PhotoPlus 5.0
PhotoPlus 5.0
Companion
I Contents
I Index
EFTA00577879
01999 Serif. Inc. All rights reserved. No part of this publication may be reproduced in any form
without the express written permission of Serif. Inc.
All Serif product names are trademarks of Serif. Inc. Microsoft. Windows and the Windows logo am
registered trademarks of Microsoft Corporation. All other trademarks acknowledged.
Serif PhotoPlus 5.0 O1999 Serif. Inc.
Companies and names used in samples are fictitious.
Portions clipart and graphic content 01999 Nova Development Corporation and its licensors. All
rights reserved.
Portions graphics import/export technology Eastman Kodak Company & LEAD Technologies. Inc.
EFTA00577880
Software License Agreement
This Software License Agreement ("License Agreement") is a legal agreement between you (either
an individual or a single entity) and Serif. Inc. ("Serif') for the accompanying software product.
which includes computer software and may include associated media, printed materials, and
"online" or electronic documentation (the "Software Product"). By installing. copying. or otherwise
using the Software Product, you agree to be bound by the terms of this License Agreement If you do
not agree to the tem,s and conditions of this License Agreement. do not install or use the Software
Product: you may, however, return it to your place of purchase for a full refund.
THANK YOU FOR LICENSING THE USE OF THE SOFTWARE PRODUCT. IT IS
IMPORTANT THAT YOU (THE "LICENSEE') READ THIS NOTICE CAREFULLY. THESE
ARE THE ONLY TERMS AND CONDITIONS APPLICABLE TO YOUR RIGHTS WITH
RESPECT TO THE SOFTWARE PRODUCT. THE SOFTWARE PRODUCT IS PROTECTED BY
COPYRIGHT LAWS AND INTERNATIONAL COPYRIGHT TREATIES. AS WELL AS OTHER
INTELLECTUAL PROPERTY LAWS AND TREATIES. THE SOFTWARE PRODUCT IS
LICENSED, NOT SOLD.
I. GRANT OF LICENSE
Sent heftily grants to Unmet a metal. non-esthete. nom
!tangoed< Mace ca -Lc erne! to me one Ilion)) of he
Scarcer holm mambos any updates thereto. and
• orriotane ascumeution. If art. !wooded by Sail
w oath es to the tams WI forth below. If the Saloon Pemba cc
being pro Wed its Leese as an update or upgrade to softwate
winch Latium her previously licensed Mach software rotted to
at the Inc. Software). then Lerma 'Parra isiarfelOY all
apes oldie Prior &Amuse widun tan> (RI)days alter opening
this pottage etyma for one baby copy of the LIMO Sof twoe
2. SCOPE OF USE
You may vault and use one copy of the Software Product. on a
single compote TM pommy use Or the compeer on vs holt the
Software Picas.i is totalled fliiy male a rowed copy for lira to
ha CriiilliOr list on a porubic ittritoPirl Leerier may AO tat
Of moan a copy of the Software Product ma tam dont.
such as a network server. used only to mean or run the Software
Product on oho computers over ae menial netuat, bosom.
you must acquire and Jnbort a license foe ea Werale
itirelpian on whnh tb: Scam are Product n installed a ton front
the game dote A license for the Software Product may aot be
sherd or used concurrently on different computer>
3. LICENSE PAK
II you ham strain' dim LICENSE AG/UUCP-NT in a Serif
Lwow Pak. you may make the numlxr of addruosal mixes of
the comma< software portion of thr Software Product as
anta mud in the Sent License Pt arid you may use tuck am) in
the online, weaned abuse Yoe are also moiled in met a
sonemooduie number of secaidary copies fa ponctre ammo
use as specified above
I. PROHIBITIONS
You may tor. modify. ;ovate ckftvauve worts from. tenant
worm atonal. town k. theassombk or talwew ise *few
source iteir flan the Sullw ate Prodoo loam m ihe COOP that
such et are eftwooly pamilled by applicaMe law
notwithstanding This limatalion i! !say the Softens: Product
!exam it monied tote) or the eeitOrapaltplare davmewiws
rent. Vat ski. disclose. mike audible or plat WY rights in ihr
Sottwase Praha> I us hadthr any aftarnmany ins donanwounoct
m any foto m any ;tram stemma he ',Me WACO comeni of
Sad. !MOW any proprietary !meas. labels. or meets on Ili
Software ;talon I pelican any a: cancmanyins dommenutionS
use the Software Product Many mania that minnows the
minks-nul tropeny a other ngMs of another pay; a use the Software Prothro Input* on-line a other ddWux sole, ID
any other person
S. RETENTION OF RIGHTS; TERMINATION
Tho License Agreement Aws no commute axle. All Mk. Usk
am cos. copyrights. patents and oilier imellecaul rigtm to the
Software Product. is a:comp:saw twuniertime and any copy
made lo Los-toot remain with Sent mil teensy hereby antes
to present and acknowledges the !attains enact Tenter
agrees and ackereledges the the Software Product and all
copies thereof are Sen I's cubist< propeny red constant a
soluabk wade secret of Serif Leave further antes and
ackramleclgra the unantarted copying of the Software honer
a the ecompany me documentation. or failure I...amply with
any of de motions PieteoMeach. a 'Terminable Emile!! will
souk in litOOMMaa telminaraon of rte. License In the even of a
yttrium Of the. License by Lacema. Sent rocrno and +ND have
available all legal made'
TERM OF LICENSE FOR TRIAL VERSION
SOFTWARE
The Lien penitent ma trial version of the Software Shaba
(a-Trial Venn") dull expire in accordance with the terms as
set forth in the witallaton prams for the Thal Venaon alone
nth the designated cal penal as set fade * the trial puritan.
7. LIMITED WARRANTY AND DISCLAIMER
Sot warrants the far a poled of ninety 190) days after Amery.
the chnetes a CD-ROhls on whit* the software included is the
Software Prater is lumishnl walk treks tome! toe. he fire
from defects dui storm Licensee from toadies the Software
haslet on a compeer Sacs cretin !obit!: and Latenwe's
excitant randy under Maros an am> aall be. at Senrs opium. to
(mere reasonable commercial efforts to atomy to currat or
work armed error, a i to repLict the Software Product with
functionally equivalent Worn Nakao. on Para° Of CD'
ROM. as applicable or In return the pia pun Mr the Software
Product. in each cam upon ream old. Software Prod's; t to
Sail together with a ecpy of your mom for the Macrae
NOM The LOUIS Mainly it sal if failure of tie Samar
Petaat a hardware ha rooked front actiderd. abase. or
mismvit anon Any repliament Software Product ma be
uttered for the remunder of the onne01 scummy period is
thirty MO, dam. a helloes Is longer. Outside the United Sues.
neither New remedies, nor any pruduci support comae% offered
by Sad are audible whom prat of purchase tom an
authafted !mini) S. source. The Saimaa Praha: it licensed to
We on an Ss W' boas utilmit any warrilly of any nature
EFTA00577881
S. SOOTHER WARRANTIES
EXCEPT FOR THE ABOVE EXPRESS LIMITED
WARRANTIES. SERIF AND ITS SUPPLIERS MAKE AND
LICENSEE RECEIVES NO WARRANTIES OR
CONDITIONS. OR TERMS. EXPRESS. IMPLIED.
STATUTORY. OR LN ANY COMMUNICATION WITH
LICENSEE, TO THE MAXIMUM E3CTENT PERMITTED BY
APPLICABLE MAW. SERIF AND ITS SUPPLIERS
DISCLAIM ALL OTHER WARRANTIES AND
CONDITIONS. EITHER EXPRESS OR IMPLIED.
INCLUDING. BUT NOT LIMITED TO. IMPLIED
WARRANTIES OF MERCHANTABILITY. FITNESS FOR A
PARTICULAR PURPOSE. TITLE AND NON.
INFRINGESIENT. WITH REGARD TO THE SOFTWARE
PRODUCT ANOMIE PROVISION OF OR FAILURE TO
PROVIDE SUPPORT SERVICES. LICENSEE SHALL BE
SAl n Y RESPONSIBLE FOR THE SELECTION. USE
EFFICIENCY AND SUITABILITY OP THE SOFTWARE
PRODUCT AND SERIF SHALL HAVE NO LIABILITY
THEREFOR. SERIF SHALL HAVE NO LIABILITY FOR.
NOR OBLIGATION TO INDESNIFY LICENSEE
REGARDING ACTIONS ALLEGING THE INFRINGENIENI
OF PROPRIETARY RIGHTS BY THE SOFTWARE
PRODUCT. SERIF DOES NOT WARRANT THAT THE
OPERATION OF THE SOFTWARE PRODUCT WILL BE
UNINTERRUPTED OR ERROR FREE OR THAT THE
SOFTWARE PRODUCT W ILI. MEET LICENSEE'S
SPEL1F/C REQUIREMENIS The Limited Warmly gives you
specific legal nghts. You may tom others which meg from
Miefruitidiettun ba striorrunithimon
9. LIMITATION OF ummtm
IN NO EVENT WILL SERIF OR ITS SUPPLIERS BE LIABLE
FOR LOSS OP DATA. CORRUPTION. LOST PROFITS.
COST OF COVER. OR OTHER SPECIAL. INCIDENTAL.
PUNITIVE. CONSEQUENTIAL. OR INDIRECT DAMAGES
ARISING FROM THE USE OPINE SOFTWARE PRODUCT
INCLUDING ANY ACCOMPANYING
DOCUMENTATIONI. HOWEVER CAUSED AND ON ANY
THEORY OF LIABILITY. THIS LIMITATION WILL APPLY
EVEN IF SERIF OR AN AUTHOR VW DISTRIBUTOR RAS
BEEN ADVISED OF THE POSSIBILITY OF SUCH
DAMAGE IN NO EVENT WILL SERIFS LIABILITY
EXCEED THE AMOUNT PAID FOR THE SOFT WARE
PRODUCT. LICENSEE ACKNOWLEDGES THAT THE
AMOUNTS PAID BY LICENSEE FOR THE SOFTWARE
PRODUCT REFLECT THIS ALLOCATION OF RISK. Sonar
Maus Of other sumbdiocc.M. roc slam the etc hisica or
Irniumon of Isabela) for me Werth] ur issystquennal darsthew to
the those tomosoions and exclusions may not be *phasic in
swim instances None of the above effects the tstal•tor/ righlaef
Wastes lObiltOf is 9w (hula Kingdom.
IO. NOT FOR RESALE SOFTWARE
If the Software Product is labeled "Not for Resale or "SFR"
then. notwithstanding swum 1 of Ibis Itheree. your the of the
Software Naomi: limited tows its ckmonstration. lest or
mamma paposn. II. NO RENTAL: OTHER TRANSFERS
You may transfer this LW raw Io another computer or
workstation owl, em KIM" 'that is. with no mow
Karla apart, coroded ihe sixoputer. v.sulotauon. os other
dignul Ck41/010( &sus horn winch you hare transferred this
License no tangy assesses or whence indices the Softwaie
Product and the Software Prolix' Is used in accordance with the
arms of dm Latta Ave.-mem
12. TERMINATION
Yea may ternaruie this License Agreement a Day time. Sent n.y
IMIltfIlt this Lames Agronnem if t.ma fail to (simply inch the
WM, and ocedourn of this License Amerman In either swot
you PIMA Jemmy all mints of the Software Padua
U. UPGRADE
an. Were n an-Upgrade.' you want ruse a sada license for
the NOW Software Nn this License Amerman to be solid. and
IS* Lityne Apeemem must be used to replay rush license for
the NUM &MOW( The bind number of license "Upgrades - yap
nt .10413•C may not exceed the IOU' number of computers.
wyrkstrithro. or other digital Ostrom &VOX% Bbl war
Kama ha amen os ote RON anlIM the Software Wisdom a the
one You upgraded the Software Protium
II. MISCELLANEOUS
This Atimwera shag ism be governed by the 1980 U N.
Conversion on Comma for the Intermixed Sale of Gads
rather. this Agreemem shall be premed by the laws of the Suss
of New /may. of the tinged Stales of Animas. Wolin the
Thula m Ccamercual Code of the State of New /may. inthoui
referents: to C011nlal a lass pima*. This Agreement is the
mare Aground Waseca Seed and Licensee and argent., any
mho communications Of advertising with respect to the Software
Product II any promonn W uu Agreement is had sn'alitt
unnameable. all provition l M termed to ihe [MOM
liCksefgly IO care the letdam or ocinardoiceaMIty. and the
mamma( of its% Agreement shall tomato in full lone and
lilt If the Software Pruden is acquired byte United Siam
Goternmem et on us basalt the Software is furnished with
minded rights.
The use. duplicities. or disclosure by the United Sims
Government and panics acting on 115 behalf is stemmed to. and
sabred lo tronclice m so loth umsklisroon let I I I fin of Mr
Rights in Tothin: al Data and Campine: Software clause a
DEARS 252 227 70U. the subpuragraph. 0:11 Uand 1bof die
Orentrermal Corona Software. Restnmed Right a 48 CM
51.127.19. or other conaparahle regulations of other g os eminent
agrees. in arc4te*le Limnos admen not In allow the Software
Product to he tent to or tool many other cowry ewer in
symptoms with applicable tinned Stales lam and Mg8h1den
This Agreement shall mentimie the enure agreement temeen
Sent and L sterner and mperadm all mum agreements
unJersianiings. menmuniniumes proposals or repremamom.
oral et %num. by either pany. This Agreement shill he amended
only by an mauled Inning by outhunted TCOMSCIOSOIS Cs of bells
panes
EFTA00577882
How to contact us
Our main office (USA, Canada):
The Software Center
PO Box 803, Nashua NH 03061 USA
Main (603) 889-8650
Registration (800) 232-2897
Single Unit Sales (800) 55-SERIF or 557.3743
Technical Support (603) 886-6642
Customer Service (800)489.6720
General Fax (603) 889-1127
Technical Support E-mail
European office (UK, Europe):
The Software Centre
PO Box 2000, Nottingham, NG I 1 7GW, UK
Main (0115) 914 2000
Registration (UK only) (0870) 727 3379
Registration (International) +44 (115) 914 5471
Sales (0800) 376 7070
Technical Support (UK only) (0870) 727 3380
Technical Support (International) +44 (115) 914 5472
Customer Service (0115) 914 9090
General Fax (0115) 914 2020
Technical Support E-mail [email protected]
Online
Visit us on the Web at
International
Please contact your local distributor/dealer. For further details please
contact us at one of our phone numbers above.
Comments or other feedback
We want to hear from you! E-Mail
ideas and comments! with your
EFTA00577883
Contents
1 ♦ Welcome
Introduction 3
About the Companion 3
Key PhotoPlus features 4
Registration, Upgrades, and Support 5
Installation 5
PhotoPlus system requirements 5
What you need to know 6
First-time install 6
Manual install/re-install 6
2 ♦ Getting Started
Seven Key Concepts 9
1 Image size and canvas size 9
2 Interacting tools and tabs 9
3 Making a selection 10
4 Foreground and background colors 10
5 Layers 10
6 Opacity and transparency 11
7 Saving and exporting 12
Starting PhotoPlus 12
Getting your bearings 15
Introducing the interface 15
Setting preferences 18
Setting the view 18
How to Get an Image into PhotoPlus 19
Saving and Exporting Files 20
Printing 21
Getting Help 22
3 ♦ Manipulating Images
HANDS ON: Captioning a Cat 27
Cropping the image 28
Adjusting brightness and contrast 28
Adding a caption 30
Making Selections 31
Selection options 31
Modifying the selection 33
Using the Move tool 34
Cut, Copy, Paste, Delete 35
EFTA00577884
Cropping 35
Flipping and Rotating 36
Adjusting Image Colors 37
Applying Effect Fitters 39
HANDS ON: Photo-painting 39
Multiple effects 40
HANDS ON: Antiquing a Photo 41
4 ♦ Working with Paint and Text
Choosing Colors 45
HANDS ON: Step into the Sandbox I 46 Painting and Drawing 47
Using the basic Paintbrush tool 48
Choosing and customizing brush tips 48
Setting tool properties 49
Using the Airbrush tool 50
Using the Eraser tool 51
Using the Smudge tool 51
Using the Clone tool 52
Creating Lines and Shapes 53
Filling Regions 55
Working with Text 55
HANDS ON: Creating Filled Text 57
5 ♦ Using Layers and Masks
Layers 61
Kinds of layers 61
Basic layer operations 62
Manipulating layers 63
Moving the contents of one or more layers 63
Clipboard operations invoMng layers 64
Rearranging standard layers in the stack 64
Merging layers 64
HANDS ON: Making a Montage 65
Masks 68
Mask-making 69
1 Creating the Mask 69
2 Editing on the Mask 70
3 Applying changes to the layer 71
HANDS ON: Vignetting 71
EFTA00577885
6 ♦ Preparing Web Graphics
Formats for the Web 77
.GIF format 77
Recommended .GIF export settings 78
.JPG format 79
PNG format 79
Producing Web Animations 80
Layers and frames 80
HANDS ON: Follow the Bouncing Ball 82
Notes on animation 84
Image Slicing 85
Slicing an image 85
Image Maps 86
Creating hotspots 87
7 ♦ Color and Input/Output Options
Color Concepts 91
Bitmaps 91
Bit depth 92
Bit depth in PhotoPlus 93
Resolution 93
Color modes 93
Color mode tips 95
Optimizing images 96
Palettes 96
Dithering 97
Compression 98
File Formats 98
Tips for Scanning 99
Advanced Printing 100
Scaling and tiling 100
Including printer marks 102
CMYK color separations 102
PhotoPlus as an OLE Server 103
PhotoPlus Keyboard Shortcuts 105
EFTA00577886
D ra7-24.111!
Welcome
EFTA00577887
Welcome 3
Introduction
Welcome to Serif PhotoPlus 5.0—the best value in image creation and
editing software for any home, school, organization, or growing
business. PhotoPlus is your number one choice for working with
photographs and paint-type images, whether for the Web, multimedia,
or the printed page.
PhotoPlus has the features you'll need... from importing or creating
pictures and animations, through manipulating colors and effects all the
way to final export. Built-in support for TWAIN scanners and cameras
makes it easy to bring in your own photos, while comprehensive import
filters let you open just about any standard bitmap image.
Once you've got your image into PhotoPlus, you can enhance and alter
its on-screen appearance with a diverse toolkit of functions and effects.
A full range of export options (with special attention to Web graphics),
plus powerful optimization capabilities, round out this high-performing
package.
About the Companion
This Companion is your guide to getting started and getting results with
PhotoPlus—from the basics to advanced techniques. The chapter
sequence begins with basic concepts and proceeds gradually through
various tools and features. Hands-on Projects are integrated each step of
the way. We hope you'll take your time and enjoy the learning process.
Here's a quick summary of chapter contents:
1 Welcome. There, we've said it again!
2 Getting Started. Will have you up and running in no time with
an overview of key concepts and the PhotoPlus interface.
3 Manipulating Images. A rundown of basic techniques for
selecting and operating on all or just part of an image.
4 Working with Paint and Text. How to proceed from the
proverbial blank slate, using the PhotoPlus creation tools.
5 Using Layers and Masks. Understanding and mastering the
creative possibilities of these more advanced features.
6 Preparing Web Graphics. A review of Web image formats and
step•by-step guidance on animation and image preparation.
7 Color and Output Options. Combines essential background
material and terminology with helpful tips to improve your
images.
EFTA00577888
4 Welcome
Key PhotoPlus features
PhotoPlus brings professional image editing to everyone—with features
like these:
♦ Powerful Image Export Optimizer
The Export Optimizer lets you see how your image will look (and
how much space it will take up) before you save it! Its multi-
window display provides side-by-side WYSIWYG previews of
image quality at various output settings, so you can make the best
choice every time.
♦ Web Animation Tools
Now it's easy and fun to create or edit animations for the Web.
You can import and export animated GIFs, and even let PhotoPlus
create entire animations for you automatically.
♦ Editable Text
Add formatted color text to an image, reposition and scale it,
integrate it with your design. Text layers keep the contents separate
so you can go back and alter the words or formatting at any time!
♦ Image Enhancement
Apply professional, darkroom-style color and histogram
adjustments to your images.
♦ Unique Selection Options
PhotoPlus goes well beyond the basic rectangle and lasso tools,
adding more than a dozen completely customizable selection
shapes like polygons, spirals, and stars. Or define a selection
shaped like text—using any font and style! Advanced options let
you fine-tune the selection and its properties for precise effects.
♦ Smart Shapes
Choose from a panoply of fully adjustable filled shapes to produce
chevrons. beans, badges, teardrops. moons, zigzags, and many
more. Just drag sliders to control each shape's appearance!
♦ Image Slicing and Image Maps
Now it's not just the pros who can use these techniques to add links
to Web graphics! Simply click to divide images into segments—
each with its own hyperlink and popup text—or add hotspots to
specific regions. PhotoPlus outputs the HTML code and lets you
preview the results directly in your Web browser.
♦ Advanced Tools and Features
Built-in support for most pressure-sensitive graphics tablets. RGB,
CMYK, HSV, and Grayscale color modes. Robust and convenient
layer management with pop-up preview and masking support.
EFTA00577889
Welcome 5
• Professional Output Options
Output using CMYK separations or print directly to your desktop
printer with powerful controls. Include registration marks, crop
marks, file information, grayscale and color bars, and tile or scale
your output if required.
• Productive MDI Interface
Open and view multiple images and edit them simultaneously.
Dockable, floating tab windows work in conjunction with
convenient toolbars. The Layer Manager provides full control over
all regions and planes. Each document stores a massive Undo range
with dynamic memory and disk management, compressing
information for optimized performance. And PhotoPlus remembers
your preferred export settings, so your creative flow is undisturbed.
And that's only part of the The PhotoPlus feature set includes
all the standard capabilities expect in a photo editor. Tools like
Paintbrush, Airbrush, Clone, Smudge, and Erase. Customizable brush
tips and opacity settings. Flip, rotate, and crop. Anti-aliasing. TWAIN
support for scanner and digital camera input. A full range of supported
file formats for both import and export. In short, more features for the
price than allowed by law in some jurisdictions (but don't tell anyone)...
Registration, Upgrades, and Support
If you see the Registration Wizard when you launch PhotoPlus, please
take a moment to complete the registration process. Just call Serif and
provide the installation number and code shown. We'll give you a
personalized registration number in return. Remember, if you need
technical support please contact us. We aim to provide fast, friendly
service and knowledgeable help.
Installation
PhotoPlus system requirements
PhotoPlus runs with Windows 95 or later, so you'll need a PC setup
which runs Windows adequately. If you need help installing Windows,
or setting up your printer, see Windows documentation and help.
• IBM compatible Pentium PC with CD-ROM drive and mouse (or
other Microsoft compatible pointing device)
• Microsoft Windows® 95, 98, 98 SE, 2000, or Windows NT® 4.0
or later operating system
EFTA00577890
6 Welcome
♦ 16MB (Windows 95/98), 24MB (Windows 98 SE), 32MB
(Windows NT), or 64MB (Windows 2000) RAM
♦ 20MB (minimum install) free hard disk space.
♦ SVGA display (16•bit color or higher)
Additional disk resources and memory required when editing large
and/or complex images
Optional:
♦ Windows-compatible printer
♦ TWAIN-compatible scanner and/or digital camera
♦ Stylus or other input device, including pressure sensitive pens
♦ Internet account and connection required for accessing online
resources.
What you need to know
PhotoPlus is very easy to use, and you don't need to have any prior
design experience. However, if you're new to Windows computing, you
will find it much easier if, before installing and using PhotoPlus, you
spend a little time becoming familiar with the Windows operating
environment.
O From the Windows desktop, click the Start button at the lower left
and choose Help.
First-time install
To install PhotoPlus. simply insert the Program CD-ROM into your
CD-ROM drive. The AutoRun feature automatically starts the Setup
process and all you need to do is select the PhotoPlus Install option and
answer the on-screen questions. If the AutoRun does not start the
install, use the manual install instructions below.
Manual install/re-install
To re-install the software or to change any part of the installation at a
later date, select Settings/Control Panel from the Windows Start
menu and then click on the Add/Remove Programs icon. Make sure
the correct CD-ROM is inserted into your CD-ROM drive, click the
Install... button, and then simply follow the on-screen instructions. To
install just one particular component to your hard drive, choose the
Custom option and check only that component.
EFTA00577891
2i 1-i.ii ,„,r
Getting Started
EFTA00577892
Getting Started 9
Seven Key Concepts
If you're new to photo editing programs, or perhaps have only worked
with a basic painting program like Microsoft Paint, a number of the
concepts in PhotoPlus may be new to you. Don't be daunted! Many
thousands of artists have made the leap—the rewards are well worth it!
This section collects in one place some background material that will
hopefully provide a concise introduction and save you some "head-
scratching" later on. We recommend you read through it before racing
ahead to the rest of the chapter.
1 Image size and canvas size
Sometimes a tricky distinction if you haven't encountered it before, it's
an important one when working with digital pictures. You probably
know that image dimensions are given in pixels (think of pixels as the
"dots of paint" that comprise a screen image)—say, 640 wide by 480
high. If you want to change these dimensions, there are two ways to go
about it, and that's where image and canvas come into
play. Changing the image size (I) means scaling the
whole image or just a selected region up or down.
Changing the canvas size (C) means adding or taking
away pixels at the edges of the image—rather like
adding a border around a mounted photo, or taking a
pair of scissors and cropping the photo to a smaller size. Either way,
after resizing, the image and canvas dimensions are once again identical. O
2 Interacting tools and tabs
The Tools toolbar (See the PholoPlas Toolbars and Tabs diagram later
in this chapter) is at the heart of PhotoPlus. Among its many offerings
you'll find several basic painting/drawing tools, plus tools for erasing.
filling a region, and cloning a region (all covered in detail in Chapter 4).
As you try each of these tools, keep in mind that
the Tool Properties tab and Brush Tip tab +3=n
extend each tool's functionality by letting you +0= customize its settings. Only with the aid of the
tabs can you choose a wide brush as opposed to a pencil point, or
experiment with the full range of effects each tool can command. I r.
C4
EFTA00577893
10 Getting Started
3 Making a selection
In any photo editing program, the selection
tools (see Chapter 3) are as significant as any
of the basic brush tools or commands. The
basic principle is simple: quite often you'll
want to perform an operation on just a portion
of the image. The wide range of selection options in PhotoPlus lets you:
• Define just about any selection shape
• Modify the extent or properties of the selection
• Carry out various manipulations on the selected pixels, including
cut, copy, paste, rotate, adjust colors, etc.
Although the techniques for using each selection tool vary a bit, the end
result of making a selection is always the same: a portion of the image
has been roped off from the rest of the image. The boundary is visible as
a broken line or marquee around the selected region.
4 Foreground and background colors
At any given time, PhotoPlus allows you to work
with just two colors—a foreground color and a
lb • background color. These are always visible as
two swatches on the Color tab. Electronic artists
expend much of their creative energy deciding which of the millions of
available colors should fill those two slots. The actual steps involved,
however, can be quite simple (see Chapter 4).
5 Layers
If you're accustomed to thinking of
pictures as flat illustrations in books, ♦
or photographic prints, the concept of
image layers may take some getting
used to. In a typical PhotoPlus image—for example, a photograph
you've scanned in, a new picture file you've just created, or a bitmap file
you've opened—there is one layer that behaves like a conventional "flat"
image. This is called the Background layer, and you can think of it as
having paint overlaid on an opaque, solid color surface.
EFTA00577894
Getting Started 11
On top of the Background layer, you can create any number of new
layers in your image. Each new one appears on top of another,
comprising a stack of layers that you can view and manipulate with the
Layer Manager tab. We call these additional layers standard layers to
differentiate them from the Background layer. Standard layers behave
like transparent sheets through which the underlying layers are visible.
There's a third kind of layer, called a text layer (see Chapter 4), which
resembles a standard transparent layer but can only contain text. Text
layers keep blocks of text editable so you can go back and change the
font or retype characters.
With few exceptions, you will work on just one layer at any given time,
clicking in the Layer Manager tab to select the current or active layer.
Selections (see above) and layers are related concepts. Whenever there's
a selection, certain tools and commands operate only on the pixels inside
the selection—as opposed to a condition where nothing is selected, in
which case those functions generally affect the entire active layer.
If your image has multiple layers, and you switch to another layer, the
selection doesn't stay on the previous layer—it follows you to the new
active layer. This makes sense when you realize that the selection doesn't
actually include image content—it just describes a region with
boundaries. And following the old advice "Don't confuse the map with
the territory," you can think of the selection as a kind of outline map, and
the active layer as the territory.
We'll first encounter layers later in this chapter. Chapter 5 provides in•
depth coverage.
6 Opacity and transparency
Opacity and transparency are complementary —
two sides of the same coin. They both refer to the
degree to which a particular pixel's color
contributes to the overall color at that point in the
image. (Pixels again are the "screen dots" that comprise a bitmap image
in PhotoPlus.) Varying opacity is rather like lighting a stage backdrop
(scrim) in a theater: depending on how you light the fine gauze sheet,
you can render the backdrop either visible or invisible. Fully opaque
pixels contribute their full color value to the image. Fully transparent
pixels are invisible: they contribute nothing to the image.
EFTA00577895
12 Getting Started
You'll primarily encounter these terms in one of two contexts. First, as a
property of the pixels laid down by individual paint tools, which can be
more or less opaque, depending on the tool's opacity setting. Second, as
a property of individual layers, where opacity works like a "master
setting" that you can vary after paint has been laid down.
7 Saving and exporting
Saving a file in PhotoPlus means storing the
image in the native PhotoPlus file format, using
the .SPP extension. This format preserves image SPP El information, such as multiple layers, masks, or
*ALE image map data, that would be lost in conversion
to another graphic format. On the other hand, suppose you've opened a
.BMP or .JPG file and want to save it back to its original format. In this
case, use the Save Original command.
In yet another instance, you may be ready to save an .SPP file (or convert
some other image type) to one of the standard graphics formats. In
PhotoPlus, this is known as exporting. PhotoPlus includes a powerful
Export Optimizer that serves as your "command center" for exporting
images to various formats. It not only provides a variety of options for
each supported format, but also lets you compare image quality using
different settings and even retains your preferred settings for each
format!
There's more on saving and exporting later in this chapter, and Chapter 7
includes details on file formats and optimizing images.
Starting PhotoPlus
Enough boring lecture—on to the demonstrations! (We'll skip the quiz.)
It's time to begin exploring PhotoPlus.
r NOTE: Throughout the Companion, we'll use 0 checkbox
bullets to mark actual the ongoing tutorial thread: steps like
you to complete as you follow along with the text. You'll come
across many other descriptions and examples of commands, tools,
and procedures (and of course you're encouraged to experiment).
But remember —unless a step has a checkbox, it's entirely
optional!
The Setup routine adds a Serif PhotoPlus item to the Programs
submenu of the Windows Start menu.
EFTA00577896
Getting Started 13
❑ Use the Windows Start button to pop up the Start Menu and click on
the PhotoPlus item.
PhotoPlus launches and displays the Startup Wizard, with a variety of
choices:
♦ Open Saved Work displays a browser that lets you preview and
open saved image files—pictures in any supported format as well as
animated GIFs (see Chapter 3).
♦ Create New Picture opens a new image window using a size and
background color you specify (see Chapter 4).
♦ Create New Animation opens a new image window and displays
the Animation tab, with controls for creating animation frames (see
Chapter 6).
♦ Import from TWAIN lets you bring in pictures from devices like
scanners and digital cameras (see Chapters 3 and 7).
♦ View Samples opens the gallery of PhotoPlus images.
♦ Online Resources offers direct access to roductivity tools and
reference sources, including
If you don't care to see the Startup Wizard again, uncheck the "Use the
Startup Wizard next time" box. However, we suggest you leave it
checked until you're familiar with the equivalent PhotoPlus commands.
❑ Click Open Saved Work and then click the Browse button in the
dialog.
EFTA00577897
14 Getting Started
ttop Ro AM;a1JJFt -M
P •
.e Mg
CP ore :I^
.4 4n 4/ IMR 2.1
O PhotoPlus is set to initially display the contents of the PhotoPlus
PROJECTS folder, located on your hard disk. If the Open dialog
displays a different folder, browse to PROGRAM
FILESNSERIAPHOTOP501PROJECTS.
NOTE: Whether or not you use the Projects folder to store your
own work, remember its location so you'll know where to find
Companion source files when they're needed later on.
O Select the file CAT.JPG in the Projects folder and click Open.
The cat photograph opens in a new image window (your precise screen
layout may vary somewhat from the illustration).
O
•
a
EFTA00577898
Getting Started 15
Getting your bearings
Now that you've got an image open, and the PhotoPlus menus and tools
are available, let's take a quick look around the PhotoPlus environment.
Even if you're in a rush to start working, don't skip the rest of the
chapter! At the very least, take note of what's here so you'll know where
to find the information when you need it later.
Introducing the interface
PhotoPlus is an MDI application. MDI stands for Multiple Document
Interface and it means that you can have multiple documents —images, in
PhotoPlus terms—open at the same time. Each image window contains
one image, with the image's name shown in the window's titlebar. At any
given time, one image window will be active in front of any others, with
its name shown in the main PhotoPlus titlebar.
You can use commands from the Window menu to arrange the image
windows. If you have more than one image open, then you can switch to
another window using the Window menu or the keyboard shortcut
Ctri+Tab. Double-click on an image window's titlebar to maximize it.
The PhotoPlus toolbars and tab windows (tabs for short) are essential
features of the PhotoPlus environment. The PhotoPlus Toolbars and
Tabs diagram identifies each tab and provides an overview of what it
does.
To display the related online help topic for any tab, first click the
Help button on the top toolbar, then click the tab.
When you first launch PhotoPlus, it opens with the PhotoPlus toolbars
and tabs all visible in default positions, with
certain tabs "docked" or joined together. You
can hide, show, or move them individually as
needed, and dock or undock the tabs. Chances
are you'll want to keep the Tools toolbar
visible, but if your display area is large enough
you might consider moving it to a horizontal position alongside the top
(Standard) toolbar—or "floating" it as a separate palette. Remember,
there's nothing fixed about the PhotoPlus interface, so feel free to try
different arrangements until you're satisfied.
EFTA00577899
16 Getting Started
PhotoPlus Toolbars and Tabs
DSWa
-1 Standard toolbar
Provides standard file and Clipboard commands.
Click the [7], then any tab, for context-sensitive help!
Tool Properties El
Tool Properties]
l Opacity:F0 Z Mill.
r
, Fade: I 0 steps
,Styluxr Size r Opacity
Tool Properties tab
Lets you customize the settings for
many of the tools on the Tools toolbar
Brush T
Brush Tip]
• • • • • • • • •
•
35 •
45 •
65 •
100
Tools toolbar
Features tools for selecting regions of
the screen, painting and erasing,
cropping selections, creating Web
graphics... and more Brush Tip tab
Lets you choose and customize
brush tips for the painting tools
EFTA00577900
Getting Started 17
Color
Color]
C0101 Mode - RGB
R I
G
Layer Manager tab
Includes controls for creating, deleting,
arranging, merging, and setting properties
of layers in the image Color tab
Lets you select foreground and
background colors and change
the color mode
Layer Manager
Layer Manager'
Opacity. Fro v
L 1
I*5 3-d- Background
Y
Aseleatiail
FlarreDelaY
Total ire Ch 050;
Loop 7-;"
vl A
> 11 CD Li> Animation tab
Provides controls for
editing animation
files (only appears
in Animation mode)
EFTA00577901
18 Getting Started
To turn off a tab, click the a Close button in its titlebar. To turn a tab or
toolbar off or on, uncheck or check its name on the View menu. If you
need more room on-screen for a particular operation, press the Tab key
to turn all the visible tabs off, and again to turn them back on.
To dock or undock a tab, click on its label and drag to the new position,
either floating independently or docked in a window next to another tab.
It's easy to get online help in PhotoPlus. For a summary, see the "Getting
Help" section at the end of this chapter.
Setting preferences
To specify the ruler units, grid interval, and other preferences, choose
Preferences... from the File menu to open the Preferences dialog. Select
the appropriate options on the Undo, Transparency, Layout and/or
Startup tab of the dialog.
When you have made your choices, click the OK button to save your
changes or click Cancel to abandon them.
Setting the view
Zooming (changing the relative size of the image in relation to its
window) and panning (moving the image in relation to its window) are
essential when you're operating at different levels of detail, or on
different portions or an image. PhotoPlus provides standard Zoom and
Pan tools.
liTo change the image scale, choose the Zoom tool from the Tools
toolbar. To zoom in, left-click on the image. To zoom out, right-click on
the image. The current zoom ratio appears in the titlebar of the image
window, next to the file name.
You can also set a specific zoom ratio by choosing Zoom In or Zoom
Out from the View menu, then selecting a ratio from the submenu. To
restore a 1:1 viewing ratio, choose Normal Viewing from the View
menu.
® To pan, Choose the Pan tool from the Tools toolbar and drag the
image to move it in relation to its window.
EFTA00577902
Getting Started 19
How to Get an Image into PhotoPlus
Before you can manipulate an image, you'll need something to work
with! PhotoPlus can open images saved in a wide variety of industry-
standard file formats, and acquire images from your TWAIN-compliant
digital camera or scanner.
To get a saved image into PhotoPlus, you select Open Saved Work
from the Startup Wizard. The dialog displays image files you've recently
worked on; select a file or click the Browse button to locate other saved
files. As an alternative to using the Startup Wizard, you can select the
name of a recently opened file from the File menu or choose
File/Open... to display the Open dialog.
The Open dialog shows dimensions and bit depth (see Chapter 7)
information for each selected image. To display a thumbnail of the
image, check Show preview (this may slow down the display
somewhat).
If your scanner or digital camera supports the industry-wide TWAIN
standard, you can bring pictures from these devices directly into
PhotoPlus. (To set up your TWAIN device for importing, see the
documentation supplied with the device for operating instructions.)
To begin scanning a picture into PhotoPlus, either select the Import
From TWAIN option in the Startup Wizard, or, if the program is already
running, choose Import from the File menu and then select Acquire. (If
PhotoPlus is running but there's no image window open, choose New
from the File menu to display the Startup Wizard.) If you have more than
one TWAIN-compatible device installed, you may be prompted to select
one as the source—or you can specify a different source by choosing
Import/Select Source from the File menu.
The acquisition software for the selected device will start up and display
its window, and you can then carry out the scan, possibly having made a
few basic adjustments. Note that the features available in image
acquisition software vary widely and are not under the control of
PhotoPlus. Usually, you will at least be able to adjust settings for the
image source (such as a color photograph, black and white photograph.
or color halftone) and the resolution at which the image is to be scanned.
For color theory and tips on scanning, see Chapter 7.
EFTA00577903
20 Getting Started
Whether you import the image via the Open dialog or the TWAIN
interface, it will appear in a new image window in PhotoPlus. Assuming
the image is not in the native PhotoPlus (.SPP) format, it will always
have just a single layer, called the Background layer (see "Seven Key
Concepts" earlier in the chapter). Chapter 5 will explore layers in
considerable detail; until then we'll be focusing on techniques that work
perfectly well on one—or at most two—layers.
Saving and Exporting Files
PhotoPlus can save images in its own .SPP format, or export them to any
standard format (again, see "Seven Key Concepts").
Use File/Save (or click the Save button) to save images in
PhotoPlus's own .SPP format. Only .SPP images preserve information
such as multiple layers, masks, or image map data that would be lost in
conversion to another graphic format.
Use File/Save As... to save the image
as an .SPP file under a different path
or name. You can store files anywhere
on your system. It's a good idea to
group your images, for example into
project-oriented or thematic folders.
Suppose you've opened a .BMP or .JPG file, done some editing (without
adding layers), and now wish to save it back to its original format. In this
case, you can use the File/Save Original or File/Save Original As...
commands. Using the former will overwrite the original file—so be sure
that's what you want to do.
In many situations, you'll want to save a file to one of the standard
graphics formats. In PhotoPlus, this is known as exporting. You can use
the Export Optimizer to preview image quality before at various settings
before going ahead with the export.
The File menu offers two ways of accessing the O timizer. Either choose
Fib/Export Optimizer... to display it
directly, or choose File/Export... and then
click the Optimize button in the dialog.
The Export dialog itself is a standard file
dialog where you can specify the path,
name, and format for the image file.
EFTA00577904
Getting Started 21
The Export Optimizer consists of a left-hand settings region and a right-
hand preview display, with additional buttons along the bottom of the
dialog. In animation mode, there's an extra tab for changing output
settings.
To display a different portion of the image. drag the image in the
preview pane. To change the display scale, click the Zoom In or Zoom
Out buttons at the lower left.
To adjust the preview display, click one of the View buttons at the lower
left to select Single, Double, or Quad display. The illustration above
shows Single view. The multi-pane (Double and Quad) settings let you
compare different export settings for one or more file formats. Just click
one of the display panes to select it as the active pane, and then use the
Options panel at the left to choose an export format and specific settings.
Each time you make a new choice, the active pane updates to show the
effect of filtering using the new settings, as well as the estimated file
size!
When you've picked the optimum export settings, click the dialog's
Export or OK button to proceed to the Export dialog.
For details on image file formats and optimization, see Chapter 7.
Printing
Printing is controlled from the Print dialog, which you can access by
choosing Print... from the File menu, clicking the Print button on the
Standard toolbar, or pressing Ctrl+P.
EFTA00577905
22 Getting Started
Pion
Nan, •^L Li Boobies
Vila Diva pont
Twit HP lalo RICL
Min 0'0
Urn& f 1111 brit
Pinhinp Corm
r. gl Nam epos..
r-Leknxa
LLap OK caned I
Choose the printer to use from the drop•down list. If necessary, click the
Properties... button to set up the printer for the correct page size, etc.
It's very important to set up your printer correctly to get the best results.
Click the Options... button if you need to set special print options such
as scaling, tiling, or CMYK color separations. (The various print options
are detailed in Chapter 7.)
After setting the printer properties and the print options, click on OK in
the main print dialog to send the image to the printer. Depending on the
size and complexity of the image, and the printer you're using, it may
take several minutes before the printed page emerges.
Getting Help
The PhotoPlus online help system is designed to work for you. Whatever
your background, you'll find it easy to navigate.
• To begin learning about PhotoPlus tools and menus, just move the
mouse pointer around the screen. Watch the HintLine at the lower
right for capsule descriptions of each feature. Event Tips pop up as
you try new tools and actions.
• For help on interface elements like toolbars and tab windows, click
the Help button on the top toolbar, then click on an element.
• For help on dialog boxes, click their internal Help button.
Several Help menu choices take you to key features of online help:
• Choose Contents to display the main help menu screen, including
links to the Welcome and Support pages.
• Choose Index to pop up the alphabetical list of help topics.
EFTA00577906
Getting Started 23
♦ Choose Effects Gallery to display a visual sampler of color
adjustments and special effects — cross•referenced to help topics
(see Chapter 3 for more).
Once inside online help, choose Visual Reference or How To to peruse
help information using either a graphical or step-by-step approach—
whichever you prefer. Each section displays its own table of contents in
the main window, while help topics appear in a second window.
Extensive cross-references make sure all the information is interlinked.
EFTA00577907
Manipulating Images
EFTA00577908
Manipulating Images 27
This chapter will focus on ways of manipulating existing pictures,
especially photos. We'll begin with a Hands-on Project using the "cat"
image you briefly opened in the previous chapter. Note that all of the
techniques described here can also be applied to images created from
scratch, and to animations.
There are many reasons why you might want to manipulate a photo,
including:
♦ Cleaning up an old, damaged photo
♦ Removing an unwanted item or slogan from the background
♦ Preparing an image for printing, use on the World Wide Web or in
another package
If you agree that it's time to do something about that smug-looking cat
from the previous chapter, here's a Hands-on Project that provides an
introduction to manipulating images. Remember, the bullet checkboxes
denote the actual steps you should complete; anything else is optional.
HANDS ON: Captioning a Cat
❑ Open CATJPG in the PhotoPlus PROJECTS folder, if it's not
already open. (See the section "Starting PhotoPlus.")
EFTA00577909
28 Manipulating Images
Cropping the image
Cropping is one of the easiest ways to improve the appearance of a
photograph —by creating a more pleasing composition of its main
elements. In this particular photo, there's just one main element, and it
fills the whole image! However, there are a couple of problems with
leaving the image uncropped. One is the rather boring curtain in the
background; the other is the large blurry tail in front. So let's crop away
everything except the cat's face.
PhotoPlus offers two basic ways of cropping an image. You can either
select a region of pixels, using any of the various selection tools, and
then use the Image/Crop to Selection command. We'll cover this
method later in the chapter. If you're cropping to a rectangular shape its
generally easier to use the Crop tool.
❑ Choose the Crop tool from the
Tools toolbar and drag out a crop
selection around the cat's head, as
in the illustration. Start at one
corner and drag to the other. Once
you release the mouse button, you
can adjust the selection rectangle by
dragging its edges or corners, or
from the center to move it.
❑ Once you've selected the correct
area, double-click within the
selection rectangle to complete the
cropping.
By the way, if you make a mistake, don't worry. Most actions in
PhotoPlus can be undone using Undo from the Edit menu, the Undo
button on the Standard toolbar, or the keyboard shortcut Ctrl+Z. You
can even undo an "undo"—use Redo on the Edit menu, the Standard
toolbar, or with Ctrl+Y. (The File/Preferences... dialog lets you set
options for the Undo function.)
Adjusting brightness and contrast
You may have noticed that thi
📷 Images in this document (108 detected; 6 largest described)
AI-generated factual descriptions of embedded images (llava:13b). These are searchable across the corpus.
[Image 1] The image appears to be a photograph of a document with text and a small inset image. The document is titled "Using Layers and Masks" and contains text instructions related to image editing techniques. The inset image shows a bridge, which is the Golden Gate Bridge in San Francisco, California. The text on the document is too small to read clearly, but it seems to be providing instructions or tips
[Image 2] The image appears to be a page from a document or a handout, possibly related to photography or image manipulation. The page contains text and a photograph. The text is too small to read clearly, but it seems to be instructions or guidelines related to the manipulation of images. The photograph shows a house with a clear sky and trees, suggesting it might be a residential area. The image is a colo
[Image 3] The image appears to be a photograph of a street scene with several people. There are two individuals in the foreground who seem to be engaged in a conversation or an embrace. The background shows a crowd of people walking on a sidewalk, and there are buildings and trees visible, suggesting an urban setting. The photograph has been altered with a filter effect that gives it a blue tint, which is a
[Image 4] The image appears to be a photograph of a printed document with text and a small image. The document is a page from a manual or guide, possibly related to music or software. The visible text includes instructions or notes, such as "Select Notes from the image" and "Select Adjustments." There is also a reference to "Liberty Concert" and "Open Moon." The small image at the top of the page shows a po
[Image 5] The image appears to be a photograph of a printed document, specifically a page from a textbook or educational material. The page is titled "Using Layers and Masks" and includes a subtitle "Independence Day Liberty Concert." There is a photograph on the page showing a musician playing a keyboard, with the text "Independence Day Liberty Concert" visible in the image. The text on the page discusses
[Image 6] The image appears to be a page from a document or a booklet, possibly educational in nature. The page is titled "Hands on making montage" and includes a subtitle "Using layers and music." There are three sections visible on the page:
1. The first section contains text that seems to be instructions or a description related to the topic of montage making. It mentions "layers" and "music," suggestin