From: Jeffrey Epstein [email protected]>
From: Jeffrey Epstein [email protected]>
To:'
Subject: Re: sending me back to N
Date: Thu, 10 Dec 2009 15:25:33 +0000 >
the reflectivity of the lake would be emergent. but i don;t think niagra falls will change the ride to maid of the
reflectivity. , though it sounds more muse , ech ,like
On Thu, Dec 10, 2009 at 10:21 AM, David Gelemter <M Ila> wrote:
His ear is unfailingly amazing.
On Thu, Dec 10, 2009 at 9:59 AM, Jeevacation [email protected]> wrote:
Yes but inthe gift she feats the dripping as a foreign tongue with it's impenetrable rythm
Sent from my iPhone
On Dec 10, 2009, at 9:54 AM, David Gelemter > wrote:
Lolita's central young-love scene is on the beach (the girl hopping on one leg as she gets back into her
panties is unforgettable, brilliant, pure N), & Spk Memory has the dog-on-the-beach where he finally
remembers (in narrative realtime) the name of the girl's dog (Floss?--I think); but beach sounds vs tub-
sounds don't seem to interest him-- (& after all he moved to Switzerland, where yr permanently protected
from the sound of waves).
On Thu, Dec 10, 2009 at 9:45 AM, Jeffrey Epstein Gjeevacation®gmail.com> wrote:
yes , in the gift he talks about the conversation had by the babble of water in the tub
On Thu, Dec 10, 2009 at 9:29 AM, David Gelemter < wrote:
Int: the best thing about the Arabs & the Japanese is their gardens. (Tho admittedly arabic calligraphy
can be beautiful; Jap too, to a point.) Yet France produced few great portrait painters: Clouet; Degas
was the greatest. but no french durer or van eyck or holbein or velazquez or goya or titian. (Evidently
Veazquez was of Jewish converso descent. Recently las meninas topped the charts in some sort of
survey as "greatest easel pntng"--& the only good reason to be in madrid.) What I want out of water,
tho, is sound: the New Engl brook (we have a small one in our back yard, which babbles only now &
then); & the ocean's transcendentally beautiful noise.
On Thu, Dec 10, 2009 at 8:51 AM, Jeffrey Epstein Gjeevacation®gmail.com> wrote:
the arabs used the lakes to view the building as they might be seen in paradise, the french turned
them into reflecting ponds. ,the arabs had flowing water, making the images of the buildings
shimmer, the french wanted portraiture.
On Thu, Dec 10, 2009 at 8:12 AM, David Gelemter < wrote:
Absolutely-- thanks. I'd been using this as a metaphor & lost track. (you can't see the mist until
there's enough of it, but again that's mere physics & not magic.)
EFTA00743410
On Thu, Dec 10, 2009 at 8:01 AM, Jeffrey Epstein <[email protected]> wrote:
Friendly critique, i don't think your mist is an emergent property„ i saw the reference in your
article. it is quite seperate from the lake. , the feeling of " wet" qualifies, could not have been
predicted from the underlying physics. as the number of molecules of h2o increase, mist is
simply the predictable construct , depending on dew temp .. the phase has changed nots its
dimensionality
On Thu, Dec 10, 2009 at 7:52 AM, David Gelemter ala wrote:
& the horse reappears when Van leaves for the station in a car end of ardis 1 -- gets out,
whacks at flowers with his riding crop, comes back, & the car is a horse. I don't think the
truth is in the stream; it emerges from the stream ("emergent property," mist over a lake); only
people who can step back from their lives (or from anything) see the truth. (= not many.)
On Thu, Dec 10, 2009 at 7:43 AM, Jeffrey Epstein [email protected]> wrote:
i agree, i think the horse reappears at the house later on as they walk in the garden, if your
stream can be navigated by a frog, how many jumps and it what directions describes the "
truth".
On Thu, Dec 10, 2009 at 7:32 AM, David Gelemter wrote:
At the start of Ada, Van rides to Ardis in a hack coach, which somehow turns into a
caleche, then a "clockwork taxi"; but when he arrives, he gets off his horse. Boyd notices
but can't explain. Much of Ada is in dream-form (parts in nightmare -form)--which is so
clear, people look straight through & never see it. (The state of cog sci generally. To be a
visionary, first you have to see what's 2 inches in front of yr nose, & that's the hard part.)
On Tue, Dec 8, 2009 at 7:26 PM, Jeffrey Epstein <[email protected]> wrote:
humberts yahweh
On Tue, Dec 8, 2009 at 7:19 PM, David Gelemter
wrote:
"Scaraboid"! Wonderful word--"squat, gaudy, scaraboid"--only one man makes
phrases like tha--
(Google ads was inspired by yr mail to give me a shot at
All Natural Laxative)
On Tue, Dec 8, 2009 at 6:58 PM, Jeffrey Epstein <[email protected]> wrote:
Hard to beat : 'The trees had their latin binomials displayed upon their trunks, just
as the drivers of the squat, gaudy, scaraboid motor-cabs (generically allied in my
mind to certain equally gaudy automatic machines upon the musical constipation of
which the insertion of a small coin used to act as a miraculous laxative) had their
stale photographic pictures affixed to their backs'
EFTA00743411
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the use of the addressee. It is the property of
Jeffrey Epstein
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********************************** *************************
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the use of the addressee. It is the property of
Jeffrey Epstein
Unauthorized use, disclosure or copying of this
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EFTA00743413
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Unauthorized use, disclosure or copying of this
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[Image 1] The image shows a screenshot of a Twitter conversation. The conversation includes several tweets with text content, and the interface elements such as the Twitter logo, the "Follow" button, and the "Like" button are visible. The tweets contain various text messages, including mentions of names, dates, and other contextual information. The content of the tweets is not described here to maintain the
[Image 2] The image shows a screenshot of an email conversation. The email is from Jeffrey Epstein to a recipient whose name is redacted. The email contains a discussion about a news article and a reference to a book. The conversation appears to be about a topic related to the news article, but the specific content of the discussion is not visible due to the redaction. The email is dated December 11, 2006,
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