

Music C,
Audio Tenninal

The TV speakers
provide
the easiest
way to I sten to an aulomat c playback.
No additiona connect on

is required,
and allyou need to do is adlusi the vo ume control on your ry set. However,
a stereo audio

systern
or a palr oi powered
speakers
w ll al ow you to better enjoy the high quaiity FIV sound

Fig.8 Connection
of an Audia Systen tothe Music Conputet Audio Teminals

)

MIDI Insttu nent Aadio Te ftitals

Pow€f.d mon lor speakers

AUDO (L)

When l\,'llDl
insirLrrnents
are used for p ayback, the audio terminals
of each MlDl instrument
can be

connecied
either to an aud o system (like in Fig. 8) or to a rnixer iiike in F g. 9)

Fig.9 Cannection af an Auctio Svsten to the MtDl tnsttunents' Audio larminats

ffil

IItltl
g-

lllllllllllllllll
i
i
l

MlDlinsr C (STEFEO) AUDro

M D I ] N
A

M O THRIJ
L

M Dl nsr B (STEREO) AUDTO

MIDIIN
B

i *"" 3,i,?

MIOITHFU

Ml0linst.A(r'roNo) AUDO
MIOIIN
OUT

This Chapter is an immediate
"hands on' introduction
10 the FM Music Composer
II operation
rather

lhan a theoretical
description.
We suggest
that you read lhis Chapter
in the same manner it was wflfien
- while actually using lhe F[,] lVusic Composer
IL tn this way, anyth]ng
you read can immediatety

be put into practice,
so that youf hands can become familiar
with the most important
operalons

-9-

POWER-ON
DISPLAY

the
G
T
(1) Make sLrre
that al your equipment s propefly
connected.

(2) Tufn ON lhe power to the compuier.
The program wi start autornatically
and ihe screen w look

shown in F g. 10 ftheprogram
srunnngcorrecty.

* f the program does not r!n, t!rn OFF the power to lhe computer and make sure thai the ROM

cartridge s correcly inserted

Fig.1A Poweron Scteen Display

@ vouse

@ smre

e Men!

Ocommand

oMenu disp ay

FM Masic
II Screen

aD Muslc parameter display area

The area above the score is the m!sical sign area used to d splay muslc parameters
such as dynam c

maTKrngs,
etc,

O Score dlsplay area

The great staff (treble and bass clefs) is dispLayed
on iwo evets. Notes and mus ca signs (symbots)

are d sp ayed on the slaff. The score cur6or@ displays
the npLrt
posltionofthe
notesand performance

symbols and also rnd cates the p tch. Th€ iwo-level
great statl continues
frorn the upper level to the

lower eveland constitutes
a s ngle part

f you hold down the m
key wh le turn ng the power ON, BAS C wi start as usual. To sran rne

FM Music Composer
lI from BAS C type in
or
:
and press the lFpfUntitl fey.

Lb ___--
____-
_--____--_- l

@ lllenu dlsptay area

Thesymbolsusedforenteringnotesaredisplayedhere.ThemenucursorOindcateswhichsymbo
is se ected.

@ command area

The F[,,]
Music Composer
II has two data input modes

. Nole mode: Lsed lor ll_.InpL_ o_ ro_6q a d os

I . Command mode: used to input performance
data oiher than notes and resls (dynamics tenrpo

repeat,
etc.) and also for inpui oi contro commands.

These lwo modes are selected w th the lSELiCil key and the current mode is indicated by either of
the two fol owlng signs on the left edge of the command area at the bottom ol ihe screen

I
[*-T-N"r"'-o;---___l
I
#

|
|

':
command mode

l-
I When the power is turned on. the dlsp ay wil be set to ? (Command
mode) and the command input

I cursor @ w ll ind cate the posiiion
ol the command
to be entered.
The disptay
wi I change to; (Note

I mode) if the lEElidil ley is pressed
once Pressing
it once again wi toggte the d sp ay back to ?

| (Command
mode).

lCommandsareenteredintherommandmodebytypingthecommandlntothecommandareafolowng
I lhe and lr-"n oress
- q r1e lFt l- q\l .e,

I O sretus displsy srea

I Informaiion
for lhe input of data io the score. and reference
nJorrnation,
are disptayed
on ihe bottorn

I ol ll e s(ree^ -he .]earing of lh. info.-1al
o. i. as ollows

p"n, ta t . 5e pa nLmber o'rhe sco o \^h l- s oisolavod
on rha s oar.

l.
a"r, _.. ^drca_o<
l' e nrrber ol rr elrs_ba.or.ptd)".1

t
SL (Steps Lefi,i this is the d splay for the memory used to store performance data. i ndicates the

J
remainngnumberotslepswhrchcanbeentered.Eachnote
sign etc is considered
to be one step.

t
The nd cated va ue wil decrease
bV one every time ihere s an |]put oi musicat data. The system

I
w 1l d sp aV 0908 5L when ihe power s first iurned on (Th s is true for CXsM. Actua y lhis d sptay

I
depends on the size of thecomputers memory.). This numberdoes noi represent
the maxrmlrm

I
numb€r ot notes whrch can be recorded since dynamic symbots rests and so lorth alt use up

t
I . Bsnk: lhis Indicales
the bank nLrmber

ITIIIIITI
I
-r'-

Command mode

, |NPU.LO-F
4!=t.ACTUAL
S.CORE_

The to lowings is a pract ca introduction
to the FM lVuslc Composer
lI:we are gctng to rnput and play

back the score shown below

Fig.11 Liebestaune
No.3 by Liszt

T! rn ON the power to tfre comPuter.
and
wil appear on lhe stalus d sP aY area

inP the Ke

Theresonesharp(.)nexttothetrebecefaltheeftofthescoreThsisthekeysgnatureandshows
that th s piece is n G malor. There is no need to mark the sharps for the F noles ln the score since they
are already indicated
by the key slgnature.

(1) select the cofirmand
mode by using the [sEIFc-] t

(2) Iype n
and press ihe [l@l
key.

One w I be dlsp ayed on the score (The key srgnatlre wil only be ind cated in the treble clef)

the Iime Signoture

The i me s gnature ioL ows ihe key signature.
Th s piece is in 6/4 t me (6 quarter notes/ba0 when tl'ris

tmesignature is entered intothe FM Musc Cornposer
II, the barswil automatcalybe ocated ac-

cororngry

(1) Select
the command mode by lsing the lsprrel ley.

(2) Type n
and presstne [@
tey

wi be d sp ayed on the score

Fig.12 Key and Tine Signature

Notes and Restt

The next step ls to inpul the notes. Press the llElEgll key to swilch to ihe note mode While there
are various
ways to input not€ and resi data in the followirg
instrucl
ons we w ll describe
the method

thal uses the computer
keyboard

F19. 13 Keys Used tot Enteting Note Pitch

Fig.14 Keys Used for Selecting Pa€meterc on the Menu

jj
.,

.:i.t"i

EEEEEEEEEE

Fig.15 Keys Usad tot Entering B€sts

ln;;l . EIEEEEEE

EEEEEETI

Thefirstnoteofihescore
saDandsiarlsonthe6lhbealofthemeasLre
Sincerh-.
FIV [.4Lrsic
Composer
I
II uses on y comp ete measures.
rests w ll need to be added before lhe quarler note D to account for

lhe f rst 5 beats. A varieiy ol combinai ons of rests cou d be lsed lo fll up tfie I me. ln oltr examp e,
(

we w I use one who e rest and one qUarier rest

Press the io lowing keys aiier conl rm ng that the current nput mode s the noie mode ( ).
(l) EnierawholerestbypressinglheEkeywhilehodingdownthe[SlllFil
key.
A who e rest mark
(

w I appear on Ine scTeen

{2) Inplt a quarler rest by pressing
the E key wh le ho ding down the lsfllFfl key f an nput efior

| S ^ c 0 o ' 0 ? 6 < ) l h 6 | ! ! L ! i l . . o n d ' 6 ' i n p ' | | . d o I a '

{3) Now listimetoenlerthefrstnote.Sncethisrsaquarlernote
pressthe
EI keyforlhenotelength

as disp ayedonthemen!
ToseectDasthepitclr,presstheEkeyAquarternoleDwlappear

(4) Thenextnote s a B dolled hall nole. Press the E key Jor a ha f note
fo owedbylheE key

for the dot. Pfess the E key to seleci piich B.
I

(5) The next note s exactyihe sarne so press the E key again
(6) The note tollowing
lhls has a tie rnark attached
lo it (the i e mark combines
the time va ues ol the

notes which it connects) Press the E key for ihe tie mark lollowed by the E key. Press iheE
key again to cancel the t e mark before enter ng the second note.

Fig. 16 First Notes and Bests of Part 1

Back Part 1

* Press ng the E key wil allow the notes to be heard as they are entered

(1) Selecl the cornmand
rnode by us ns lhe fsEa-dil key.

l v D e -
i o - o " o r - l a L i : L 6 r l . o n o p . a :
, e F L u n \
a r

Payback should begin aller a few seconds A ceftan period w I pass between the tme lhe
IRETUFN key s pressed
and the so!nd is heard because rests were pLrt in ai lhe beg nning of lhe

p ece. Normally.
play beglns mmediately,
when there are no rests at the beginn ng oJ the score.

Sekctins Pott 2

Before enter ng ihe data ol the second part, you must se ect part 2.
(1) Se ecl the command mode by Lrsing
the fSELEeTI
tey

(2) Type in -
: (or press the E
key and iype in ), and press rhe lFpiunNl tey
- wi

appear rn the stalLrs
display arca

I ppaa ol ratf, z
I

{1) Enterthekeyslgnatureandttmestgnatureforpart2,justasyo!didforparti
Thesemusr!eenrereo

lor everv Dart

1z; Press tne |SEIECiI key to swrrch to the nole mode.
(3) TheinputprocedureisthesameasJorpartl.Entertwodoitedhalfrestssrncethefirstbarsmade

!p eniirely of rests. The sharp on the D in the third bar is entered by pressing
the E] key The
piich of the B note in the seventh baf that is one octave lower is entered by pressing
the E key
betofe tfre noie is entered (lo lor,verthe
cursor by one octave)and
then pressing
the U key. press

ihe fl
key beiore entering the nexi B note. to rarse the cursor one octave.

(4) Se ect the command mode after part 2 has been eniered and play back the part try press ng

@ ano lRrrunNl.

I Inout of Pan J
-_-

11) Select parl3 as you did for part 2.
(2) Enter the key signature
and I me signature.

13) Enter the notes and rests. (This part s wrltten in bass clef )

The lasl note wil be a c an ociave lower than the finai G oi pad 2. press the E key io lower rhe prtch
and enTer
the noTe The fina nole lG) n the seventh bar s even one octave ower, but press fg rne

l|Keyaqanw lno owertherange.Toremedythis,seectthecommandmode,typein
.anornen

pressthe iRETUFNJ
key I :i.:: wi I be displayed
on the score and alt notesrnputafterthrsmarkwil

sound one ociave lower than the score ndicates.
Return tothe note mode andenteranote navng
lhe same pltch as the previously
eniered c nore

Allof lhe notes have now been eniered.
Sw tch to lhe command mode press E
(or type t. ,., ) and
press lFEiuFNl to risten to the p ece The defaurt piano voices wi| be heard iiivo
ces are tne next
thlngs lo be set.

Vo ce sett ng slarts kom ParI I

(1) Swiich the screen d sp ay to part l byenteringthecommandmode,pressing
E
typingin , and

press
ns IFETUANI.

(2) Se ect the note mode.
The score cursor
will appear
on the lett edge ol the score

(3) Press
ihe @
key and the shape of the score c!rsor w Il change
from to
This indjcaies

theinsertonnrodeinwhichnoiesandoiherparameterscanbeinserledattheposltionofihescore

14) Se ect the command mode, type ln :. = :r and press the IFETUFNI
kev .' ! will be jnseded at

the cursor positioa.
Th s sets the voice of part 1 to llute

(6)

conf rm ihis by p ay ng the p ece (Press E
ana lFEfUnNl;

Set pans 2 and 3 to various voices using a sim;lar approach,
and lsten to them Actually,
if ihe

unii ls stlll n insert mode (red + cursor),
you can press fl
{l:ri
) and type I to select pari

2. Then simply type : ..
where n is the voice nlmber you wanl {or parl 2 The same is true for

Dart 3.

Fig.18 Sefting a Voice

*16

* To display lhe voice ist swiich lo the comrnano
mode type In

A complete
llst ol the preset vo ces w ll appear on the screen

press the @
key

, and press rhe IFETUR-N-I
key.

To go back to the previous
disPlaY,

TI
lo
y(

This Chapier explalns
the uses of the numerous
features
of the FM [,4usic
Composer
II. ltisorgantzeo

io help beginnef with his fkst explorations of the FM i/usic Composer II functions. tt is advisable thai
you followtho
instructions
ofthischaptorwhileexper'meniingwith
the many posslbitjties
ofthis program

on shori sample composiiions,
untilyou become completely
familiarwith
the principalfealures.

- 1 7 -

:
t : : , i : i i : : : l

Before starl ng to Input notes and olher mUsical
Symbo
s, yoU mUSt a]ways Se ect the bank and pan

n - r 0 6 . d o
o r ' o r ' h o - . ) g ' d
r r 6 o d i r e
g _ o r ! ' o

(i l setecithecomrnanclmodebyLrsngthe
IsEfFdf] key

(2) Tvpeln.i: -
ln = the bank numoer)
and press
the lR-iiUR-Nl
ley You may also pressthe

'''

ffi't"r, iro" n and prcss the IFETUFNI
kev :
$' ll be drsplaved
at the loweT
r srit corner

* The bank number
defau t s I when the power
is flrsl turned
on

oarts LS ihe first step n creatlng a score
. . iF , o. . e. on dr o-10c, 6o ' s ng-' elS F rCil t ' '

p-,
n
I t 8 " noo*
" | f l-! -Nl! : '
6' 12' 41 6p" ' . ' ' . f l' e
' o'

," I I ' 8l ancl press the IF-EIfFM k;:-
wlll lre displaved
at the lower left corner of

* The part nufirber
defa! t s 1 when lhe power is flrst turned on

The key slgnature
may be chosen lree y For examp e "A maior' s indicaied by three.sharps
( ) and

lr',""ii,,-"
"ll","lryonerat( ).BecaLsethesesharps"lgj:l:1^^11,i.:,l3lij?l,"jjii
i r r d l u r
r : r L ! ' ! o ( e u

n"gi"li"g "f ,1","
."".

ihe key s gnaiure, they do not need to be speclflcally
wlitien-ofi ror eacn

noie in the score. This makes the score easier to read The key shouLd
a ways be entered unless Ine

.."0 i.

*" i"t

i" tajor' or A mlnor ($/hlch,
of course have no sharps or flats)'

, S e" r. . r- o. . .
o, 006o
r' qrh" ls l' aJ L'

i2) llsrng the torm
type thls cornmanci
where x corfesponds
io the (ey s gnalure These

-, . . . ' " " 0 lro
o
T be l f or ' drore
^ rJ or" a ooA oodd)

--N
f,"y The key s gnal!re w li appear at the lop ol the

1l) LnpL,t
ls compleled
bv pressLnq
tne IHE I

* The key s gnalufe appears only on the lfeble clei

*
C maior (A mlnor) is tlre delaLrll"
key signature I no other key signal!re rs sel

* The key signature
can be changed ln the nriddle
oi a compos I on

*-san*1voraer119191Y193YY1

BankSaresub-diV]sonsollhecompUte.srllemoryTose]ectthebank'ploceedaSfoLows:

TheFMsoUncisynthesizeruniialowsatnaximUmofSnoteSandSVocestobeplayedSir.UltaneoUslY.
u"irr""""iin.,in"
i* MLsic Composer
II will allow ndepend€nt
lnput of Lrp to 8 pafts Setting tne

* Fiats ( b ) are entered as a lower case leiter b.
* Upper case letters (major key signaiuies) are inpui by typing rhe tetter white hotdlng down the

Jffil
key. Lower case letters, represenling minor key signatures, are typed w thout using the

lSHlFTl kev.

Tablel Key Signaturc and Coftesponding tnput Synbots

Key slgnatur€ dlsplay

G
G

D
D
b

E
E

B
5#

B '
Bb
2b
s

Eb
3b

Db
Db
5b

G b
G
6b
eb

ct
C b
7b

@
c
c
0
a

l9-

I Time Sienature and Bars
I

\2
(3

Si
F
tc

(1) select the command mode by using the lSELEeTl ley

(2) lnpuiihetimesignalureintheiormii
s'-:'t:' (a:2'1012'16andb:2,4'8,16) Forexample

i lFe Line s 91alL'e is th'ee-quar'ers.
rype

1:; Press the @
key to complete input The time signature will appear at the top oi file score

* The tirne signature
only appears on the lreble clel

* 4/4 time is the ' deiault" lime slgnature
if no other time signalure
is set.

*Thetimesignaturecanbechangedinlhemiddleotasong.Thebarswillautomatcalybelocaled

acaording
to the lime s gnature.
When notes cannot fit within the bar lirnits,
three measure
bars

appear on the score. Be careful with the input noles in order io prevent this from occurring For

example, in 4/4 time, notes are entered as shown below in Fig 19

* Sometimes
the computercannoi
calculate
the exact loc ation otthe barduring note input lnthat

case the bar will be located at a wrong place li lhis occurs, enter ihe irsr: = n commano (n
: number of the part whefe this error occured) By this procedute,
the bar will bs re_located

al th6 correct oosition.

Fio.1S Location
ot the Bar

=a
t t t t l
---}rE1--

IL
Th€ bs hne appea's a i ( Po5rro-

-20-

.EryLE6lre*trygl-Eld_?iE€IM

The procedure
lor entering
notes ls divided into three steps.

li) Se eciion of dot tie, etc.

{2) Se eciion of the note symbol (length)

13) Selection
of the pitch (writing
the note onto the score).

Severa melhods are available to carry out each of the three above steps.
First select the note mode oy using tne lSEIEdil key. llyou are using a mouse move the mouse cLrrsoT
lo th€ leJlmost character ol the command area and press the mouse's LEFT button

Dots
Ties and Accidentals

lJ.lng lhe M€nu K€ys

When the system is in the note mode the keys used lo select an item trom lhe menu are displayed
in

lhe command area. Pressing
one of these keys will revert
the color of the corresponding
symbol tn the

menu, indicatrng
lhat the syrnbol s selected.

Flg.20 Keys Usecl to Select Dots, Ttlplats, Ti€s and Accidentats

When any one oi the above signs are selected,
lt will be entered
wlth each subsequent
note untilyou

de-select
the symbol on the menu by pressing
lhe correspondrng
key.

l,3lng the lrouse

Move the mouse cursor to the symbol to be selected and press the LEFT butlon; proceed in the same
rvav to de-select a svmfiol

lJslng lhe Menu Key3

To select the length of the noto to be enlered, pfess the correspond ng menu key as shown below. A
selected
symbol is de-sel€cled
when you select anoiher length

Fig. 21 Keys &ad to Select Note Length

the Note

. J J .tr .F .F,b r)-dsbrtsE"t:,l;"=""

# 1 2
3 4 s 6 7
8
I
0
Y
U
r
O P
I
l

.JJ),F,F,F
. e r _ j r b r h E"t:i:....

# 1 2
3 4 5 6 7
3
9
0
Y
U
I
O P
I
I

Using lhe Mouse

Move the mouse cu|sor io the nole length'symbol
and press the LFFT buiion

tlslng an Ert€rnal Keyboard (lruslc or MIDI Keyboard)

This method will be explained
later.

Once the note length and special signs (dot, elc) have been selected, you must select the pilch This

last siep also enters the note on the score.

Uslng the Computer KeYboard

This method was used in Chapter IL
The keyboard is arranged, as shown below, in a one-octave, C through B' 12 note con{i0uration similar

to a piano keyboard. When notes are direclly entered by pushing the desired keys, the previously set
key signalure will be ignored. The keys are arranged over a range oi one octave, but ihe octave can
be raised or lowered bv the octave up and octave down keys, allowing noles to be entered anywhere

Fig.22 Keye Useel for Enteting Notes

h
tl
o
a

Uslng lhe score Gursor
(1) Set t h€ score cursor 10 the position on the staff co rrespo
nd ing to the desired
pitch Thescorecursor

is moved bythe m key which moves
the cursor up and the E key which moves
the cursor down

{2) Sharps and ilats are added by the previously
described
procedure.

(3) lnput is completed
by pressing
the [FEJEFFI key. The note willthen appear on ihe score

Caution

Sometimes,
when the octave is raised,lhe noie inpuilrom the keyboard cannot be displayed In thal

case, a question mark appears in the music parameier area. The note is actually input as you can
easily check by playing back the scor€. When you need such a hiqh pitch note, use the 1ou or20u
comnano ds erplained on paqe 25. in order lo mako your oaia mote easy to read

-22,

Fig.23 Relatianship Between the position at the Curcor and the Selected Fanoe

r/vhen
rhe n key s

l;:;l:'

When rhe E key is press€d once

U6ing lhe lrouse

In the note mode. the mouse cLtrsor
can be used to place symbols (noie length dot. etc ) direcfly
on
the score The serected
symbors
appear at the tip of the mouse cursor when this cursof is In lhe score
display area. When the note is correc|y located,
press the mouse,s
LEFT button to enter the note. The
note must 0e entered ln the space between
the last note and lhe end_bar.

* lf you press the mouse s LEFT button when the mouse cursor is on the Fir Mtrsi. aor!rpcser or
command area, a note is entered.
The note length is cletermined
by the last ength select on wh le
lne p tch corresponds
to the vertical ocat on of the score cursor.

Fig.24 Enteting a Nate by using the Mouse cursar

Inp!r area

Ulhg an Extemal Keyboard (Musie or MtDt Keyboard)
An external
keyboard
can be used for entering
both the tength and the piich oJ the notes.

{l) set the length symbol corresponding
lo rhe most frequent note ength on the score ro be entered.
You nray lse the E - E keys or direc y select by us ng the mouse

{21 Sera.t he I
sv.nbot
o!p,-.si10th.Ere\oro,

(3) rf you depress a key on the musc keyboard and rerease
rt qurckry,
a note s entered. ls pitch
corresponds
to the key that you pressed and its length corresponds
to the selected
symbo on the
menu The noie ls aciualy entered
when the key is released.

(41 lf you ho d dor,ln a key of the mus c keyboaro rne meau cursor moves according to the pattern
shown betow The length symbolthat is selected
when you release
the key determines
tne engtrt
ot the note. Afier a note is entered,
the menu cursor goes back lo the symbol ihat yoLr setecleo
rn
(1)

Fig.25 Relationship Between the Music Keyboatd and the Notes Entered

ttr

!is.

YK O1

YK 10/20

Fig. 26 Note Lengths Are Selectad ln the Dlreclion lndicatad by tha Atrcw When a Key is Held Down.

* Setting sound output

The actual notes can be heafd wh e they are being entered.
Thls s done by se ecting the
r.ark in

lhe menll by using lhe menu cursor or by press nq the E
fey. Onty the ptch of the inpul irom the

Music Keyboard
can be heard, not necessarily
lhe selected
note lengih

Precaulions Regardlng Note Input snd Score Dlsplay
(1) The accidenta
s use ,, for f at notes, and # for sharp notes For example,
lf lhe key s gnature ls

G majof (one #), input this a B flal w I be disp ayed as an A sharp. whch is enharmonicaty
equ valent. It the s gnature is Ejlat major (three , 's), npuiting an A sharp will be disptayed
as

aB lai.

(2) Ful notes are displayed
wilh a length of 4 quarler notes

(3) SixtyJourth notes are always entered as tTiplets
(4) The slandard notatio. ior a tr plet is
bul it is displayed
on the scofe as

(5) Whensettingthetiesymbol,enterthetiemarkwhenthepriornote
sentered Forexar.pte,
to input

select tfre quafter note and the iie mark, and nput the note, Next, turn off the tie mark and

nput the elghth nole.

Enlerlng the OctEye Markg

The FlVSoundSynthesizerun;thasa
rangeoiSoctaves
buttheFMMusicComposerllisonlycapable

of dlsp aying 4 octaves on lhe score The octave marks are used for enterjng notes higher and ower
lhan the range of the d spLayed
score. They are as folows:

Sei

i l )

\2)

S€

, 24

Ig+t-..1.j"*a.4:!i!r4f:,:
'iria:EJ.4E3!11:iiri',"r'1i,,r.1+]*",,:=,.,4!i5.EEi€gj;::tiitti
i&S:Tra.ri4 .'-

Ilglg-yglues are entered by se ecting the cornmand mode and typing ,,., or ,.: (n : 1 or 2) ptLs
IRETUBNJ.
Noies entered after these s gns are set wi fa I within the new range For exampte,
sett ng

the
r.ark means that the pitch of att the lollowing input notes wilt be one octave hlgher than ihe

d splayed pltch On the other hand, the pitch that some vo ces actuaty try to produce wir oe one or
two octaves htgher or lower than the score indicates.
Usjng such voices when the octave mark ts set

can cause the aclual pitch to exceed the range of ihe FM sound generator.
t this occurs, aurornar
c

oitchadjuslmentismadeupordowninoneoctave!niis.Thssthesameasthetranspositionproceoure
exD ained later.

. 11 octave up)
' . r (2 octaves up)

r,. (1 oclave down)

. ir: (2 oclave down)

raises the pitch by one ociave
raises the pitch by two octaves
lowers the p tch by one octave
owers the pitch by iwo octaves

terminales
lhe etfect oT The octave symbol

The etlecis of the octave marks are terminated by the ;.c. svmbol

Fig.27 Changes in the Actual Sound Caused by the Octave Mark

.t
the Rests

Soltlng hom the Menu

11) Pressthe
El keytoselecttherestsymbolandusethekeys[
- fltosettne engthoJtherest.

Allofthis can be set by using the mouse.

z1 Press the @
t<ey to set a rest ai the p ace ind cated by the score cursor. you may a so prace

the rest anywhere
by using the mouse as explained
lor lhe note rnput

&lllnE lrom the Conputer Keyboard

Ests can be enlered directly
from the keyboard by pressing
any numeric key Jrom A to E, whie

io ding down the llllffl
Ley. For exampte a qua er rest
can be entered by slmpiy presslng

FHrTil + E

, 25 ,

Fig.2A Keys Usedfot Entering Bests

[s@l . HEEEE@@

Entering Re€ls Whlle Also Enlering ilotec from lh€ Mu3IG Keyboard

Bests can be entered by pressing onlythe lSEdFil
when the proqram is in the mode used for note

inpLl fron' the music keyboard (rhe mode sil6tiEbc-ling B irom lhe mFnur.

Select the length of rests to be entered by setting the note l€ngth displayed on ihe menu (i.e., type a
number,
1 through 7, priorto entering
any rests).
Continuing
io hold down ihe space keywillmove
the

nole selection disp{ay (color reverse displayed) of the menu-indicated length. A resl of the indicated
length will be entered the instanl the lSFa€61
is released.

-26-

SETI/NG THE VOICE

_he F[,] MLrsic
Composer
ll a or,!s for the perlormance
of a n]ax mlrm of
'rave a diflerent
vo ce ass gned to t

8 parts each of whrch can

fe voice can be se ected from among those conta ned in the FN1
Sound Synthes
zer unit and from
'-ase created by means of the Yamaha FN,4
Vo c ng Progranr.

Using Voices Contained in the FM Sound Synthesizer Llnit

_rere are two ways for se ect ng voices Onernelhoclusesthecomp!teiskeyboafd:theotheroneuses

Setling lhe Voice from the Keyboard
' Se ect the commancl
mode by us ng the [SErECfl t<ey

: Type n
(n : 1 - 46), and press the [FEiu-FFl key

--: voice lst can be displayed
as lo lows

' lvake sure the system s in the command [rooe

.: Type in
: and press the fFETURNI key
rsi of vo ces ,,,/ appear on the screen

)

: You raay a so enter the
command lfom th s screen

- To go back lo lhe scofe screen type in the
cornman.i
and press tfie IFETUFNI
rey.

S.tling the Voice by Using lhe Mouse
' To select the command mode, posit on the mo!ss cursor on the first character n the corrf.anc

ne and press the LEFT button

-: Press the mouse s R GHT bLrtton.
A men! ol cornrnands
wil appear on the screen.

A l E R A S S 1
g 2 E R A S S 2
A 3 T R U ' ' I P E T
O 4 5 T R I N G 1
9 5 S T R I N G 2
B 6 E P I A N O l
8 ? E P I A N O 2
E A E P I A I I O 3
A 9 G U I T A R
l . A E l A S S 1
1 1 E B A S S 2
1 2 E O R G A N 1
1 3 E O R G A N 2
1 4 P O R 6 A N 1
1 5 P O R B A N 2
T 6
F L U T E

l T P I C C O L O
1A
0r0E
l 9 C L A R I N E
2 O 6 L O C K E N
2 l V I B R P H N
? 2 X Y L O P H N
2 3
K O T O

2 4 Z I T H E R
? 5
C L A V

2 6 H A R P S I C
2 7
B E L L S

2 8
H A R P

2 9 S I , I A D S Y N
3 A H A R t ' l O i t I
3 l S T E E L D R
3 2 T I I l P A N I

3 3 L 0 S T 6 1
3 4 H O R N L O
3 5 l , l H l S T L E
3 6
S T 0 R t 4

3 7 R l ' l , B R A S
3 S R I ' I . F L U T
3 9 R I ' I , G I J I T
4 O R I ' I , H O R N
4 1 R 1 . B A S S
4 2 R 2 . B A S S
4 3 S H A R E D R
4 4 R D C Y I ' I B
4 5 P E R C
1
4 6 P E R C
2

4 7
C S t ' l
4 A

(3) Press the mouse s RIGHT buiion again A second menu of commands
wi appear

Fi9.3A Conmand Menus

2ou

[++
123
456
?a9

* When us ng the compuier keyboard the above rnenus can be displayed
by enter ng ihe

command. You can go back to the score display by us ag the i . , comrnand. This is uselul
for when you forget lhe lormat of cefta n commands.
When us ng the mouse,
the above raenus

are not only remainders,
they can be used directly
for selecting
a command.

(4) Pos t;on the mouse cursor over the
area and press the LEFT button.
w I appear n the

cornm
and area.

(5) To enter the command position
ihe mouse cursor over the ' ,:
area al ihe righl

of the syrnbol
rnenu or oveTihe
command
area and press the LEFT button.
The voice I st w llappear,

* To cancel a command already
d splayed n the command area pos I on the mouse cursor under

the command area (stalus display area) and hoLd the LEFT button down

(6) Pos tron lhe moLrse
cursor oveT . on the comrnand
rnenu of lhe voice lisl and press the LEFT

br.rtton
wi appear in ihe coramand
area.

(7) Now posilion
the moLrse
cursor on the d€siredvorce
numberand
pressthe
LEFT bulton.
The number

wi appear on the command area.

(8) Posiionthemousecursoroverthe
areaoroveTthecommand
area and press

the LEFT button to enter the command

1r€

f iles

V O I CE

out l

r23
456
?49

* i not otherwise
set, the various parts wi have the iollow ng vo ces:

Parl 1
EP ANO 2
Part 5
TRUMPET

Patl2
EP ANO 2
Part 6
P CCOLO

Part 3
EPIANO
2
EBASS
1

GUITAR
Pari I
EBASS 2

some comb nai ons of voices and notes may cause the actual pitch produceaj
to be one or lwo

octaves higheror ower than the note displayed
on the screen.
For example,
the sound of EBASS

I wil have a pitch one octave lower than lhe note d so aved on the screen

Fi9.31 EBASS 1 Pitch Conpati,on

OsPlay

s turned ON.
To load voice data from ihe data memory
eartr dge (UDC-Ol
). enter the
command

* When lhe vorces are set separately
there may sometimes
be too much vibrato or tremolo This

can be corrected
by changing the LFO data (this wi be expta ned ater).

Voices Crcated bv the FM V,

-he f rst step is to oad the volce data created by the FM Vo c ng program from the cassette
tape data

remory cartr dge or lloppy disk (the FN,4
Voicing Program II a ows for saving vo ce data on ftoppy

Loadlng Volce6 from Cassott€ Tape

l) Place the tape in the casselte
recofder and lind the beg nning of the vo ce data t le to be oaded.

2) Seiect
the cornmand
rnode and nput
- : mlsi be entered n capita lelters

(hold do!,vn
the m
key). With a mouse,
setecr
rhen
on the second comrnand

* The memory capac ty wlll decrease
by approx matety 1000 steps when the vo ce data ts loaded.

Loading Voices kom Data Memory Cartridge
qemember
that the memory
cartridge
nost be nsefted n lhe computer,s
rear s ot BEFORE
the power

Loadlng Voic€s trom Floppy Disk {not appticabte to SFG-01)
Bemernberthatthefloppydiskdrve
nterface
must be inserted n the computer
s rear slot BEFORE
the

power to tne compLter
is turned oN.

(l) Insert the disk rnto the dlsk drtve.

12) Select
the command mode and enter the
command.

, 29

A ist of the f es recorded
on the disk wil appear on the screen lf a of ihe I e names cannot f t on

the screen display area, enler the
. cornmand
to see the resl of the files. The rest of the f les w I

appear on lhe screen.

Fig 32 Exanple at Files and NFiles Displays

tjj

L 1

( t l

t2"

T h

E
En

(3) Enter lhe .r
.
i:.
comfnand. The name of a voce data file s always fo owed by the
'-
suffix Oiher file nemes do not correspond
to voice data

When the voices are loaded yoI can display the lrst by entering
the , . : command.
To se ect a

vo ce, pfoceed as explarned
lor lhe inlerna voices but use voice nLrmberc
iioaa 49 to 96

Fig 3s Exanpte at UVlist Display
'\2

Ti
th

LUNE
. UO C
LUNE
. CI 4P
CA K E
, V O 6
CA K E
. CI 4P
A N01
. V O G
A N01
. Ct 4P
P A S S
. UO E
PASS
. Ct"lP
SI,]EET
. VOG
SI,]
EEl
. CHP

sl, iE E f z
. v06
SI,]EET2 . C IIP
K A NA
. UO G
KANA
. CI']P
NI G HT
. UO G
NlG HT
. CI ' I P
JUS T
. UO G
JUST
- CI,IP
I I A CK Y
, UO G
I A CK Y
. CHP

k i l l =

l ' 1 A R
C O
. V O E

I ' 1 A R C O
. C l l P
RosA
, u06

R O S A
. C t l P

49S T RI N H
5B S T RT N I " I
51
52C. B A S S
53
54
55
56
5?
5A
59
6A
6t
62
63
64

65
55
6't
5A
69
7A
7!
72
?3
74
T 5X UCHI B E
76
7?
?8V O I CE 3
79V O I CE 4
80

E . P l A f t o

C H E R E S T

B E L L S 2

a1
a2
83
a4
a5
a6
B 7
8 8
B 9
9 g
9 1
9 ?
9 3
9 4
9 5
3 6

* =
u l i E t
u u l i s t
h e l p
E c o r e

lf the oad ng prccedLrre
cannot be carr ed out properly,
you may cance the oDerat
on by press ng

lalRll + lSTbE

PLAYING
BACK ..

,n.l ^l,n.n
hr. I

, a&
t .loo, *hel a | | os -.\e ooa pa ed rh-.l a e.-o.o^ L s or ine- ro, p-es. fcj-qal

t o v r l

t) Se ect the bank by entering
the

to) (CX5M has Bank 1 onty.)

command (n : the number ol the ban k you wanl to listen

anferirg
the
cornmand
wi ""r."rnnr"ffi

of a Bank

2) Enter the
command without any parr numoer

-h s procedure
slarts the simultaneous
perlormance
of the g parts contained
in the selecteo
DanK

' se ect lhe bank by entering
the i
command (n : the number ol lhe bank conla ninq the
part you want io tsten to). (CXsM has Bank 1 onlv.)

: Enter the
command (n : the number of the part you want to tisten to)
-_ s ls usefll for checking each pad. The tempo s gns are norma y entered in paft I and therelore
'_: tempo during the performance
oJ the other paris w I have different
va ues, lspecificaly
the nltia

,: re of 120). This can make the indivldua parts d ifjcu t to check. lf this turns olt to be a prob em a
::ico mark can 0e lemporari
y set for each part and then deieted
aJter each has been checked

* Enter ng
causes the bank to stan play ng from the posiiion ndcatedbythescorecursor

r Pressng the lEEfuFNl xey atter ryptng
w repeat the pay Lnti yo! press lCTnrl +

lSTOPl. Pa(s cannot be des gnated
jn the same way as ihe play cornmand;
a I parts or rne oanK
,,!rl p ay with the
command

r i is entered nstead ol the part nLmber (ie
). the performance
of ihe part disptayed
on
:nescreenwil
beg n irom the pos tion ndicatedbythecursortal
parar.elers
to t h e eftolrfecursor

,,rilbe
gnored.lnthepolyphoncnotemode
lorexampe
chofdsw
Inolbeplayedifthescorec!rsor

s to the right of the poty mark when you rype
and press IFETUFN

* P ayback can be interrupted
by press ng ltTFfl + lsiO-fl ptayback
w t cease and the un t wi
enter
the command
mode.

:ntering the
command
w llcause allthe score data files that have been saved on diskto be loaded

,,ED!.T|.Nq.IAE-S_-C.QflE,;
,.,.,.,,,,:.::1-i
-i:, :i.:,i ..i.i:
,
:.5.'{Ers'i

This seciion deals with edit ng the score Daia refers to anything \dhich can be entered in lhe score
such as noies rests,
and other pararneler
markings Edjting refers lo the lnput as well as lhe de etion

and insert on oT data

the Data to be Editel

Frstselectthebank(,ii
i
.cornmand:notapplicabetoCX5I/)andlhepart(r.
.- comrnand).

The flrst bars ol the part to be edited wil be displayed
on the screen There are three meihods for

d sp ay ng any portjon ol the paft:

Scrolllng by Uslng the Cursor Keys

Use the E] and E
cursor keys io move the scoTe
cursor over the parl When the cursor is at the

beginnngortheendoJthedspay-"dportion
thedisplayofthescorewil
scrol foMards
or backwards.

Scrolling by Using lhe Mouse

Thesystemmustbe
n the nole mode. To move the score cufsor presstheRlGFlTbuttonolthemouse

and ho d it down lrhile moving ihe mouse to ihe righi or io ihe eti.

Specifying the Bar Number

The.'
_ command
{n = lhe numberof
any ber belong ng to lhe part)causes
lhe panto be displayed

stafting w th the the spec fled bar. For iong pafts this method s very useful The E
key alows for

easy n PLrl
oL:
=

-32-

ihe pilch needs to be changed or in othercases
where editing is possible
simpty by writing over

data previously input, posiiion the score cursor ovea the data to be ediled and enler ihe new data.

you are using a mouse, iirst seleCt the note mode. Select the sym bol(s) and positionthe mousecursor
the location ol the symbolto be changed. Enterthe new symbot by pressing the LEFT butron

35 Changing Scorc Data

do not need to be in the note mode to move ihe score cursor horizontally but be sure that you
h to the noie mode before entering the new data.

L
Move lhe cursorlo th6 positian lo beedil€d

Enler the new dala

Data liom the Keyboard

or unnecessary
sections can be deleted, with the computer in the note mode, move the cursor

a position immediately 10 the righi ol the data to be deteted. push the EJ
or E]
keys while stitl

the note mode to delete the data to the leit oi the cursor. The score to the righl of the cursor will

one position io ihe left each time ihe @l
or E
key is pressed.

36 Deteting

--F-{-i-.trFrFFrlr,+f--

I x'

L
l4ove rne cursor to the posilion immedialetylo the right ol

Prcse rhe@or@key
ro delele lhe note

-_+_+--

-it-rF+-i-J---:+++

-33-
I

Delellng Data by Uslng the lrous€
Position
the mouse cursor over the status d splay area and press the mouse s LEFT butto,l

Deletlng Allthe Date of a Part
The clear command is used to clear att the data ol an indlviduat
part Type :::,:r - in the command

mode followed by the part that has the data to be deleted.
The d sptay will switch to ihe correspondlng
part when the IRFiU-FNI key is pressed
*The oaded vojce data can be deleted byentering r,a,,i,j.,
instead oi the part number, fihepart

nurnber
rs omttted and only :ij.
or a].,. is entered,
tfte data In all of the parts (as we I as a I
voicedata)wilrbederetedwhenihe{FEiuFM[evispressedrhesysremwir
thenreturntotheinrual
''00wef-on state.

Inserllng Data hom Ihe Keyboard
The lollowing procedufe s used to Insert new daia between
exlsiing data push lhe N
key ln lhe
notemode
Theshapeofthescorecursorwllchangefrom.
to
. Thisshapelndicaiestheinsedion

mode. The lnsertion
mode is ex ied by pressing
the @
key once more lrom the note rnode.

Fi9.37 Shape of the Scorc Cursol

,\-

Set Ihe com!!tertothe.ore mode. To nsen data into
rnrs pace, move lhe{mor Io the posilion immedtatey ro
rh€.shl (Press the l.llsl k€y ro swnch lo the ins€d mode)

Dara h I be Inseded as 'l s enl€red

Ins€rting Data by Ustng the Mou6e
The system
must be in the nole mode To swilch ihe score cursor ( : or .i ), posillon
the mouse cursoT
n the nrenu area, pointng lo the bank space between the keyboard symbol and r,rj .,: :..1

rnsen
on mod€ score cursor

-34-

Th(

l€n
bar

s€l

Th(
firs

oaI

NolI

Eni
pal

Fig.39 Switching the tnsen Mode by Using the Mouse

.JJ),0,F,F..1_ilror"

c.
Dara vitdtr o Bank

-he copy comraand is useful when entering data ideniical to that wh ch has already been entered.
_h s command allows data to be eas ly copied saving time and effort. Copying is carr ed out n bac
englh units and can be done belween
or with n parts. The first step is to f nd the beginning
and end

aars of the data you wish to copy Then enter ihe command rnode and se eci the target part (enter

,nbengthenumberolthepartintowhchihedatawltbecopied.)
The nputposIonisthen

sei wilh lhe score cursor Enter,i
- , _. to cafry out the copy

-ae pai( number oi the data lo be copied ;s enlered after
iolowed by ., the number oi lhe
':stbar and , , the number of the astbar( : part,. : slart, and = end) The respective
values

:.e delim ted (separated)
by comrnas ( ). press the @
key to copy the spec I ed data to the

'acation
specified
by the cursof. For example, |
: is entered
when part 2 is selected,
the

aata contarned
in bars 1 to 5 ol part I will be copied inio part 2

f the data is to be copied tothe midd eofa part that already has data, ijrstchangelhe
score cursor
'roTn tothe
insertion
cursor to allow data to be nserted in the specified
locaton. Copying

:an be interrupted
while in progress
by pushing laTn-Ll + ISTdFl. Copy ng wit stop lhe tnslant

:re kevs are oressed.

84tk C
(NOT APPLICABLE TO CX5MI

_o copy one parl of a bank inlo a given pan of another bank first set the destination
bank {

.rmmand), and then set the dest nation part n that bank (
command).

€nterthe .r
command( -thenumberoflhesourcebankand
-thenumberoflhesource

a:n in bank n)

Posil on lhe mouse cursor over
Ins area and press the LEFT bulon

-35-

Prinl ng the score is possible
il you have an MSX or EPSON
standard
prinlerconnected
lo the computer.

(1) Frsi,youmusttelllhecomputerwhalkindofprinteryouhaveconneciedandihetypeolprintout

you want. Th s is done by using the pf nig- : conmand. For example,
you should enter pr nie'

= msxa if your printer is an IISX standard printer Enter epson nstead of n s:. i your printer is
an EPSON
standard printer.
The letter a in the above example
specifies
the type o{ pr nt-oui. YoL

may choose from three dillerent
types of printouts (a, b or L:)

Fig.40 The Three Printout l\locles

(2) Select
the.part to be printed out (Comrnand
mode, E], part no.)

{3) With the computer st ll n the command mode type pr nr : n.m (n is the first bar to be printed

and m is ihe last bar) Thus, to print out bars 6 through 33 inclusive,
type Diini - 6.33. prini =

can be enlered by pfessing m
(M
+ B).

(4) Press the lREiuRNl key to start the pr nt out process.

t The print oul is carried out in screen units. Thus, all of the bar last spec tied whlch appears in

the screen wil be printed out.

* | ihe printer s not correctly
connected
or is not on-l ne the computer
wi I wa t indefinltively
To

ca"rcctr-e con .]aro. pfess L!, L:!!l
Lstq|l.

pfi.t=1,2
prifter = msxa(boldlype' dolble scre€n
wdlh)

printer
= msxb (lighttype,
do!bescreen
wdlh)

p r i n t = 1 , 2
P r n l e r : msxc {liQhl lype. singlescreen wldlh)

T h

t :

of.
d i s

T h

( 1 )

12)
(31

S€

{ l

o€

SAV/NG
LOADING

The FM f,4usic
Composer
Il can save your score data on cassette
or ltoppy disk. This is important

because
anytime
you turn OFF your computer.
all the memory
wil be Lost. ncluding
your score Once

saved on cassetle
orfloppy disk, ihe data willalways
be available
to be loaded back tnto lhe computer,s

memory
anytime
You need ii,

Performance Data

'Saving reters to ihe operalion of recording
the data contained in the computer memory onto an

externa device (cassette
recorder
or floppy disk drive),
The cassette
recorder
orfloppy dlskdrive
musi

be connecled
to lhe computer belore turn ng the power ON. tf you are usjng a ftoppy disk dr ve, turn

ON the disk drjve before turning ON the computer.
Also. remember
that tnserting
or removing
a iloppy

disk while the operation
indicator
is lit may damage the data recorded
on the dlsk.

Savlng Dala on Cassette Tape

The csave command is used to save the score (pedormance data) on cassette tape.

Insert a cassette iape into lhe cassette recorder.

Selecl the cornmand
mode (?).

Save ihe data by inputting csave = narne. The name can be any combinatton
oJ up to six al

phanurneric characlers csave can be entered by press ng the E
tey lJSfttfil ley + @ tey1.

Star'e( o,o _g on rne casselrp doe bv oress rg r"e lFr t unN] .e,.

Thecassetterecorderwillstopafterthedatahasbeensaved(ass!mingthe"remote'iacKonrne
recorder
is connected
io lhe computer).

* Carefully indicate in lhe cassette directory the name of the score as we I as the exact location

of the score in the taoe

* Entering
the c oad? - name command lust after saving a lile and rewind ng the tape attows
for

checking
whetherthe
file has been correctly
saved or not. lf lhe Verify error message
appears,

check the cassette
fecordefs volume and tone settings,
and ts connections
to the compLtter,

and try saving again.

(1)

(2)

(3)

(4)

Saving Data on Floppy Di€k (applicable to SFG-05 only)

The save commaad is used to save the score on a llooDV
disk.

(1) Inserl a floppy dlsk ntothediskdrve

* The disk should have been previously
formatted
by us ng the FORrv,lAT
command of the IVSX

DISK BASIC.

{2) Save the data by inputting
save - nanre. The nar.e can be any combination
of up to 8 atpha-

numeric
characters.
(The .CMP suffix wi I be auiomaUcatty
added.)

* Before selecting
a name, enter ihe llles command (and ihe nfiies cornmand if necessary)
to

display the list of the files already stored on the disk Savtng a"llle with a name that is already
saved will erase the previous file See information p 30.

Performaace Data

'Loading"relerstotheoperaiionofreadngtntothecomputermemorythedalasavedonanexternal

dev ce (cassette lape, Daia Memory Cartridge or floppy disk) These devices must be connecled to
lhe computer before turning the power ON

-37 -

Loading trom a Cassete TaDe
(1) Fasl lorward and rewind operatrons
may nol be posslble
when the casselte
recorder,,remote,lack
is connected
to lhe computer. Remove
the ,,remote,,
(black) cable from the remote controtjack
or the cassette recorder when the tape neeos to be rewound or fasr lorwarded, Fe-insert the cabre
alter fasi lorward or rewind operattons have been comDleted.

(2) Select
the command mode (?).

(3) Load the desired
data by inputting . .4d - farne, The name musl correspond
io the name used
Tor saving the data. lf you omit the name, lhe Jirst data found on the iape will be loadeo,

(4) Start toading by pressing the IRETU-RNI
key.

(5) The cassette
recorder
wi siop aiterthe data has been loaded and the beginning
ofthe score wnl
be displayed
on the screen.

lf lhe casselte recorder is not correctJy connecred of tl the inoLlited
a narne recofded on ftggg:sette, the computer will not oad any

name does not correspond
to

oala ano you must cancel the
command
by pressins
lCiitTl + lE-Op-].

Loadlng l.om a Ftoppy DI.k (app cabte to SFG_0S
onty)

(l ) Insert the floppy disk into the dflve.
(2) Enter the iiies cornmand
to disptay
the tist oi the files recorded
on the disk tf the tis{ cannofiit in
one screen page, use the fir:e. (nexr fires)
command.
This causes the resl 0f the rire names ro De
dispiayed.

* The file name of a performance frte is followed by the suffix "Cr,,ip.
(3) Enter the tiact - nri|€ command. you do not need to write the file name,s sufiix.

* Entering
the a riay command wil cause al the perJormance
fires to be successivery
roaded and

* To erase an unwanted
file, enter ihe klll = nant: command. I his applies also to voice I tes.

The

Tabl

Ther

t tltt

Inp!
pres
o)
t2)

h9u
lnst€
aang

{2) I

{3) '

PERFOR

The markings
used io express
dynamics
are g ven ln iable 2

Table2 Dynanlc€ Synboles andTheit Ptesat Vatue

Display
Etl€ct
Preset

rt l
very weak (pianississimo)
16

(pianisslmo)
4a

weak (Piano)
80

moderaiely
weak (mezzo Piano)
112

moderately sirong (mezzo lorteJ
144

st.ong (forte)

(lodissimo)
2A8

:i
very slrong (fortississ
mo)
244

There are two kinds o{ dynam cs settingl

Uslng the Preset Valuea

Input ol the symbols irlr, it etc without other speciiication
will set the dynamics
accord ng lo the

preset
value of each symbol (see table 2).

(1) Select the command mode

(2) Enter the desired
dynamLc
marK

(3) Push the IFE.TTuFNI
key to complete lhe input The dynamic mark w ll appear on the score

Inputllng Your Own Seltlngs

lnstead of using the 8 standard music notations (prp to lii), more preclse
dynamlc settinqs over lhe

range of 1 - 255, can be used Thls is set by the follow ng proceoure

(1) l\,4ake
sure that the system
is in command mode

(2) Settheval!e inthetorm ofanydynamlcs
markingfollowed
byanequal(:)sign andthesetvalue

(iorexampLe,
i = 3i)

(3) The dynamics
marking and the set value will appear on the score The preset values are shown

in Taile 2.lnput of the ntlmericvalues
!!llldetermine
the dynamrcs
reqardless
ofihe dynamrcs
slqns

entered,
Fotexample inpui oi i - 5 is the same as ill ' 5 and wil provide
a softer level than irl

with no numeric value. ln other words D-D = "t' fli = :0, a'd ili '' 2i will produce lhe same

volume effect.

-39-

(r)

(2)

(crescendo)
increase
vo ume

(decfescendo)
decrease
volume

set the unittothe note mode and posit on ihe score cLlrsor
(usingthe El and E)
lo the locauon

where you want the change.

Selecl the command mode.

Type lhe change in dynar.ics
by using the E
key or the E
key plus the E
key and a numeric

value, according
to the tollowing:

< : n crescendo
> : n decrescendo

n is a numberinthe range of 1 to 255. The smallern is,lhe fasterlhe dynamics
change l'f n is omitted

lhe previously
sel value Jor ihe current part will be used (the default value for n is set to 12 when ihe

part is f rst set).

14; eress tne @
key to compleie
data input. < or > (and the sel vaiue) wlll appear on the

Acceits

The following
markings
are used loemphas ze certain notes. Eachmarkingwillaffectonlylhefollowing

note.

An ^ (accent) adds a specified
emphasis
value to a note when it is played lf the value ls omitted,
the

value already set in that part is used (the inilial value is 16)

An sfz (sforzando), the note is played at the set level regardless of the present value lf the value is
omitted,
the value already set in that part is used (lhe initial set va ue of the part is 255 the marirnum

emphasis).

(1) Se ect the cornmand
mode.

(2) Type the emphasis
marking according
to the foLlowing:

Where n is ihe value of the desired emphasis set as needed.

1:1 eress tne @
key to compleie the data input. The mark (and sel value) will appear on the

* Note thai somevoices,
such as PORGAN
1,2 etc., willnot be alfbcled at allbythe accent markings.

The above accent parameters cause changes in velocity dynarnics. Thus, the set velocity sen-
sitivily value of the voices (as created using the Fl voicing Program) will determine the degree
to which lhese voices are aftected by the accents, You can lncrease lhe velocity sensitivity of a
g ven voice (using the FM voicing program)
10 increase
ihe sensitivity
to changes in accentvalues

(emphasis).

Changes in dynamics

The following marKings
are

of a piece. They can a so be

normally used to ndicale changes ln
used w th ihe FM Music Composer
II

dynanics du rlng the perlormance
for lhe same purpose.

flht
(1)

(2)

Ma*i

The tempo
markings
wil affectalparts
Entertheminparti.

Tempo Seltlngs

(1) Select
the command nrode.

(2) lnput the tempo n ihe form of iempo : n. The vatue oi n (40 - 200) detefm nes the retrrpo
(n s

thenumberofquarternotespermlnute).lflenrpo:€0isinput,thesubsequentperformancewtl
have a lempo eq!iva ent to one quarter note per second.
The tempo can be changed in the middle

of a piece The detault tenrpo wil be J : 120 f another tempo is noi sei.

1:1 fress tne IRETrHNI key to comp ete the input. , = n witt be d sp ayed on the score

Chang* In Teftpo

The lempo can be changed d!ring a p ece by input of lhe folowing mark ngs

(1) Select
the command mode.

(2) Input lhe change ln lempo by enter ng accet or rit according
to the io owing:

nisanuraberntherangeoflto255andsetslherateojchange.Thesmalefns,theJaslerthetempo
cnanges.

lf n is omitted,
the previous
y sel value of the parl is used (defauit n ls initialy set to 12)

(3) Press the [REiuFNl key to complete the data tnput The rnark wi appear on the score.

* To return lhe tempo to its original setting enter the cornmand
arempo.

Fermata

The termata mark is used to extend a note or rest by stopping the c ock during ptayback.
(1) Se ectlhe command mode
(2) Enter the of fermata in the form of lerm : I The vatue oJ n (1 - 16) determines
how rong rne

note or rest s extended.
The higher lhe value, the onger lhe extens on. f the value n is om tted

the previously
set va ue is used. The deJaLlt
valLe of n is injtiaty set at 4.

(3) Press the IFETOENI key to comptete the npur .
n wi be disptayed on rhe score

* Thefermala
mark iemporarily
causes the tempo to become0 lfthefermala mark is entered
aiter

a note. on y ihe non vo ced part will be extended;
ihe voiced part will nol be,

* The ength of exiension
sntirnesthedenominatorofthekeysignatllre.Forexample,ifi,rrnr

: l issetwhenthe
key signatu.e
is 3/4 theextens
ont mewillbeequ vaenttotwoquarternotes.

(acce erando) tempo increases

ril
(ritardando)
tempo decreases

- 4 1

Note lenglh ls indicated
for each indlvidual
note during lnput. Howover,
when a piece is act!ally per-

formed,variouschangescanbemadetothelengthoflhenotes
Fofexample'
notes may b€ shortened

andcutofffromeachother(staccato..)orsustainedtorthert!||limeVaue(tenuto)Theiol]owlng
parameters
allow for these changes in expression

len mark

The FN,4
Music composer II norrnally
plays not€s for aboui 4/5 of their actual length (n : 200) This

length can be changed bythe len mark

Thelenmarklsenteredintheform:ir
,
r' n,whichcanbeavaluefroml
io255'dete'm nesthelength

a note is played.
Type l.'ir - - and press the IFEiUFNI key L'rwillbedisplayedonihescore
setting

n to 255 will;esuli in the entire tength ot the note being ptayed.li n is set io 128, the notewill be played

lor halt of its lndicated
length.

Th(
an
n i S

Lengrh ol ume lhatthe nole is actualLv
paved

. mark (3tacc6lo)

The i€ii mark sets the length that a note ls played in proportion
lo the length oi the note The mark

directly sels the length ol a note.

The.markisenteredintheforrnof.
n. nisthevaluewhichdetermineslhelengththenoteisplayed

Type. - randpressthe IRETURNI
key . - willbe displayed
on lhe score n is a lenqth va ue lrom

1io 16 with a quarter note iavingra tengtn ot 24 For example,
setting the value ol n to 6 willresult in

anolebeingpl;yedlorthelengthoiasixteenthnoleThismarksetsthelengththatihenoteisplaved
directly
so that the types of notes hav€ no relationshlp
lo lhe length

Flg. 42. Mark (staccato)

Th
th(

L€nglh oilimelhal lhe noto s aclualLv payed

-42-

_ mark (tenuto)

The mark perlorms
the oppostle
funclion
of the , mark and dlrecily
sets the lengih thar a note rs

ool plaved,

The.. mark is entered in the iorm
: n. nisthevatuewhichdeterminesthelengthoflimeforwhich

a note will siop playing. Type
= Ir and press the IRETUBM tey.
n wi I be disptayed on lhe score.

nisalengthvalueiromllol6withaquartornotehavingatenglhoi24ForexampJe,settingthevatue
ofnto6willresulinthenotenotplaytngforatimeequivatenttosixteenthnote
lfthenote saquaner

note, the note wili play as a dotted eighth note. lt the tength of ihe tenuto is tonger than the lenglh ot
the noie, the length of time lhat the noie witl play will be set to 1. This mark directiy
sets the tenqth a

note will not play; the types oj notes have no relationship
to the iength ol time a note is ptayed.

Flg.43 _ Ma* (tenuto)

L€ngih oftimelhat the noleis nol payed

* There is a close relalionship
between
the i,:f mark the . mafk, and the
mafk, lnput rrg afy one

of these wlll aiter the lenglh of iime a note is played.
This length can be reiurned
io tts nitiai setting

by inpulllng ie1 : :0C.

* A note will play, to use the example of a keyboard instrumont,
whiie the key is being oepresseo.

With some voices, how6ver, lhere may b6 some residual sound outpui after the key is rereaseo

Port.m€nto (Appllcabte ro SFG,05 onty)
The portarnento
works with monophonic
parts only (iJ,r,r,
: r). The pofi = " (n : 0 - 25S) specities

the portamento
speed. During p ayback, the Vansition
of the pitch beiween
successive
nores ts maoe

conlinuous
by this command.

43-

REPEAT S/GNS

Thefolowingsymbolsareusedtolndicalethatacertainporiionofapieceistoberepeated
Thissaves
fig 4

both t me and memory
space since that portion does noi need to be entered in ihe score twlce

The section beiween
the l: and

Fig. 44 sil'l'ple aepetition

I s gns is repeated.

(r)

(21

The end ngs - and s on the score indicate
lhal the repeated
section ends in different
ways.

Fig.45 Rapeats and Endings

ABCDCD

The beginning
of the sect on ls marked as rpb : n. n (2 - 255) is the value that determines
the

number of umes lhe section s going to be repeated.
n can be om lled if the section is only going

to be repeated once (played tw ce) Press ihe IRET-UFN]
key lo complete input The l: (repeat

beginn ng) mark (and repeal number)will
be disp ayed on the score.

The end of the sect on js marked rpe Pressthe
F-ETUANI
keytocomplete
npul The ll: (repeat

end) mark wil be displayed
on the score

* rpb ls an abbreviation
for repeal beg n ; rpe stands foI'repeat end".

Playback order
ABACD

{1) Thebarnumberfromwhchperformancecontinuesisenteredinthefornrrpr:n
nisintherange

of 1 to 255

(2) Press the [R€iuFIl| key to compiete
lnput. F w i appear on lhe score above ihe beginning

of the repealed
seclion.

Oac

The

ctg.'

Inpr
(lin(

(1)

(2)

Del

luZ
dz

Fig.46 Exanple of Repeats with Endings and the Coftespanding Screen Disptay

3
?

p ayback order ABABAC
D

Da capo (D.C.)

The t.C. nrark is used to repeat play lrom the beg nning to a raarked
sect on in a piece.

D.C.

p ayback ordefABCOABC

lnput of the D C mark wil return performance
to the beginning
of a p ece and stop ptay at the 6

(fine)mark

(1) Whel3lg!{
to lhe b€g n ning of a piece is des red enterdcfromthecommandmode
ano press

the IRETURNI
key The D.C. nrark wil appear on the score.

(2) When termination ol the pedormance is desired, enter i ne and press the ]FETURNI t<ey. the .

mark will appear on the score

DalS€gho

The D.S mark is used instead ot the D.C. r.ark to indicate the return of ptay to the marked sect on
ol a p ace rather than lo the beg nning. The mark is the segno r lf ierm nation of the performance
of a piece is desired,
enter;ine in the same way as for da capo.

4 5 ,

Fig.48 DalSagno

The segno t
mark is entered by typing segno. When the [FFiUnfrl key is prossed the !

mark will apDear on the score

When a return to the 3 mark is desired, type ds and press ihe IFEiUFM key. The D.S mark
will aDoear on the score

Whenterminatonofplayisdestred,typetineandpressthe|FETUR-NIkey.The.
markwi arppear

* Playback
will reiurn to the beginning
of the piece if the segno ri mark has not been input.

Coda

The coda is used to jump from a certain place in the music ( ndicated
by + ) to a new section
of music

(indicatedbycoda).Thecodawillbetaken,notthefirsttimethrough,butafteraDa
orDS has been

coqa

( l )

t2)

(3)

fhf

The

Ihe
-24

-24

Ihe

Yolu

adjU

Enle

Seler

The

Ittcl

trpu
and
lhe r

(r)

{2)

To input ihe

To inpui ihe

't mark wil appear on

coda mark will appear

! sign, type in to coda and press the lFEidFM key. The

.oda mark, type in coda and press
ihe lEerUnNl tey. tne

P ayback order ABCoBc

Playback order ABCDABEF

46_

Iane

Yol me

rRINSPOS/NG AND OTHER FUNCTIONS

he score can be transposed
and played back. There are two transposil
on rnethodst
one transDoses
I parts simultaneously
and lhe other rs used to transpose
oarts jndividuailv.

sposlng All Parls Simuttaneousty
mtra mark (master
transposition)
is used to transpose
a I parts,
The fol owing is entered
in part

re value oi n sets the degree of iransposition,
and can be set in semitone
steps over the range ol
24 lo 24.

lra mark is used to transpose
ind vidual parts. Select
the part to be transposed
and enter:

re value of n sets the degree of transposition,
and can be set in sem tone sleps over the range ol
24 lo 24.

e tune mark is used ior fine iuning when the plece is p ayed together
with other nstruments
The
h can be raised or lowered by a maxrmum
of one-ha f ot a semitone.
Select part j and enter

ut the required
va ue of n and press the IFETUFM t<ey.
The va ue at n can be tuam 12/ Ia 127
the maxirnum
value wtll cause a pitch change equal to approximately
one half of a semttone.
tf
mtra mark s sei afler the tune mark, the t!ning eflect wil be cancelled.

ing Separate Perts

e Selllng

rs parameler
altows tfre overall vo ume oJ each pad to be adlusted separately and is lse,ul fcr

lusiing the balance belween oarts

rect lrre part yolr wish to adjust, type vot - n, and press ihe IFEiUFM key. n s in the range ot 0 to
t. The vol!me s set al rnaximlm when n s eoualto 2SS.
e default volume ol a I parts is set to 255 when the power is Jirst turned on.

vorLrrae
paTameter
does not affect the velocity,
but slmp/y adiusts the volume

47-

To set the susiain,
enter the sus - n command (n = 0 - 15)

Changlng the Volume

Volumecanbechangediorexpressionbyentoringtheepu:n(volumeup)orepd:n(volumedown)
commards. n Is in lhe range of 0 lo 16.

The F[/ Sound Synthesizer unit has stereo oulput jacks which allow voicos io be assigned to the left

output, right output, or both. Voices contained in the FL{ Sound Synlhesizer arg normally outpLlt lrom

both lhe right and left output iacks. The following commands allow this to be changod

(outputJrom only tl,e lelt jack)

(output
from only the right jack)

(ouiput trom both jacks)

These commands can be entered in the command mode for each part These output seleclion com-
mands are considered to be voice data, and so changing lhe voice data atler the inpui of these
commands wilJ select the output iacks set by that voice (both L & R lor built-in voices of the FM Syn-
thesizer unit, and whichever oulpot jacks were sei f6r the voices crealed by the FIV voicing Proqram)

tr
Thr
alk
lh€
tin
tf tl
co

Th
is(

t n
E
Co

Al€ruQ9*fl=o.F* @

the Chord Mode

TheFMMusicComposerllisnormallyoperatedwithsnglenotesineachpanThefolowingprocedure
al ows for srmLrltaneous
entry of up to eight notes per part (compound
note mode), This is useful lor

lhe input of chords. The F[/ Sound Synthes
zer unit is onty capab e of generating
eight notes at one

iime, so the number of ava lable parts wi I decrease
by one for every note compounded n part I Even

if lhe 3 notes appear just once, the ' used up" parts cannot be accessed
because
the Dart is set in the

The poly mark is enlered at the beginnlng
of a paft to set it to the compound note mode. The poty mark

rs enlered from the chord mode n the folor,l/ino
form:

. t l-f { n: 2-8)

The E
key can be used to input p. ) = and the number ol compound notes is eniered as n. The

IRETURNI
key is pressed
to set the part to ihe compound note mode.

Compound
notes are input using lhe compound
note mode by the fo lowing procedure.

I Entering Chords

The iollowing
procedLrre
sets ihe notes
which wit be played
back simu taneously

The first step s to select the .ii mark from the menu (by the menlr cursor, mouse, or by press ng rne
U key). Subtract one note from the several
notes to be played together and enler them in sequence
(less ihe note slbtracted) in thls way. First press the U key in note mode to set j: . Whe| ,., rs ser
lhe nput notes will have a drlierent
shape being disptayed
as l

Typeihe notes (excepi
one)and releaselhe Jr markbypresslnggagain.Thenenlortherematnrng

note. n the example shown below, i; js selected and C and E are;tered. Next, ;r is reteaseq ano
G is entered.
The order in which ihe notes are tnput is not imooriant

Fig.50 Conpound Notes and Theit lnput

Simultaneous
performance
of more notes thaa are set by the po y mark is not possible Be sure nor

lo exceed this nurn ber
Fesis are not used in the polyphonic
noie input mode

RTANT
loop command and sl!r will not work when the chord mode is set.

reason notes are not displayed
together on the score in the po yphonic note mode is that the
ics of each individuai
nole can be altered.
The next ilustration shows the procedure
for em_
ng the quarter notes which make up the me ody.

-49-

Fig.51 Use of Dynanics Ma*ings with Conpounded Notes

I
E
Th
to
pa
co

w'
Th
Th

The ^ and slz marks are only efiective forthe note directly lollowing the mark even if the noies happen

to be compouno

The input of ties for compound noles is shown in lhe following
diagram-

Fig.52 setting ol Ties

nr{

P P
f +
F P

The sustain
function
can be used witn pans ser to th".p"lfh:':l:t:::"d^":l:::i':Yi:'lt*::::
thesustatnlUncrrorrcar'***-"
"*

.-*;;ning

ihe sustain tunction from operaling Thepol-

are cui off the instant lhe next note soLlnos' f

;p;;;;;";";";;;,"r
oe useo wten r"e su"ta n erl€ct i. des;red

The suslain function is seitrom the command mode as follows

sus: n(n= 1-15)

tuo" "r"

: n, una pr""" the @
tey tne smallerthe
value of n' the longerthe sustain
willlast

Conversely,
the larger n is' the shorter the sustain

* Inpui sus : 0lo release
suslaln'

Let us try adding sustain to tne perrormance clata lor Listz's "Liebesfeume" which was created in

chapler 2.

The piece can be improved by adding suslain to paft two swilch io part 2 and type poly : 3 to set

thepartiothe3notepolyphonicmooe,|ryseilingpolysustainbylypingsus:4.Nowplaybacklne
piece.

Fig. 53 InPut ot the SUE Matk

Add suslain to lhe -neloov
o'part I in lhP s€me wav lnpul poly

trl
Th
pr

Po193Su54

, 50-

LFO PARAMETERS

ccmmanos

Th s command changes the waveform
of the LFO (modifies
the v brato and tremo o effects)

The form is

The wavelorm
nlmber, n s entered
after typ ng y/f :
Thevaueof n slrom0to3 Thevarous

waveforms
correspondrng
to the values are snown Detow.

ItE LFO (Low Frequency
Oscilatoo sanoscilatorlhatgenerates
owfrequenceswhlchcanbeLsed

modu ate pilch and amplitude.
thereby cfeai ng vibrato and tremo o effects There are various

tErameters
which can be set independenily
for each vo ce. These are contro led by the folow nq

;ffi).rrl)'1
:i-Fr
-l t-] |

:lW

.s command changes the rate (frequency)
ot the LFO. Thefrequency
can be changed over an ap-

imate range of 0.008N2
to 53Hz

re n is the value which determlnes
the frequency.
n can be between
0 and 25SThe higher n s, the

her the frequency
wi I become,
and lhe jaster the rate of modulallon.

GF)

- 51 -

Fig.55 Relationship between the Fteguency and the set valu€

0
50
r00 150 200 250

amd

The folowing command is used to change the ampliiude
modulation
depth:

n is a value belween
0 and 127 ihat determines
the depih The higher n is the higherthe outpul level

(thevoicesar0soramplludemodulalionsensitivitywlllalsodeterminetheeifectoflhisamdsetting)

pmo

The folowlng command is used to change the pitch rnodulation
depth:

n is a value between
0 and 127 that determines
the depth. The higher n is the higher the ouiput level

(lhe voice's
Fr.s, or piich modulation
sens livity,
wi la so determrne
the aud ble effectol the pmd setting )

* These four commands
(vii. !1, anin, and pfrd) are used lor setting all parts at the same time l ihey

are used on any one pa , all of the olher parts wil be attected.
Also, ii the vo ce is changed after

the nput of lhese valLes,
the newiy set vaLue
w il app y regardless
of wh ch part it was eniered on

There are some voices which will not change (those with ams or pn -" values ol zero)

The folo\ding command is Lsed to change the sensitvily
of a part (volce)
to amplitude
modulauon

n ls a vaL!e beiween
0 and 3 that determines
the sensitivily.
The sens tivity is at the maximum
level

when n is 3.

-52-

iollowing command js used to change the sensitivity of a part (voice) to pitch LFO.

is a value between 0 and 7 that determines the sensiiivity. The sensjtivity is at the maximum tevel
hen n is 7.

No pitch modulation
can be appiied when either pmd or pms is O. This atso appties
to amd and

56 Block LEgrun Showing tha R'tationship between and, pnd, ams and pnsfor Eech paft

t
t-z

i-r

Ii "r:
'x

-53-

?LAYBACK W|TH AN EXTERNAL
MlDl INSTRUMENIFF

ALrtomatic
sequencing
(auto pedormance)
ot MlDl compaiib e instrumenls
s!ch as Yamaha s DX I ne

olsynthes
zeretc, is possib e with the FM Sou nd Synihesizer
unlt Diiferenlinstrumenlscanbeasslgned

to each part. The FN,l
Sound Synthes
zer and the other instrumenls
are connected
togeiher by a MlDl

cable (sold separately)
as shown n ihe folowjng diagram

Fig.57 MlDl Canne.tion

l:!qce!19 -

The TFIRU
jack is used, as shown above when more than one add lional nslrument s conn_6ct_ad

The first step ln selt ng !p ll,e auiomatic MlDl performance
is to select the paft The M Dlchannel on

wh ch that parl wil be transm tted is then set by the fo lowing

n stheMD lransmission
channel (1 - l6).Alterinputtingthiscommand
al subsequent
pertormance

data of the partw 1l be output on channel nithe data wi I be aulomat ca ly p ayed by any MLDIinstrunrent
settoreceiveonchanne
n Forexample,wheninstrumentA
shown above ls set to recepiion
channel

landns t rum€nt B s set t ochannel2ent ering-irl. i-llorpart landf lilrn: 2lorpart 2wilresult
in the contents of pari I being performed
by instrument
A and the contents
of part 2 belng perlormeo

by nslrumenl
B. Thevo ces used are set on the instruments
actually
being played,
notwith thecomputer

MlDl oLltput
can be stopped by enter ng ''r.il This al ows only the desired parts 10 be oulput on trre

MlDl channe s. The Flvl SoLrnd
Synthesizer
wi l play with tl,e other lnstruments
The sound ot the FM

SoLrnd
Synthes
zer can be el m nated by enler ng the.i:nii comnand Entering:'!'n: wil resiore the

sou nd output of the F[,] Synthes
zer un]1.

Severa commancls
are used when sequenc ng a M Dl nstrumentl

To se ect a volce of the M D nstrurnent,
enterthe r'r - . command (n: 1 - 128)

The. '.
command (n : 1 - 127) s used to set thevo ume

mporll

The ,., : -
command (n : I - 127) sets the portamento
time

msuS

To lurn lhe MlDl susla n ON, enter ,ir :r
enter
:_i iotlrn tOFF

IN
OUT THRU
IN
OUT THRU
IN
OUT

To
rc

o turn ON the MID portaraenlo,
enler the mpo-ion comraand enter the iprrioii command to turn

OFF.

o sw tch the MlDl sostenuto
ON or OFF. enter the msoston or rnsosiofi command

sw tch the MlDl soli Deda ON or OFF. enter the msoitor or rnsolioff
command.

byte of data can be output to M Dl. This ls done by the tollowing:

musl be spec fied in hex adecimal
form at and be n the range lrom 00h to FFh. The lollowing
example

used lo change the voice of the DX Synthesizer.
The format tor lhe program changes is as fo lows

wo bytes ol data are required,

1100nnnn
(n - 0;chl)

oppppppp
(p : 0;Vo ce 1)

frstbytewil send the program
change code 192 (binary 1 1 000000
conve rted io a decirna number)

edtothechannelnumberminusoneThesecondbvlesendsavalueeouvaeniiothevoicenumbef
soneForexample,tochangelhevoiceoftheDXSynlhesizerreceivingonl\,llDlchanneltovoice

mber5, entersm = c0 lollowed by sm : 4

hronized
performance
is possible
using M D compalible
rhythm boxes having a synchron
zat on

L 6 - r ' 6 o - l p l - l e r ( a n s y n c i r o n r . l h F r r ) , l h T b o \ . d ' l d a n a s o b e . / r c ! r o 1 l e d b / l h "
I y l h - r

58 Connection Diag.an fot Synchronized Penornance (The conputet is the nastet)

r lhe mssi command at the beginn ng of parl 1 and set the rhythnr
box to l\,1lDl
CLOCK.
The rhythm

wil siart when you enter the play command and wil stop at the end ol the score. lJ you want ll, e
m box lo stop before the end of the score enter the msoii command on ihe score,

izcd MIDI

This
leat!
mod
YRII

Fig. 59 Connection Diagran fot Synchronjzod penornance (The rhythn box is the naster)

Slave
Master

lT you want the rhythm box to synchronize
the computer,
enter the sjr command at ihe oegtnnrng

ol pad I The computer
will send an End-of-performance
rnessage
at ihe end oi the score.

Connect a Yamaha [,{usic Keyboard
(YK 0j or yK-]0/20) or

thes zer. By entering
the lollowing commands the keyboard

L4usic
Composer
IL

a MlDl keyboard to the FN,4
can be used to play along

Sound Syn-
with the Fll

allows lhe keyboard to be ptayed

slops the performance from ihe keyboard

When jt is desired
to ptay from the keyboard,
set one part aside for the keyboard
and enter ihe r" ion

command in this pan. The voice is determined
by lhe va ues set for thal part. A porUon ol a part can
be used for the keyboard as well
When enlering the m!o!r command,
use lhe form mrion = ir, where the value n (belween
O and 25S)
determines
the note votume (velocity).
The htgher the value of n, the higher the volurne

*ToplaywiththemlsickeyboardonlyenlerthemtriaycommandTorestoretheFl\,4MusicComposer

II lunction,
type LTifl + lsio-Fl.

* The glgon/ofi
command turns the synihesizer
un i sound generator
system ON/OFF,

_56

rrl:J'J =N ITI [r

appendix provides a compact referonce guide for Llsers who are alreadyacquainted with the main

s of the F[,4 Musjc Compos€r II. Commands oflhe FI/ Music Composer (YR[rl-101)
thatwere

iiied and nelv commands
in YR[,]-501
are ciea.ty indicaied so as to provide previous dwners of
-101 with an easy iniroduclion
to this new vorsion.

a-N-9IEllQOM.
.w
-
rz
K,
Used in the Note Mode

Fig. a0 Key used in the Note Mode

It
j)
j,
,t

EEEEEETI

'!]EEtIETIiIF]tIE

Keys used lo se ecl symbos

EEE]tITIE

se ecr pirch
(m. U)

and ocaroi(E.E)

Kevs us€d lo npll noles

Difference
between
YRM-101
and YRM-501:

rne [:l, f:l and fil [evs are s!ooressed

, 58-

i g the Mo se id Note Modc

To rnove the mouse cuTsor
(red arrow mark), lust rnove the mouse accross a flat surJace.

To rnove the score cursor horizonta
ly move the mouse to the rlght or to the left while holding down

rts BIGHT button. Oth€r operat ons are carr ed oui by first posit oning tlTe mouse cuTsoT
over specia

areas and then pressing
the LEFT button. These areas are shown n Fig 61.

Eig.61 Using the Mouse in Note Mode

?l
I'lus l c

-59-

re
@

To s(
and

Othe

COMMAND MODE

ased in the Contrnand Mode

Fig-62 Kays Used in the Connand Moda

@
* 'n",,on,",
E **=E *o= @,*,,: F;l ""","=F;.l,e,,"r=

+ @
Inr€rupl printino
and casseile
operalions

F-EF, "2t". "]tr=]tr-=E
l-i'], *n = F;-1,'"'
= F,], ** - Fl-], *'o = F,l, r'" =

Difference between YRI\,4-101
and YRM-501

Delinitton
ot the function keys and space bar. use IEiFtl + lSio=fl insteaa ot @
+ @

to interupt printing.

-60-

U,
the Moase in Command Mode

:'essing the rnouse s F GHT button when the system s n the command rnode alows for switch ng
:€iween the two command menus and the normal scor€ display.
_a select a command,
posltion
lhe rnouse
c!rsor over the coftesponding
area ot the command menlr

:-d press the LEFT bLtton.

::her operatrons
are carr ed oul by first pos tionnrng
the mouse cLrsor over specia areas and then

:'?ss ng the LEFT button Fig 63 shows these areas.

63 Usihg the ltlouse in Canmand ldode

33L0 S T G l
34H O RH LO
35I , ] HI S T LE
36
S T 0Rf . 1

5BPii:FilLii
: i i - ' : i . : : : T
4 9 R l ' t . H O R N
4 1 i - ' 1 . : : : :
4 2 R 2 . E A S S
4 3 S N A R E D R
4 4 R D C V l t E
4 5 P E R C
T
4 6 P E R C
2
4't
cst4
48

1 ? P I C C O L O
1 8
0 B 0 E
I 9 C L A R I t I E
e99r.eeKFt]
2 2 X Y L O P H N
2 3
t 1 : t :

2 4 Z I T H E R
? 5
C L A V

2 6 H A R P S I C
2 7
B E L L S

2 8
H A R P

2 9 S I ' I A D S Y N
3 E H A R H O N I
3 l S T E E L D R
3 2 T I r 4 P A t i I

g 1 B R A 5 S 1
0 2 B R A S S 2
9 3 T R U I ' 1 P E T
€4 5 T R I N 6 1
s5ait:ir::
B 6 E P I A N O l
9 ? E P I A N O 2
O S E P I A N O 3
S 9 6 U I T A R
1 O E 8 A S S 1
1 1 E E A S S 2
1 2 E O R G A N 1
1 3 E O R G A N 2
1 4 P O R G A N 1
l 5 P O R G A N 2
1 6
F L U T E

FETURNI
E-E

GA ". h-En

{ =
vlrst
uvlrs t
heI F
s c o| ^e

1 o d
2 o d

herP
! . 23
456
749

-61 -

ERROR MESSAGES

lVessage
Meaning

Sav ng dala to floppy dlsk is impossible
due to ihe setting
of the wrlte

Drive not ready
Floppy d sk drive s noi set.

An effor occured during loading.

Save error
An error occu.ed during savtng

Flle not foLrnd
The specifred
lile name cannot be found.

Dskiu
The data to be saved cannot fit ln the remaining
free space ol the

No disk cartr ge
F oppy disk inlerface
is not connected
to the computer.

Cassette
aborted
Cassette
operaiion was interrupted
by a laiFll + @.

No dala cartddge
Dala Verol Ca ioge rJDC 0_J iq I o . onrecreo

Computer
s memoryfreespace
istoo srnal Jorthe datato be loaded.

Spec fied f ie name does not correspond
to score or volce data file.

An error is found when check ng w th th€ cload? command.

Occurs if you specify a voice number higher than 48 or call the !vtist
display before loadlng voices

You eniered a wrong command name

Data error
You entered a wrong parameier

Error messages
are displayed
in ihe coramand
area when someihing s wrong wiih the command you

lust entered.
Here s a list ol the error messages
and lhe r raeaning

The
|lEn

;

_1r
rl

_.gl

_1r

62-

tsTgF COMMA!{DS AND THETR
D/SptAys

Jollowing
is a complete
list of commands,
organized
in the same way they appear on the command

u otsptays.
commanOs
{commandsthat
afe notsupported
bythe yRlV_j01)are
indicated
on grey background

(setvaluo)

Display

ow€rs the ptch oi ih€ notes by one

raises the piicit oi ihe notes by one

rowefs th€ pitch ol the notes by two

raises tho pitch of the notes by two

rerease
tfre prtch seii ng rnode

gradualy faises th€ lempo

returns
the tempo
to its original

seftrng

extends the note of rest

gradually
slows
down rhe tempo
n t = 5

(1 - 225

-63-

' I
I AdjustinS lhe Length oJ a ]\ote

Display

sets lhe ength oi I me thal a note s

seis the length olt rne 1or wh ch
the note wi slop P aY ng
43

sets the length oitme a nole will
p ay. has rnore conlro than ihe

(1 - 2551

I KPn?al ,\ron\

{seivalue)

Dsp ay

desigfales pan to where perlorrnance
wi! lump to lrom O firark
46

return to the beg nning ofthe pece

4 5

sets pos tion oi end ng that fo ows
repet ton ofsectons
marked with D C or D.S.

sets beg nn ng or seclion to be
rePeated
and n!mber ol repettons

t2 - 255)

sets end oJ seclion to be repeated

sels endi.gs ra E etc

fi - 255)

G€sno)

sels postion to return to with D.s
sign
46

sets posilion io junrp to coda lronr
io ow ng repetit
on oi sect ons

marked with DS or D.c sons

- 6 4 -

;

-111

_lE

Playback

lnput €xampre
(set value)

Time
add P

Dlspray

sets th€ key s gnature

sets poyphonic nole rnode

sets the t m€ slgnaiure

Input examp e (setvaLu€)

sets bank to be ed ted

(r
depends on comprter
1 8

sets bar lo be d sp ayed on screen

( 1

n u m b e r
o l i n p ! t b a 6 )

c o p i e s
a s p e c f €d b a n k i o

anotherspecl€d bank
35

(1 - 8, VOrCE)

cop es penormance
oara

disp ays cornmand
menus

se ects parl to be d sp ayed on

( . l - 8 l

l 8

restore the score d sp ay

(selvalue)

Dlsplay

-!g-

(0 - 16)

Epdl
,t
.-

(0 - 16)

E p u l

M + 3

4A
increases the volLrme

(expressronr _

lmasler iransPoser)

mtra = 3

( 24 - 24)
patl : 2A

(0 - 255)

Porl20
43
seis portarnento
speeo

{0 - 15)

Sus5
48

lra= 3

l-24 - 24)

+3
47

{lransposel

lransposes individual pa s

lune = 30

l- 127 - 127)

Tlne + 30

(0 - 25s)

\220
47
vol
sets volume balance ol each ParI

#=6

{1 - 96)

I p,-.h-.k
(odrinas tor
s,

I
.'.'

1Fil" Ct rr ""h

Symboi

*d?

D s p a y

changes ieve ol amplitude
fitodu a-
arnd = 30

t0 - r27)

changessensitvtyto
ampllLrd€
mocl!,

iat on ndependenlyloreach
pan

(0-3)
52

changes ireq!ency 01 LFO
1 : 2 O A

(0 - 255)

5 l

changes lev€ ot pitch mod! ai on
pmd = 30

ta - 127\

changes sensitvtyto p tch modula-
t on f.lependeity 1or each part

(0-7)
53

chd nqes waveforni
ol LFO

(0-3J

5 l

-67

Display

oadng al efror. casselte

or VO CE)

29 38

check nq the ast I € saved

on v)

sav ng a I le of casselte

load ng a voice data i e ironr

fles
d sp ays the isr ol i les saled

30.37

nliles

30 37

oading a lie Jrom disk

29, 38

d 5 p . , s t h e l s l o l o a d e d v o ( e s

.lisplays
the ist ol interna volces

{sel valLre)

D splay

pas-"

( M l D o n )

starls ortp!l oi perlorr.ance data lo
MlDlt€rmliarand
sels transmiss
on

rl - 161

{f,flD oii)

stops output oJ perforrnan€e data to
M D term na
54

s€ ect a voice 01 the l\4lD nstrument

| - l 2 8 l

rsend M Dl)

outplts one byte ol data to N'l D
s m = 1 9 2

set the f/ D portarnento t me
mporlt : 120

t 1 ' 1 2 7 )

tLrrns
lr4lD portamenlo
oN/oFF

l!rns tire f/lD soft pedal ON/OFF

turns tfre M Dlsostenuto
oN/oFF

lLrrns
the N/lD sLrstaln
oN/oFF

(1 - 127)

I Seque cing a MIDI Instr .ment
I

Disp ay

siarts svnchron
2at on 1)1
the

compLrter
by a rhythm .nacfrrne
56

(M Dlsync otl

stops transm ssion 01 synchronizat
on

s gna s from MlDl terminal
5 5

starts l\4lDl syrchronizat on

- 6 8 -

-tr

Jack Control

Dlsplay

pase

sets odput io both eit and r ghr

sets o!ip!i lo elt jack

sets oltplt lo ight lack

Music
and
A it Conlrol

Display

sis
turns voice generation systern ol FM
Sound Synthesizer
ON/OFF
sfqoii
56

a lows perlorm n9 on mus c leyboard
mkon = 200

l0 - 255)

prevenis periormlng
on music key-

Prit t-oat

Disp ay

declares the pr nrar type and sets

t\,4SX
EPSON B

pr nls lhe scores on paper (pnnle4
print = 6 A

-69-

(setvalue)

Display

gradualy ncreases
vo ume
< = 5

(1 - 2551

!
40

graoua ry decroases
vorume
> = 5

t1 - 255)

emphasizes on y one note
(relativ€ value)

fi ^ 255)

'2a
40

empnasrzes
onry one norc
slz = 100

{1 - 255)

p p

{t - 255)

p
p

{1 - 2551

(1 ^ 2551

rnl

, 255)

1 ' 2551

(1 - 255\

lii
tll

t1 , 255)

ili
39

_70 -

MI DI I M PLEMENTATION CH ART

t M S X M u s i c A P p l i c a t i o n S o f t c r a r e l
D a t e : 9 , / 2 1 , t 9 8 5

FM music conPoser I I
MIDI Inplenentation Chart
Version : 1.00

Transmitted
:
Recosrized
:
Remarks

:
F unct lon. . .
:

: M o d e D e f a u i t : 3 : l
:
ltessdges

:
A l t e r e d

:Basi c
DeJault
:
x

:Channel Changed
;
1- l6

i
A T T
: Mk0n,nPiay
: Mdon
:

MPoTtT

MSus
MPort
MSost
[tsof t

: Msst,Msln
:

I NO FBh

: N o t e
:
1 3 - 1 0 8
:
3 6 - 8 4

iNunber : True voice:
*x*xx*r:*#***
:

: 20d . . . 20u
:

: V e l o c i t y N o t e O N
:
o g n H . v = l - 1 2 7 :
o v = l - 1 2 7
i m p l a y

I
Note oFF
:
x 9nH.V=0
:
x
i
i

i A f t e .
K e y ' s

:Touch
Ch s

icontrol

:Chan9e

o ( 5)

| 7)
(64)
{ 65)
(66)
|67'

: MPc
i
:Chahse: True S
: *r*x*x**xxxx*
:
:

: System Exclusive

:Lomnon : rune
:Comnon : Tune

:Systen : Song pos :
:
: song sel
:

iSyste'n
iCIock

: R e a I T i n e : C o m m a n d s :
o

:Aux : Local ON,/OFF
:

:
:All Notes OFF:

:Mes- :Active Sense :

Mdon, Mkon,mplay:
u/i th Sus off
i

x : N o

: sa9es: Reset

:Note5

sn : Transnitted I byte data

Mode 1 : O[,!NI 0N,
POLY
Mode 2 : OMNI ON.
MONO
Mode 3 : oMNl oFF, PoLY
Mode 4 : 0MNI OFF. MONO

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