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4-750 Rev. 4-17-85!
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-Bans-Btsiar{M noted German composer-who was exiled from his own country by the
fascist recently arrived in Ioseow.
Fm us Bisler is, 1'i.rst of all, a song. It is "the Red Ieddingl, it
is the Gominternl. To the tune of li.s1er's songs the proleteriste abroad fought
in the barricades of Berlin and Vienns. Iith Zis1er's songs they started tllir
demonstrations in Zurich end Antwerp. Singing Eisler's songs they stood in
stri:.:kers' picket lines on the streets or Copenhagen and lumcheeter.
it the age oi seventeen, when lisler was s quiet-mannered stuient, he
was sent to the trout. His oanpa-nions, Hungarian peasants, aade tun oi young
aistertinikin who pulled on his gloves hero:-e eating because he did not not
to est with dirty hands after riding in e freight ear for several dare. But
theee same soldiers esteemed the young nan who could write tunes down on paper
and willingly she:-ed theirpeasant songs with hia.
- The war came to um end and his msieel education in Vienna started.
1'our.g Bislie teaoher, irnol-d Sehoenwrg, noted theorist oi atone. iueic, not
only educated his talented student along the most ext:-em aodernistic lines but
I180 implanted in him the taste for such forceful classical music as Bach. To
earn money for his musical education Bisler worked as a proofreader and conducted.
Iarker's Song Vereins Societies!. _ -
Eisler finished his education brilliantly. Everything directed the
composer to the essy road in life. But he did not take it. He was already too
disgusted with the bourgeoisie concert hull where in a musical neroosis the
g::':.:-ands satisfied their '..:usio:.l appetites. A ieeling of :.narchist prote.et
awoke in the young composer. He created a series of Iromances" based on news-
aper notices, advertisements, inquiries. '
For example, under the title or "Romance of Love" there appeared ....
an announcement from the matrimonial paper:
Where is the one who extends his hand to me to take no away from the
parental abode?" :
I am 23 years old. I am from a landed family. It is said, I an not
hard to look at. I am healthy. I know how to keep house. Irite:
c/o General Delivery..."
In 1927 Bisler wholeheartedly joined the proletarian "sgitpropgroup"
§ ag1tation 1:-opegende group! movement and worked es . musical expert on a poll? ical£eui.lleton. "
Song of the llineri, lInva1i.d's Ila:-ch", "Song of Solidarity". 'De1en.~the Soviet Union, "Song of the Unemployed" are only e small part or the long :
list 0! Bisles political song . Unfortunately only a few of ttnm are published
gills
Aummne _
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I'ith_all of his natural fighting temperament Eisler entrenched himsel T
in the Refom-mist Song Vereins and organised communist wings in them. The course
of the struggle was clever and successful. It attracted the attention of the
entire mical vrcrld, attracted fellow-' travelers and prmuced such revolutionary
musicians as Rankel, Vogsl, Volpe Wolpe!. _
it this time a lasting friendship was formed between Eisler the
dramatist Bert Brecht. They collaborated in the theory of the "pedagogic"
theater. They desired to make it especially active in the field of political
agitation and propaganda.
"Higher Dimensions" a musical play of that particular political type,
written by Eisler and based on Brecht 's play, marked the transition of the
composer from the political to eminent musical form. "Higher Dimensions" is
the mature production of a great, independent master.
Eisler's strength is particularly evident in choruses and in musical
forms which demand great skill. His strength is also evident in his ability
to arrange orchestrations.
at the present time Eislsr approaches the higher philosophic type of
music--the symphonic music. His first symphony was produced with peat success
in Iondon. Now he is writing a symphony dedicated to the prisoners of the
fascist concentration camps. It, is based 'on the "Song of the Swamp Soldiers"
which was composed by the prisoners.
He has been with us here in the Soviet before. it Mt. llagnit he
wrote down the Cossack melodies of the steppes. Here the Kemsomols members
of the Young Communist league! were building their own blast--furnace. It
was about them that he wrote the "Ural Young Communist". '
He has traveled in the countries of Europe and America. Everywhere
his arrival revived the revolutionary choral and musical movement, and the songs
of Bisler, the musician, kept pace with the political speeches of Eisler, the
political warrior. A New York university offered him a chair of professorship
' To our shame we know all too little of Ei.sler's creations and lluzgia.
the former leader, is mustly responsible for this ignorance. Eisler is an
accomplished master, the leader of a complete trend in revolutionary music.
Fe want to hear Eisler's musical works on our stages and i.n our concert halls.
Hm selected cmcsitmns, and particularly hiscollectim of songs should be
published here by us, all the more so because it is difficult for him to publish
lbIOBd0
Eisler could be of gr at help to the Sovietchoral movement. Our
country demands songs and knows hcw__to cherish good songs. Eisler's "Cominteru",
which is firmly embedded in our collection of golden songs, speaks of this.
Translated from the Russian =
_b1g/ 10/4'7 bS-
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EAEEJLSEE ,
the noted German oonpoeer who wae exiled tron hie on country hy
the Iaeoiet reoently arrived in Iloecow.
Ior no Eieler ie, ti:-at of ell, a eongi it is the Red wedding,
ie the Gomintern. To the tune of lielere oonga the proletariat abroad
fougzt in the barricades of Berlin and Vienna. With Eia1er'e aonge they
etarted their demonstrations in Zurich and Antwerp. Singing !ie1er'e eong:
they etood in etriokere' picket linee on the etreete of Copenhagen and
llnoheeter.it
At the age of eeventeen, when lieler was a quiet-mannered etudent,
he wae eent to the front. Hie companions, Hungarian peasants, made hm of
geung mieter-finikin who pulled on hie glovea before eating heoauae he did
not want to eat with dirty hande after riding in a ireight ear for aeveral
daye. But these eame eoldiera esteemed the young man who could write tunes
down on paper and willingly ahared their peasant eonge with hill.
_ The war came to an end and hie musical-edueation in Vienna etu-ted, _
Young Iie1er'e teacher, Lrnoid Sohoenharg, noted. theorist of atone]. music, '
not only educated hie talented etudent along the moat extreme modernietio
linen hut also implanted in him the taete for eueh forceful elaeeioal maio
ea Bach. '1'o earn money for hie uueical education Eialor worked ae a proof-
reader and ocnduoted work-.er'e Song Vereine isooietie.
Eieler finished hie education brilliantly. Iherything directed t.-1e
oonpoeer to the eaey road in life. But he did not take it. He was already
too diegneted with the bourgeoisie oonoert hall where in e mueical narooeis e
the gourmande eatiefied their nneioal appetites, A feeling of anarohiet pro-
teet awoke in the young oonpoeen He areated a eerie: of 'rem.anoee" based _
on newepaper notices, advertieenente, inquiries. ,
I
For eiamplo, under the title of Romance of Late there npyze ares...
an announoemant from the matrimonial paper:
Whore is the one who extends hie hand to me to take me awn:
from the parental abode?
"1 am 23 yaara old. I am fron a landed family, It ie said,
' I am not hard to look at. I am healthy. I mow how to keep house.
Write: c/o General Delie17..."
In 1937 Eialer who eheartedly Joined the proletz-.1-ian "a.gitpropgro"
agitation propaganda group! movement and worked as nmeieal -expert on a.
political feuilletont -
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ha. "song of the liner". Ixnvsnvs larch. Bong of Solidarity.
_ _. Defend the Soviet Ihiol, Isong of the Unemployed are only a snail pa-rt of -
~"="the long list of Iisler'e politicalqsongs. Unfortunately ml! a fee of than;.:$,__arepuhlishedb1ss. .- .- """~'e e - - - + - -*1'1
Iith all of his natural fixting temperament Iisler entrenched him-
. self in the ieformist Eong 7ereins and organised omnnist sings in then.
A The course of the struggle was clever and successful. It attracted the at-
tention of the entire Illsical world, attracted fellow travelers and produced
"-$1; such revolutionary sneieiane as ianhel, vogel, Yclpe Iolpe!._
:- ,.,
'e¬,.*,At this time a lasting friendship ens formed betseen Iieler and the "
.. dramatist Bert Brecht. they collaborated in the theory of the 'pedag~ogic'
n._,i~f. theater. lbs; desired to make it especially active in the field of political
~ agitatim and propaganda.
. I1
, Higher Dimensions, a musical plow of that particular political tyfe,
_ written to Iiislsr and based on B1-so.ht's play, marked the transition of the
_,I~_-';.;;; composer hom the political to eminent musical form. "Elgar Dimensions _is _
the nature production of a great, independent master.
"1 ."..- ..- .
- lisler's strength ipartionlarly evident in choruses andin musical _
forms ilic-h demand great skill, His strength is also Cvidmt in his ability
to arrange orchestrations. '
it the "present time iisl approaches the higher philosophic we of
music--the symphonic music. His first symphony res produced with great snccers"in London. low he is writing s symphony dedicated to the prisoners of the
LL--I-L Iasoiet concentratim camps. It is based on the Song of the Bwmp Soldiers
__ which use cospoeed by the prisms:-s. _
'.r+.~-*- ~ ='
_ - 'He has "been with us herein the Soviet before. Lt llt. llagnit he
i wrote down the Cossack melodies of the steppee. Here the lomsonols members -
of the Young Ooumnniet League! were building their own blast-furnace. It 1-
iii shit than that he trots the !'J-val You-ng 0*w'i'u=n.tit!. '
'- He has traveled in the countries of mrope and dmrica. Ivsryuhere
his arrival revived the revolutionary choral and musical movement, and the so~ gs
of lisler, the musician, kept pace with the political speeches of lisler, th:
political warrior, A Rev York nniversity offered him a chair of professorship.
ti Io our shame as know all too little of 1!isler's creations and llnsgio,the former leader, is mostly I'iIpO!ill'b1O for this ignorance. Ilisler is anacoowylich-ed motor. the loado of o oo@loto trend in revolutionary nooio.
Us want to hear lisler'e music works on our stages and in our concert halls. .
His selected compositions. an particularly his collection of songs ehcnld be
g published here by us, all the re so because it is difficult for his to publeh_ abroad. - I
H . - -' - . ' . .
Ilisler could he of great help to the Soviet choral movement. Our co11nti7
- -A demands songs and knows how to cherish good songs." 3ieler's 'C0m111tO1"h'; which$119 is firmly embedded in our collection of pldsn songs, speaks of this.
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ah in Garnaa la tho anon! _vo192ma at tha c¢11-as»: Forks of Iartolt 3:-anbtautolt It-odhttaaannalta Iarka, Baal. II!, pagaa 329 t-0 368. A any of a trum-
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attomptn would mt to mm to arlva rwlpaa tor political. action: from tho
DlQ81p11naI7 Roam:-a Ilthout a tncvludp at the 1.3.0. at lialatic auto:-Laltaa.
Ihat Lani: aall. about morality appllad. tn tho aavaral ethical aonolpta, tank '_
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phI.1OIp|t1 hog the interest ot_ the polatarlat clan atzngglah 5 - 2" r_ a .-
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Ihara la attachal for your paaalbla uaa a gbbtoatatiu any on! paga I
at the Dally Yorker for Idbruary 16, 1988. It in natal that an appears
thereon a pictm-a at lam llalar cuptloaal '3l1'o1'§1t1enary Oarmn Oanpoao:-" an!
it in atatml that the piatura was tabla at Inna Iialar at a limo: inn to hla
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-?;;'-F h I huts lagup 12-81010 which @0111! Sp A _ ._
~"- %w'm*_"!3'1,-' 1*?! *- 9' 4"".92.u. artlolo unruly inql um I1.§.i:rrIv_ol"!n qicw." .1 ptfnul If up
; hi! I7. .1935 Inn! If Wrh? fat!-04 ,1'Q§1 ii!-I_nr$l.lh.' IQ la pond ! -'W ' 92
1» --2*
V 92~x$92D&"*-%
1886. Intro to nthchol hr your pou1_o no 0 pbntochtia Q9 the front
am! nth page at I-his tuna at '1':-uh, I-I all an pap 4, uid oeutsln Q
dildo caption! an Elder. I translation Inn the huh: of thin artists
l.|nttu:1al.92op1p4ot'P:-uh. Ongnplzotthonnnhnhgaluroport
nlntlpall uh of thl uwlpmlr "Prods" torlllr 87. 1935. Ii huh! U103
that 1-ho 1§f0mm92 ruin:-rod $0 limo the '1':-uh, -,_'*.**r
lawn luring iho per!-at uuoqmnnl Q0 In: Ill!-Qt! arrival an lurdpl hribis artlolq Ilth aptly IO192I¢;{i".f§ Q;;_::-;_§<:-¢.i_*=<_L .3-;-é_.§_ g __ - -. ,.+~¢ _;_-'-3° -" r " R T JP; -1" y M ' g 92 *"'- U ».-R. __ . 2 ":.i:',;¬'
. I'M rnport if lpoelal _l;n92 lain! biota: 16, _19 § V
gt I-on h:g01n,'0a1lto:-ah 11:0 nntienl an pa 15 tin 310: Giuliani. 513;; ,-
1: urms in-slut ml hut -1u_Iu:h'-Oqca Ian! 01' 'lIvo1ut1o:u7 hula. ii. -1
-' Ihoro u um»: - ykohnhlli aw at path 4 1»: ihl__.hlL1 Iurh:-" nu
Ievudbnr 22, 1935, uhornln ultra-ttnnnta canning this yin; q>po'ur.- Ihn:n"-
is also aitanhlt n phohuhtti pop: 1|! yap I Q! u @111 Unit;-' for lunch!
ta, 1935 which nontnhi 1 rnriow It lbs pin nlhcri and also ta:-tutu:-on It
- Inna lulu-, Bqrtolt lack! at lulu Own, it 1:011 II nth:-1', n pug! 3-U _"-";
O! $1110 roped Ijaol in lull If Q cltlo Qilil hiking it: lull l -.7".:a-am'-ppmu¢ama¢¢¢a¢u.19a1»m¢m-au1;nm¢=. a"-1
,jOIIIlOH. with this nfcranoo than it Qitnclul a phohnhill pug of pip 7 f"*_
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at in Anglcc, hnfomla. ca page I raters to In article appurln; la u
linen R111 Inn. an lngllah luguagu lesson aunpapor. of Jul; 18, 1935.
It 1: aoha that u at-£1010 - ho nu»: Inn for Gama lulu referral in
lull; Ion. pap I. ?_II'or your poubll no mu $0 naciul 0 ||92o%0lta$h' Q
folntla 1uulIth0'Inoo92rIn3.1.1 tlnh. Shcrlglul.
7 luau ,1: coahhmt in the lu of nu. I ' .
- 1:3:-"=%La ta At
As > -laprllng other BAD; Inh article: mtiunl In cfcporli _ _
tau-nlnlud to you, you will nan at W npnoruhu hind Dutch! 7, 1.917. '
you can In-nldlpl with plnatutatlo aqlu at the Finn: In-tor of Jaun1 }1'_|"
BBQ, pap 4. cal the Frail; In-hr at In-any 85, B86, pup I.arr an _,,
- 11...;Iii: '~- _
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ha-01; Imaging avaapa-0 have also has rtlnd Ill 0:80:75; flu:-q:h~¢' -5-:E}°¢}»- has his ha-nidal lama ii P" 1 ;*"=.-K.-*%*'=.=~,-*=?" "; Q1 -~ '"- :21; §'=*.';'~P *-*3; Z HF ; ; §-;';"" '.*.$;2.;E:T-ii.-_?* -' Q -12" _ _=r.-J N { _ p H. -_
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rs»-92
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._.bU|92| I AL '
baon liaoontinuai; hovavor, offorto are groaon; baing uh to aamira a cop;
of tho Jul: B0. 1935 iaaua and when nvo.i1a'b1a, you will ba furniahaci with a
ooaplata translation thereof. Rho navapapar "tuning Honour of Jul; 27, ~
1935 also oontainari an artiola oonoorning Ema Iiialer. A partial translationmic in containa an paga 11 of tho taper! of Bpaoial Agni-
ina-: at-1% %:+.n..=- 1%, 1;--£1 at I-oi iagr-loo. -Attaaoi are 3-,oa-an; -
t Ilih _a oonpiata tranalation of tho artialt .;_j_. -. n '7 ' I~. V . hing nah to obtain i copy oi thin iaana am! ulna nvailnblo you will ho tin-niohal
f. Iho -m.,l.>-, undo. ohm; £0", ms oonzlinaii nu'1¢L§'1ln;m¢a I
artiola raprlln Iona Ila!-or. lafaraaoa to thin as-tiola. as tial Iu translation nppaara an pap 13 of the report of lpaoial Agant E
hill Ootobar ii, 1946 at Loa Angola, cl]-lffhila A oopy of tha Jul; 30, * H36 iaona la boing and. ;ooLvi11_ba with oouplata tr-ma?-iI; 4 Quip Ann...VI-UH U M III
I~ » J . . - >___.; - _,,- _.| -,_ V. .. _- _- . - -. . -. - »: - . - 1- -_|->1 , "in _92 ,'._ _-V . . 3, ._.v:.-.92:'_. ,__ ,." _ "' _ "
ma tha otfioial organ at tha Ga:-nanduarioan Inorganic! ontaranoa. iha firai ._
iana appoaral in Haw. 1942. In tho aaoono; iantl Cat Jina, 1942. than api '
pan-at a atatamnt of tha aim: of u '0mann-Lam-loan. ihaaa aim aura atatai
to ho tho Instruction of Iazin :16. Ifaaoin throngmut tha world uni ooupiata
- libaration at u Qornnn paopia tron tho Inst rota. Iha also also liacloaal
m$ tha O01-man-Lnarioan val ppoaal it aw diaorinination again M111
1!-e?......-.-..-"-1-'2'-Q.-:'.:' 9.1!. oalleé tor "-2.9 B-492.!.*.; 9! 9-1.3. mt!-Insie :_e,>,n._zl_laas Q! <1.-
politiool opinion or raiigiona 'bo1ia!"'. 1-ha tuna our tha German-Jaariean' for
Jana 1, H44, pap 7 contain: tha vonia am! male to n aong antitlal iautaohaa
I1aaro.r0' Gonna lliaaz-ara"!. It is noted that tha words ara by Bo:-toit Brecht,
and tha main ts Hana lfiolor, For you poaaibla use, T-hero ia attached. a
photoatatio copy of pagan i uni i of ihia iaaua iof ieman-amriom
-' ' a-gum; infatuation concerning Ilmalialar which baa not provioualyi »
taan fnrniahad to tho hope;-tmani, a roviav at I-ha Bu:-nan filo: raacta u '
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Ina taynota loco:-ding Gupaw. 622 Iih Manna, lav York City, ' '
ynbliahmi an album 0! raoora containing aonga of the International Briguia. ;
A gmphiot Qbélpa-111111; tho raoorda contained no introtlnotion by the won {moan
omuniatraoii io$aaon._ ma oiyiiaa aonga, noooriing to time aiimn, no uritton _
$7 Bartalt $1-ooh! an Inna Iialah la thqa raoardin; Ernst Bunch lingo $1;-a _. "~
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Original Verna. It la atatal Uni n aong Ital non rmolaioi I-M-0 mat _
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1 an would Ilka I little Dita to int; ..
- In wants no bull and a lot of tdk,
Ihat gin: no In-out or neat.
*- _-. Imam .T " . ' » .~ f¢L;.. t II lift, tn, than! . __ _., f < > Bo _1ott, two, tlu-00! ;'.=. < '_ . Mx t 1 ,- L. Io tho work that no nut lo. ""1"
t. Y _ larch on In tho workers nsltol oat,1 A ' LA J for you an a sorhu: tn. A . . ~ '.._., + '=-1" r -- " ** 'H V. - _~ , . _ ii!
A In 0 mm g pi-I 1 to hinhwlg * ; 9'--==i.f;» ~ _ ta no nrnntl ngdar Lin - Q;-*= .f
~ ton overhaul." 1.1":--'~ -I _ _ __ _ . <- 92-_'- _>., J,
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~ ln jut teem» hn'l mortar '~;~¬ - R " . 1'1» ,1» 1- -11 nu n; 1' f" u lihratioa of the working clan , _ g;'_,_'-}_ 5;In tho J01: of thn worker: ulna." A" *3_. _ "_Ln ' __' _ _ - - 1" ¢-!___.'.§;I-~...__. "- r - -5 n an-aunt N ' t '
' he Introduction by nu mum um :-=1; 4., 1940 1- u mlmm- I, _ 4 , . _ -. .7 , 7 ..; v a'~~." -- - 1 % "at: sums ma moan! ,' ' ' '5 . .1
_ _. . ' '.'~- -"."-"7 '80:-0 do song: recon-hi luring bath; helm-input, in ' K' warn tluantvu flatlng for tho 'l1at| at In, . .1.. _» . - - V 2 1-. . +- |__K H I . _ z -_ ' '0 "a'. ' P _- _ _,- . .92 1. -- nnmi cal. heroic Ian mp;-s phyol by tho inhtnatiud j 4llflph in tho glorious atrugglo Q! tho lpanluh Iquhllo. . _ . I
. .. T .7-._ i». . H-_ I than In the our of tint Itrugglo in! faith ' '
-_ ..-» - tin Ivuztnpl. lttalnhg of its {radon -- was ntnngthuul'_ i .'..:.=i= ; 'A'_"-"-1--I~a -.2 1'*~" ..; ". L ' ~ I-v ' ;' {I '_ . . . , -- . t _~---. ;__.;,..;,._92 ,92- . .. I ..~ ..A- .1 - . -. - -.¢_ , . "
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' lionojiolor no Ii otol oo o nontor of tho lzocutivo Board on tho lotter-
hoosi of tho Ihootor lrto Gomittoo of loo York, uhich lottorhaod otatod that _
thio organisation no ofliotol. with tho onoricon Loagxo for Poono and Democracy,
tho Ioicol touuittoo and tho Iorth Laotian Uuaittoo to Lid. Spanioh Domocrocy.
It io notod. that tho fhootor Lrto Oomoittoo of low York, loo York no oitod no
i ta-5-aiit'e#nt==1i='.. at iafiltr:-.%£ ..-ea-..i:.-.ti= 1:,-' tho '9-..=-.itt=e ta Qultm-.-.1
~s _ Proodm, Ihlofoooor John Bony, Ghoirooo, in lpril, 1940. Iho Anorimn I-oaguo .
_ for Poocoo:;!_Li3oooa'oc: ml tho Oonittooj to Aid lpanioh Dome:-any hovo oioo
-1 boon citol no tho Honoo ot lop:-ooontotivoo _Un~4no:riooa lgotivitioo onnittoo, -_
78th Gongrooo, no Oomlniot tronto. }_ 1..75_az.1z9a, 9,_16a5!__ -_-1 :_-_;:'. __" Io-_ _ in .1.:: ; -_ -;,'_. {I . _ _ w-'92____.: '._ --92. _.. organization known so I;-tioto Front to tin tho tor no tonal on" "
October is. 19¢: in low rm: 012;. lncwtiing to o rlport of tho Oounittoo aoj
Un-Lmorioon Aotivitioo, Nth Oonpooo, Kano Iioior no o oponooo of thio ungui-
-' tot-lg, $19,111::-»,lo_|,.ot'icon ltititlll ¢0I1 OI oitol tho lrtilto Iront to
__ tho Ior o_G_oMa@hiot_£1font}orpniootiun oo 39. 1944- 1_7533_-1393. M524! * » . _ - - .- . 92 h. ' ». . . _ .- _ .- t ,
no l once:-Ala; to o publication of tho llnoiciono ongxooo, Kano lioior no
' in 1944-1945 o ulnohu at tho Atvioory load. It io notoi that thio organi- - 4'
iatiaa iii itirto fa? % aiieza p-;::~p=a of ahiiizing a"-oi: =..-at zaaiei.-:= -, :
in tho our ogoinlt Ioooion, to iopmvo tho noicimo ruaqtiono to ooeioty not _
- to lioouoo and not "open tho canon prohlooo of moiaiono. Informanto iwro ad» _ -t
riooailthat thio cpniooticn no inotiptol. Ill oontrollot M tho Oouomniotoo __
On In 18, 1945 Iono Iiolor woo lpmoor of on lnoricon-Ruooion I'rion4-
ohip aauoort hold at tho lhrlno Auditorium 1n'Im Lngoloo, Ooliromia. in honor
oi oorol Vioiting lnooiaa iignitarioo out prnaotod by tho Rnooian-omoricon
O1-uh of Loo Lngoloog ., h . h __ . _ I_ -.- ,- ., h 92_. . . -
- 7 In tho Ioroh, 1947 ioono of tho 'lo11,7oood Q:a.rtor1;', Jointly oponoorowi
t7 tho 10111100-I Iritoro Iohlliootion ant tho Pninroity of Oolitornio, Kano h o.
Iiolorr io roflootol no o noufbor of tho Advisory Gomcil. It io notod that tho
loliroood Iritoro llotiliootioo io toportoliy on off-ohoot of tho loagllo of
Etofi. i hlieli 'iuT|IT, tit fa-mt e1~'gar¢=atiu-"5. Eh: .¥-11i,-we. '
mm: Iohiliootion III-I Itortol in 1942 and lliiboniloi in tho honor of 1947- _
It hoo boon rope:-to! tb hmro boon heavily intiltratoi by Goumnioto om! can-3
' _ '.°u't f u_"'._.',"'_' I00-138754--150', p. a 1. 9; 100-3.03317!.- _, -. J
* it ";';.¢;.,;,,..o.}£1.i. Qmiinoi inino me iéi nrméij 'jI
._ - on ioptonbor 35, 1947, ohotogropho tohn in Iooooo by tho offioiol. Ioooioo' 7 _photop'IphI.0 oorrioo Iovfoto ooro plfblllllll in was in tho mam. am in -__ 1"
tho oopsino lulu Fungus:-oi. o rope:-toll; Oozmmiot oogaoino on out of -. .
5-:"'..:ti L: the % ioeae e! '.I.!oi_o !%n_a_.rQ', o L5-914;! otticio oigzoi 5; 7
I lono Iiolor oppoaro. Ibo ortiolo roportotly lo ono in which Hana liolor oxtoio
tho rirtuoo of oomnion out giloo hio Inguliovl oaloriooont to tho Ironll.-I
cont:-allot rogiao. _Ltto_=pto,oro hing unto to attain o om of thio ioouo pt;m.1°'.nru!r... 5: l, - *. i I h. .. v . - r» - -
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