Document text
Roland
SuperNATURAL Expansion Board
ARX-aZ
ELECTRIC PIANO
Owner's Manual
SuperNATURAL
Roland
SuperNATURAL Expansion Board
ARX-DZ
ELECTRIC PIANO
Owner's Manual
Before using this product, carefully read the sections entitled: "USING THE UNIT
SAFELY" and "IMPORTANT NOTES" (p. 4; p. 6). These sections provide important
information concerning the proper operation of the product. Additionally, in order
to feel assured that you have gained a good grasp of every feature provided by
your new product. Owner's Manual should be read in its entirety. The manual
should be saved and kept on hand as a convenient reference.
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
USING THE UNIT SAFELY
I INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
About AwARNING and ACAUTION Notices About the Symbols
A
The ^ symbol alerts the user to important instructions or
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle.
In the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
€
The 0 symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
ZLwarning
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
A CAUTION
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
ALWAYS OBSERVE THE FOLLOWING
4
^WARNING
Awarning
Awarning
• Do not open or perform any internal
modifications on the product.
Do not open or perform any internal
modifications on the product. (The
only exception would be where this
manual provides specific instruc¬
tions which should be followed in
order to put in place user-installable
options; see p. 8.)
• Do not attempt to repair the
product, or replace parts within it
(except when this manual provides
specific instructions directing you to
do so}. Refer all servicing to your
retailer, the nearest Roland Service
Center, or an authorized Roland
distributor, as listed on the "Infor¬
mation" page.
• Never use or store the product in
places that are:
• Subject to temperature extremes
(e.g., direct sunlight in an
enclosed vehicle, near a heating
duct, on top of heat-generating
equipment); or are
• Damp (e.g., baths, washrooms,
on wet floors); or are
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
• Subject to high levels of
vibration.
• In households with small children,
an adult should provide supervision
until the child is capable of
following all the rules essential for
the safe operation of the product.
• Protect the product from strong
impact.
(Do not drop it!)
• Before installing the ARX-02, you
must first always turn off the unit
{Fantom-G6/G7/G8) and unplug
its power cord.
A CAUTION
• Install the circuit board only into the
specified unit (Fantom-G6/G7/
G8). Remove only the specified
screws during the installation.
5
IMPORTANT NOTES
When you purchase the ARX-02 SuperNATURAL Expansion Board
from an authorized Roland dealer, the included sounds and samples
are licensed, not sold, to you by Roland Corporation, for commercial
use in music production, public performance, broadcast, etc.
You may use any of the included phrases and/or samples in a
commercial or non-commercial recording without paying any
additional license fees. However, you must strictly adhere to the
following crediting guidelines on any music recording that utilize
material from ARX-02.
Reproduction or duplication of this collection or any of the sound
recording contained in the ARX-02, either as they exist on this
expansion board or by any means of reformatting, mixing, filtering,
re-synthesizing, processing or otherwise
editing for use in another product or for re-sale, is strictly prohibited
without the express written consent of Roland. All unauthorized
giving, trading, lending, renting, re-issue, redistribution or re-sale of
the sounds included in the ARX-02 are expressly prohibited.
In Plain English: Be creative in your application of the ARX-02
sounds, and keep this library for your use only. DO NOT COPY IT.
Roland constantly monitors other Soundware releases to check for
copyright infringements, and will prosecute all piracy and copyright
violations to the fullest extent of the law.
THIS LIBRARY IS GUARANTEED TO BE 100% COPYRIGHT CLEAN.
Placement
• This device may interfere with radio and television reception. Do not
use this device in the vicinity of such receivers.
Additional Precautions
• To avoid disturbing your neighbors, try to keep the product's volume at
reasonable levels (especially when it is late at night).
• When you need to transport the product, package it in the box
(including padding) that it came in, if possible. Otherwise, you will
need to use equivalent packaging materials.
• In the interest of product improvement, the specifications and/or appear¬
ance of this product are subject to change without prior notice.
F=© c N225
6
Contents
USING THE UNIT SAFELY.4
IMPORTANT NOTES.6
Installing the Expansion Board in Your Product ....8
Installarion in Your Product.8
Confirmation After Installation.11
To Remove the Board from the Product.12
Installation de la carte d'expansion dans un appareil. 13
Installer la carle dans un appareil.13
Retirer la carle de I'appareil.16
Introduction.17
Main Features.17
ARX Series SuperNATURAL Expansion Boards. 17
Roland SuperNATURAL Technology. 17
ARX-02 ELECTRIC PIANO. 17
The Structure of ARX-02 ELECTRIC PIANO.18
Setting of Patch.20
The Basic Screen.20
Selecting a patch.21
Saving a patch (on the Fantom-G).21
Selecting a Type (Type/Level Screen).22
Adjusting the Sound (Pickup/Bell Screen).24
Selecting an Effect (MFX Screen).26
MFX Sv/itch.26
MFX Types.26
Selecting the Type of Pre Amp (Pre Amp Screen).32
Pre Amp Switch.32
Pre Amp Types.32
Selecting the Type of Speaker (Speaker Screen).35
Initializing a Patch (Utility Screen).35
Specifications.37
Index.38
7
Installing the Expansion Board in Your Product
Cautions when installing
Before you install this expansion board (hereafter referred to as "the
board"}, you should carefully read the procedure for installing
expansion boards given in the owner's manual of the product in which
you're installing it.
To avoid the risk of damage to internal components that can be
caused by static electricity, please carefully observe the following
whenever you handle the board.
Installation in Your Product
1 • As described in your product's owner's manual, expose
the slot in which the expansion board is to be installed.
2. Orient the board with the slot of your product as shown
in the illustration.
• Before you touch the board, always first grasp a metal object (such
as a water pipe), so you are sure that any static electricity you
might have been carrying has been discharged.
• When handling the board, grasp it only by its edges. Avoid
touching any of the electronic components or connectors.
• Save the bag in which the board was originally shipped, and put
the board back into it whenever you need to store or transport it.
• Do not touch any of the printed circuit pathways or connection
terminals.
• Never use excessive force when installing a circuit board. If it doesn't
fit properly on the first attempt, remove the board and try again.
• When you've finished installing the expansion board, follow the steps
described in the owner's manual of your device to verify that the
board was installed correctly.
Slof of fhe product
(expansion board)
Roland logo
DD
□
□
DD
Holes that engage the
non-latched holders
8
3. Insert the board into the product's non-latched board
holders until you hear a click.
Non-latched holders
4. Gently lower the board into place.
9
Confirmation After Installation
After you've finished installing the expansion board, you v/ill need
to perform the follov/ing procedure to confirm the installation.
This installation procedure needs to be performed only the first time
you power up your device after installing the expansion board.
1 • Power up your device os described in its owner's
manual.
2. If the expansion board was installed correctly, an
installation confirmation screen will appear.
Press the [F8 (Execute)] button to begin installation.
* The screen shown here is for when the board is installed in the
Fantom-G.
If the installation confirmation screen does not appear the first
time you power up after installing the expansion board, it is
likely that the board was not installed correctly. Check once
again to make sure that the board is correctly installed.
ij!^
It may take one to five minutes before installation is finished.
Never turn off the power during this installation process.
3. When you see the Power Off screen indicating that
installation is finished, switch your device's power off,
then on again os described in its owner's manual.
Power Off
Cofnpleted.
Please Power Off!
This completes the expansion board installation process.
To Remove the Board from the
Product
1. As described in your product's owner's manual, expose
the slot in which the expansion board was installed.
2. Unlatch the latched board holders.
12
3. Verify that the two latched baard halders are unlocked,
then gently pull up the board and disconnect the
connector.
4. Disengage the baard from the non-latched board
halders, and remave the baard.
Installation de la carte d'expansion dans un appareil
French language for Canadian Safety Standard
Mises en garde relatives d I'installation
Avant d'installer cette carte d'expansion (la carte), il faut lire atten-
tivement la procedure d'installation des cartes d'expansion decrite
dans le guide d'utilisation de I'appareil dans lequel la carte sera
installee.
Installer la carte dans un appareil
1. Suivre les insfrucHons donnees dans le guide
d'utilisation de I'appareil pour degager la fente ou la
carte d'expansion doit etre installee.
2. Orienter la carte de fa^on d ce qu'elle s'aligne avec la
vente de I'appareil, comme le montre I'illustration.
• Veuillez suivre attentivement les instructions suivantes quand vous
manipulez la carte afin d'eviter toutrisque d'endommagement des
pieces internes par I'electricite statique.
• Toujours toucher un objet metallique relie a la terre (comme un
tuyau par exemple) avant de manipuler la carte pour vous
decharger de I'electricite statique que vous auriez pu accumuler.
• Lorsque vous manipulez la carte, la tenir par les cotes. Evitez de
toucher aux composants ou aux connecteurs.
• Conservez le sachet d'origine dans lequel etait la carte lors de
I'envoi et remettez la carte dedans si vous devez la ranger ou la
transporter.
• Ne pas toucher aux circuits imprimes ou aux connecteurs.
• Ne jamais forcer lors de I'installation de la carte de circuits imprimes.
Si la carte s'ajuste mal au premier essai, enlevez la carte et recom-
mencez I'installation.
• Une fois la carte installee, il faut suivre la procedure decrite dans le
guide d'utilisation pour verifier que la carte est installee correctement.
Fenfe de I'appareil
'expansion) °
V
Logo Roland < [ ]
Trous de retenue des
supports non bloques
Ua
ol
3. Inserer la carte dans les supports non bloques jusqu'a
ce qu'un die se fosse entendre.
14
4. Abaisser la carte delicatement.
6. S'assurer que les supports de carte sont bien bloques.
5. Appuyer sur la carte aux trois points indiques sur
I'illustration jusqu'd ce que les supports se bloquenten
place.
7. Suivre les instructions donnees dans le guide
d'utilisation et verifier que la carte d'expansion est
installee correctement.
Retirer la carte de Kappareil
1. Suivre les instructions donnees dans le guide
d'utilisation de I'oppareil pour degager la fente ou la
carte d'expansian a ete installee.
2. Debloquer les supports de carte.
16
3. Verifier que les deux supports de carte sont debloques
puis tirer delicatement sur la carle et deconnecter le
connecteur.
4. Retirer la carte des supports debloques, et la retirer
ensuite campletement.
Introduction
Main Features
ARX Series SuperNATURAL
Expansion Boards
The ARX series SuperNATURAL expansion boards represent a further
evolution for Roland's line of expansion solutions, which began with
the SR-JV80 series and SRX series—they are a completely new type of
expansion board. SuperNATURAL technology delivers natural, richly
expressive sounds and effects along with a dedicated graphic user
interface, all adding up to a comprehensive application environment
that allows an unprecedented degree of expressive playability and
customization.
Roland SuperNATURAL Technology
[SuperMATURAt]
SuperNATURAL is Roland's breakthrough sound-generating
technology that enables a new level of realism and expression.
SuperNATURAL reproduces the delicate, organic tonal changes and
playing nuances of acoustic and electric musical instruments.
ARX-02 ELECTRIC PIANO
Functions for detailed and intuitive
customization
The ARX-02 uses SuperNATURAL technology to faithfully reproduce
the sound-producing mechanism and tonal characteristics of an
electric piano. You'll be able to enjoy performing electric piano
sounds with an unprecedented degree of realism.
Customization allows you to change not only the type of electric
piano model, but also details such as the distance between the tone
bars and pickups, the angle of the tone bars, the character of the bell,
and tonal differences resulting from the condition of the instrument.
You'll be able to create the exact electric piano sounds you want, in
the same way as a specialist electric piano technician.
Electric piano sounds with SuperNATURAL
technology for the ultimate in expressive feel
The ARX-02 provides five amp models that are tuned for electric
piano. These allow variations of volume dynamics to create infinite
gradations of the tone and distortion that are characteristic of the
electric piano, in ways that would be difficult for tone-generation
methods based on sampled waveforms. You'll have the same detailed
and dynamic performance control as on a real electric piano.
Numerous multi-effects suitable for an electric piano (such as phaser
and chorus) are also provided, allowing you to create a wide variety
of electric piano sounds.
17
The Structure of ARX-02 ELECTRIC PIANO
Basic structure
The ARX series SuperNATURAL expansion boards receive
performance data and control data from a host instrument compatible
with the ARX series, and send audio signals to the host instrument.
* The ARX series supports up to sixteen parts, but this product is
designed with only one part.
* When this product is installed to the Fantom-G, you can apply
effects to its output such as reverb that are inside the Fantom-G.
* Since this product realizes a wide range of editing, depending on
the playback device that you use and the settings of the
parameters of this product, symptoms such as distorting and
cracking sounds may occur. In this case, please do the following.
• Make the parameters that are related to the level of this
product to a smaller value.
• Make the output level of the device that this product is
installed smaller.
• Lower the volume of the playback device.
* This product does not correspond to the following parameters of
the Fantom-G. When this product is installed to the Fantom-G, the
following parameters will be ignored if they are edited.
• Part Output Level
• PartEFXl Send Level
• Part EFX2 Send Level
18
4
From ARX compatible device
(Performance data)
ARX-02 ELECTRIC PIANO
Patch 050_
Patch 001
To ARX compatible device
(Audio signal)
Sound generator section
Sound generation on the ARX-02 involves four stages: Tone (Type,
Pickup/Bell), MFX, Pre Amp, and Speaker.
The Tone stage specifies mainly the settings of the electric piano itself,
such as differences due to the type or model of the electric piano, and
the way in which the condition of the instrument affects the sound.
The MFX stage lets you apply various effects.
The Pre Amp stage lets you make pre-amp settings. Since it is
independent of the Tone stage, you can also create combinations that
do not exist in reality.
The Speaker stage let you make speaker settings.
Patches
The sound generator settings can be saved as "patches."
The ARX-02 Electric Piano contains fifty patches.
If the ARX-02 is installed in a Fantom-G, this patch data is saved in
the Fantom-G Project.
19
Setting of Patch
About this manual
• The screen images used in this manual are taken from a Fantom-G with the ARX-02 installed. The various procedures described also
assume that you are using the ARX-02 installed in a Fantom-G.
• For details on how to move the cursor or edit a value, refer to the owner's manual for the device in which you've actually installed the
ARX-02.
The Basic Screen
W MFX
w AMP
(S
Syne Trt»o(o
« ■ 100
Attack ThrcstioU
« a
Rau Oapth Bass Treble
t§ a
COMPRESSOR
OLO
The basic screen shows the PATCH NAME, as well as the main
parameters of the patch.
Parameter
Description
Poge
Condition
Specifies the condition of the electric
piano.
P-22
Pickup Level
Volume of the electric piano tone.
P-22
Amp Level
Output Level of the "Pre Amp."
p. 32
MFX Switch
Turns MFX on/off.
p. 26
Pre Amp Switch
Turns Pre Amp on/off.
p. 32
* For details on the parameters in MFX section, refer to "Selecting
an Effect (MFX Screen)" (p. 26)
* For details on the parameters in Pre Amp section, refer to "SelecH
ing the Type of Pre Amp (Pre Amp Screen}" |p. 32)
20
Selecting a patch
Move the cursor to PATCH NAME and change the value to select a
patch (001-050).
Saving a patch (on the Fantom-G)
A patch you've created is temporary; it will be lost if you select a
different patch. If you want to save the patch you've edited, proceed
as follows.
1. Press the [WRITE] button on the Fantom-G.
2 . Assign a name to the patch.
For details on how to assign a name, refer to the Fantom-G
owner's manual.
ARX PATCH NAME
}'
ARX Suit Case
B
C
D
E
F
3 . When you've finished assigning the name, press the [F8 (OK)]
button.
4 . Select a patch number, and press the [F8 (WRITE)] button.
5 . When the confirmation screen appears, press the [F7 (OK)]
button to save the patch.
Selecting a Type (Type/Level Screen)
In fhe Type/Level screen you can select the type, condition and
character of the electric piano.
Parameter
Value
Description
TINE EP
This is an Electric Piano that widely used in the
'70s. It is a standard sound that was loved by jazz
and fusion players, and continues to have
numerous fans to this day. This sound is
characterized by a belllike attack and a mild tone,
and is indispensable in today's styles, such as
smooth jazz and acid jazz.
Tone Type
REED EP
This is an Electric Piano that made its appearance
in the '60s and was widely used in rock and R&B.
It has a distinctive dynamism, with gentle
pianissimo sounds and strongly played notes that
are reminiscent of resonance sounds on a
synthesizer. This Electric Piano continues to be
used by numerous musicians today.
SA EPl
This is the E.Piano 1 sound of the Roland RD-1000,
which was released in 1986.
SA EP2
This is the E.Piano 2 sound of the RD-1000.
REED BELL
This is a new type of Electric Piano, combining the
characteristics of a TINE EP and a REED EP.
TINE EP2
This is a new type of Electric Piano. It is a variation
FM TINE
of the TINE EP.
REED EP2
This is a new type of Electric Piano. It is a variation
of the REED EP.
Condition
1-5
Specifies the condition of the Electric Piano that
was selected in "Tone Type."
Pickup
Level
0-127
This adjusts the volume of the Electric Piano tone.
22
Adjusting the Damper Noise (Damper Noise)
This adjusts the damper noise (the noise heard when you press the
damper pedal to release the tone bars).
Parameter
Value
Description
Damper Noise
-10-0-+10
Increasing this value will make the
damper noise louder.
* Depending on the selected Tone Type (p. 22), this may have no
effect.
Adjusting the Key-off Sound (Key Off Resonance)
This adjusts resonances such as the key-off sound (the faint sound
heard when you release a key).
Parameter
Value
Description
Key Off
Resonance
Higher values will produce a louder key-
-10-0-+10
off sound. At a setting of -10 there will be
no key-off sound at all.
* Depending on the selected Tone Type (p. 22), this may have no
effect.
Adjusting the Hum Noise (HUM Noise)
This adjusts the amount of hum and other noise that leaks into the
pickups.
Electric Pianos were susceptible to various types of noise, and this
noise would sometimes be output along with the sounds of the
performance. Depending on the effect settings, such noises can
produce an authentic, lively atmosphere.
Parameter
Value
Description
HUM Noise
-lO-O-flO
Adjusting this value from 0 toward the
negative side will produce a clearer
sound, while adjusting it toward the
positive side will produce a dirty sound.
At a setting of-10 there will be no hum at
all.
* Depending on the selected Tone Type (p. 22), this may have no
effect.
Changing the Timing of Sounds in Response to the Velocity
(Hammer Response)
This sets the interval from the time the key is played to when the
sound is produced.
Parameter
Value
Description
Hammer
Response
.64-0-1-63
As the value is decreased, the timing of
the sound is delayed more when more
force is used to play the keys.
As the value is increased, the timing of the
sound is delayed more when less force is
used to play the keys.
Adjusting the Sound (Pickup/Bell Screen)
In the Pickup/Bell screen you can adjust the sound of electric piano.
Adjusting the Thickness of the Sound (Bor Angle)
The typical Electric Piano produces sound when a hammer strikes a
metal rod called the tine with tone bar, whose vibrations are
detected by a pickup. On this type of piano, the tonal character can
be adjusted by changing the angle of the tone bars and pickups.
Equivalent tonal changes can also be produced for Electric Pianos
that don't use tone bars.
Parameter
Value
Description
Key Follow
-10-0-+10
Changes the Bar Angle effect relative to
the key. Higher settings will produce more
change. Positive (+) settings will increase
the Bar Angle effect when higher keys are
pressed. Negative (-} settings will
decrease the Bar Angle effect when
higher keys are pressed.
Bor Angle
-10-0-+10
Higher settings will emphasize the
fundamental, producing a thicker sound.
Adjusting the Character of the Attack (Bell/Thump)
This adjusts the balance between two components of the attack; the
Bell component and the Thump produced by the hammer.
Parameter
Value
Description
Adjusting this value from 0 toward the
negative side will emphasize the bell
Bell/Thump
-10-0-+10
sound, while adjusting it toward the
positive side will emphasize the hammer
sound.
24
Adjusting the Nuances of the Sound (Pickup Distance)
The typical Electric Piano uses pickups to convert the vibrations of the
tone bars into sound. By adjusting this parameter, you can obtain the
effect of changing the distance between the tone bars and the
pickups.
Equivalent tonal changes can also be produced for Electric Pianos
that don't use tone bars.
Parameter
Value
Description
Pickup
Distance
Lowering this value will move the tone
bars and pickups farther apart. This
-2-0-+2
makes it easier for you to produce varied
dynamics. Increasing this value will
produce a more powerful sound.
Adjusting the Character of the Bell (Bell Character)
This adjusts the tonal character of the bell sound included in the
attack.
Parameter
Value
Description
Bell Rust
0-15
Increasing this value will reduce
highfrequency content of the bell sound.
Adjusting this value from 0 toward the
negative side will produce a heavier
Bell Character
-10-0-+10
character, while adjusting it toward the
positive side will produce a lighter
character.
Selecting an Effect (MFX Screen)
You can apply effects that are tuned specifically for the Electric
Piano.
The available parameters v/ill depend on the effect you select.
MFX Switch
Parameter
Value
Description
MFX Switch
OFF, ON
Turns MFX on/off.
MFX Types
* For details on the "note" that can be selected for some parame¬
ters, refer to "About Note" (p. 36)
MFX 00: THRU
No effect will be applied.
MFX 01: EQUALIZER
Parameter
Value
Description
Low Freq
200, 400 Hz
Frequency of the low range.
Midi Freq
200-8000 Hz
Frequency of Middle Range 1.
Mid2 Freq
200-8000 Hz
Frequency of Middle Range 2.
High Freq
2000,
4000,
8000 Hz
Frequency of the high range.
Low Gain
-15-+15 dB
Gain of the low frequency range.
Midi Gain
-15-+15 dB
Gain of Middle Range 1.
Mid2 Gain
-15-+15 dB
Gain of Middle Range 2.
High Gain
-15-+15 dB
Gain of the high frequency range.
Midi Q
0.5, 1.0, 2.0,
4.0, 8.0
Width of Middle Range 1
Select a higher value to narrow Middle
Range 1.
Mid2 Q
0.5, 1.0, 2.0,
4.0, 8.0
Width of Middle Range 2
Select a higher value to narrow Middle
Range 2.
Level
0-127
Output level
26
MFX 02: SUPER FILTER
Parameter
Value
Description
Type
LPF,
BPF,
HPF,
NOTCH
Filter type
Frequency range that will pass through
each filter
LPF: frequencies below the cutoff
BPF: frequencies in the region of the cutoff
HPF: frequencies above the cutoff
NOTCH: frequencies other than the region
of the cutoff
Slope
-12,
-24,
-36 dB
Amount of attenuation per octave
-12 dB; gentle
-24 dB; steep
-36 dB; extremely steep
Cutoff
0-127
Cutoff frequency of the filter
Increasing this value will raise the cutoff fre¬
quency.
Resonance
0-127
Filter resonance level
Increasing this value will emphasize the re¬
gion near the cutoff frequency.
Gain
0-+12 dB
Amount of boost for the filter output
Mod Sw
OFF, ON
On/off switch for cyclic change
Modulation
Wave
TRI,
SQR,
SIN,
SAWl,
SAW2
How the cutoff frequency will be modulated
TRI; triangle wave
SQR: square wave
SIN: sine wave
SAWl : sawtooth wave (upward)
SAW2: sawtooth wave (downward)
Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo.
See "About Note" (p. 36).
Rate
0.05-
10.00 Hz,
note
Frequency of modulation
Depth
0-127
Depth of modulation
Parameter
Value
Description
Attack
0-127
Speed at which the cutoff frequency will
change
This is effective if Modulation Wave is
SQR, SAWl,orSAW2.
Level
0-127
Output level
MFX 03; CHORUS
Parameter
Value
Description
Mode
1- PHASE,
2- PHASE,
3- PHASE,
6-PHASE
Number of chorus stages.
Pre Delay
0.0-100 ms
Adjusts the delay time from the direct
sound until the chorus sound is heard.
Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo.
See "About Note" (p. 36).
Rate
0.05-
10.00 Hz,
note
Frequency of modulation
Depth
0-127
Depth of modulation
Phase
0-1 80 deg
Spatial spread of the sound
Balance
DlOOiOW-
DO: 1OOW
Volume balance between the direct sound
(D) and the chorus sound (W)
Level
0-127
Output Level
MFX 04: PHASER 1
MFX 05: PHASER2
Parameter
Value
Description
Resonance
0-127
Amount of feedback
Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo.
See "About Note" (p. 36).
Rate
0.05-
10.00 Hz,
note
Frequency of modulation
Depth
0-127
Depth of modulation
Low Gain
-15-+15clB
Boost or cut in the low end
High Gain
-15-+15clB
Boost or cut in the high end
Level
0-127
Output Level
Parameter
Value
Description
Mode
4-STAGE,
8-STAGE,
12-STAGE
Number of stages in the phaser
Manual
0-127
Adjusts the basic frequency from which
the sound will be modulated.
Resonance
0.127
Amount of feedback
Feedback
.98-f98 %
Adjusts the proportion of the phaser
sound that is fed back into the effect.
Negative (-) settings will invert the phase.
Mix
0-127
Level of the phase-shifted sound
Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo.
See "About Note" (p. 36).
Rate
0.05-
10.00 Hz,
note
Frequency of modulation
Depth
0-127
Depth of modulation
Polarity
INVERSE,
SYNCHRO
Selects whether the left and right phase of
the modulation will be the same or the
opposite.
INVERSE: The left and right phase will
be opposite. When using a mono
source, this spreads the sound.
SYNCHRO; The left and right phase will
be the same. Select this when inputting
a stereo source.
Low Gain
-15-+15 dB
Gain of the low range
High Gain
-15-+15 dB
Gain of the high range
Level
0-127
Output Level
28
MFX 06: FLANGER
MFX 07: DELAY
Parameter
Value
Description
Pre Delay
0.0-100 ms
Adjusts the delay time from the direct
sound until the flanger sound is heard.
Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo.
See "About Note" (p. 36).
Rate
0.05-
10.00 Hz,
note
Frequency of modulation
Depth
0-127
Depth of modulation
Phase
0-1 80 deg
Spatial spread of the sound
Feedback
.98-+98 %
Adjusts the proportion of the flanger
sound that is fed back into the effect.
Negative (-) settings will invert the phase.
Low Gain
-15-+15 dB
Gain of the low range
High Gain
-15-+15 dB
Gain of the high range
Balance
DlOOiOW-
DO: 1OOW
Volume balance between the direct sound
(D) and the flanger sound (W)
Level
0-127
Output Level
Parameter
Value
Description
Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo.
See "About Note" (p. 36).
Delay Time
0-1300 ms,
note
Delay time from when sound is input to
delay until the delay sound is heard.
Acceleration
0-15
When you change the delay time, this
setting specifies the time over which it will
change from the current delay time to the
new setting.
The speed of pitch change will change
together with the delay time.
Feedback
.98-+98 %
Specifies the percentage (%) of the delay
sound that will be returned to the input.
Positive (+) settings return the sound at
the original phase, and negative (-} set¬
tings return the phase-reversed sound.
HF Damp
200-
8000 Hz,
BYPASS
Specifies the frequency at which to cut the
high range of the delay sound returned to
the input.
Choose the BYPASS setting if you don't
want to cut.
Low Gain
-15-+15 dB
Gain of the low range
High Gain
-15-+15 dB
Gain of the high range
Balance
D100:0W-
DO: 1 OOW
Volume balance between the direct sound
(D) and the delay sound (W)
Level
0-127
Output Level
MFX 08: REVERB
MFX 09: LINE DRIVE
Parameter
Value
Description
Type
ROOMl,
ROOM2,
STAGE 1,
STAGE2,
HALLl,
HALL2
Type of reverb
ROOMl; short reverb with high density
ROOM2; short reverb with low density
STAGE! ; reverb with greater late rever¬
beration
STAGE2; reverb with strong early reflec¬
tions
HALLl: very clear-sounding reverb
HALL2; rich reverb
Pre Delay
0.0-100 ms
Adjusts the delay time from the direct
sound until the reverb sound is heard.
Time
0-127
Time length of reverberation
HF Damp
200-
8000 Hz,
BYPASS
Adjusts the frequency above which the
high frequency content of the reverb
sound will be cut, or "damped." If you do
not want to cut the high frequencies, set
this parameter to BYPASS.
Low Gain
-15-+15dB
Boost or cut in the low end
High Gain
-15-+15dB
Boost or cut in the high end
Balance
D100:0V^-
D0:100W
Volume balance between the direct sound
(D) and the reverb sound (W)
Level
0-127
Output Level
Parameter
Value
Description
Strength
SOFT, HARD
HARD produces stronger distortion than
SOFT.
Type
1,2
Varies the nuances of the distortion.
Drive
0-127
Degree of distortion
This also affects the volume.
Low Gain
-15-+l5dB
Boost or cut in the low end
High Gain
-15-+l5dB
Boost or cut in the high end
Level
0-127
Output Level
* This reproduces the distortion that occurs when on electrical cir¬
cuit is slightly overloaded.
MFX 10: COMPRESSOR
Parameter
Value
Description
Attack
0-127
This sets the time it takes until the level is
compressed after the input exceeds the
Threshold.
Threshold
0-127
Adjusts the volume at which compression
begins
Post Gain
0-+18dB
Adjusts the output gain.
Low Gain
-15-+l5dB
Boost or cut in the low end
High Gain
-15-+l5dB
Boost or cut in the high end
Level
0-127
Output Level
30
MFX 11: WAH
MFX 12: RING MODULATOR
Parameter
Value
Description
Filter Type
LPF, BPF
Filter Type
LPF; The v/ah effect will be applied over
a wide frequency range.
BPF; The wah effect will be applied over
a narrow frequency range.
Manual
0-127
When Control Type is set to "PEDAL," you
can use this parameter to modify the tonal
character.
Peak
0-127
Adjusts the amount of the wah effect that
will occur in the range of the center
frequency.
Set a higher value to narrow the range to
be affected.
Sens
0-127
When Control Type is set to "TOUCH,"
this adjusts the sensitivity to the volume
used in changing the tone.
Control Type
TOUCH,
PEDAL
Effect Control Types
TOUCH; The tone changes in response
to changes in the volume.
PEDAL; The tone changes according to
the function of the Manual parameter,
and controller number 4 {CC#4) of MIDI
message.
Depth
0-127
Depth of modulation
Level
0-127
Output Level
Parameter
Value
Description
Frequency
0-127
Adjusts the frequency at which
modulation is applied.
Sens
0-127
Adjusts the amount of frequency
modulation applied.
Polarity
UP, DOWN
Determines whether the frequency
modulation moves towards higher
frequencies (UP) or lower frequencies
(DOWN).
Low Gain
-15-+15dB
Boost or cut in the low end
High Gain
-15-+15dB
Boost or cut in the high end
Balance
D100;0W-
DO; 1OOW
Volume balance between the direct sound
(D) and the effect sound (W)
Level
0-127
Output Level
Selecting the Type of Pre Amp (Pre Amp Screen)
This switches the amp of the Electric Piano. By changing the
combination of Electric Piano type and amp type, you can create a
variety of sounds ranging from standard Electric Piano sounds to
new sounds that have not been heard before.
Pre Amp Switch
Parameter
Value
Description
Pre Amp
Switch
OFF, ON
Turns Pre Amp on/off
Pre Amp Types
* For details on the "note" that can be selected for some parameter,
refer to "About Note" (p. 36)
THRU
No pre amp will be used.
OLD
This combines TINE EP(p. 22), reproducing a typical Electric Piano
sound of the early '70s.
Parameter
Value
Description
Tremolo Switch
OFF, ON
Turns tremolo on/off.
Tremolo Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo
See "About Note" (p. 36).
Tremolo Rote
0.05-10.00 Hz,
note
Frequency of the tremolo
Tremolo Depth
0-127
Depth of the tremolo
Tremolo Dufy
-10-+10
Specifies the duty cycle of the LFO
waveform used to apply tremolo.
Increasing this value will increase the
duty cycle of the LFO waveform for
the L-channel; the duty cycle for the R-
channel will decrease.
Boss
-50-+50
Amount of boost/cut for the low
frequency range
Treble
-50-+50
Amount of boost/cut for the high
frequency range
Level
0-127
Output Level
32
NEW
DYNO
This combines TINE EP (p. 22}, reproducing a typical Electric Piano
sound of the late '70s through '80s.
Parameter
Value
Description
Tremolo Switch
OFF, ON
Turns the tremolo on/off.
Tremolo Sync
OFF, ON
When this is set to "note," the effect is
synchronized with the tempo
See "About Note" (p. 36).
Tremolo Rate
0.05-
10.00 Hz,
note
Frequency of the tremolo
Tremolo Depth
0-127
Depth of the effect
Tremolo Duty
-10-+10
Specifies the duty cycle of the LFO
waveform used to apply tremolo.
Increasing this value will increase the
duty cycle of the LFO waveform for the
L<hannel; the duty cycle for the R-chan-
nel will decrease.
Bass
-50-+50
Amount of boost/cut for the low
frequency range
Treble
-50-+50
Amount of boost/cut for the high
frequency range
Level
0-127
Output Level
This amp type is a modification of OLD case or NEW case, and is
marked by a bright sound and distinctive distortion that occurs when
you play strongly. When used in conjunction with TINE EP (p. 22),
this will reproduce the Electric Piano sounds used in numerous
recordings of the early '80s.
Parameter
Value
Description
Tremolo Switch
OFF, ON
Turns the tremolo on/off.
Tremolo Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo
See "About Note" (p. 36).
Tremolo Rate
0.05-
10.00 Hz,
note
Frequency of the tremolo
Tremolo Depth
0-127
Depth of the tremolo
Tremolo Shape
0-127
Adjusts the tremolo waveform
Values near 0 will approach a triangle
wave, and values near 1 27 will ap¬
proach a pulse wave.
The effect will also change depending
on the Tremolo Depth setting.
Bass Boost
0-127
Amount of boost/cut for the tow
frequency range
Filter Curve
0-127
Amount of boost/cut for the middle
frequency range
Over Tone
0-127
Amount of boost/cut for the high
frequency range
Limiter
OFF, ON
Selects whether the limiter will be applied
(on) or not (off).
Level
0-127
Output Level
WURLY
This combines REED EP (p. 22), reproducing a typical Electric Piano
sound of the '60s.
Parameter
Value
Description
Vibrato Switch
OFF, ON
Turns the vibrato on/off.
Vibrato Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo
See "About Note" (p. 36).
Vibrato Rate
0.05-
10.00 Hz,
note
Frequency of the vibrato
Vibrato Depth
0-127
Depth of the vibrato
Bass
-50-+50
Amount of boost/cut for the low
frequency range
Treble
-50-+50
Amount of boost/cut for the high
frequency range
Level
0-127
Output Level
STAGE
This simulates playing a stage piano.
Parameter
Value
Description
Tremolo Switch
OFF, ON
Turns the tremolo on/off.
Tremolo Sync
OFF, ON
When this is set to ON, the effect is
synchronized with the tempo
See "About Note" (p. 36).
Tremolo Rate
0.05-
10.00 Hz,
note
Frequency of the tremolo
Tremolo Depth
0-127
Depth of the tremolo
Tremolo Dufy
-10-+10
Specifies the duty cycle of the LFO
waveform used to apply the tremolo.
Increasing this value will increase the
duty cycle of the LFO waveform for the
L-channel; the duty cycle for the R-chan-
nel will decrease.
Bass
-50-+50
Amount of boost/cut for the low
frequency range
Treble
-50-+50
Amount of boost/cut for the high
frequency range
Level
0-127
Output Level
34
Selecting the Type of Speaker
Initializing a Patch (Utility Screen)
(Speaker Screen)
In the Utility screen you can initialize patches.
This operation lets you return the settings of the current patch to their
default values.
1 • Select the patch that you want to initialize.
2. In the Utility screen, choose Patch Init.
3. When the confirmation screen appears, press the [F7
(OK)] button.
If you decide to cancel, press the [F8 (EXIT)] button.
* If you've installed the ARX-02 in a Fantom-G6/G7/G8, executing
a Factory Reset for the Fantom-G6/G7/G8 v/ill reset the expan¬
sion boards to their factory-set condition.
In the Speaker screen you can select the type of the speaker.
Parameter
Value
Description
Speaker Switch
OFF, ON
Turns speaker on/off.
LINE
This is a sound via LINE OUT. No
speaker used.
OLD
Reproducing a typical Electric Piano
sound of the early '70s.
Speaker Type
NEW
Reproducing a typical Electric Piano
sound of the late '70s through '80s.
WURLY
Reproducing a typical Electric Piano
sound of the '60s.
TWIN
This simulates playing through a
guitar amp.
About Note
Some parameters (such as Rate or Delay Time) can be set in terms
of a note value instead of a time value.
Such parameters provide the "Sync" switch that allows you to
switch between setting the parameter as a note value or as a
numerical value.
If you want to set Rate (Delay Time) as a numerical value, set the
Sync switch to "OFF" (unlit). If you want to set it as a note value,
set the Sync switch to "ON" (lit).
Value
Description
1/64T(/3)
Sixty-fourth-note triplet
1/641 / 1
Sixty-fourth note
1/32T( ^3l
Thirty-second-note triplet
1/321 ^ 1
Thirty-second note
1/16T( ^3 1
Sixteenth-note triplet
1/32.( 1
Dotted thirty-second note
1/161 ^ )
Sixteenth note
1/8T( Xa)
Eighth-note triplet
1/16.( J=. 1
Dotted sixteenth note
1/8( S 1
Eighth note
1/4T(J3)
Quarter-note triplet
1/8-1 )
Dotted eighth note
1/4( J 1
Quarter note
1/2T(J3)
Half-note triplet
1/4.( J.)
Dotted quarter note
1/2( cJ 1
Half note
1/1T(03 )
Whole-note triplet
1/2.(d.)
Dotted half note
1/1( o 1
Whole note
2/1T[I0I3)
Double-note triplet
1/1.IO-)
Dotted whole note
2/11 ei )
Double note
W.
Specifications
ARX-02 ELECTRIC PIANO
Maximum Polyphony
64 voices (varies according to the sound generator load)
Part
1 part
User Memory
Patches: 50 (including pre-loaded Patches)
MFX: 1 system (12 types)
EQUALIZER
SUPER FILTER
CHORUS
PHASER!
PHASER2
Effects
FLANGER
DELAY
REVERB
LINE DRIVE
COMPRESSOR
VYAH
RING MODULATOR
Condition
Bar Angle
Pickup Distance
Bell/Thump
Bell Character
Customize Functions
Damper Noise
Key Off Resonance
HUM Noise
Hammer Response
Model Type
Speaker Type
and more
Accessories
Owner's manual
Screwdriver
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
Index
A
Amp Level . 20
B
Bar Angle . 24
Basic screen . 20
Bell Character . 25
Bell Rust . 25
Bell/Thump . 24
c
CHORUS . 27
COMPRESSOR . 30
Condition . 20, 22
D
Damper Noise . 23
DELAY . 29
DYNO . 33
E
EQUALIZER . 26
F
FLANGER . 29
FMTINE . 22
H
Hammer Response . 23
HUM Noise. 23
K
Key Follow . 24
Key Off Resonance . 23
L
LINE . 35
LINE DRIVE . 30
M
MFX Screen . 26
MFX Switch . 20, 26
N
NEW . 33
o
OLD . 32
P
Patch
Initialize . 35
Save . 21
Select . 21
PATCH NAME . 21
PHASERl . 28
PHASER2 . 28
Pickup Distance . 25
Pickup Level . 20
Pickup/Bell Screen . 24
Pre Amp . 32
Pre Amp Screen . 32
Pre Amp Switch . 20, 32
38
R
REED BELL . 22
REEDER . 22
REEDEP2 . 22
REVERB . 30
RING MODULATOR. 31
s
SA EPl . 22
SA EP2 . 22
Speaker Screen . 35
Speaker switch . 35
STAGE . 34
SUPER FILTER. 27
T
THRU . 26, 32
TINE EP . 22
TINE EP2 . 22
Tone Type . 22
Type/Level screen . 22
u
Utility Screen . 35
w
WAH . 31
WURLY. 34
-For the USA-
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
-For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numerique de la classe B respecte toutes les exigences du Reglement sur le materiel brouilleur du Canada.
40
r
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name:
Type of Equipment:
Responsible Party:
Address:
Telephone:
ARX-02
Expansion Board
Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
J
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
[AFRICA]
EGYPT
A1 Fanny Trading Office
9, EBN Hagar A] Askalany
Street,
ARD El Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: (022)-418-5531
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron-BP79 97 491
Ste Clotilde Cedex,
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
TEL: (011)417 3400
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No. 1500 Pingliang Road
Shanghai 200090, CHINA
TEL; (021) 5580-0800
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
lOF. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL; (010) 6426-5050
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
TEL; 2415 0911
Parsons Music Ltd.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL; 2333 1863
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL; (022) 2493 9051
INDONESIA
PT Citra IntiRama
Jl. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL; (021)6324170
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL; (02) 3486-8855
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1 /39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL; (03) 7805-3263
VIET NAM
Suoi Nhac Company, Ltd
370 Cach Mang Thang Tam St.
Dist.3, Ho Chi Minh City,
VIET NAM
TEL; 9316540
PHILIPPINES
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro ManUa 1200,
PHIUPPINES
TEL; (02) 899 9801
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL; 6846-3676
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5,9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
TEL: (02) 2561 3339
THAILAND
Theera Music Co., Ltd.
100-108 Soi Vemg
Nakomkasem, New
Road,Sumpantawongse,
Bangkok 10100 THAILAND
TEL; (02) 224-8821
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
For Australia
Tel; (02) 9982 8266
For New Zealand
Tel; (09) 3098 715
CENTRAL/LATIN
AMERICA
V J
ARGENTINA
Instnimentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL; (Oil) 4508-2700
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
WUdey, St.Michael, Barbados
TEL; (246)430-1100
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011)4615 5666
CHILE
Comercial Fancy 11 S.A.
Rut.; 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL; (02) 688-9540
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL; (574)3812529
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.l. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL; 258-0211
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland AntiUes
TEL;(305)5926866
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL;(809) 683 0305
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL;(593-4)2302364
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: 262-0788
GUATEMALA
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
TEL;(502) 599-2888
HONDURAS
Almacen Pajaro Azul SA. de CV.
BO.Paz Barahona
3Ave.ll Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
Glgamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL; 596 596 715222
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL; (55) 5668-6699
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta. Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
TEL; (505)277-2557
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL; 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL; (595) 21 492147
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
Lima - Peru
TEL; (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL; (868) 638 6385
44
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL; (02) 924-2335
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL; (212) 244-1122
(EUROPE)
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL; (0512) 26 44 260
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL; (014) 575811
CROATIA
ART-CENTAR
Degenova 3.
HR -10000 Zagreb
TEL; (1) 466 8493
CZECH REP.
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctarova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
TEL; (2) 830 20270
DENMARK
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL; 3916 6200
FINLAND
Roland Scandinavia As, Eilial
Einland
Elannontie 5
nN-01510 Vantaa, HNLAND
TEL; (0)9 68 24 020
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96,22844
Norderstedt, GERMANY
TEL; (040) 52 60090
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL; 2610 435400
HUNGARY
Roland East Europe Ltd.
Warehouse Area 'DEPO' Pf.83
H-2046 Torokbalint,
HUNGARY
TEL; (23) 511011
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
NORWAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
LiOeaker N-0216 Oslo
NORWAY
TEL: 2273 0074
POLAND
ROLAND POLSKA SP. Z 0.0.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
TEL: (022) 679 4419
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dfo
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
TEL: (266) 364 609
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
SLOVAKIA
DAN Acoustic s.r.o.
Povazska 18.
SK - 940 01 Nove Zamky
TEL; (035) 6424 330
SPAIN
Roland Iberia, S.L.
Paseo Garda Faria, 33-35
08005 Barcelona SPAIN
TEL; 93 493 91 00
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFHCE
DanvLk Center 28, 2 fr.
S-131 30 Nacka SWEDEN
TEL; (0)8 702 00 20
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL; (061) 927-8383
UKRAINE
EURHYTHMICS Ltd.
P.O.Box; 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
TEL; (03131) 414-40
UNITED KINGDOM
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
UNITED KINGDOM
TEL; (01792) 702701
(middle east)
BAHRAIN
Moon Stores
N0.1231&1249 Rumaytha
Building Road 3931, Manama
339 BAHRAIN
TEL; 17 813 942
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL; (021)-2285-4169
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL; (03) 6823666
JORDAN
MUSIC HOUSE CO. LTD.
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL; (06) 5692696
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Al-Yousifi Service Center
P.O.Box 126 (Safat) 13002
KUWAIT
TEL; 00 965 802929
LEBANON
Chahine S.A.L.
George Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box; 16-
5857
Beirut, LEBANON
TEL; (01) 20-1441
OMAN
TALENTZ CENTRE L.L.C.
Malatan House No.l
A1 Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
QATAR
A1 Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: 4423-554
SAUDI ARABIA
aDawliah Universal
Electronics APL
Behind Pizza Inn
Prince Turkey Street
aDawliah Building,
PO BOX 2154,
Alkhobar 31952
SAUDI ARABIA
TEL; (03) 8643601
SYRIA
Technical Light & Sound
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
TEL: (011) 223-5384
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, A1 Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
TEL: (04) 3360715
(north America)
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
TEL; (604) 270 6626
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL; (905) 362 9707
U. S. A.
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TEL; (323) 890 3700
As of Oct. 1,2007 (ROLAND)
45
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Roland
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4. "yy-ui,mm.T\K)i‘y~-ne>.
itijisbl
SuperNATURALX::77.yV°>i/3> •
Ttt-K ARX'>U-X
SuperNATURALI^7,A°Vi^a> • Ttt-K ARXi^U-XIS,
SR-JV80'>U-X. SRX '>U-XZrSS±IJ'rcn-^>K©
3;orc<SfU
Ttt-Kzr-r.
UrcSuperNATURAL ICcSO, gfi.
y-fyC’ ■ iL-tf- •
ir-=y 3 U. cnSZ:'lcfc):©>l*SiitSf®
«:®+A5>K •
Roland SuperNATURAL ny—
['Super NA TURAL]
SuperNATURAL B.
rS^TrSti'TcfSSJ ®
c^tglLUrcn-5> Kag®e;liK«Tr-r.
ARX-02 ELECTRIC PIANO
ARX-02 IS. lUi'
SuperNATURALILcLDffiSILHilo cn^IrlLSlV gpggrTr
UAjLfrflUf ■ ■tS'5> KILj;5;I«®*UCCttfT;'ffg^-r.
©T.rS'^TXiriS. lLyi7hiJ'7^ ■ t"7y®txJL- ^'TT^ISfe
55/u. I—> ■ A-tf'yi7 7';/T^®Eaii |—y -ix-con
a, □>xVL^a7ILct:SHe®)tL’i&i:'.
mmt5.ix=yy-y-%9.'mtm^o iut"#PTOi7y-7®cT5
IL, iirctiC)®l2’r/xT>i7'|;;S;5ilyt"Heti'0<DtlitSS'ro
SuperNATURAL
rcli\yOV''J'^<P • tTy
ARX-02 IS. yiyyv'j"jo ■ ^yymiz^n-yyy~-?inrc
^mMmyyymwmo cnics^o. ^mcD^miz^^nvy v-
'j^y- t"7y!tf^®i— y^wdi-m. '■amwyy'jyy^,^
®®fflO§^T:'ISiSU^J'orc7A-XTs^eaft®®£®P@lLi|
ii„ T.yy hu "jy ■ t"7yTs6T:'is®ii«Bt)'o$»'^'7=yi7&
rMSSiM® rThbIl o
S^fc. 7i'f-y-'-^7-57Si:'. Ib^7LiJyi7- tl^XIL*
Ws.y}hy- yy^y ^-^^c+T^^rS'-coiu
yv'}vy - 'eyy ■ ^yy
ARX-02 ELECTRIC PIANO 0^^
SuperNATURALIi77.K>i^3 V ■ Ttt-K ARX
ARX '>U-XI^S^J*UrcSa5ti'6;i«1*«.
ARX'>U-XI«* 16 3;Tr®;':-R^-y-nf-RUXl'i3;'f
t\ :*:Mp°pIS 1 A°-R®5^®i±«Z:'^„
Fantom-G ICg»Ufc«a- Fantom-G l^fgiESn
rU^SUA-XSi:®!:?!^ h;g. *SS®tiiX)IF^D'I^S
SlAUMXVy FSlUlUrt^Srctt). ffiffl-JS
S^Sa5A^*SS®A"^X-5'-ig:®:lCct:oXB. ^6'Sijn
S. ^Grc[:<!:'®iimt)'9EGSCtti'E03;-r. C®«^li-
OT® cfe 5 IFXiffl UX < rcS® „
• *Sp°p®uAjncM^s/t5x-$'-®/jvsrcCfiiF-r5„
• *Sp°p@g«UXl^aSag®t±JX)UAJ^;g^J^^<-r5„
• H§E«lBgfflWm®TIJSo
Fantom-G ®OT®A^X-$'-IFlS>!^tKUri'i3;
tt/u. *»p"a®Fantom-G l^g*UOT®;':^X-$'-®I
• Part Output Level (A— F • AX FX-t' F ■ Lv^JF)
• Part EFXl Send Level (iXX/tVXaV • A—F ■ I
XiX FI • tzVF • UAJL)
• Part EFX2 Send Level (iXX/V'AXaX • A—F ■ I
XiX F 2 • 1z>F • UAJL)
58
I
ARX>[-Jfr«g§ct:D GM^'lflE)
ARX-02 ELECTRIC PIANO
.f.^pJfb.PAQ.........
Patch 001
Tone
Type
Bar Angle
Q^Q
Bell/Thump
Pkkup Distance
o
Character
M Effect ^
^ PreAmp fl 7^
^ Speaker
▼
ARx>[-ij*^g§'N (;r-xVxrfi^)
ARX-02 Tone, MFX, Pre Amp, Speaker ® 4 O®7,
Tone (Type, Pickup/Bell)7,5^—yzrli, Ib7PU'77- t"
77®74'7'ii>t?';b^, □>5=v '>3>iCcfes^e®ai'iTcf
ii, ±ITlU7hiJ7T7 • t"7^7*ft®IS^®Ug;^-o
MFX jiO'
Pre Amp7,7^—yZrlS, yv • (F>7^®RJe!®71/''S^o Tone
7,5^-'7'tli54iZ;UTl'isrcto,
Speaker7,5^—yiS,
)K"y^
ARX-02 ELECTRIC PIANO Id:, BOCOJKyy^n^Tl^^to
Fantom-G ILS#U/cWn, ;07?®1flBld: Fantom-G ®7'a
yi7
59
• Fantom-G ^Tc, Fantom-G
♦BHIFB. PATCH NAME (A'y5^€,) ©cTa'A'7?ffl'ft
yycDMM^miSi (Pre Amp HH) J
Tcc^lT
(P.72) ^mmLz<
PATCH NAME
St. Ay? (001-050) ^S«?SlItt)'T;'S??,
(Fantom-G ©Jin)
•f'^fiEUrcAv? (gfi) li-BIW&fefflTr.
^ffisuresrciitsii. OTffl*)STrfs#UT<rcAiio
1. Fantom-G ® [WRITE] A?>afPU??o
2. Ay?IT«IU^'f^A??o
«ltI®[^IT*ITO®TIS:. Fantom-G
U-G<rcSlio
ARX PATCH NAME
- {'
ARX Suit Case
B
C
D
E
F
3. «lti^[^ITSStoorc6. [F8 (OK)] 7tf?>^}fpU??o
4. [F8 (WRITE)]
5. ®ffi®iiat)'Sg^Anrc6. [f? (ok)]
r,
(Type/Level ®E)
Type/LevelHliZriS, T.\jO V'J"jO ■
m. #14^19:®:
TiNE EP
70 h'J'y-y - if
vvXPzi3.-i)^yo~3.-
iiiitrte*.<07F
^jU©ct;5
ts.yyyyty'OhV^Um&bmWJ:. X
h-X ■ yvXPXXy h ■ y-yXaii'O
iiit®HSiy-yice©rt)a;<risa;6
auiyy v-'jyx ■ tvyr-r.
Tone Type
REED EP
eo^fticM^b. D'^y-^sRSB scii'ic
^■ffl^nrciby v-'jyx ■ tvyr-s-.
bf—oiW'Ji-y
X ■ \ioy
= n-yy -y y ©SI b
y huyy ■ tfiyr-r.
SA EPl
a-yy kp' i gee mcmmurcRo-
1000 ® E.Piano 1 tfOy Kfr-To
SA EP2
RD-1000 ® E.Piano 2 tfOy
REED BELL
l;tKff3STU©y'fy®lby h'Jyy ■ tf
lyr-S-o TINE EP i; REED EP ®j^®
TiNE EP2
ttsmjifuuy'fyciby hU'^y ■ ei
FM TiNE
yvt, TINE EPfflAUI-yablr-ro
REED EP2
ttSB^iifbby'fyffliby PU'^y ■ ei
yZr-To REED EP ®nui-ya bTr-T.
Condition
1 -5
SjRU/c Tone Type ICitUr, Ibyp
ij.^y. tvy®Dyy'i'y3y®s9:$ib
s-r.
Pickup
Levei
0-127
xb^hU'^^ ■ tVy0WM^Iii5U^
To
62
^VA"—• (Damper Noise)
(X>A“- • i—xA'-tf
SK
Damper
-10 ~
0~
+ 10
«®XS<XSi;, X>A--yXXtf
Noise
AS<SDSX.
SSSliAXl/'i?) Tone Type (P.62) AcToXliyASti'EDS
4^— • ^(Key Off Resonance)
yv^y-y-
issi
Hiiii
Key Off
Resonance
-10 ~
0~
+ 10
=T--xygtfxs
<sr)3;-r. -10 nS5?±ICX- ■ xy
Htfii,i6s<soa;Xo
g;'iiliAXl/'>S Tone Type (P.62) AcToXliyiSft'EDS
JKh • y^X^miST^ (HUM Noise)
f y X A'7 Xft'ia o X U 3; 5 A AS ii'CD y X Xm® B® U o
BSlie®fAyAliSfifflyXxtfSAu, >!«uxtia wa
JtictHXixnsctti'EDS^o ixix ['®i9:®:iCcfeoAB.
^®yXXICc^:D^^Ul^SHa^t±JXXttl'A^S^o
n’yy-5'-
SB4
HUM Noise
-10 -
o~
+ 10
0 ssyxAytBJiixi^^xsty UA
SAyy Kic, AAAtBJiic^xsty-
T-y—sxyyKASoa^x. -ions
7S±ISAAAIl,i6S<S0XXo
Tone Type (P.62) l^cfcoAISxilSti'ED^
ti/vo
?i < 3®tri;; d; o ASI^cDtS'X =
(Hammer Response)
;\’yy-5'-
SB4
Hammer
Response
-64-
0~
+63
SSiX# UfcSPEji)'SfggXSX
PEi^iasbxXo
oi)'6AXAytBj|ic(ix^y.s<i;.
0. AAyicii^^xst. ii<®nfc
<i:s®?SB® AX sy y&''*< s 0 X
Xo
(Pickup/Bell Mis)
Piokup/Bell HHZr'Ii, JLUi>
(Bar Angie)
HMfcCiUi? hU'7i7 • fT^yzriS I—
tfns^BK-^AW-ZrPP®. ^(DWai^\i."j0yyZ)7:^
^CiZr^^tHUTlig^-ro ^CDcfcoSfAyZrlS I—>A-
11”'7 C t Z:'We^il®5Z;'gg;^„
I—vA-^jircrcCiMUi? hU'7i7 • fAyzr-fePittfcfge
mm
Key Follow
-10~
0~
+ 10
#S;^S«fflffiBIPchS Bar Angle K
5y-5'-ffl<as®ia^b3;9‘.
S<9‘Si;, y
^XCiilC^St, HlifflSi; Bar
Angle(0mtt3':K^<U0^-^.
Bar Angle
Bar Angle
-10~
0~
+ 10
SirStfSHSnfc,
(Bell/Thump)
y^"jO\z^^n^ua^ni,rcm (Bell) tyv>v-®d''J^
AttUTce (Thump) »
I'i^y-S’-
K$fil
mm
-10~
0fi'6^'l':»-7,ilJICli®S;^Si;^JP ■
Bell/Thump
0~
yyyn'i^myn,
+ 10
?>iLj\yy-mb'&myn^^,
64
B©z:iiyy7.^i)lij5T2) (Pickup Distance)
-rat. I— >A-t f y 7 7 '7 6
ng;^"o
I—vK-^jfrc&i'iiu^ hUy^ ■ f7y7fe^ttsge
SB4
Pickup
Distance
-2~
\'-yii-iL\^yy
7'7 7®SEit®StU*9‘. 777 = ^77.
0~
ii®7S<7S
+2
t, 7DA9-®fflSS©ailSICti:D
'^)L'®BM^iiii5TS (Bell Character)
7777ICg
+757
SB4
Bell Rust
o
;
CJl
«®7S<7Si;,
)sEfiE»®M6US9-.
Bell
Character
-10 ~
0~
+ 10
Die, 777ilJICS^Si;gtl®Glcrd:
DS?'.
1:71 ^ (MFx ME)
■ t'7yic,
to
siRun-iai^i^ wccfcoT-
WJ^>Dtto
(MFX Switch)
^^fll
mm
MFX Switch
OFF, ON
(MFX Type)
g;-ia:s<i® re?5J BU<is: rs^icourj
(P.76) ^#BSUT<rcSl'io
MFXOO:THRU
i7'ii7 pti'ti'ti'D3;t!-/uo
MFX01:EQUALIZER
K$iil
Low Freq
200, 400Hz
Midi Freq
200
~8000Hz
OSMSiS!
Mid2 Freq
200-
8000Hz
tm2 ®SM»iS!
Fligh Freq
2000, 4000,
8000Hz
Low Gain
-15-+15dB
Midi Gain
-15-+15dB
Mid2 Gain
-15-+15dB
tw.2 ®iiH/M«M
High Gain
-15-+15dB
H)sE®iiiB/)aSM
Midi Q
0.5, 1.0, 2.0,
4.0, 8.0
wi (O'tm.
<-S-S IS ii'tetf K < S D 3;
to
Mid2 Q
0.5, 1.0, 2.0,
4.0, 8.0
tm.2 cotim.
-rsisii'Htf »< s 0
3; "To
Levei
0-127
(±17]Wm
66
MFX02:SUPER FILTER (7.-A‘- • 7 T juts'-)
issi
Type
LPF,
BPF.
HPF.
NOTCH
LPF : Cutoff OTfflSKii
BPF : Cutoff FfaOHSS!
HPF : Cutoff
NOTCH : Cutoff
Slope
-12.
-24.
-36dB
T'-t'fL/$'-0(iaS (Malttt. 1 Tf7
-12dB : mPt'
-24dB : mm
-36dB : ^t^mzmM
Cutoff
0-127
< TS IS di HUaSlilT/S
DStTo
Resonance
0-127
hT7)l;g
Gain
0--ul2dB
Mod Sw
OFF. ON
mmmumitiD:tyxmy
Modulation
Wave
TRI,
SQR.
SIN.
SAWl.
SAW2
tiy hT7ll»iJ®^fb®bf)'fc
TRI : =M&
SQR :
SIN : iE®®
SAWl : ®®g^D;® (±#)
SAW2 : ®®g^D;® (TP?)
Sync
OFF. ON
TTITTatTTTKICIBUi
m??EOlirJ (P.76)
Rate
0.05-
lO.OOHz.
ffin®ll;®iS!
Depth
0-127
ffiTL®;ST
SB4
Attack
0-127
*'7 hTTIl»iS!®^fb®JiT
Modulation Wave tf SQR,
SAWl. SAW2 ®li^lCxJStf®
OTT.
Level
0-127
HjTjWm
MFX 03:CHORUS (D-^T.)
SBi!
Mode
1- PHASE.
2- PHASE.
3- PHASE.
6-PHASE
□-57.®iei5
Pre Delay
0.0-
100ms
IS B ff'B o r *'6 □-5 7. a WBS T T
®*EKFeS
Sync
OFF. ON
TVITTStTTTKITIBIli
rm?5COlirj (P.76)
Rate
0.05 -
lO.OOHz.
ffin®ll;®gS!
Depth
0-127
ffiTL®;ST
Phase
0-
1BOdeg
□-57B®l£&''0aB
Balance
D100:0W-
D0:100W
(D) cL^— ZP'T^m (W)
■^>7.
Level
0-127
Hj^Wm
MFX 04:PHASER 1
MFX 05:PHASER2
mm
Resonance
0~ 1 27
Sync
OFF, ON
rg?5ICOUrJ (P.76)
Rate
0.05-
lO.OOHz,
jsncasii!
Depth
0-127
Low Gain
-15-
-tl5dB
High Gain
-15-
-tl5dB
maotssyMmm
Level
0-127
lH^Wm
Mode
4-STAGE,
8-STAGE,
1 2-STAGE
Manual
0-127
Resonance
0-127
Feedback
-98-
-f98%
Mix
0-127
urcaOHM
Sync
OFF, ON
rg^icourj (P.76) ®#Bs.
Rate
0.05 -
lO.OOHz,
Depth
0-127
5(aOO;Sc^
Polarity
INVERSE,
SYNCHRO
=Ey n y-y s
INVERSE : &6S5ti
ty ■ V-7.®ffifflUfci;SICS®lA
SYNCHRO :
7.xbxT •
Low Gain
-15-
-Fl5dB
High Gain
-15-
-Fl5dB
HSE®)gB/S«M
Level
0-127
lIj^^Wm
68
MFX 06:FLANGER (
MFX 07: DELAY (xVb'T)
Vv—)
Pre Delay
0.0~
100ms
Sync
OFF. ON
m?5Eot'rj (P.76)
Rate
0.05-
lO.OOHz.
mncom&m
Depth
0-127
sncomzy
Phase
0 — 1 SOdeg
y^yyv-mcointi'omti
Feedback
-98 -
+98 %
yyyyv-m^xtjizm.'^Bia (t’-t
yy :fffi)
Low Gain
-15 -
+ 15dB
mmmmymmm
High Gain
-15 -
+ 15dB
Balance
D100:0W-
D0:100W
mm (D) ty^yvv-m m ©w
mJK^yy
Level
0-127
HjTjWm
ny>i—p—
SB4
Sync
OFF. ON
:tyizt?,txy7nimm
(p.76)
Delay Time
0-
1300ms.
Acceleration
o
;
CJl
7-v b-f • y-<h^mitxttrcmts, m
IBDzry b'f ■ ■9'( lyti"Z>^'^<Dzr y b
-f • 7'f/.ICS7Sa;ir®KFES
xy b'l' • y'(ht.wm\z\y"yxm.
Feedback
-98 -
+98%
xy y-<m^muxtiizm^mt! (%)
757.®(ilC7StIEfir. xxx
x®(iic7Si;aifirA®i7K;bn
HF Damp
200-
8000Hz.
BYPASS
XXizm.'^Xy b-f aiconr. aasE
h7Sll»iS!
t}y hUabtffIS BYPASS ICI§
L/^'3' o
Low Gain
-15 -
+ l5dB
(Sa®igB/M*M
High Gain
-15 -
+ l5dB
Balance
Dl00:0W-
D0:l00W
m^m (D) m commjK
z^yy
Level
0 - I 27
HjTjWm
MFX 08:REVERB
mm.
Type
ROOMK
R00M2.
STAGEK
STAGE2.
HALLK
HALL2
T-'-r b'f ®S£s
RooMi
R00M2 :
sTAGEi
STAGE2 :
HALLl : MhjTcm^
HALL2 : afi'SBS
Pre Delay
0.0 ~
100ms
isstf oi o r fi' 6 u; sr*
©a^iBSPEj
Time
0~ 1 27
HF Damp
200 ~
8000Hz.
BYPASS
h^sasp
asu (BYPASS : tl'y hUYcP®)
Low Gain
-15~
+ 15dB
iafiE®JgiS/««m
High Gain
-15~
+ 15dB
Baiance
D100:0W-
D0:100W
mm (D) m commjK
Level
0-127
lH^Wm
MFX 09:LINE DRIVE • \^=5'(Z)')
issi
mis
Strength
SOFT,
HARD
SOFT cftDti HARD ®®t)5J; 0
attffisns'S'.
Type
1. 2
mat®“ii3F>7.®SAS'3'o
Drive
0-127
To
Low Gain
-15-
-Fl5dB
High Gain
-15-
-hl5dB
^MCOIqIPS/
Level
0-127
lIjTiWm
to
MFX 1 OiCOMPRESSOR (DV^bu/tt-)
issi
ifBii
Attack
0-127
Threshold o/ctS
1C. HM®l±Se'9'SSIr®afFES
Threshold
0-127
Post Gain
0--Fl8dB
ai®'9'Sa®b^Jb
Low Gain
-15-
-Fl5dB
High Gain
-15-
-hl5dB
^MCOIqIIhX 'MWw
Level
0-127
lIjTiWm
70
MFX 1 1:WAH (rJO)
SB4
Filter Type
LPF, BPF
LPF :
}f 6n3;To
BPF :
}f SnSJTo
Manual
0-127
Control Type b' fPEDALJ ffltS,
iitfIrSarT.
Peak
0-127
DonmfDb'b'^m^miDm
< TSIg ii'llSS! wfflStf 35< <
Sens
0-127
Control Type b' fTOUCHJ ffltS,
C®y '\'y^ —
Control Type
TOUCH.
PEDAL
171 Fcwjra
TOUCH : SMO^^blCfforgfit)!
PEDAL : Manual A"t77—7—, iT
fciso hn—5— ■ i-yjK— 4
(CC#4) ©MIDI A7l2-y®g(B
Depth
0-127
coascffinfflggs
Level
0-127
lHTjWm
MFX 12:RING MODULATOR
(Uyi7'.
SBi!
Frequency
0 - 127
mm^b'a^mim
Sens
0 - I 27
mimmmmm'b'omts
Polarity
UP. DOWN
issmmmm^mb'^yjisi
UP : H©)l;gii!©l^
□OWN : fiLt)l;®S!©l^
Low Gain
-15 -
-FlSdB
High Gain
-15 -
-FlSdB
Balance
D100:0W-
D0:100W
mm (D) (w) (Dmm
jK^yT.
Level
0-127
HjTjWm
yu • yyy<omm^mi5i (Pre Amp®®)
■ tfyycoyyy^wiDmx^-g-o yyyty
SliSf Ol’>ee3;Z:"f'^D o
Pre Amp 7.^ '75^ (Pre Amp Switch)
nyy—5-
ISM
Pre Amp
Switch
OFF, ON
Pre Amp UST.
Pre Amp (D}K-y:<—^—
^ ia:sfi® r^?sj rs^lc^l^■^:J (p.76) ^
#0sor<rdst^o
THRU
y'^ ■ Tyy^mmij^yho
OLD
TINE EP (P.62) <L®SSa^^tottZr- 70
7 hUyy ■ t’yy ■ +®7>K®BilUS^-o
n^y—y-
Tremolo
Switch
OFF, ON
hb=En®T 7 /T 7 UST.
Tremolo
Sync
OFF, ON
y-yizt^t^ymizmmLSiy,
m^icourj (P. 76 ) ®#Bs.
Tremolo
Rate
0 . 05 -
1 O.OOHz,
hb=En®*)'*)'S)l;®S!
Tremolo
Depth
0-127
Tremolo
Duty
- 10-+10
hb=En®*)'iaS LFOKJfJfflTn-
t. L 5 P- 7777 lrOLFO KJfJfflTn-
T^—-b'yi^<ts.omy, R^vyyii
IS/JvS<S;OST.
Bass
- 50-+50
Treble
- 50-+50
Level
0-127
lIjTjWm
72
NEW
TINE EP (P.62) 70 6 80 ^
iWi^COW.^li'uO EU '.y7 • f^y • ■y-'7>
l%-yy—5'—
issi
»fBii
Tremolo
Switch
OFF. ON
h V^Q-fSi-ty 03;-To
Tremolo
Sync
OFF. ON
^ > 1L "T ^ <5 7^ > tK 1C 0 ^ ^ o
(P.76) ^#0?,o
Tremolo
Rate
0.05-
lO.OOHz.
hO=En®ll»8S!
Tremolo
Depth
0-127
h b
Tremolo
Duty
-10 - + 10
hb=ED®i)'ITS LFOSJfJfflxzi-
T-'i'—^ssiso^'S'o
t. L J^vy^lbOi LFO
7--;—R?-FyYiu
is^j'sysogJTo
Bass
-50 --^50
Treble
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64
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62
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69
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n-^y 050-3101 -2555
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'07. 10.01 SIffi (Roland)