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3 of 3 Premium Clicks used this month SUBSCRIBE Print + Online Subscriber Activation  |  Register x Forgot Password | Need an Account? e-edition | subscribe | newsletter | deals Classifieds Jobs Autos Real Estate FEATURED   » NEWS NOW   SOU will pay record $2.5 million to settle wage dispute       ...       Roseburg church receives 1,000 paper cranes in memory of Umpqua shooting       ...       Medford shop runs afoul of city again, as complaints surface over 'unsightly' lots       ...       SOU will pay record $2.5 million to settle wage dispute       ...       Roseburg church receives 1,000 paper cranes in memory of Umpqua shooting       ...       Medford shop runs afoul of city again, as complaints surface over 'unsightly' lots       ...           MUSIC Top 10 CDs of 2015 Plenty of good albums in 2015, but not many went to the next level By Alan Sculley Last Word Features MailTribune.com By Alan Sculley Last Word Features Posted Dec. 30, 2015 @ 11:15 am By Alan Sculley Last Word Features Posted Dec. 30, 2015 @ 11:15 am »  Social News p bs:newslist StartDate="20121121" EndDate="p bs:datecalc Months="3"" DateSort="1" UseObjects="1" ObjectClass="81" Taxonomywords="2325,665" ExactTaxonomyMatch="1" Image="1" Count="4" --> It’s a bad sign for the year in music when it’s a struggle just to come up with 10 albums that would have contended for my annual list in past years. The top five on this list would hang with the best in most any year, but picking the last few slots was tricky. But it was that kind of year. There were plenty of good albums in 2015, just not many that went next level. I also wasn't as impressed as many music writers with releases by Kendrick Lamar and Drake. They faltered a bit on a musical level for me. Here’s how I ranked this year’s best albums: 1. Adele: “25” (XL/Columbia) — Talk about tough acts to follow. Adele’s 2011 album, “21,” was a consensus pick by critics for album of the year, won six Grammy Awards (including Album of the Year) and sold a boatload of copies. It turns out her hotly anticipated encore, “25,” is easily strong enough to take this year’s top spot. The one thing “25” lacks is a song that matches the goosebumps-raising power of “Rolling in the Deep” — although “All I Ask” comes very close. What’s refreshing about “25” is some of the best songs — “All I Ask,” “Million Years Ago” and “Love in the Dark” — feature little more than Adele’s vocal and either piano or guitar. That these songs can feel so complete in that setting speaks to the superior quality of the writing and Adele’s uncommon singing talent. Three albums in, it’s too early in her career to put Adele in a league with the likes of Billie Holliday, Aretha Franklin or Janis Joplin. But with “25,” she’s getting close. 2. Courtney Barnett: “Sometimes I Sit and Think and Sometimes I Just Sit” (Mom + Pop Music) — Barnett has the unusual ability to take mundane observations such as buying a coffee maker or driving down a highway and spin them into profound thoughts on topics that include adult responsibility, corporate greed or the fragility of life. The music is every bit as good, whether it’s spiky and catchy — “Aqua Profunda!” and “Nobody Really Cares If You Don’t Go to the Party” — or gentler, but still with a little edge — “Small Poppies” or “Depreston.” The raves Barnett is getting for her pithy music and her lyrical wit, insight and rhyming ability are fully justified. 3. D’Angelo: “Black Messiah” (RCA) — “Black Messiah” was released too late last year to be included on 2014 best album lists. Nearly a year later, this album — the first from D’Angelo in a decade — sounds just as bold and inventive, as D’Angelo draws from classic '60s and ’70s soul and funk and puts his own modern spin on the sound. The music on “Black Messiah,” though, is not straight-ahead soul and the production isn’t conventional. The vocals, mainly falsetto, blend into the mix, and the instrumentation washes and swirls through the songs. But rather than sounding muddy, the effect is more pleasantly woozy, drawing in the listener, leaving an intoxicating effect and making us hope we don’t have to wait another decade for D’Angelo’s next album. 4. The Weeknd: “The Beauty Behind The Madness” (XO/Republic) — “The Beauty Behind The Madness” has much more to offer than its great single, “I Can’t Feel My Face.” There’s “Real Life,” a dramatic anthem with faux strings and a rock edge. “In The Night” has a nice swing to go with its sweet, soaring vocal melody. “Dark Times” is a deliberate and effectively haunting ballad. They join another 10 sharply crafted songs that have the Weeknd looking like he may be R&B’s next major star. 5. Jason Isbell: “Something More Than Free” (Southeastern) — Since leaving the Drive-By Truckers, Isbell has cleaned up his life and made good on the potential he showed as a songwriter in that fine rocking group. His 2013 release, “Southeastern,” was arguably the best Americana release of that year, and “Something More Than Free” is nearly as good. As on “Southeastern,” Isbell, for the most part, downshifts from the more rocking sound of his first three solo albums into more of a spare, often acoustic setting, which is applied to a collection of sharply crafted, often lovely songs, such as the gently assertive country-tinged “If It Takes A Lifetime,” “Hudson Commodore” and “24 Frames.” Isbell shows his story-telling skills on songs like “Flagship” and “Speed Trap Town,” while striking a more personal note on “How To Forget,” “The Life You Chose” and the title song. In all cases, the lyrics are vivid, detailed and relatable to anyone trying to find ways to lead a happier, more fulfilling life. This is songwriting at its finest. 6. Florence + The Machine: “How Big How Blue How Beautiful” (Island/Republic) — Florence Welch and company show a bit more of a rock edge and a little less opulence on their third album, “How Big, How Blue, How Beautiful.” Songs like “Ship to Wreck,” “Mother” and the title track pack plenty of power while retaining a bit of the grandeur — not to mention the sharp melodies that have always drawn fans to this acclaimed group. 7. Best Coast: “California Nights” (Harvest/Virgin EMI) — On their third album, the duo of Bethany Cosentino and Bobb Bruno get a bit edgier and rock a little harder, without losing the buoyant and well, beachy, melodies that have made the previous albums stand out. There’s nothing groundbreaking about Best Coast’s power pop sound, but the fact is, Best Coast doesn’t need trickery. The melodies to “So Unaware,” “When Will I Change” and “In My Eyes” are so inviting and timeless that “California Nights” figures to shine and shimmer just as brightly years down the road as it does now. 8. Chris Stapleton: “Traveller” (Mercury Nashville) — Stapleton became an overnight star in November when he paired with Justin Timberlake on the CMA Awards and blew away audiences with his song “Tennessee Whiskey” and Timberlake’s “Drink You Away.” Fans will find Stapleton’s debut album, “Traveller,” just as impressive. A rare country traditionalist at a time when the genre has gone rock/pop, Stapleton had seen 150 of his songs cut by other artists before making this album. But he saved enough gems to make “Traveller” 2015’s best country album. 9. The Arcs: “Yours Dearly” (Nonesuch) — Fronted by Dan Auerbach of the Black Keys, it’s no surprise to hear some crossover between the sound of the Arcs and Auerbach’s main band. But nearly every song on “Yours Dearly” has at least a stylistic twist that makes it distinctive to the Arcs. And even if this band a side project, the quality and creativity of “Yours Dearly” suggests Auerbach is as fully invested in the Arcs as the Black Keys. 10. Ashley Monroe: “The Blade” (Warner Bros.) — A member — along with Miranda Lambert and Angaleena Presley — of Pistol Annies, Monroe continues to make her mark as a solo artist with her lyrically smart, hooky and musically diverse third album. There's country balladry, spunky pop and rock, and even swampy rock. Honorable mentions: Jazmine Sullivan, “Reality Show”; Wilco, “Star Wars”; Dwight Yoakam, “Second Hand Heart”; Leon Bridges, “Coming Home”; Kendrick Lamar, “To Pimp a Butterfly”; Death Cab, “Kintsugi”; Sleater-Kinney, “No Cities To Love”; Paul Weller, “Saturns Pattern”; Natalie Prass, “Natalie Prass”; and Father John Misty, “I Love You, Honeybear.” By Alan Sculley Last Word Features MailTribune.com By Alan Sculley Last Word Features Posted Dec. 30, 2015 @ 11:15 am » Comment or view comments   Terms of Service /* $( document ).ready(function() { // Jquery mobile is trying to style the button and leaving a blank gry button on top of a white button $("#viafouracoms .vf-comment-controls li.vf-right").html(' Submit '); });*/ »  STAY INFORMED   Email NewsLetter   Sign Up Today   Sign up for our newsletter and have the top headlines from your community delivered right to your inbox. calendar Connect with MailTribune.com Facebook Twitter RSS Back to top Reader Services Reader Services Home Subscriptions Subscriber controls Contact us Submissions Photos Events Letters to the editor Corrections Announcements Obituaries Story ideas Since you asked Alerts Email Alerts RSS Feeds Text Alerts Advertise Media Kit Home Products and services Ad rates Advertising contacts Propel Marketing Mail Tribune Daily Tidings The Nickel Shop Our Valley Blogs Mobile Site Stay Informed   Email newsletter   Sign Up Today   Sign up for our newsletter and have the top headlines from your community delivered right to your inbox. 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