From: Lesley Groff

EFTA02565622 Dataset 11 9 pages Download original PDF Download as text
From: Lesley Groff Sent: Friday, JanuaIIII IIMP To: Jeffrey Epstein CC Subject: Fwd: Theatre for a New Audience announces its new home's inaugural production, directed by Julie Taymor Sent from my iPhone =br>Begin forwarded message: =rom: James Lynes Date: January 24 2 To: "<= href= Subject:=/b> Theatre for a New Audience announces its new home's inaugural produc=ion, directed by Julie Taymor Dear Mr. and Mrs. Epstein, Jeffrey Horowitz and Theatre for a New Audience are proud to s=are with you the news that received national and international attention ov=rnight about Julie Taymor directing a new production for the Theatre of A=MIDSUMMER NIGHT'S DREAM. Scroll down this email to review the articles from The New York Times, Variety, The Los Angeles Times, T=e Guardian, and other sources. This production will be the inaugural show in our first home currently under construction in the Downtown Brooklyn Cultural D=strict <http://www.tfana.org/new-home/overview> (click the underlined text for mo=e information about the Theatre's new facility). =/p> The pro=uction will begin performances on October 19, 2013 in the Theatre's=new 299-seat Mainstage, which has been designed by architect Hugh Hardy. Op=ning night is set for November 2. In addition, the production will be seen by thous=nds of New York Public School students enrolled in the Theatre's 13=week, in-school residency program, The World Theatre Project <http://www.tfana.org/e=ucation/education-overview> , promoting literacy, sparking creativity and build=ng audiences for the future. EFTA_R1_01730181 EFTA02565622 Best wishes from James L=nes <=:p> =ames J. Lynes Capital Campaign Director Theatre for a New Audience January 23, 2013 Taymor To Direct 'Midsummer' As Inaugural Show For The=ter's New Home new Brooklyn home</=pan> <http://t=eater.nytimes.com/2011/06/2S/theater/theater-for-a-new-audience- starts-buil=ing-home-in-brooklyn.html> of Theater for a New Audience, an=Off Broadway company where Ms. Taymor has regularly worked <http://theater2=nytimes.com/mem/theater/treview.html?res=9C05E3DA1F39F93BA3575000A9609582=0> since its founding in 1979. "Midsummer" w=11 be Ms. Taymor's first show since her high-profile firing from th= Broadway musical "Spider-Man: Turn Off the Dark" in 2011 b= its producers, with whom she is still in a legal battle over back pay, roy=lty and copyright protection. In a telephone interview on Wednesday,=Ms. Taymor said she chose "Midsummer" as the theater'= inaugural production because of the play's celebratory nature: Cha=acters fall in love, reunite after spats and wed, and others put on a play t=emselves. A celebrated downtown theater director and puppet-maker be=ore finding fame and fortune directing the blockbuster musical "The=Lion King," Ms. Taymor she was still thinking over concepts for sta=ing "Midsummer" and did not know yet if she would be design=ng puppets or masks for the show. As for the "Midsummer" bu=get, she said she did not know how much the production would cost, but adde= that it would be "typical" for Off Broadway and noted that=Theater for a New Audience "never does big budgets." 2 EFTA_R1_01730182 EFTA02565623 Ms. Taymor said she was talking over ideas fo= "Midsummer" with Es Devlin, the British set and costume de=igner who is known for big-budget spectacles like the closing ceremony for t=e London Olympic Games last summer. "Midsummer" will=not be set in any particular time or period, "but rather in its own=world," Ms. Taymor said. She did say that she may include children a=d teenagers in the cast, after recently holding a workshop of the play with=children "to play with their energy and physicality and to think ab=ut raw elemental energy." Ms. Taymor's long- time partner, E=liot Goldenthal, will compose original music for "Midsummer."=br> "There is a visceral nature to the theater, and I want to ha=e that in the production," said Ms. Taymor, who has never directed a="Midsummer" before. She was a designer on the play in 1984 w=en Theater for a New Audience did a children's version — he= first collaboration with the company and its artistic director, Jeffrey Ho=owitz, who is now a close friend. The play will begin performances o= Oct. 19 in the theater's new 299-seat main stage space, which has b=en designed by architect Hugh Hardy. Opening night is set for Nov. 2. Asked if her return to New York theater was any more special because of he= experiences on "Spider-Man," Ms. Taymor simply said that s=e was looking forward to working on the play. "Spider-Man4o=8040 became the most talked-about Broadway show in many years because of a=nightmare's- worth of creative and technical delays, cast injuries, a=d offstage showdowns between Ms. Taymor and her composers — Bono an= the Edge of U2 — and the show's producers. Bono, Ed=e, and the producers ultimately replaced Ms. Taymor as the show's d=rector after more than three months of preview performances during the wint=r of 2011. The producers contended that she resisted their pleas to revamp 4)=804>Spider-Man" into a more family-friendly musical (thereby possi=ly selling more tickets and recovering its high costs), while Ms.Taymor sai= the producers refused to support her requests and ideas for changes in the=script and the score. "Spider-Man" opened in June 20=1 to mostly negative reviews but has gone on to become a popular show with t=urists, although ticket sales have cooled a bit in recent months. Ms= Taymor sued the producers in federal court in late 2011, saying they were p=ofiting from her "Spider-Man" script and staging and owed h=r more than $1 million in back pay and royalties; they counter sued, arguin= that she had been fired for breach of contract. The judge in the case anno=nced last August that the two sides had reached a settlement agreement in p=inciple, but since then the sides have not been able to come to terms <http://artsbeat.blogs.n=times.com/2013/01/23/taymor-to-direct-midsummer-as-inaugural-show-for-theat=rs-new- home/ttp:/artsbeat.blogs.nytimes.com/2012/10/30/settlement-talks-con=inue-in-court-battle-over-spider-man- musical/> . The specifics of their ongoing differences have never been d=sclosed; Ms. Taymor declined to comment on Wednesday about the issues holdi=g up a settlement, but said that a negotiated resolution was "looki=g good." "I'm hoping that we're goin= have a good outcome very soon," she said. A version of this article appeared in prin= on 01/24/2013, on page C3 of the New York edition with the headline: Taymo= to Direct 'A Midsummer Night's Dream'.<=span> http://artsbeat.blogs.nytimes.com/20=3/01/23/taymor-to-direct-midsummer-as-inaugural-show-for-theaters- new-home/=br> <http://artsbeat.blogs.nytimes.c=m/2013/01/23/taymor-to-direct-midsummer-as-inaugural-show-for- theaters-new-=ome/> 3 EFTA_R1_01730183 EFTA02565624 Julie Taymor, a= the opening-night performance of the Broadway musical "Spider-Man: Turn Of= the Dark" in New York in 2011. (Charles Sykes / Associated Press / January=23, 2013) Since being fi=ed in 2011 from the Broadway musical " Spider-Man <http://www.latimes.=om/topic/entertainment/movies/spider-man%28fictional-character%29-PEFC0000=06.topic> : Turn Off the Dark," director Julie Taymor has kept a relatively low public profile, her time presumably occup=ed by the ongoing lawsuit between her and the show's producers. Tay=or might be considered damaged goods when it comes to Broadway, but her tra=emark innovative style still has its fans. In her first directing gig since=the "Sp=der-Man" <http://www.latimes.com/topic/entertainment/movies/spi=er-man-%28movie%29-ENMV00010402.topic> debacle, Taymor will r=turn to her roots by staging a new production of Shakespeare's "A Midsummer=Night's Dream" at Theatre for a New Audience in Brooklyn. The produc=ion is scheduled to open Nov. 2 and will be the inaugural production of the=company's new permanent home near Brooklyn's Fort Gr=ene <http://www.l=times.com/topic/us/new-york/new-york-city/brooklyn- %28new-york-city%29/fort=greene-PLGEO100100802012900.topic> neighborhood. Taymor will o=ce again team up with her longtime partner, the Oscar-winning composer Elli=t Goldenthal, who will write the music for the comedy. Taymor previ=usly worked with Theatre for a New Audience in 1986 on a production of Shak=speare's "The Tempest." She subsequently directed two more Shakespearean pl=ys for the New York company -- "The Taming of the Shrew" and " Titus Andronicus." The director has=also made film versions of "The Tempest" <http://www.latimes.com/topic/e=tertainment/movies/the-tempest-%28movie%29-ENMV000005270.topic> and "Titus." "Midsummer" is set to begin preview performances on O=t. 19. Taymor reached a tentative settlement in her legal battle wit= the producers of "Spider-Man" in August. But it has been reported as recen=ly as this month that no final deal has been reached yet. http://www.latimes.com/entertainment/arts/cul=ure/la-et-cm-julie-taymor-to-direct-midsummer-nights- dream-in-brooklyn-2013=123,0,5848768.story Julie Taymor stages directorial comeback with A Midsu=mer Night's Dream Spider-Man: Turn Off the Dark almost two years ago. Taymor left the notorious — but stil= ongoing — mega-musical in March 2011 after producers demanded a ma=or overhaul following a difficult four-month preview period. She has not wo=ked in theatre since and remains Costumes for 4 EFTA_R1_01730184 EFTA02565625 The Lion King, which she design=d herself <http://www.guardian.co.u=/stage/2011/nov/09/julie-taymor-sues-spider- man> , also won=a Tony award. However, Midsummer's budget will be a fraction of those of th= <http://www.guardian.co.uk/stage/musicals> for which s=e is best known. "There is a visceral nature to the theatre, and I want to ha=e that in the production," she told the New York T=mes <http://artsbeat.blogs.nytimes.=om/2013/01/23/taymor-to-direct-m idsum mer-as-inaugural-show-for-theaters- new=homek . Jeffrey Horowitz= founding artistic director of Theatre for a New Audience, described Taymor=and Goldenthal as "bold, innovative, adventurous artists", adding that it w=s "thrilling" to have them return to make the company's inaugural productio= at the new base. The new theatre has been designed by architect Hugh Hardy a=d will contain two spaces: a flexible 299-seater inspired by the Cottesloe aspan>at the National Theatre <http://www.guardian.co.uk/stage/national-theatre> , as well as a 50-seat studio. In a st=tement, the company said: "It is a uniquely flexible space which combines a= Elizabethan courtyard theatre with modern technology. The relationship bet=een the stage and audience can be shaped for each production into different=configurations." </=pan> Taymor Julie Tay=or has settled on "A Midsummer Night's Dream" as the play she'll helm to in=ugurate the new Brooklyn home base of Theater for a New Audience this fall.=br> The Off Broadway production "Midsummer" will be Taymor's first gig f=r the Gotham stage since her high-profile stint as helmer of Broadway's "Sp=der-Man: Turn Off the Dark," followed by her subsequent messy divorce from t=at project. For several months Taymor has been on tap to launch the s=on-to-be-completed TFANA building in Fort Greene, Brooklyn, but it hadn't y=t been decided which Bard play she'd choose to direct. Taymor ("The Lion Ki=g") has long been associated with TFANA, beginning with a 1986 staging of "=he Tempest" and followed by "The Taming of the Shrew," "Titus Andronicus" a=d "The Green Bird," a 1996 staging of a Carlo Gozzi play that moved to Broa=way in 2000. TFANA's new building -- the first permanent home for th= troupe, which was founded in 1979 -- will include a 299-seat mainstage and=a 50-seat second space. Casting and other details for "Midsummer" ha=e yet to set, but previews begin Oct. 19 ahead of a Nov. 2 opening. 5 EFTA_R1_01730185 EFTA02565626 Ja=uary 23, 2013 Julie Taymo= and Elliot Goldenthal Will Conjure Midsummer Night's Dream in TFANA=s New Brooklyn Home <=span>By Kenneth Jones Tony Awar= winner Julie Taymor <http://www.playbillvault.com/Person/Detail/6737/1=lie-Taymor> ( The Lion=King <http://www.playbillvault.com/S=ow/Detail/8729/The-Lion-King> ) will direct and longt=me collaborator Elliot Goldenthal=/span> <http://www.playbillvault.com/Person/Detai=/6085/Elliot-Goldenthal> ( The Green Bird chttp://www.p=aybillvault.com/Show/Detail/3477/The-Green-Bird> ) w=ll compose original music for a new fall 2013 production of William<= href="http://www.playbillvault.com/Person/Detail/7539/William-Shakespear="> Shakespeare's A Midsummer Night's Dream, to be the inaugural pro=uction in Theatre for a=New Audience <http://www.playbillvault.com/Person/Detail/1164=1/Theatre-for-a-New-Audience> 's new permanent ho=e in the Downtown Brooklyn Cultural District. Performances at TFANA a= 262 Ashland Place between Lafayette Avenue and Fulton Streets will begin O=t. 19. Opening night is Nov. 2. TFANA announced the news on Jan. 23.=lt had been known that Taymor would direct a classic for the not-for- profit=s new home. Shakespeare's romantic comedy-fantasy is set in the woods outsi=e of Athens, where sprites and fairies meddle with the affairs of men and w=men. If history teaches us anything, this Midsummer should be=visually potent: In 1998, Taymor became the first woman to win the Tony Awa=d for Best Direction of a Musical - and also won a Tony for Best Costu=es - for her production of The Lion King, acknowledged as a mas=erstroke of design, direction, movement and mask work. For Broadway'. Spider-Man: Turn Of= the Dark <http://www.playbillvault.com/Show/Detail/13708/Spider-Ma=- Turn-Off-the-Dark> ,Taymor served as director, co-book writer and m=sk-designer. TFANA founding artistic director presented at the Pub=ic Theater. Twenty-nine years later, it's thrilling they are directing and c=mposing the first full production of A Midsummer Night's Dream we ar= mounting as the inaugural presentation in our first permanent home." According to TFANA, in 1986, Horowitz invited Taymor to stage The Tempe=t for Theatre for a New Audience. It was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew, Titus Andronicus and in 1996, Carlo Gozzi's <=>The Green Bird, which transferred to Broadway in 2000. Composer=Goldenthal creates works for orchestra, theater, opera, ballet and film (in=luding Taymor's films "The Tempest," "Titus" and "Frida." In 2003, he was h=nored with the Academy Award and a Golden Globe Award for the score to "Fri=a." Theatre for a New Audience's first permanent home is designed by=world-renowned architect Hugh Hardy and H3 Hardy Collaboration Architecture= It includes the Samuel H. Scripps Mainstage (299 seats) and the Theodore C= Rogers Studio (50 seats). 6 EFTA_R1_01730186 EFTA02565627 The Samuel H. Scripps Mainstage, the firs= stage built for Shakespeare and classic drama in New York City since Linco=n Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre'= Cottesloe. According to TFANA, "It is a uniquely flexible space which comb=nes an Elizabethan courtyard theatre with modern technology. The relationsh=p between the stage and audience can be shaped for each production into dif=erent configurations. " Since its founding in 1979, Theatre for a Ne= Audience has played in more than 20 different venues across Manhattan and B=ooklyn. Theatre for a New Audience is near the BAM Peter Jay Sharp B=ilding, Harvey Theater and Fisher Building as well as the Mark Morris D=nce Center and BRIC ARTS I Media House and UrbanGlass ReNEWal Project curre=tly under construction in the former Strand Theatre. For more about T=ANA's season leading up to its Brooklyn life, visitTFANA <http:/=tfana.org/> .org. ht=p://www.playbil Isom/news/article/174316-Jul ie-Taymor-and-El I iot-Goldenthal=Will -Conjure-Midsummer- Nights-Dream-i n-TFANAs-New-Brooklyn-Home <=a> <http://www. playbill.cominewqarticle/174316-Julie-Taymor-and-Elliot-Goldenthal -Wil I-Conjure- M idsummer-N=ghts-Dream -in-TFANAs-New-Brooklyn-Home> January 23, 2013<=p> Tony Winner Julie Taymor to Direct A=Midsummer Night's Dream for Theater for a New Audience By Ryan Gilbert Two-time To=y-winning director Julie Taymor is set return to the New York stage in the f=ll with a production of William Shakespeare's A Midsummer Night*=804,s Dream. Taymor's partner, Oscar winner Elliot Goldenthal, will co=pose original music for the production, which will open the new permanent B=ooklyn residence of the off-Broadway company Theater for a New Audience. Pr=views will begin on October 19, with an opening night set for November 2. Taymor and Goldenthal have previously collaborated on Theatre for a Ne= Audience's productions of The Tempest,The Taming of the S=rew, Titus Andronicus and The Green Bird, which transferr=d to Broadway in 2000. Goldenthal scored Taymor's film versi=ns of The Tempest and Titus. He won the Academy Award for his=score to Taymor's film Frida. His original two-act opera =rendel, directed by Taymor, premiered at the Los Angeles Opera. =n 1998 Taymor became the first woman in history to win the award for Best D=rection of a Musical for Lion King, and also earned the Tony for Bes= Costume Design for the musical. Her other Broadway credits include Juan=Darien and Spider-Man, Turn Off The Dark. In addition to Titu=, The Tempest and Frida, Taymor directed the movie musical Ac=oss the Universe. http://www.broadw=y.com/buzz/166845/tony-winner-julie-taymor-to-direct-a-midsummer-nights-dre=m-for- theater-for-a-new-audience/ <http://www.broadway.com/buz=/166845/tony-winner-julie-taymor-to-direct-a-midsummer-nights-dream-for- the=ter-for-a-new-audience/> 7 EFTA_R1_01730187 EFTA02565628 Julie Taymor Returns To Stage To Direct 40=8040Midsummer Night's Dream' By THE DEADLINE TEAM =/span> When last we saw Julie Taymor aspan>she had turned to the courts <http://www.deadline.com/2012/01/spider-man-lawsuit-web-thic=ens-as-stage-producers-countersue-julie-taymor/> over her public departure from Spider-Man: Turn Off The Dark, whe=e she was director, co-book writer and mask- designer for the rock musical. P=oduction woes and poor early reviews led to producers revamping the creativ= team, leading to Taymor's departure. Now she's returning&n=sp; to the stage as director of Shakespeare's A Midsummer Night4>=8040s Dream, the inaugural production in Theatre for a New Audience40=8040s first permanent home in the Downtown Brooklyn Cultural District. Pre=iews begin October 19, 2013 for a November 2nd opening. Taymor sued the pro=ucers of Spider-Man: Turn Off The Dark in November 2011 claiming her=creative rights were violated and she was not compensated for her work. In t=rn, the producers filed a counter suit, alleging Taymor refused to fulfill h=r contractual obligations. A tentative deal settling her role in the creati=n of the musical was reached with producers 8 Legged Productions last Augus=, but Reuters reported recently that litigation has resumed after both side= failed to reach a final settlement. A trial date is now scheduled for May 2=. http://www.deadline.com/2013/01/julie-taymor-returns-to-stage-to-dire=t-midsummer-nights-dream/ <http://www.deadline.com/2013/01/julie-taymor-re=urns-to-stage-to-direct-midsummer-nights-dreamk Vulture Jule Taymor Returning Quietly With Some Shakespeare in Brooklyn =b> By Zach Dionne Julie Taymor's last theater experience was notably pai=ful <http://www.vulture.com/2011/=6/theater_review_a_critics_final.html> for <http://ww=.vulture.com/2011/11/julie- taymor-claims-bono-the-edge-falsely-criticized-h=r.html> basically <http://www.vulture.com/2011/06/spider- man_S.=tml> everyone</=> <http://www.vulture.com/2011/05/julie_taym=rgets_awkward_new.html> involved <http://www.vulture.com=2012/03/you-can-now-read-bono-and-julie-taymors-spider-man-turn-off-the-dar=-e- mails.html> . Now she's putting all that Spider-Man: Turn Of= the Dark muck behind her with an old friend, William Shakespeare. Taym=r will helm <http://www.variety.com/article/VR1118065049> =an Off-Broadway version of A Midsummer Night's Dream as the debut pe=formance for Fort Greene's Theater for a New Audience this autumn. The 8 EFTA_R1_01730188 EFTA02565629 woma= who brought The Lion King to Broadway has previously directed The The Tempest, and Titus Andronicus, a=so adapting the latter two for the screen. <=pan style="font-size:11.0pt">http://www.vulture.com/2013/01/julie-taymor-=eturning-shakespeare- brooklyn.html <http:/=www.vulture.com/2013/01/julie-taymor-returning-shakespeare-brooklyn.html> <=body> 9 EFTA_R1_01730189 EFTA02565630

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[Image 1] The image is a photograph of a printed document, which appears to be a page from a book or a report. The text is in English and discusses topics related to theater and the arts. The visible text includes names, dates, and references to specific events and individuals. The document is structured with headings, subheadings, and paragraphs, indicating a formal or academic style of writing. The text i [Image 2] The image is a photograph of a document, specifically a letter or a report. The document contains text, which appears to be a formal communication, possibly related to a theatrical production or a similar event. The text includes names, dates, and possibly a description of a performance or an event. The document is printed on standard letter-sized paper, and the text is aligned to the left. The vi [Image 3] The image is a photograph of a printed document, which appears to be a page from a newspaper or magazine. The text is too small to read in detail, but it includes various headlines, articles, and possibly advertisements. The document is dated January 20th, 2015, and mentions a theater in New York City. There are no visible names, logos, or other identifiable features that would allow for a more de [Image 4] The image shows a document with text, which appears to be a page from a book or a printed article. The text is too small to read clearly, but it seems to be a mix of paragraphs and possibly headings or subheadings. The document is not a photograph, but rather a scan or a photograph of a printed page. There are no visible names, dates, places, or logos that can be discerned from the image provided. [Image 5] The image appears to be a photograph of a printed document, possibly a letter or a report. The document contains text, which seems to be discussing a legal case involving a person named "Jill Taylor." The text mentions a court case number and a date, which is redacted for privacy. The document also includes a reference to a website, which is likely related to the case or the legal proceedings. The [Image 6] The image shows a document with text, which appears to be a form or a letter. The text is too small to read clearly, but it seems to be a formal document with sections and possibly checkboxes or blanks to be filled in. There are no visible names, dates, places, or logos that can be discerned from this image. The document is not a photograph, but rather a scan or a photograph of a document.