From: "The Shed" <
From: "The Shed" <
To: [email protected]
Subject: Kevin Slavin Joins The Shed
Date: Thu, 08 Jun 2017 16:42:49 +0000
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June
2017 Staff
News
Rendering of The Shed by Diller Scofidio + Renfro in collaboration with Rockwell
Group
Alex Poots, Founding Artistic Director and CEO of The
Shed, is pleased to announce that Kevin Slavin has
joined the senior staff as its Chief Science and
Technology Officer. Slavin brings a remarkable depth
of experience in technology, the arts, and academia,
most recently running a research lab at the MIT Media
Lab, where he will remain a Research Affiliate.
Driven by experimentation, innovation, and
collaboration, The Shed will be a center for artistic
invention bringing together leading artists working in
every art form with leading minds in the humanities
and sciences. Its unique and flexible building is
designed to integrate the most advanced contemporary
technologies —not just as part of the physical structure
but in the art that will be produced within it.
Fostered by Slavin, artists will work with emerging
developments in science and technology, including
augmented and virtual reality, Al, synthetic biology,
materials science, and locative media, to express the
ideas and imagery of our time. The building aims to
provide the most flexible infrastructure, ready to evolve
as new technologies and experiences emerge.
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About Kevin Slavin
As an entrepreneur, Slavin co-founded Area/Code in
2004, early pioneers of forms of entertainment and
engagement that are only now becoming mainstream:
location-based games in 2004 (which prefigured
Pokemon Go), second-screen entertainment in 2007,
and some of the earliest breakout games on Facebook
and the iPhone. The company was acquired to become
the New York office of Zynga in 2011.
Slavin trained as an artist at The Cooper Union, where
he now serves as Vice Chair of the Board of Trustees,
and worked as a visual designer before transitioning to
include an emphasis on emerging technologies. His
work has been shown at the Museum of Modern Art,
the Design Museum of London, the Museum fur
Moderne Kunst in Frankfurt/Main, and the Palazzo
Mora in the context of the 2016 Venice Architecture
Biennale. His 2011 TED talk on the role of algorithms
in everyday life has been viewed over five million
times.
As faculty at the MIT Media Lab, Slavin was drawn to
the anti-disciplinary nature of the institution, which
seeks to synthesize art, engineering, science, and
design. While there, he spent two years focused on the
emerging field of Urban Metagenomics, together with
the Mason Lab for Computational Biomedicine at Weill
Cornell Medical College in New York.
Slavin was drawn to The Shed because it takes the
very same anti-disciplinary approach as he found at
the Media Lab, just starting from a different position—
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the arts. Where his goal at the Media Lab was to bring
culture to science and engineering concerns, at The
Shed his mandate is to infuse science and engineering
into the artistic fabric of the institution.
About The Shed
The Shed, opening in spring 2019, will be New York's
first multi-arts center designed to commission,
produce, and present all types of performing arts,
visual arts, and popular culture. Driven by
experimentation, innovation, and collaboration, The
Shed will be a center for artistic invention bringing
together leading artists working in every art form with
leading minds in the humanities and sciences. The
program will be international, created with co-
commissioning partners around the globe, and local,
with early-career artists in residence in The Shed's
creative lab.
Located on the west side of Manhattan where the High
Line meets Hudson Yards, the unique and flexible
building can physically transform to support artists'
visions and the work they create—from hip hop to
classical music, visual art to literature, film to theater
and dance—with collaborations across these
disciplines and beyond, all under one roof. For more
information, visit theshed.org.
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📷 Images in this document (5 detected)
AI-generated factual descriptions of embedded images (llava:13b). These are searchable across the corpus.
[Image 1] The image appears to be a photograph of a printed document, specifically a newsletter or a report. The document is titled "The Shed by the River" and mentions the name "Alex Poots" as the Founder and CEO of The Shed. It also refers to "Kevin Stani" as the Chief Science Officer. The document discusses the integration of technology, arts, and academia, and mentions that the Shed will be a center for
[Image 2] The image appears to be a screenshot of a webpage or a digital document with text. The text is about a place called "The Shed," which is described as a new arts center in New York City. It mentions that the Shed is designed to be a multi-disciplinary arts center that will house a variety of artistic disciplines, including theater, dance, music, visual arts, and film. The Shed is described as a spa
[Image 3] The image appears to be a screenshot of a webpage or a document with text. The text is about a person named Kevin Stalin, who is described as an entrepreneur and co-founder of a company called Area Code. The text mentions that Kevin Stalin was an early pioneer in the entertainment industry and has been involved in various projects, including a film and a video game. It also mentions that he has be
[Image 4] The image appears to be a photograph of a document, specifically a letter or invitation. The document is addressed to "The Shop Open 2016" and is from "The Office of West 26th Street New York." It mentions a date of "October 10th" and a location in "New York." The document includes a reference to a website, "View in website," and a note at the bottom that says "Submitted." The text is clear and le
[Image 5] The image appears to be a photograph of a printed document, specifically a letter or email. The text is too small to read clearly, but it seems to be a formal communication, possibly from a company or organization to an individual. The document includes a subject line, a sender's address, a recipient's address, and a date. There are no visible names, logos, or other identifiable features that woul