Harman-Kardon CONTERPOINT II FM 100 user manual

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OPERATION AND SERVICE INSTRUCTIONS 


IMPORTANT 

It is essential you read this instruction book care¬ 
fully before setting up your Harman-Kardon system. You 
have invested in a line instrument into which many 
excellent engineering developments have been incor¬ 
porated. bach is important for the proper operation of 
your system. This book has been written in simple non¬ 
technical language and if you will take the time to read 
it first before doing anything else you will find it simple 
to obtain optimum performance Trom your Counter¬ 
point II. 

We especially call your attention to the paragraphs 
describing the operation of the Variable Automatic Fre¬ 
quency Control and Variable Automatic Noise Gate 
Control. 

UNPACKING 

After unpacking the Counterpoint II, inspect it care¬ 
fully for any signs of damage in transit. Your unit was 
subjected to many inspections and tests, and then care¬ 
fully packed. If damage is visible notify the transporta¬ 
tion company at once. 

Check the contents of the package carefully. Be 
sure to inspect the folds of the packing material before 


discarding it. Your package should contain: 

1 Counterpoint II, Model FM-100 tuner. 

1 Instruction Booklet 
1 Antenna Wire (FM) 

1 Warranty Card 
1 Package Hardware 
1 Template and Cabinet Installation 
Instructions, 

It is strongly urged that the warranty card be com¬ 
pleted and mailed without delay to protect your tights 
under the warranty. If you should require repair ser¬ 
vice or information on the use of the Counterpoint II, 
we will be able to identify your unit immediately, and 
respond quickly. NOTE: To expedite service, when 
necessary, please contact Harman-Kardon first. We will 
suggest a warranty station in your area and give you the 
procedure and authomation for shipping. 

INSTALLATION 

Your Counterpoint II FM tuner may be installed 
on an open shelf, table, bookcase or high fidelity equip¬ 
ment cabinet. For cabinet mounting, refer to the tem¬ 
plate supplied with this instruction book. 


COPYRIGHT 1956 in U.S.A, and CANADA by HARMAN-KARDON, Inc. 


ALL RIGHTS RESERVED 










VENTILATION 

Ail electrical equipment generates heat which must 
he allowed to escape. Although the Counterpoint II is 
well-ventilated in itself, sufficient space should be al¬ 
lowed around it to permit free air flow. If it is placed 
in a bookcase, it should be located well toward the 
front, to provide as much clearance as possible at the 
rear. DO NOT place books or other objects on top of 
the Counterpoint II, Covering the perforated metal 
cage will prevent proper air flow and will result in 
shatply reduced component and tube life. 

POWER REQUIREMENTS 

Plug the AC power cord into any outlet furnishing 
117 volts, 50 or 60 cycles house current. The exact 
voltage is relatively unimportant and may vary between 
105 to 125 volts. Be sure, however, that yon have a 
50 or 60 cycle AC power source. 

ELECTRICAL CONNECTIONS 

PM Antenna: 

Due to the extremely high FM sensitivity of the 
Counterpoint II, the 48" piece of wire furnished with 
the set will be sufficient antenna for all but the most 
difficult locations. One end of this wite should be 
fastened to the "A” terminal of the Antenna Terminal 
Strip, the other end left free and extended as may be 
convenient. It may be tacked or stapled to the rear of 
the bookcase or equipment cabinet if necessary. 

If 7 for some reason, it is necessary to utilize other 
FM antenna types, we have listed for your convenience 
the following suggestions: 

1. Special outdoor FM antennas may be used. These 
come in various types. For extremely difficult locations 
an in-line Yagi cut for the FM band or equivalent may be 
necessary. For reception of FM stations scattered in 
many directions, a nondirectional antenna may be used. 
This nondirectional type is known as a double dipole 
and consists of two folded dipoles placed at right 
angles to each other. 

2. Your present TV antenna may be used to obtain 
a maximum FM signal. A special antenna coupler or 
knife switch should be used when joining the FM line 
to the television antenna. 

If using a 300-ohm TV wire it should be connected 
to the "G” and "A” terminal on the Antenna Terminal 
Strip, 

Output 

Two receptacles will be found at the rear of the 
chassis marked "Output 1 ' and "Multiplex.” For your 
convenience in connecting the tuner to the amplifier 
you will find a 36" shielded cable packed with the 
Counterpoint II. Plug one end of this cable into the 
"Output” receptacle and the other end into the ap¬ 
propriate input receptacle of the amplifier. 

Since the output circuit of the tuner uses a cathode 
follower this cable may be extended to any reasonable 
length without deterioration of tone quality. 

The "Multiplex” jack is taken directly from the 
detector output and is to be connected to multiplex 
equipment only. The Multiplex output jack bypasses 

2 


the deemphasis network and will give a 13.8 db rise at 
10,000 cycles. 

OPERATION 

The Harman-Kardon Counterpoint II has only three 
operating controls. The Tuning Knob to the right 
selects the desired FM station. The Concentric Control 
at the left is two controls in one. The inner knob turns 
the power on and off and adjusts the Automatic Noise 
Gate action. The outer knob controls the Automatic 
Frequency Control (AFC) action. Maximum AFC and 
ANG action is obtained in the extreme clockwise po¬ 
sition. 

TECHNICAL EXPLANATION OF THE CONTROLS 

Automatic Noise Gate Control: 

Automatic Noise Gate action (ANG) permits tun¬ 
ing between stations without the customary FM inter¬ 
station hiss and adds considerably to the enjoyment of 
FM reception. 

The ANG control may be set for minimum inter¬ 
station noise as required in your location. Advancing 
the control clockwise gradually increases this action and 
at the extreme clockwise position the ANG has maxi¬ 
mum effect. The continuously variable feature of this 
control enables you to select the degree of ANG action 
without cancelling out wanted stations. 

Proper adjustment of the ANG control is made by 
first turning the control completely counterclockwise 
and then advancing clockwise to the point where inter¬ 
station background noise cuts out. At this point even 
the weakest station will operate the noise gate. Turning 
the control further clockwise will require an increasingly 
stronger signal to operate the noise gate. 

Tuning Meier: 

The precise Harman-Kardon tuning meter op-"* 
erates whether AFC is in the circuit or not. When die 
Counterpoint II is tuned completely off any station, the 
tuning meter will point to zero. As you tune through 
a station, the needle will swing to one side, then to zero, 
then to the other side, and as you tune away from the 
station, back to zero. The tuning is proper only when 
the needle points to approximately zero. For precise 
meter adjustment see Behind The Chassis Controls sec¬ 
tion for adjustment procedure. 

Automatic Frequency Control (AFC); 

FM Broadcasting, by its very nature, eliminates al¬ 
most all natural and Vnan-made static. However, the 
characteristics of FM which make this possible also make 
for problems in tuning. The Harman-Kardon Counter¬ 
point II incorporates an effective Automatic Frequency 
Control (AFC) circuit that overcomes these problems 
and insures proper tuning even if the manual tuning 
is not accurately done. The following experiment will 
lead to an understanding of AFC, and the fuller en¬ 
joyment of the Counterpoint IL First, rotate the 
"AFC” control to the extreme clockwise position. Now 
tune across the scale. Note how the stations "pop” 
into place, one after the other. Now tune to any station, 
preferably one with a musical program. Turn the "AFC” 
control counterclockwise as far as possible. This defeats 
the AFC. Tune slowly through the station from left 



to right. Notice that there are three points where the 
station sounds clean, interspersed with points of dis¬ 
torted sound. The middle clean-sounding point is the 
proper tuning position for the best tone quality with 
minimum noise and interference. At this point the tun¬ 
ing meter will indicate proper tuning. Tune slightly 
away from the proper tuning position, until the sound 
is distorted. Note that the tuning meter will indicate 
improper tuning. Now reactivate the AFC by turning 
the "AFC” knob to the right. You will notice that the 
sound cleats up and the proper tuning indication is 
restored, as if the receiver had been manually retuned. 

Actually, the tuning has been electrically re¬ 
adjusted by the operation of the AFC circuit, which auto¬ 
matically retunes the electronic circuits to the center 
of the station channel. 

In order to take maximum advantage of the bene¬ 
fits of AFC, it is suggested that tuning be done with 
AFC off, to render a more precise indication of the tun¬ 
ing meter. When AFC is then turned on, the tuning 
will be improved by a ratio of 10 to 1. 

This procedure is especially recommended in those 
areas where a weak station is found close to a strong 
station. Under this condition, the AFC may tend to 
reach for the strong station and completely skip over 
the weak one. If the weak station is tuned in without 
AFC, it will be locked in when the AFC is turned on. 

Another procedure might be to find that setting 
of the AFC control which provides the exact amount 
of AFC action for most convenient tuning in your 
location- 

To do this, tune to a portion of the dial where a 
strong station is found immediately adjacent to a weak 
station. (If this situation cannot be found in your loca¬ 
tion, leave the AFC control at maximum.) Now tune 
slowly through both stations, from the direction of the 
strong station. If the AFC control is set too high, the 
stronger station may be held until the tuning is past 
the weak station. Adjust the AFC so that when the 
stronger station pops out, the weaker station appears. 

The professional feature of variable AFC enables 
the user to select the amount of AFC desired at any time 
according to location and personal preference. 

BEHIND THE CHASSIS CONTROLS 

Output Level Control: 

The output level of the Counterpoint II may be ad¬ 
justed to suit the input requirements of the amplifier 
or to balance the volume of another program source 
(such as a record player). The Output Level Control 
located to the right of the AC connection should be set 
at maximum if it is not desired to balance volume levels. 

FM Rumble Filter: 

Many broadcast stations transmit a certain amount 
of low frequency rumble that may be produced by the 
records or turntables used at the station. This low fre¬ 
quency signal is often disturbing in a high quality system 
and the Counterpoint II incorporates a rumble filter 
which eliminates this unwanted signal by reducing re¬ 
sponse below 50 cycles. This filter is controlled by a 
slide switch on the rear of the chassis. 


Meter Adjustment Control: 

A meter balancing control is incorporated in the 
Counterpoint II so that the meter may be precisely set. 
This control is located on the back panel slightly to the 
left and above the Output Jack. To adjust, tune between 
stations and turn the control until the needle points to 
the center of the scale (Zero Mark). 

MAINTENANCE AND REPAIR 

In some installations, hum may be encountered 
due to a voltage difference between the amplifier, tuner 
and record changer chassis. This may be eliminated by 
reversing one or all of the AC power plugs. Simply 
reverse one at a time until improvement is experienced. 

Due to the conservative design and high quality 
components of the Counterpoint II, no routine main¬ 
tenance other than yearly tube-testing is required. Should 
trouble develop, however, only the most qualified ser¬ 
viceman should be employed, as special equipment and 
training is required to properly service high fidelity 
equipment. 

This instruction booklet contains diagrams and other 
information needed by your repairman. It should be 
kept available for his use. 

CHANGING PILOT LIGHTS AND TUBES: 

In order to change tubes or pilot lights in this unit 
remove the 7 screw's holding the cage and slide cage off. 
Tubes are then exposed and can be removed. Make 
certain that excessive pressure is not applied to the 
printed circuit board or components. 

To change the right hand pilot light turn the tun¬ 
ing condenser until it is completely closed. The pointer 
will then be at the extreme left of the dial. The screw 
holding the light assembly at the right side can now 
be loosened and the assembly pushed straight back 
thus making the pilot lamp accessible. 

To remove the left pilot light remove the screw 
holding the assembly and push the assembly straight back 
while turning to the right. To reinsert the pilot light 
assemblies merely reverse the above procedure. 

STACKING THE COUNTERPOINT IE 

Rubber pads are included in the event that it is 
desired to stack the tuner on top of the Harman-Kardon 
Rondo amplifier with a minimum of space between. 
Their correct use is as follows: 

1. Remove cage. 

2. Remove bottom plate. 

3. Remove both runners from the bottom plate, 

4. Now replace bottom plate and cage. 

5. Remove safety paper from each pad and press 
firmly into place on bottom plate in 4 corners, 
approximately evenly spaced. 

WARRANTY 

We warrant each Counterpoint II, Model FM-I00 
to be free from defects in material and workmanship 
under normal use and service, and in accordance with 
the conditions herein below set forth, for a period of 
1 year from date of delivery to the original purchaser, 
and agree to replace or repair any part or parts, except 
tubes which are under manufacturer's 90-day warranty, 
returned to us within said 1 year, with transportation 

3 



prepaid, and which our examination shall disclose to 
our satisfaction to have been thus defective. This war¬ 
ranty does not include free labor, nor is it applicable 
to any instrument which shall have been repaired or 
altered in any way so as in our judgement to affect its 
stability or reliability nor which has been subject to 
neglect, misuse, abuse, negligence or accident nor which 
has had the serial number altered, effaced, or removed. 
Neither shall this warranty apply to any instrument 
which has been connected otherwise than in accordance 
with the instruction furnished by us. 

This warranty is expressly in lieu of all other war¬ 
ranties, express or implied, and of all other obligations 
or liabilities on our part, and we neither assume nor 
authorize any representative or other person to assume 
for us any other liability in connection with the sale 
of the Model FM-J.00 f Counterpoint II. 

SERVICE NOTES 

Servicing printed circuits is a simple matter and is 
no more complicated than servicing conventionally wired 
circuits. 

Printed circuit receivers, can be more easily re¬ 
paired, if cerLaiu precautions are observed. Standard 
components are used throughout and can be removed 
and replaced by any serviceman. No special tools or 
skills are necessary. However, some parts which have 
special mounting and connection lugs should be replaced 
with exact duplicate parts. 

Avoid Damage to Copper Foil 

Be careful when removing components from the 
board. However, if the copper foil wiring is damaged 
a piece of wire can be used to replace the damaged foil. 
Small breaks can be "jumped” with molten solder. 
Larger breaks can be repaired with ordinary hook up 
wire, It is unnecessary to replace the entire board be¬ 
cause of foil breakage. 

Avoid Damage to Printed Circuit Board 

Do not apply excessive pressure to the printed cir¬ 
cuit board or components. This is especially important 
to note >vhen changing tubes. Although the board is 
sturdy in construction and mounting, it may crack or 
break if proper care is not taken when servicing. In 
case the board is to be removed from the chassis, re¬ 
move the mounting screws around the edges and un¬ 
solder the few leads that connect between the board and 
the chassis. If this is done, a vise with protected jaws 
should be used to hold the board while servicing and 
care should be taken not to exert excessive pressure 
against the board. 

Avoid Excessive Deposits of Solder 

In some areas on the printed circuit board, the wir¬ 
ing is very closely spaced. When resoldering a new 
component avoid excessive deposits of solder. Exces¬ 
sive solder may cause a short or an intermittent trouble 
to occur later which may be difficult to locate. 

Avoid Overheating 

When using the soldering iron (35 watts or less), 
do not overheat the component terminals or the copper 
foil. Excessive heat (applying soldering iron longer 
than necessary, using a higher wattage soldering iron 
4 


than recommended* or using a solder gun) may cause 
the bond between the board and foil to break. This will 
necessitate replacement or repair of the foil connection. 

Tools and Materials Required 

(1) Low' wattage soldering iron with a small point or 

wedge (rating should not exceed 35 watts). 

(2) Small wire brush. 

(3) 60% tin, 40% lead, low temperature rosin core 

solder. 

(4) Thin bladed knife. 

(5) Small wire pick, or soldering aid. 

REPLACING COMPONENTS 

Soldering Replacement Component to Old Leads 

Cut the leads where they enter the defective compo¬ 
nent. Clean off the ends of the leads, leaving as much 
of the leads as possible. Make a small loop in each 
lead of the replacement component and slide the loops 
over the remaining leads of the old component. Caution 
should be taken not to overheat the connection since the 
copper foil may peel or the original component lead may 
fall out of the board. This is possible due to heat trans¬ 
fer through the leads. The lead length of the replace¬ 
ment part should be kept reasonably short to provide 
some mechanical rigidity. 

Unsoldering and Resoldering Components 

To test a component or if the component is mounted 
in such a manner that the ;dbove method can not be used 
(such as vertically mounted capacitors, etc.) the compo¬ 
nent can be replaced by unsoldering it. This procedure 
should be used whenever it is necessary to unsolder any 
connections to replace defective components. 

(a) Heat the connection on the wiring side of the 
board with a small soldering iron. When the solder 
melts, brush away the solder. Do not overheat the con¬ 
nection, In the process of removing the solder, caution 
must be taken to prevent excessive heating. Therefore, 
do not leave the iron on the connection while brushing 
away the solder. Melt the solder, remove the iron and 
quickly brush away the solder. It may require more 
than one heating and brushing process to completely 
remove the solder, 

(b) Insert a knife blade between the wiring foil 
and the "bent-over” component lead and bend the lead 
perpendicular to the board, (It may be necessary to apply 
the soldering iron to the connection while performing 
this step as it is somgtime^ difficult to completely break 
the connection by brushing.) Do not overheat the 
connection. 

(c) While applying the soldering iron to the con¬ 
nections, "wiggle” the component until it is removed. 

(d) Remove any small particles of solder using a 
clean cloth dipped in solvent. 

(e) A thin film of solder may remain over the hole 
through the board after removing the component. Pierce 
the him with the dead from the new component after 
heating the solder film with the soldering iron. 

(f) Insert the leads of the new component through 
the holes provided. Cut to desired length and bend 
over the ends against the copper foil. Resolder the con¬ 
nection with 60/40 low temperature solder.