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FEDERAL BUREAU OF INVESTIGATION
FREEDOM OF INFORMATION/PRIVACY ACTS SECTION
COVER SHEET
SUBJECT: WALTER ELIAS DISNEY
PART 1 OF 2
NOTICE
THE BEST COPIES OBTAINABLE ARE
INCLUDED IN THE REPRODUCTION
OF THE FILE. PAGES INCLUDED
THAT ARE BLURRED, LIGHT OR
OTHERWISE DIFFICULT TO READ
ARE THE RESULT OF THE CONDITION
AND OR COLOR OF THE ORIGINALS
PROVIDED. THESE ARE THE BEST
COPIES AVAILABLE.
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Everybody know! Donald "DockI ut hie owner. being more eel!ning. walked Wa.|.hinIton';~rtree ts for two den um-eeolnlzed.Without ianlare of feirylond§h'umI>etI or the need tor Donald ton interference against Washing-'0 taabhitting eld of autograph
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Oice Memorandum - UNITED STATES GOVERNMENT
1'0 = DIrector, FBI Att'n: Training and Inspection DAT! December 16, 1951+
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. $55! _ ~f Re SAC Letter 51+-51+ dated 10/7/51+. _,_;._£_,____ 4 ' ..
I 4 .-vif POSITION or D8 / " 1 3 " , , CONTACT e e> 1&5. PProved by Bureau as SAC chm :
__ Mr. WALT DISNEY is the Vice-President in charge of production and
the founder of Walt Disney Productions, Incf, 2|+0O west Alameda Street,
*'*: Burbank, california. Kr. DISNEY is extremely prominent in the motion pictnrm
_ industry and his company is the foremost organization in the production of
cartoons. - .- - ~,::,~_'.__ . 4., __ ..,3 SERVICES CONTACT cm 1=1:1u-om; - ' i
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the American Broadcasting Company - Paramount -.1l._' Theaters, Inc. , for the production of a series of television shows which4, for the most part are scheduled to be filmed at Disneyland, a multimillion
{J-,1 dollar amusement park being established under Mr. DISNEY! direction in
the vicinity of Anaheim, California. Mr. DISNEY hafvolunteered representa-
'-,.§ tives of this office complete access to the facilities of Disneyland for use,
*»§'~ in connection with official matters and for recreational purposes.. ' 7.-7-15- ? '.~ Iv- PAST RELATIOIB WITH LG AHGELES¢.. ~-_ -~ ~
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RE: WALT DISNEY
BACKGROUND
WALT DISNY was born in Chicago, Illinois, on December 5, 1901.He received his elementary and high school education in the schocls of thatcity and became a commercial artist in 1919. Between 1919 and 1922 he pro-duced a number of cartoons and in 1928 created Mickey Mouse, his most famous
cartoon. - -
Mr. DISNEY has been associated with his brother, ROY O. DISNEY,in the management and operation of the Walt Disney Productions since the i-
establishment of the company by the brothers in the early 1930's. Mr. '
DISNEY resides with his wife and family in the Holmby Hills section of
Los Angeles.
DEROGATORY INFORMATION .
No derogatory information concerning this individual appears in
the files of this office.
SACRECOMMENDATION
Because of Mr. DISNEY's position as the foremost producer of
cartoon films in the motion picture industry and his prominence and wide
acquaintanceship in film production matters, it is believed that he can beof valuable assistance to this office and therefore it is my recommenda-
tion that he be approved as an SAC contact.
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-_.-.*'iOle Memamndum - UNITED smrns eovsnnmsnr
1. -, ML NicA6'Q'Y92I""" ' DAT]: January 20, 1956
- - K.-noa I M e s
WIJI¢r= W EY PRODUCTIONS ~-- _/!ICKEY.MOHSE NEWSREEL -- /.-. 1» <L 11- ' " §:ni;;:£7_{ /xcxzy MOUSE cum /' ~--"-""' ' /.*.MERICr".N BROADCASTING COMBANY4,.=,¢A+0D/3~9/ "
On January 18, Mr. Jerry A}92S{ms, local repr_esent_a_tive for WaltDis ' '1_'1¢_Y P_170duCt1011S, lQl_5.New Jersey Aveni1e__192Io1_-_t_hwe st, phone ME¢ rT>';5'S1i£2}1"s-i6 §3z'.home phone JAckson 2-Z023, came to the Bureau unannounced and took a regular tour.He was very much impressed with the tour and returned on January 19, 1956, to _d t . . . . .e ermine if it would be possible for him to take motion pictures for the television show,
Mickey Mouse Club. 'lob! _---
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He presented his plan to Agent Kemper. He said that Walt DisneyProductions s onsor t 1 ' ' 'p s a e evision show over the American Broadcasting Com anb t - - P Y e ween 5.00 and 6.00 P.M. for children. The program has an audience of 20, 000, 000.
He said that the show is broken down into four parts.1. Mickey Mouse Newsreel 2. Youn Star fg s o Hollywood Who Dance and Sin3. Careers Under Title "What I Want 4. A Walt Disney Cartoon
To Be" "
f: '~He said that the show gets meticulous screening and that they do not putanything on which would in any way be offensive to either parents or children. He said,for example, they will not even show anyone hunting or any form of brutality.
He said that he would like to take a rou f hild l
ve two short scenes which would run about twominutes on the Mickey Mouse newsreel. He would like the first scene to be done on therange which would show the Agent shooting at a bull's-eye target and would be basedon the fact that the FBI Agent is a great marksman and would be something which thechildren would look up to. In the second scene he would like to show how fingerprintsare taken with the children watching and then a short showing of the fingerprint file. Hedoes not want to emphasize the criminal side of fingerprints but would merely like topoint out how many fingerprints we have and show how theyysxegrve a. humanitarian purpose
§/"/'-4éé 7'. .2/YThe entire film would be shot without sound and would run about 300 feetHe s d that fta1 a er -the film was shot the narrati n ould be dubbed an ,_ would want .us to check the narration beforehand. = ~=Enclosure '~<1» 4 RECORDED - 4 2-». ~so = Q 1 '_ "' = " ' .. -- -~ ..:*"¢ réh ~*/4 4 g p o c ren, .i.f possible, '»;¢f' the children of Special Agents, and haToken
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In regard to sponsors Mr Sims said that the s onsorshi ' ul. p p 18 m tipleand the attached list shows the various sponsors. These sponsors, of course, areaimed at hild '_ c ren. Include dog food, cereals, canned milk, candy bars and popcorn.
A check of our files fails to show any information on Sims, and WaltDis h ' ' ney, w o 15 founder of Disney Productions of Burbank, California, is an approvedSAC contact in the Los Angeles Office. He has been most helpful. 94-4-4667-2! 92_
RECOMMENDATION:
In view of the tremendous audience and the fact that this would requireery little work on our part, it is recommended that we call Sims and tell him that-ewe will be glad to cooperate in his venture.
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A I On February 2? 1956 S. , , A0 Malone of Los Angeleswas visiting with $48 Contact Walt Disney. Disney mentioned thatin connection with his Disneyland Amusement Park he is presentlydeveloping a "science qf tomorrow" section. He raised the questionas to whether it would be possible to prepare a dis la d -p y or emonstration qf how science is employed by the FBI i I n law enforcementthrough its Laboratory and Identification Divisions.
Disney volunteered that the FBI is foremost in thisfield, and its operations are qf great interest to all.smericansandparticularly so to the young people. Disney commented thatgovernment agencies have in the past been reluctant to t par icipate in any displays of a commercial nature where admissions arecharged to enter a particular area but wanted to present this ideato Malone_for relay to the Bureau to determine the Director's
reaction.
In the event the Bureau feels that it would be possibleto assist in such a project, Disney would then qficially endeavorto more specifically outline the hp ases qf his idea so that eachcould be fully considered by the Bureau.
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II. Disney also mentioned that his company is currentlyproducing a television series known as the ¢Hickey.House Ulub"televised daily over the American Broadcasting Network. Thisprogram is designedffor child audiences and it is Disney's desireto acquaint American childr i ' 'en w th various employment opportunitiesin numerous fields of American endeavor. . '
Disney would like to featu]-e a series of program ~onthe FBI and law enforcement as a career. as has no specificoutline in mind. at presented this thought to 5A0.lalone in orderto secure the Bureau's initial 'reaction and if favorable wouldthen draw up specific ideas for presentation and clearance
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III. Disney appears to be a very reliable individual andhas been quite friendl with thy e FBI. He is an approved $40Contact. Bis television programs have been very popular andeducational and have been conducted on a high plane. The Disney-land Amusement Park qapears to have been popularly received. .
$, Disney's two proposals at this stage seem rather vagueand it might be desirable to ha h 've im furnish more facts so thateach can be considered.
REC 0..-".-ENDA TI ON ;
um. Nichols consider this matter and qfer hisrecommendations to the Director andcarry on through with notifica- tion to 5M0 Malone at Los Angeles.
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_ - _ - . -' _ " - ..¢- ''1 6 The Bureau bee considered very carefully your contacts with Q '._ [alt Dleney and hie deeire to include the FBI in hie Dilneyland Amusement J and aleo a televieion eeriee over the Mickey Moule Club of the Amerlcéi*-">k_',Bt0adcae1:l.n.g Company. V ' - --
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_ 1 ate are extremely heavy and that it 1| not poeeible to cooperate in thie regard.
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Ho investigation has been conducted by theFBI concerning the captioned individual. However,this Bureau: tiles reflect the receipt or a tlierieeued by the Council tor Pan-American Democracyadvertising the Night of the Americas to he held 'at the Nhrtin Beck Theater on February 1h, l9h3, inew York City. The flier carried a partial liet oraponeora and guests or honor which ingéalgd the name -r V ' ~ k- o alt Dianey. IBLJ , ~»-T "*L
The Council for Pan-American Democracy'haabeen d "iea gnated by the Attorney General of the UnitedStates pursuant to Executive Order 10450.,
- The People: Voice, ieeug or Jan _ _ _ 1,;'_ mg; 3.]-¢~qg9hh, contained an article captione "ew Hh;' _;§ ~;" '-:7 4 * ponaore Tribute to Art !bung.' The article_!g' ' ""forth that "New Nausea" was eponeorinim: maid? L_ting _ -to pay tribute to Art Young, Dean of rican Cartoonietawho died recently. It vac indicated that the geetingwould be held on January 27, 19th, at Manhattan Center,Zggh and Bth Avenue, in New York City. Along the . -ividual eponaora or the meeting was listed the name"Walt Dianey.1g¢! .
X. according to the Special Committee on Uh- 'American Activitiea in ite report dated March 29, lqhh,"New Maeeea is a nationally circulated weekly Journal
i _ ' "{Ihe fereeo1n&hintgrpation in furniahid-to out las a reeult or your request toiIn"fBI tile check and in"not to be construed aa a clearance or a nonclearance orthe individual involved. Thin information in furnishedfor your uac-and should not be diggeminated_cut;ide_crIOU! Qg'O¢1. qJ J": K/_'§/ $4 -" Y é ¢ 7-nejdg ..1-8:; ones 1? 56 INDEX my %
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LOS ANGEL-E5 DIVISIONit was announced on7
of the Bureau, e producer,For the informationl 56 that the above captioned motion picturh s been selected to receive {
October 211, 9tact oi this office, aducers Guild at an _ _
who is an SAC conthe annual Milestone Award of the Screen Prod for February 3, 1957 the Beverly Hilton __ » F1 ?r¢.si.s1.¢r.1.@ -;'-1;?-c.'2
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award banquet scheduleThis announcement was made by SA~:.UEL G. , _lso an SAC con t of this oiiicHotel. .Producers Guild and a
The award recognizes DISNEY S cars in Hollywood, contributions wrichds. ,pictures during his 33 yebrought him a total of 25 Academy Awar
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92Mr. Wait Disney ,2400 Alameda Avenue " H,
Burbank, California c '
DearMr. Disney: 4" 1 - _~ »_ 7
.-_ i Mr. John r. Malone, Special Agent in cm-gen: vour Los Angeles Office, has advised me of the annual MilestoneAward of the Screen Producers Guild which is to be presented toyouonfebruary 8, 1957. » _ ; .»
~ . You must derive great satisfaction from this 'recognition, and I want to be among the many persons in thiscountry who will extend congratulations to you on this occasionYour work in the past has been a credit not only to the motion .A picture industry but to the entire Nation, and I want toassure you oi my every good wish for continuing success. _ ;
_, '~ ' - Sincerelyiyours, G V A_
_ ._ . -- _ .V:!3§5T'Hc~.7're1-":
cc - Los Angeles, Reurlet10-_31-56 : . r _ _ l U3' ' ' r-4 5
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ENQTEI The Eu:-eati has had cordial relations with Disney whoSAC contact of the Los Angeles Office There is_ _ . no derogatory'=da1§'inBuf11es on the Screen Producers Guild. Samuel G. Engel, a producer at20th Century-Fox and an SAC co tactn A of the Los Angele_s_.Qffic.e as péesidentof the Guild in _ . - =1; ' 1 SF 1911 " '! " S -' - inwur.-r>_~ ",4 -. e -w __ W raga _ Man r.'r:::'d_ I 0 92 m__ - ~
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WALTDISNEY
November Z6, 1% /' 0
Dear Mr. Hoover -
It was good of you to take time from your busy
day to send me your very complimentary letter
of November 9th.
To say that I am pleased about the forthcoming
Milestone Award is definitely an understatement
and my only hope is that I will always be able tolive up to it and be deserving of this great tribute
Your congratulations in this connection are
deeply appreciated.
Warmest regards and many thanks.
- 46.
Sincerel ,
WPPF FJ;;ne~.3 W g. 'icho1 .._..
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Federal Bureau of Investigation
United States Department of Justice
Washington 25, D. C.
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Award Feb. 22 i
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K AZ/uxr bxsm-:Y will be '.¢ Val- ley Forge on Friday, Feb. 22,;
to accept a Freedoms Foundation
Award. He'll be introduced by
'Back. _. 'WF1L- TV newscaster Gunn:;/
A; Another TV celebrity visitor;
_will be actor-f$64.000 Chal-
jlenge" art expert Xipggngmg ue here Monday to help kick o
Philadelphia Museum of .Art
embership drive. . .
Playwright Arnold Schulman
1 hose -'-A <Hole in the Head"
opened at the Walnut last night
fvigorously denies that it: a stag
version oi his highly-lauded
drama, A '_Hearts a Forgotten
Hotel." 4 _, _ _ A
Ted Rogers, producer of NBC's
"Home", discusses New Dimen-
sions in Television," at a Barclay
luncheon of the Television and
Radio Advertising Club of Phil-
;adelphia tomorrow.
A "How Near is -Your Heart At-
tack?" is the subject of a WFIL-
TV symposium tomorrow night at!~8. Ways in which people abuse
their hearts will be cited by Dr.
Robert P. Glover, chief of the De-
partment of Thoracic Surgery at:
Presbyterian and Episcopal Hos-Ypitals and at St. Christopher'si
Hospital for Children; Dr. Wil-
llarn D. Stroud, professor of car-
[diology in the Graduate School of
Medicine at the University of
I ennsylvania, and Dr. Edwa
eiss, Philadelphia psychiatrist1 * .. -rm. ,
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2400 WEST ALAMIDA AVE. I IUIIANK. CALIFORNIA I CAIIE ADDIESSI DISNEYF ~ '
. ' ' KZMICKEY MOUSE
NEWSREEL UNITMarch 1, 1957 Vq~J/4~pA!*OV}¢
Mr. Louis B. Nichols '
Assistant to DirectorFederal Bureau of Investigation .Washington, D. C. A/'
// 3- Dear Nick:
It is a pleasure to_announce to you that I am nowconnected with altigigney as their newsreel repre-sentative in Uashington, D. C. .
:Had the privilege of meeting Mr. Malone of your Los 5Angeles office and talked over plans for a series ofstories regarding your organization. As;you know, theDisney Studios, from what I have seen while here,really does a thorough job on any undertaking theymight assume. You can be sure a real story will bemade which will give the young generation an idea ofthe great work done by your organization led byDirector, J. Edgar Hoover.
Hope to see you soon after my return and go over plansfor coverage of the Federal Bureau of Investigation.
Kindest regards." /L» " -%éo% Us-Oh Sincere y,
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ojvww = SAC, LO NGELES 9u-2711! ATTENTION: Assistant to DirectorFILOUIS B. NICHOLS' !FmT' WBLE DISNEY PRODUCTIONS QEZQBAIBD- .-RES'_E RC ' E RE"'c' 0' I-1os$
On.February 28, 133%, SA JOHN M. CASHEL and I,6at the suggestion of Mr. WAL ISNE , head of the e-cap iohedconcern, conferred with Mr._Bg;;F%K%SH, Mr. ¬;LL¥?%g§and Mr. i,HUGO JOHNSON, members of the sney organiza on's televisimn§production staff, regarding the possibility of their companyproducing a film on the FBI Laboratory in conjunction withthe 25th anniversary of that division. QLCLF .Q,¢F1z " *f _"Mr. WALSH'ad r: PARK are engaged in TV filmactivity at the Burbank Studios while Mr. JOHNSON, who wasformerly with the Paramount Pictures, Inc. Newsreel inWashington, D.C., for a number of years, is now engaged insimilar activity for the Disney company,having recently Joinedthe organization. Mr. WALSH, who is the head of the TelevisionProduction Division of the Studio, advised that Mr. DISNEYis interested in filming the show on the FBI, but feels thata production on the Laboratory would be impossible at thistime because of the amount of work which would be involvedI and the limited time available between now and the Laboratoryanniversary. He pointed out that it took the concern approxi- ,,mately one and a half years in preparation and filming to fpproduce the "atom bomb film which was designed with an , ?educational slant in order to enlighten the public. This ~;f _ Assistant Director
DONALD J. PA SONS
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type of film is usually not profitable for the company;however, Mr. DISNEY likes to do films of this type occasionallyas a public service. » ,
For some time, according to Mr. WALSH, Mr. DISNEYhas been interested in producing something featuring the FBIeither for his Disneyland television show or the Mickey MouseClub television production. WALSH explained that Mr. DISNEYfeels that a show about the FBI with a Laboratory feature could-
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be readily produced in time for the fall, 1957 Mickey MouseClub program. Mr. WALSH pointed out that this program isdesigned to have an educational appeal particularly to thoseJuveniles in the 12-lh year age bracket. At the present timethe club has an estimated audience of 18 million, Monday throughFriday. The program is one hour in length; however, commencingin September, 1957, the Mickey Mouse Club program will bea half-hour program and will be televised between 5:30 p.m.and 6:00 p.m., Pacific Standard Time, daily, Monday through »Friday,over the American Broadcasting Company network. Mr.WALSH mentioned that a series of five programs running over ira one-week period could be very effectively done concerningthis Bureau.
Mr. WALSH and his associates mentioned that thereis a great hunger on the part of American youths today forfacts about organizations such as the FBI. A program formatshowing a lh-year-old boy something about FBI qualifications,training, facilities and careers could be effectively producedand would have a tremendous audience appeal. Mr. WALSHstated that the company has done similar shows on airlinepilots and dairymen. In both instances the response from thejuvenile audiences indicated that more programs of this typecould be effectively utilized. The Mickey Mouse Club isplanning to feature more programs in its 1957 program onfacts about interesting careers for the benefit of its juvenileaudiences.
It was mentioned to these gentlemen that any FBIparticipation in a program of this type would have to beapproved by the Bureau, whereupon Mr. JOHNSON mentioned thathe is personally acquainted with Assistant to the DirectorLOUIS B. NICHOLS and is returning to Washington, D.C., onWednesday, March 6, 1957.» He suggested that he would liketo confer with Assistant to the Director NICHOLS on Friday,March 8, 1957, in Washington, D.C. and requested that Mr.NICHOLS be apprised of his desire for an interview concerningthis matter. Mr. JOHNSON stated that he will call Mr. NICHOL'sOffice for an appointment following his arrival in Washington,D.C.
The foregoing is being brought to the attentionof the Bureau for its information and appropriate actionin connection with the Walt Disney Productions suggestions.
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'1 ge es and while there last month I NI asked SAC Malone to see if Walt Disney would be interested in doing aIf-|nA~§.nl!.l_l 0 I
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¥ szgiont _ -' Pm;-_wsjscr /J4 LABORATORY ::;:=:' -?.5.§.h.. .;A.§-Pn..Y§§.s.§_R._Y___ Tr 8%The FBI Laboratory was officially started November 24 1932 % °' '
5 dto 8 MR. TOLSON
0 RUDE! Therefore, November of this year will be the 25th anniversary. We have "_ °_-been making some tentative plans for commemoration of this anniversar ' -
y . and some long range planning is necessary if we want to take advantage of ' __some of the better publicity media. : /
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.-/ - I have had a small committee considering some of the many 0 0possibilities and in particular whether we would want to make this occasionsubject of a nation-wide television broadcast. Certainly if we did, we wouldwant to seek th be est type of program. One of the committee mem ersL bo 'a ratory Supervisor C. E. Thompson, suggested that since Waybisneyhas gotten into large scale educational programs such as the one rece tl
11 Y on the atom bomb, something of this caliber would insure a large audienceWalt Disney is an SAC contact in Los An 1
program on science in law enforcement commemorating our 25th anniversary, /' _but to do so without making any commitments whatsoever
SAC Malone has advised me that Disney was very pleased with heidea and put Malone in touch with members of the Walt Disney Television AT-Productions staff. Even though films of this type are not profitable for thecompany, Mr. Disney likes to do this type occasionally as a public service. 'His production staff has proposed doing a film for use in the fall of 1957.Walt Disney Productions has a series of educational programs designedparticularly to ap eal to th 12 1 . I p e - 4 age bracket-but at the present time have ti t d . . . _ _ . . _ an esma e audience of 18 million. This program is known as the MickeyMouse Club, and in September of_1957 will be on for a half hour each day,Monday through Friday, 5:30 p. m. -to 6:00 p_. m. Pacific Standard Time 8:_3O p. m.to 9:00 p. m. Eastern Standard Time!. They would like to do a series of fiveprograms to take an entire week 4' " *1 " -"'-"""0 ' 9. 4 .w U{iii
One of the Disney Productions staff is Mr. Hugo Johnson, formerlywith Paramount Pictures, Inc , Newsreel in Washington D C. , . . He knowsMr. Nichols and intends to be in Washington this week. He advised SACMalone that h ould 'e w like to talk to Mr. Nichols about this and said he wouldcall . ic 0_1s' o see if he could on Friday, Mar h.8. -. I D _ . - ' __:s ,,_.J-"°j SEE ADDENDUM PAGE 2! he Ava 5 1951
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a. inMemo Mr. Parsons to Mr. Tolson
Re: FBI Laboratory - 25th Anniversary
I think the caliber of the documentary and educational films "prepared by Disney Productions is recognized as being of the highest and weshould further explore the possibility of seeking publicity for the Bureautlu~ough the medium of the Disney programs commemorating the anniversary ofthe Laboratory. We, of course, will have to have more details as to whatwould be involved and also as to commercial sponsorship. '
RECOMMENDATION: _
It is recommended that if at all possible Mr. Nichols see the
Disney representative, Mr. Johnson, and explore the possibilities of a filmed television program commemorating the Laboratory's 25th anniversary.
ADDENDUM: LBN:jmr! 3-6-57 I will, of course, see Hugo Johnson when hecomes to the Bureau and he has now written me as indicated by the attached letter.This does present a rather awkward situation since we have heretofore turned downWalt Disney Productions as indicated in Mr. Jones summary of January 20, 1956,which is also attached. I think that in view of the approach that has now been madewe are pretty much in a position where we are going to have to do something andI think we will have to explore the matter when Johnson does come in. I have twoor three other things in mind, one of which will be a 7-minute feature with theArt Baker program, "You Asked For It." This is being submitted separately.
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Reference is made to the attached memorandum con . ¥i1§f",{§,"__:ce visit of Hugo Johnson on Monday in relation to preparing Z"? --a show on e 25th anniversary of the Laboratory.
It is not felt that the Mickey Mouse Club is the proper place
to publicize this anniversary. It is a good show. It comes on at 5:30 P. M.each weekday and is aimed at the "small fry. "
~= If we are going to do this, we should do it right and try
an ge Disne to do a one hour Disneyland show which at present is at 7:30
P. M. on Wednesday night.
his wifeThis show has an adult and juvenile appeal. Kemper/and his boys saw the show last Wednesday night and it was a story of the development ofaviation. It was done with animation and motion picture. It was excellent and
maintained the interest of young and old.! If we could get Disney to do a one-hourshow on Disneyland which would be a history of science in law enforcement weJ would have something that would be worth our efforts.
*5By animation we could show ancient, medieval, dark ages and 19th
44..century law enforcement practices, the branding of the criminal, the dunhng offa-F the witches, etc. This would, of course, require careful research.!
Then using Sherlock Holmes with his magnifying glass and =0.Sir Henry with his fingerprints we could begin to bring law enforcement up to date.Scientific law enforcement would reach its cul tion in the Director's establish-ment of the Laboratory in 1932. _ - __f r . S ?/- %- Z 4 4;//We could then with motion picture film go in o the atoryI ~ show its tremendous impact on the profession of law enforcement. This would
Lmake a worthwhile, educational program which would do the 'Ba'u.a tremenda "=°"==*°' nzconosn-e2 mm-5 APR gm 1,.;,7°
- The Mickey Mouse Club is a series of short
' keep the attention of the very young who have a very low concentration riod.To do 5 stories would mean that it would have to be done on a very juvenile level. When Kemper talked to Sims of Mickey Mouse Club back in January, he said thatag policy of a/bfsglutely no gums cr any type of violence.!
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It is doubted very seriously if they would have 5 half-hour
spots with nothing but the Lab which would mean that we would have -
4 ,. , no continuity.
- RECOMMENDATION:
Recommended that when you talk withdohnson you explore
the idea of doing it on Disneyl and.
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.237: _ Trotter ._Hugo Johnson, w fo many years was with Paramount §j;j_R;,';Newsreel, is now with the _Wal isne ion More arti l l _______ P cu ar y, Hollomu _ he is with the Walt Disney Newsreel, which is produced essentially for _" ° ,""youngsters and is presented on television in the early evening. Disney'sprograms have essentially been directed to the 6 to l7-year old age group and "in th 'e forthcoming season Disney wants to have the Bureau figure into his dailyprogram in 2 areas, both of which would run from l2 to l5 minutes.
In the first one Disney wants to give a picture and tell a storyon fin er ' tY g prin s, as well as to give the youngsters an indication of what they._ xvlould see if they were to visit the Bureau headquarters. This film would beQ lent. There would be no sound and could be done with a minimum of work and. would include a few shots in the Identification Divis' fion, a ew in the Laboratory,~ and some classroom scenes. Secondly, they would like to do another one of from12 to 15 minute t ' ' ' ' 4 s a Qiantico which would go into firearms, crime scene searches- 92 and the general routine of the training of an agent. ' ,
. II Q Their general format is to have some youngster ask a question/'and then the youngster is shown seeing what the other kids see on the TV screenso in the shots in the Bureau they would want to use some young boy who eitherJohnson could select or could be the son of some Bureau representative. Hugothought that some of the old film zcould be worked into this, for example, 'a few feet of the old Duquesne case film which would be ve
ry exciting. As wecould have the complete control over this and since it would not entail an awfullot of work, it would be my recommendation that we go ahead and do it.
LBN:hpf ' 92 £2 '! %i¥92 ° 9' cc ¥Mr. Jones » 6
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For record purposes, I told Hugo Johnson that we would o alo8 I18 with him on condition that we had a chance to review the film before it is used 1;
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and that t-his could not be done until after the Easter rush In the meantlmeJohnson will come to the Bureau and spend a day or so with us getting thmgsplanned in the near future.
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to , Mr, Ni¢h §*%/ m92'rn= April 17, 1957
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' Tele. Room .' Hollomun _/_// accordance with arrangements previously made, §==dv-Mr. H of Walt Disn_¢_;:-y__§_>_1;qgiuc1:ionsLy:as taken on detailed toursthrough the Laboratory, the Identification Division and the Bureau facilitiesat Quantic V ' ' '0, _i_r_g}__ni'a, on April 16 and 17, 1957, by SA James T. Murphy.
Mr. Johnson is working on two and possibly three 15-minutenewsreels concerning the Bureau which will be produced by Walt Disney andD telecast in either October or November of this year. The story will be toldthrough the eyes of a young boy. Actually, it is felt that what we will reallyhave is a motion picture tour of Bureau facilities. Since the age of the audiencefor these newsreels is young, there is a need for constant action throughoutthe films.
Since the facilities here at the Justice Building will beextremely crowded during the Easter period we probabl 't, y won have anywork in this building for two to three week hs; owever, there does not seemto be any reason why we can't get underway with the filming both at theIdentification Division and at Quantico.
- Mr. Johnson is very enthusiastic about this project and hasstated that he will contact your office for final details.
RECOMMENDATION: V/ _For information.cc - Mr. Parsons t * _
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Mohr _._ . Parsons _ i ; SUIJXI:I _!/ _ fosenz'Tumxn 92./ Irotter 1" We bad agreed some time ago to do two short television N§§'."¬$Tfilms for the Walt Disney Sunday afternoon newsreel for youngsters with °Hyo<.!hnson7_'Ifiey7-utcourse, will not be used until in the fall and weJWIII have the approval of the material.% We 51""; Checking into the schedules, we will have a class at Quanticothe first four days of next week. There will not be another class down therewhich could be used for this purpose until sometime in August Accord 1. mg y II told Hugo Johnson yesterday that we could do the Quantico material the firstthree days of next week.
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__11--unijaw-- ~ "-- Re: HUGO JOHNSON-:DISN'.E_ZY PRODUQIQNS ,1>¢/ '"-.. .<=.-. *~' ugo Johnson advised Murphy today that the film which was taken
at Quantico t week turned out excellently, according to a call which he had
received from the Disney people in Hollywood last night. Johnson said that the
Disney people are well pleased with the results to date.
Tomorrow /15/57! Johnson is starting out with the IdentificationU Division story. The following was suggested to him as a possible outline:
If*4. .2. W -The young boy who is the theme of these stories, Dirk Metzger, is a
member of the Boy Scouts. As you know, the fingerprinting merit
badge of the Boy Scouts depends upon the submission of 5 sets of legible
Personal Identification prints, and if desired, the Bureau files the PI
prints of the Scout himself. In order to stress the civil aspects of the
Identification Division, we will have Dirk enter the Ident Building and .
ask the question, "Who am I?" We will then show Dirk being fingerprinted
on a PI card and the resultant classification and location of his previously
filed fingerprints. The narration would stress the public service function
of the Identification Division to the general public and is a message which
certainly could stand wider understanding. Since the civil prints are
seldom searched and the area where they are stored is almost devoid of
activity, we would shoot the location of Dirk's prints in the female
criminal section which is fairly busy and provides a good backgrotmd;
however, it will be absolutely assured that this section of the files eon-tsi-n-s
civil prints. I, bk?-'/ca
After this bit showing the civil value of prints we would then touch upon athe handling of criminal fingerprints in Ident treating it in a strictly
documentary fashion. On Wednesday we intend to shoot around Dirk danthee establish §Iac_§§ where lg want him on Thursday afternoon.. Trotter has been advised of our plans to be at Ident Wednesday andThursday afternoon and an electrician will standing by. '
On Thursday afternoon at 2:00 P. M. , in, 'tion to some Ident shots, wewill shoot a classroom scene in classrqo I 2 here the Justice Buildingthe new Agents class which is ' in s " n::J/_;;_,_»__,; - / 92
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In order to give this classroom shot a little interest we will haveMr. L. A. Francisco cl the Training Division lecturing the newAgents and then have Inspector Whelan enter the classroom and
consult briey with Francisco. Mr. Whelan will be dressed in amanner which will lend itself to identication. We will then ask theclass and the youngster to identify Mr. Whelan after he has left theroom. We will pull this without the knowledge of either the classor the youngster and take shots over his shoulder as he writes hisimpressions on a piece of paper. Johnson feels that the narrationcould have the young television viewers do the same thing and thengive the accurate description at the end of the program. This seemslike a good device to hold the interest of a young audience for aclassroom scene. Messrs. Tamm and Fletcher have been consultedand they have no objection.
Johnson also mentioned to Murphy his earnest desire to get one shotof young Dirk shaking hands with the Director. Hugo says that hecandothi 'thhi h d d liht d s wi s an camera an one g an that he could getset up in a matter of minutes in the Director's outer office and withQe shooting the Director could come out of his inner gfjigg and greetyoung Dirk. As you have en previous y a vised this young manmakes an exceptionally fine appearance and is the son of a MarineCorps Colonel assigned here to the Fiscal Section of U. S. MarineCorps Headquarters. This would certainly be a most worthwhileshot for the series and all the film being taken is of an extremelywholesome nature which is in keeping with the Disney tradition. It isfelt you might like to discuss this possibility with the Director and ifpossible give us sufficient notice,if approved,to arrange to have theyoungster taken out of school for the film. Of course, Johnson stillhato shoot the Laboratory after the tours slacken up and school will be overat that time and the film with the Director might be more propitiously
handled at that time. .
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I. so ,Mr. Nicho§d'92/ pm. my 15, 1957,/ Tol92on_..__raou = esV7 . P:rso::.$Uij1I2wALT ,1 I ~ Rosen .__...m soN, I>IIorocIRAt>IIi:'§; /~, [,1 _5 / $33,:ynmiggkrzo R, CENTRAL FIGURE. ;1»;==-R- ,- FILM 0 DIRECTOR I H21? .351;;_'_ ' 4=ao P. M., MAY 16, 1957 waf-_
Em 1/ ti .$-$1The Walt Disney Productions are currently filming phas s of theBureau's Identification, Laboratory and training operations for a new televisionseries to be inaugurated this fall. Hugo Johnson is the photographer assigned tothis task. Dirk Metzger, aged 13, is the central figure in the films. This seriesof films is aimed at a yoimg audience and is "seen through the eyes" of DirkMetzger who will also narrate these films.
. Metzger is not a professional actor and he Q greatly impressed;. £ the Bureau personnel with whom he has come in contact during the course offilms shot at Quantico last week.
DATA IN BUFILES:
Bufiles are negative regarding Dirk Metzger. His father is ColonelLouis Metzger, United States Marine Corps, who is currently assigned to the FiscalSection of the Marine Corps Headquarters here in Washington. Colonel Metzgersis a career marine and served as the Marine Corps attache at the American Embassy. in London, England, for three years prior to returning to the United States ¢-K approximately nine months ago. Bufiles are negative regarding Colonel Metzger; .92however, Special Agent E. C. Kemper'of the Crime Records Section addressed ag oup of Marine Corps wives at Quantico in 1953. His appearance evoked a mostcsi-dial letter from Mrs. Louis Metzger and the Director wrote Mrs. Metzger onMarch 31, 1953, thanking her for her kind comments. 2-38641-2&3!
Hugo Johnson is a veteran newsreel cameraman who for many yearswas associated with Paramount Pictures here in Washington. Bufiles contain noidentifiable derogatory data concerning Hugo Johnson; however, it should be pointedout that he is extremely well disposed toward the Bureau z the Director and_hain the past, performed newsre'e.1,jobs iwolving the Bursa ,~- _ -44 -"~/_,' -'RECOMMENDATION: I ';_"_j 9fX£0.; I , / t -None For information olhl <3 5 MAY 17 1957 Q! 5° - M1" Ni°h°1s . ADDENDUM 5-15 g§0§.[t§P='1§
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TQ , Mr. Nichols, nus: May 10, 1957-'* "' ' '-N -H ~ Tolaon __.
_ . Nichols ._. Ilqu ; M. '7 Bodrdmun .... Belmont _
Mohr .__ Parsons _. =v»:=¢r= nuoo JOHNSON /' $222:wA1.'r92§NEY PRODUCTIONS
_ Nessa _i
' Tole. Room . " Hello
mun _.. , Gcndy _"Jr You will recall that Hug<92§:>1mso11,/who is now associated with..the Wa.lt Disney people here in Washingto , is preparing a couple of featurefilm presentations for release on television next fall. SA Murphy spent Mondayand Wednesday of this week at Quantico with Mr. Johnson where a wide varietyof film was taken depicting various phases of our training operations. Johnsonappears to do a most competent job and is most enthusiastic about this project.Basic outline for these film presentations is centered about a 13-year-old boy.In other words, these films will be seen through the eyes of a boy in the agegroup to which Disney is making his pitch. The boy in this case is namedDirk etzger, the son of a Marine Corps Colonel stationed here in Washington.Young etzger is an extremely personable and well-mannered youngster who isideally suited for this type of work. He has appeared in other Disney productionsbut is not a professional actor.
Johnson has one more bit of film to take in order to complete thistraining feature. He wants to take a few classroom shots here in the JusticeBuilding. The present class of new Agents will be at Quantico through May 16 butzwill be back here for more classroom work. It is suggested that we wait untilthe new Agents are here for the classroom scenes but that Johnson can get to workduring the week of May 13 on the second reel of his feature series which will concernthe Identification Division and Laboratory. Because of the pressure of tours, it isfelt that we should start with him in the Identification Division. Young Metzgerwill also appear in this sequence.. Since he is in school, we will use him one ,afternoon over at the Identification Division to establish him in the various sceneswe desire to shoot and on a second day we will do our shooting around him.
Rfa] _ .-:;_;_ 1_ /.' / - i __RECOMMENDATION3 mUmDRl>g U __4 _______._? It is recommended that you contact Hugo alohnspngsnd advise him thatwe can begin shooting at his convenience in the Identification Division next week butthat we will wait until the week of May _20 to complete thefm on waning in orderthat we can utilize the new Agents class which will be here 1n92the Justice Buildingat that time.cc - Mr. Tamm, Attention: Mr. Fletcher /cc ~ Mr. Trotter 9292,92Q g §6? g"-"-92' Q-'. I " .JTM: J. -_ ' g
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Oice Memorandum - umrsn STATES GOVERNMENT
I to = Mr. Nicho92§f92'92§¢92_ nan: July 18, 1957
n _ y q/ gi.».?sV_'30 3 ' S / 0¢Idmd_
Belmont ._ D u mwnjncn WALT msnnv PRODUCTIONS .1 3311";. 'rv mm an FBI i ' M- m --_
Trotter _.. __ . Neuse
V Tole. RoomYou will -recall that arrangements were made for Walt $313: :Disney Productions to film material concerning the Bureau for two 92 "television programs, each of fifteen minutes duration/this fall The _£a:_rne_1;a__m_a,n was H1_1g5%Iohnson_, and the final shooting was completed Vyesterday. Film was taken at the Identification Division, Quantico andthe laboratory. 92 1,-.;_ -V--1.
In view of our heavy tour scheduling, the laboratorysequences were shot on Tuesday and Wednesday of this week and thatcompleted the assignment.
The entire operation was ve smoothl dry y one and Mr. Johnson was most cooperative and enthusiastic. We will, of course, see all thefootage prior to broadcast.
RECOMMENDATION:
For information..92/W
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_ _ I5 JUL 241957INDEXED - 36 , =n ~?=' B4121 5 __
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Oice M8; . 761111772 - uNn'1=;n " }OVERNMENT
"° *Mr. Nicholf /%,_, o.92"ra= October 18, 1957thou =M. B ' 92/m§$'é
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"-"Jae-r=MOTll2g PICTURE coucsnmno FBI, , . 4 __ Z311 :WAL ISNEY ZRODUC TIONS _
" " """*""'-~-~- Neose.__._
_ Tele. Boom--BACKGROUND: e Ziiffli
You will recall that we cooperated with Hugo§:Io_hnson of
Walt Disney Productions here in Washington /in the production of aseries of 92.films concerning the FBI for use in January, 1958, for the "Mickey MouseNewsreel. " The Disney people are elevating the age plane of this series so -§"that it will be of primary interest to youngsters in the 12 to 16 year age bracket.I The films we worked with Johnson on concerned the FBI Laboratory, the
Identification Division and the training afforded Special Agents. These filmshave been edited into four separate shows with a running time of 11 minutes apiece
CURRENT DEVELOPMENT:
On October 1'7, 1957, Mr. Johnson brought the work print of thisfilm to the Bureau where it was viewed by Messrs. Nease, Kemper, Murphy and
you. All in all, the film is well done and certainly complimentary to the Bureau.
This particular print did not have sound but we have received the script and there
are a few points we would like changed in the script and a few switches in a
sequence of the film_itself.
It is felt that the best way M to handle this would be to send
the attached memorandum to Los Angeles enclosing a blind memorandum of thechanges we would like to see made. The changes are basically minor and nodifficulty should be experienced in seeing that they are accomplished. _ I
Mr. Johnson advised that after the sound track is synchronizedwith the film the four films will be sent back for our viewing and it is felt that the
Director and Mr. Tolson would probably like to see them at that time.
RECOMMENDATION NDEXED 55 *
7 - - [ mum-55 7*/--I -*/at 7 1.It is recommended that the attached letter enclosing blind
memorandum be sent to the SAC in Los Angeles and that the blind memorandumof suggested changes be presented to Mr. Newsreel Editor
of Walt Disney Productions. L» - /. . .. .__.." ""' '"Enclosure.4i-I-u2..' ,e-.z§;/ 69 . 4 OCT 3 1957 " W f5M=é"s B i *- .
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SAC, Los Angeles October 22, 1957
g , Director, l=Bl_ . _ y ~
L -c Morxog Pxcruastasrsx , B . ' WA_I,l'_klSNEY PRODUC'I_l_Q_lyIB
l ET1RBANK,"cALiFoR'i¢IZ92 ; ' .
' RESEARCEHCRIME nsconns! .
. ~
- » -- -. ._ - . -. e f Z There is enclosed a blind memorandum should be broughtto the attention of Mr. William C. Park, Newsreel Editor oi Walt Disney~ Productions. - "
- For your information, the Bureau has cooperated fully withWalt Disney Productions in the preparation oi tour films concerning the »» _ Bureau for use on the "Mickey Mouse Newsreel" television program scheduled 0. -for telecasting in January, 1958. The work copy oi this iilm was recently '3 viewed at the Bureau, and the blind memorandum enclosed enumerates suggested
changes and additions which the Bureau very much desires be made in the final
prints of these films.
3 o ' rm; matter should be handled expeditiously, and results oil your meting with Mr. Park should be promptly made known to the Bureau.A» El'3 ' Q ~'-IE e i ~ -- . 92
"Yo?" ,3" Blind M 0 ' .t Follow-up 10/a1/51 B. . A 92 _ Z/éé_7- 20
a - - ' ' ...¢..' _, D" - 'NOTE: See Jones to Nichols memo 10/18/57 re "Motion Pk FBI;Walt Disney Productions, " JTM:grs. - " - A .= V -
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53$: 't//7% '"°" __ comm - FBI1 / tottet -iijifgg n q 5 DC T2 2 1957
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Episode 8
Scene 5--In conducting the crime scene search,
it is deemed advisable to eliminate the shot where
Birk actually picks up the gun and ejects the clip.It is felt that after Dirk spots the gun the next scene ~
' _ should show him picking up the cartridge cases which . .: --1- - is covered in Scene 8. The handling oi a supposedly - ,~__-' __ loaded weapon by a boy oi D_irk's age is not considered "
- appr<>pr1=w-
' Scene 8 --Line 8 oi the narration should ma, "Agents . . ..
' : might notb'eable._.-._.?- -» ~ i -' -" Ap _ _ . _, 1_ v1 ' s¢n.1»i-1;n;= we n;,ni;;¢.1,¢;.1¢t;@a¢; i-~i».. n 1 it
" Assistantbirector in charge. .1." ~ _ " ' -.
_ - .._._92 .' - .e _.'
. Scene ll-¢Line 1 d the narrative should read, '_'. . .he -- -has a son ordaughter_...._" h 4 i
> -- -1
- Scene 18--The narrative should read, "As iwas soon "-
to iind out, one of the FB1's most important Laboratory _" aids in ghting crime is the reference files. . . and that: '
just where the handwriting expert headed. These tiles
contain. . . . "
Scene 24--Line 1 oi the narrative should reed, "X learnedwhen Antl ee ee_'_'-4» v. L A ff K _ :__ I I "
- -_ 92 1- Scene 80--The last two lines oi the narrative should read,
* "Alter the iurnace has been lowered and turned on ior e '
. ' _ L _* ._ _ .. . ~ '
',. , ' ;~ ' . . Q , w, '_, '- a_ Scene 18--Line I should reed, ._ . .window could have been... . "
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Episode 2
Scene l--This scene should begin with the iiim oi » i
Dirk entering the identification Division Building - " _ p
which is shown in Scene 87 oi Episode l. This would '
give the Episode the logical sequence it requires. - 4|_ e
. _
Scene l--in line 3 oi the narration, the word "department"
should be deleted and the word "division" inserted. " ; p -,1
'. ~~ _ -. 7 ' _' ~ _ ' - -».. '
Scene 4--Line 5 oi the narration should read, "146 * " 92§..--
millioniingerprints...." __ -; ,» _ . -
Scene 8--Line 8 oi the narration should read, "'l5,000 H _ -
cli<i8lneIcli¢8binet...-'~- ':_- » _ l " .. -_.. .
Scene 1: ~-Line 2 should bechanged_to 5. , . .m the
iileswhicharesearched.",_ N . __ p
Scene 18--Line 4 of the narration should have the word
"identication" inserted in place oi the word "police. "
Scene 14--Line 8 should bechsnged to read, ". . Jdentiiicaiion
recordisprintednif - _;;= t -~ ' ,
am. 1a--n is mt that the u-miuen hetween the iilm 011/
the identification Division and the introduction oi the Nani
spy case is a little rough. it is ielt that this matter could
be adequately handled by sdding the iollowing to the end oi
the narration ior Scene 18: "But the FBI has other ways to
catch wrongdoers--" S w . _; _ __-'-
Scene 20--Line lie! Scene 80 should be changed to reed, . . -
"4 6 . ring just before World War II. ",-._ ,_ .- . - -.1,
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October 22, 1957
M_E»MORAN-BUM RE FBI" S'ERi E$'--
"MICKEY MOUSE NEWSREEL
. - - ' -_' - ~. ' _"- _~'. -' - :' ' ".'- _ . .-' " * -. _»" ._,.' " ..
I '- .F- V . . : '' . . ._ .. _The following suggestions ar_eoiier_ed in connection with. -,' .. __- , _»_.--,-. "»_.. .'
Scene 4--The name "Remington" should be deleted, I '-and the name "Proctor" should be inserted. .
Scene 6--This scene should have an establishing shot
of the FBI Academy Building proper following Dirk's _entrance at the sentry gate oi the Marine Corps .
Base at Quantico, Virginia. Prior to the scenes oi
Agents tiring weapons, it is strongly ielt that the scenes taken in the FBI Academy Building oi Dirk learning how
to handle a gun saiely should be utilized. One oi the
reasons the FBl"was interested in this series was toput across to youngsters a lesson in the safe handling of
guns. Following that, there is a need for a long _establishing shot of the ranges themselves. With this
insertion, it would be necessary to cut down on some oithe actual tiring scenes. , ' ' _ g . 1 ¢ '
_ g»_- _»" . _:
Scene 19--The words "looking st him" should be deleted,
and the words "with the shotgun" should be inserted.
. ' - e 1 - ' ~_ _ '- , .Scene 81--The scene oi the Agent iiring two revolvers f_ 4simultaneously and breaking the clay targets does not ' '
show the targets themselves breaking. 'l I e is __available, and it is an um,u the scene 1 &mH=it should show the Agent's the clay targets.w u _- ~- _Scene :1--'rnisE3§elQ$s on a place. ns g ..§.;n;entering the Identification Division Buildin .. ere_nq_ _s_uc_hclass as iollows in Scene 88 is held. Dirk '__ sums;
read, "To iind out how it works, come with me into a class-
room where new FBI Agents are being trained. "L Apucg
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General Observations
' There is one sequence oi action which should be correctedin the interest oi logical continuity. in Episode 2, Scene 20, Dirk is "-lhownentering s classroom with s Special Agent. Then, in Episode 8, 'Scene 12, Dirk is shown being introduced to this very same Agent. Logicwould dictate that when the series is shown what is now Episode 8 shouldbecome Episode 2, and what is now Episode 2 should be Episode 8. _ »'= " -Except tor the introductory portions oi each of these Episodes wherein 'Dirk is shown on a studio set, there would be no known reason why thischange in the interest oi chronological development could not be made.
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1 EXT. DAY - DIRK HETZGER AGAINST BACKDROP OF WASHINGTON, D. C.WITH CAPITOL BUILDING IN FOREGROUND, AS SEEN THROUGH WINDOW.
DESK IN FOREGROUND.
OPEN CLOSE UP on window; pull back to find Dirk in HEDIUH SEpartially facing backdrop. He speaks before turning. ,
FADE IN '
DIRK
looking at
backdrop! -
Washington, D. C. -- quite a place...
turns tocamera! '-
'...believe me! I'm Dirk Metzger.
Maybe some of-you-will remember me as
a Mickey House Club foreign correspondent
_ from a couple of years ago. Well, Halt;92 Disney has now assigned me to cover
=. Washington. . . gestures with ' ~hand at backdrop!
...not from the tourist angle, as we just
saw...but Washington from the inside. Uhat
, goes on behind those big doors? As 1 ,Hickey House Club reporter I did a little .
exploring, and for the next NO WEEKS, _
I'm going to show you what I saw...{5 ' where I went...what I did. Follow me.
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. '92:._ " ,.-v . .' 4I " FBI Narration!
B21414-091.;-G - Episode 1
Doug Duitaman - 10/ll/S7
SCENE
J7 IS Washington
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. /-NARRATION
WASHINGTON, D. C. -- THE CAPITAL OF OUR COUNTRY...A.N'D
ONE OF THE HOST BEAUTIFUL CITIES IN THEUORLD. EVERY
YEAR, SUMMER AND WINTER, THOUSANDS AND THOUSANDS OF
TOURISTS COME TO VIEW ITS HAGNIFICENT BUILDINGS. I
BUILDINGS THAT SPELL FREEDOM FOR ALL US 160 MILLION
=.. , . . .. r. ." . ..' _. . - <._-1.1-;_ rx; ;~#__=; < 5.1; ."", ~- _. . . . _ . _ : 4 1-'_~,a., I .<~_;,.,,_-,». -_.--. _ __ '_-. - -. > _ . _ 4 .. _. t . >__.. __.___.:_,. > >___ _. .w 1-, ;,.,_ »---_ » - 92- ~ _ , " ' -"
.
' 2 sireet scene §m"F1RsT QDESTION_WAS wHE§?~Q§ I START? THAT WAS EASY.
I HEADED DOWN PENNSYLVANIA AVENUE...AND NADE A BEELINE
FOR THE BIG JUSTICE DEPARTMENT BUILDING -- HEADQUARTERS
OF THE FBI! I '
~ > _ _ A _u 3 meet_Hoov9r; LUCKILY, I wAs ABLE TO so RIGHT To THE TOP ,- THE NUMBE
> ONE G-MAN, MISTER J. EDGAR HOOVER. pause!' I FOUND
i - .OUT HE KNEW ALL ABOUT THE MICKEY MOUSE CLUB...AND HE
AGREED IN A MINUTE TO OPEN ALL DOORS FOR THE INSIDE
. V-
STORY OF HIS WORLD-FAMOUS ORGANIZATION! ' V
1|. walk to statue wait two seconds!... BUT FIRST HE WANTED T0 snow ME
SOMETHING -- ONE OF HIS FAVORITE POSSESSIONS...A BRONZE
STATUE AN INDIAN MOUNTED ON A PONY." TOLD PIE IT
HAS DONE BY EH-E'!i9!ON', THE FAMOUS SCULPTOR./
L fa'0afTb'§
5 turns stat-.1m.. _. wait one second!... MISTER HOOVER HAS BEEN CHIEF OF
THE FBI SINCE 1921.}. WHEN WAS ONLY ZQ YEARS OLD. pau;
MEETING -HIM WAS A YRETTY BIG "I'HIRILL1
dissolve to!: I H
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I
*v " £32hh-09B-c - Episode Page 2
SCENE
6 Marine gate
92
7 CU reload
8 agents in line
9 CU Tommy Gun
10 targét .
11 show pix-~
T=-:1-6NARRATION
AT MISTER HOOVER'S SUGGESTION, I HEN
MARINE CORPS BASE AT QUANTICO, VIRGINIA - HOM OF THE
FAMOUS FBI ACADEMY. THIS IS WHERE ALL NEW AGENTS ARE
TRAINED IN THE USE OF FIREARMS...AND THE LATEST METHODE
IN FIGHTING CRI . SPECIAL AGENT BELL WAS ASSIGNED TO
I - ; /,.- In 1* ¢=~'g1gg}§,_A§3 g=3- ",fi;,3,~,,";._L §QZ ;7@3~.+;.:-3A.? $1.5s¢ar¢+~évg;1>;»/<--e:1<b s/ma /M3 -""°EEEE:3E ' AGENT, WHETHER HE wonxs IN THE FBI LABORAT
on IN FIELD OFFICES THROUGHOUT THE COUNTRY, LEARNS To
TAKE CARE OF HIMSELF IN A sun BATTLE. HE'S TAUGHT To
sBooT~EAéT...ANB SHOOT STRAIGHT!
THEY WEAR SPECIAL HIP HOLSTERS FOR LIGHTNING-FAST ACTIC
ONE OF THE FBI'S MOST USEFUL WEAPONS IS THE THOMPSON
SUBMACHINE aux. AGENTS USE IT on RAIDS AGAINST
DANGEROUS CRIMINALS BECAUSE OF ITs TREMENDOUS FIRE
POWER... ' '
.
J.-
-1:
'-
5'824!.;-091;-C - Episode W J Page 3
SCENE NARRATION
12 G-man THIS BUILDING IS FULL OF GOOD GUYS, LIKE THIS G-MAN
13 Dillinger
1!.; agent walks;
15 -pan crook.»
16 agent waves
17 towel face
1
18 crook draws
189. g-man
18b Dillinger
19 two bad men
I :===s _
20 takes coyerWEARING A BADGE...
, .
AND THE FOUR GANGSTERS WE JUST SAW. THE AGENT'S JOB
IS TO PATROL THE STREET AND SHOOT ONLY THE BAD MEN.
AGENT BRANT GETS THE JOB!
'THAT'S ALL FOR BABY FACE NELSON.92 .
A FRIENDLY HUNTER DRAWS A WAVE INSTEAD OF A BULLET.
THIS MAN COULD BE ANYBODY...SO THE AGENT COVERS HIM,
BUT DOESN'T FIRE!
RECOGNIZE HIM? AL BRADY..-
THERE'S THE G-MAN.
AND RIGHT NEXT DOOR - DILLINGER!
WW THEM//v . " JHO7TWO GUNMEN AT ONCE. THE G-MAN SHOOTS THE ONEAEGOKTNG
AB FIRST...T_HEN THE OTHER.
HERE, AGENT BRANT TAKES COVER BECAUSE HE'S.NOT suna
wanmnmn wars MAN IS nzacnxns FOR A sun, on HIS
HANDKERCHIEF,
I
0
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£1ZIU.|.O9'l.|.-O - Episode Pagé Z;
_ NARRAT ION I -SCENE
21 boy OOOPS...WHER.E'D HE COME FROM? AGENT BRANT TELLS HIM TO
COME OUT BEFORE HE'S USED AS A HOSTAGE.
:1.
TOO LATE! pause! THE JOB HERE IS TO TALK FAST, BUT
NOT TO SHOOT. SAFETY OF THE BOY COMES FIRST}22 runs for pole
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. DIRK l . 4Now let's get back.to the firing range.But first, I hope you have a pencil .and paper handy, because 1n a minute we'regoing to play a game...so you can see -what kind of a special agent you'd be.
FADE our§smi
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fadé in!...23 agenfq draw ; wait two seconds!... I AT IBM DRAW! ASeFAST AS
-n. - '3. ' BILLY THE KID. THE FBI CALLS THIS ITS DUELLING COURSE
WHERE AGENTS TRY TO OUT-DRAW EACH OTHER. '
2L light THIS LIGHT TELLS THE WINNER.
ZS moving target MOVING TARGET, OR STATIONARY TARGET - IT'S ALL THE SAME
TO THE SHARP-SHOOTING G-MAN.
26 lights THE LIGHTS SHOW.A PERFECT SCORE!
27 LS fire rifle wait for sh0ts!.. TODAY, OUR FEDERAL AGENTS MUST BE
'FAMILIAR WITH EVERY TYPE OF WEAPON IN THE ENDLESS WAR
AGAINST CRIME AND CRIMINALS. wait two seconds!... A
REPEATING SHOT GUN IS ONE OF THE MOST POWERFUL...AS
THIS SHATTERED, HEAVY, WOODEN BOX PROVED TO ME.
26 trick shoot nvany FBI AGENT IS A MARKSMAN. IF YOU non'm smnxzvz
ME...WATCH mars: A
ID
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B2Hl|.-09131--I-O - EDISOIIB C Page 5'!
K
SCENE '
29
30
31
32
33
311-
35
36
37
»~~ ._&_' _~»--~,- 1 pg - , ~1*Y= "" ' ' CU Dirk
agent fixfepi 5 5
92'>'_'-2 :
boykman
judo
throw punch
choking
boy tries
< ' aw *2-_~~1..21:1;-<'¥§~
up stepsNARRATION
NOV SPECIAL AGENT LIGHT AIMS AT THE BLADE OF AN ME..-
THE AE SPLITS THE BULLET IN @.ALF...HITTING_ BOTH TARGET
AND Hun EITHER mum -- mums no DIF M cs: . §5¢"°fr a6¢..Sno+ 5! Q "__~j.-3-L92+s. bf kI5solv§ to! t
AGENTS MUST BE ABLE TO FIGHT WITHOUT GUNS, TOO. THE A
ACADEMY'S GYMNASIUM THEY PICK UP ALL SORTS OF TRICKS
IN HAND-TO-HAND FIGHTING. . .LIKE JUJITSU. . .AND BELIEVE
ME, IT'S NICE TO BE OH TE LAN'S SIDE.
TAKE MT ADVICE. NEVER THROW A HAYMAKER AT A G-MAN. YOU
MIGHT END UP LIKE THIS.
' .;;-.
OB CHOKE HIM, FOR THAT MATTER. LIKE CRIME, IT DOENS'T
PAY. HE'S TRAIRED TO TAKE CARE OF HIMSELF IH ANY
SITUATIOH . . .AGAINST ANY OPPORENT, BIG OH SMALL.
SPEAKING OF SIZE, I GOT MI TURN, TOO - AHD, A FUNNY -
THING, IT'S ACTUALIE EASY TO THROW A MAN TWICE YOUR
WEIGHT. pause! NOV TO PLAY OUR GAME! ~ '
I-<-92
4 ~1
I CALL IT, THE CASE OF THE WIDE OPEN EYES] '
. .- ._.4-_m..: ._
TO FIND OUT HOW IT WORKS, COME WITH HE INTO %-F3-I-S
. .¢.,
B2l.{l;-091;}-C - E1>Issdo PAge
CENE NARRAT I ON
38 LS classroom V HERE, A CLASS OF NEW SPECIAL AGENTS RECEIVES INSTRUCTION
ON IMPORTANCE OF EPING YOUR EYES WE OPEN. IN
OTHER WORDS, SEE WHEN YOU LOOK. DON'T MISS A THING,
BECAUSE IT COULD LEAD TO THE CAPTURE OF A DANGEROUS
CRIMINAL. pause! THIS MAN FOR INSTANCE. OBVIOUSLY,
HE YEARS A HATCH. BUT WHAT ELSE DO YOU NOTICE ABOUT HIM
THE AGENTS I MUST BE TRAINED TO TAKE IN EVERY DETAIL.
1 HANDKERCHIEF IN HIS BREAST POCKET...DA.RK TIE WITH A SMALL
DESIGN...SINGLE-BREASTED SUIT...BRIEF -CASE. TH BE WERE
FAIRLY EASY, BUT A GOOD AGENT CAN TELL YOU THE MAN'S
APPROXIMATE WEIGHT...HOd TALL HE IS...TZ-IE COLOR OF HIS
EYES. GETTING AN ACCURATE DESCRIPTION IS IMPORTANT TO
THE G-MAN. IT'S A VITAL PART OF FBI TRAINING.
IF YOU'RE LIKE ME, _YOU DIDN'T SEE TOO "MUCH...BUT MOST 39 bay writes
OF THE AGENTS HAD HIM PEGGED TO A T . NO FOOLING...
THERE'S NO FOOLIN' A SPECIAL AGENT OF THE FBI}
I. ail
'_......-_-. __ _ -.~--s-1 --~-._. - _.;-_.g:.ea¢..;_.' -~~ - ~ "'' ~ ~' '" ' "' A
c_48$ Ii~. _ lbw;. 92, _ 4§~> ,
IFBI Live Action! Page 282hh-09h-C - Episode l
3 MEDIUM SHOT - Dirk Metzger in front of backdrop.
FADE IN -
DIRK
Well, that's how the game works. Now so
you may test yourself, I'm going to call
in a friend of our's and_give you twenty
seconds to look him over, But don't
write anything until I tell you. Remember...
look.°.observe...then write it down.
- looks off stage!
Okay Tommy,.. 92 _
Tomy Cole enters wearing Derby hat! dark tie, sport coagg
t with turned up collar, white handkerchief in breast pocke
and hes carrying across his chest a Mattel thunder-burp
machine gun, his right thumb is bandaged and on his left
hand he wears a huge ring. '
DIRK
, continuing!
...this is Tomy-Gun Tommy - public enemy
number one - alias Tomy Cole, Houseketeer.
TOMMY
to camera!
Hiya mugs!
DIRK
All right...start looking. _
sets clock! '
Tomorrow, I'll be back with a couple of
more surprise cases on how the FBI works,
I'll tell you then what you should have
noticed..;and you can check yourself.
looks at clock,
_fiye seconds pass, "
alarm goes off! '
Time's up...so now start writing. Tomy
and I will see you tomorrow. So long!
FADE OUT
IQI I 4 FBI Live Ac! .! D»821,1;-091+-c - Episode 2 '
Doug Duitsman - 10/lh/S7 1 ' g
1 INT. DRY - DETECTIVE OFFICE. CLUTTERED DESK IN CORNER OF ROOM
INCOMING AND OUTGOING BASKETS ARE FILLED TO OVERFLOWING WALL
BEHIND DESK IS COVERED WITH "WANTED" SIGNS AND BLOWN-UP
FINGERPRINT IMPRESSIONS¢ ~ - "
FULL SHOT
- - with feet
to Dirk's
FADE IN-- Dirk Metzger is sprawled out in chair behind desk
propped on top. Seated to the side is Tommy Cole
dressed in his gangster clothes of yesterday, He's handcuffed
left hand. Dirk looking at Tommy. ~
DIRK
turns to camera!
Hi gang!
, gets up, Tommy
follows!
Special Agent Dirk Metzger at your
service...and this 15006
holds up
cuffed arm!
...Tommy-Gun Cole -- ex-big shot.
_ he starts around desk,
"Tomy follows!
I've got a couple of more cases to show
you today as we continue our "behind-the-
scenes" look at the FBI. But first, bt's
see how you did on yesterday's "open eyes"
case. Tommy...you'll remember...was our
star. »0ne of the first things you should
have spotted was his hat... p_ points to '
' each item!
...he was also wearing a dress shirt,
dark tie, sport coat with turned-up _
collar, handkerchief in his breast pocket.
He was carrying a toy machine gun...his
right thub was bandaged, and he had this
big ring on his left hand; If you got all
eight, call yourself a super G-man; But
if you also guessed his weight at around
135 pounds and his age at about 15, consider
yourself a super, super Gman.
unfastens cuffs!
Thanks Tommy for helping us play our game,
you're a free man nowi
TOMMY
If you don't mind, I'd like to stay --
I want to see more! - 1
CONTINUED!
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ll! A Hg Page two82hh 09h C - Episode 2
CONTINUED"-Q
DIRK
Hell, today we're going to explore "
the Fingerprint Bureau...and see howthe FBI keeps tabs on every known
criminal in the United States. It's
pretty terrific. In-getting the storyfor the Mickey Mouse Club, I was told
fingerprinting is a fool-proof method of
identification. This was hard tobelieve, so I decided to play a little
trick...and find out for sure, Let meshow you what happened...in a case, I
call, "WHO AM I? 4
S - - FADE nnm
SE1 Nan-a1_:ion! ;j&_ §/$2/*2 iDi *'%2:;° - EE*i3?§1>"57 , //1» /WM F 7""-°* ug sman
SCENE
1 mee§,man-
2 explains prints
3 man walks in
92
4 print Dirk
u}-- _*. _-_@
F3§§I A
4' NARRATION
HE ALL mow MY NAME Is DIRK ME'1'ZGER...BU_'1 WHEN I VISITED
THE F'BI'S IDENTIFICATION DIVISION, I was INTROIl!yCED TO
. Pl»./:5/O
MISTER c. LESTER TROTTER, HEAD OF THE , AS
MISTER X. HE HAD NEVER SEEN M BEFORE.-.SO I CHALLENGED
HIM TO TELL ME MY REAL NAM. YOU CAN IMAGINE MY SURPRISE
WHEN HE SAID, "OKAY -- THAT'LL HE EASY...UITH FINGER-
PRINTS...BECAUSE NO TWO PERSONS FINGERPRINTS ARE THE
SAM!"
IT SOUNDED FUNNY, BUT HE CALLED M FINGERPRINTS MY »
NATAL AUTOGRAPH...AND IT'S ONE AUTOGRAPH THAT CANNOT BE
FORGED. BUT I STILL WASN'T CONVINCED HE COULD IDENTIFY
M. pause for buzzer!... THAT'S WHEN HE BUZZED FOR A
FINGERPRINT SEARCHEH...
A HAN I'D NEVER SEEN BEFORE. HIS NAM WAS HAROLD ,
CHRISTENSEN...AND HE WAS ASSIGNED TO FIND OUT MY REAL
mm: -- IF as comm ,_ -i
dissolve to!
THE FIRST THING HE DID WAS TAKE HE TO BE FINGERPRINTED.
I HAD BEEN THROUGH THIS BEFORE WHEN I QUALIFIED FOR H!
FINGERPRINT MRIT BADGE IN THE BOY SCOUTS. 'SO I KNU I
my PRINTS gs somzwmsas onrxm wrrn mm FBI. BUT
rams ms: 315- nxnuou FINGERPBINTS ON-FIIE A 5
WITH THAT MANY, I FELT PRETTY SURE THE¥'D NEVER FIND
HINE. AND EVEN IF THEY DID, IT'D PROBABLY TAKE WEEKS -
mas , I... ,. '_ .. . I-.. , .-.> _ J.
A * l . Q . ; @'5I A", disselve to! _ v
_ .__..._...92',»_-:.._..__._:_-I-<angq § _.;""1-'»| '!._? .'. ~ /._ . .. .»...- » »~ _ ~- . ,_ _ . =1... -' - ~ -
924
SCENE
S classify prints
6 opens file
7 CU card
8 HS room
'F¬§§
8 pushes button
92d2l&l|--O9l4.-C.- Episode Page 2
°~
NARRATION _
FACED WITH THOSE ODDS, I SORT OF FIGURED MISTER
CHRISTENSEN WOULD GIVE UP BEFORE HE STARTED...BUT HE
WENT RIGHT TO WORK CLASSIFYING MY PRINTS. THAT'S HOW
FINGERPRINTS ARE FILED -- BY CLASSIFICATION...AROHES|
LOOPS, WHORLS AND SO ON. A NAME MEANS NOTHING HERE.
NAMES CAN CHANGE...FINGERPRINTS, NEVER.
dissolve to!
AFTER HE HAD MY PRINTS CLASSIFIED HE WALKED RIGHT&PVER
TO A DRAWER. BUT I STILL WASN'T WORRIED. THERE NUST
BE AT LEAST SEVERAL HUNDRED PRINTS WITH THE SAME _
CLASSIFICATION_AS MINE. LIKE FINDINGA NEEDLE IN A
HAYSTACK, I FIGURED. ~
WELL, HOW D0 YOU LIKE THAT...DIRK METZGER1 IN A MATTE?
OF MINUTES, HE PICKED MY CARD OUT OF MILLIONS -- AS IF
HE KNEW MY NAME ALL THE TIM. wait two seconds!...
AND ON THE BACK, HE FOUND MY ADDRESS...BIRTHDATE...
AND A MILLION AND ONE OTHER THINGS. GOLLY!
, .
WELL, THAT WAS SIMPLE 2 BUT THE FINGERPRINT DIVISION
AS A WHOLE IS A PRETTY COMPLEX OPERATION. 23,000 NEW
FINGERGPRINT CARDS ARRIVE AT FBI HEADQUARTERS EVERY DAY
EACH ONE IS QUICKLY DATED AND SENT TO ANOTHER ROOM
WERE THEY ARE CHECKED AGAINST THE CARD INDEX SECTION.
I .
PUSH-BUTTON FILE CABINETS MAKE THIS A CONVENIENT, SPEED
OPERATION. FUN, TOO. A SEARCHER CAN POUR THROUGH, |§=,¢a¢A cnbinaf |
75,000 OARDSAWITHOUT EVER LEAVING HER SEAT.
- i .
n
_ 1}~4_._~_" @i>~ihȢ - E
5 A. . .
82M.-09l|.;0 - Bpiuide é 2.}. 3
scam: zmmmron .'-
9 HS push button HERE, THE NEW FINGERPRINT CARDS ARE SCREENED TO SEE IF.
THEY'RE ALREADY ON FTIE...AND, IN THE CASE OF A CRIMINAI
IN THE HOPES OF MAKING AN IDENTIFICATION. FINGERPRINTS
OF SUSPECTED CRIMINALS AND THOSE FOUND AT THE SCENE OF A
CRIME ARE RECEIVED HERE FROM POLICE DEPARTMENTS ALL OVEP
THE COUNTRY. '
10 men classify WHILE THE LADIES ARE BUSY, THE MEN ARE BUSY; TOO --
' ' CLASSIFYING NEW INCOMING PRINTS. ALL PRINTS SENT TO
THE FBI FOR A RECORD CHECK ARE SEARCHED SO POLICE CAN
BE NOTIFIED AT ONCE OF ANY CRIMINAL RECORD. THIS IS
5 HIGHLY TECHNICAL WORK. ACCURACY IS A MUST!
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92
UPPER-RIGHT HAND CORNER OF EACH NEW FINGERPRINT"CAR$9
IS PHOTOGRAPIED. THIS IS TIE WAY THEY MAKE INDEX CARDS.
THE UPPERRIGHT HAND CORNER CONTAINS ALL THE INFORMAT I015
NEEDED -- NAME, BIRTH DATE AND SO ON. ;
EVERYTHING IS DONE IN A JIFFY. TIE ROLL OF- FILM IS
DEVELOPED ON A PHOTOSTAT MACHINE -- -EACH PRINT BEING
EXACTLY THE SIZE OF TIE INDEX CARD. THIS MACHINE
HANDLES 1,250 CARDS AN HOUR...SAME AS THE CAI°IE'RA...AN'D
IT SURE BEATS HAVING TO TYPE EACH ONE.
. .-..__ _-_ .___,_ ,,_ I ._92_ 4.__ {_; J. - 2. ;_, _,->_»92__ _~ _-- _ . ._ I ___;_-6.4" _§_: _"> ,--_,; _~ H , . .,_ ~_-..._. -..:___ 1~,w»~>-.~,...--1 -.-:,.4 .~ .7""i ha. , .._ _ , .~_ . .- » -§.~.,92.-,. »~._ I _,..9..._» C ~-... , I .*-. r ~>_..:-_- '-. 1v~;"n>v'u_ 'L4"'£,$V:"T - ~ -I -,~ -. = -. -_- , ~:~»- - . .¢~?,§5~=LaI<~-11-~§;1;~_ -, '51?"- ~. ,. ' ¢-= <R%,;92'~';§-g -»*_;- -*2. Liv-.,. _ £"<;~~ <--I1 » __~ ;q;&4'~ i-..,_-W, - ~ ~ _;___,, .a~- > r;:<=~-;»-1 92 4 <» 1- ..~ - _e ~ .»~ L: -. *1-t~,s ..§ 1 ="' -2! -.~ i ér'*'-~..%-1 }=.~'. *1-- -..~$ 3->-l':- =l==-*i;~'-1.. =*-*3- ' ".,.'. '1'--~". 5. -'1' l'~'i":-T* ~%a+T?~'*¥~§?-~i5= -~_l. .3; _92 _.'.>;:- T¢,=_ W-_ -.531 E£. £§wy.<V,¢.r§';92. '7 ' E» > :11 r ' » $3 7" F1 " " G" 7' T 3»??? ' T? H :1.-'""', 3-?~5:§ " ">4. '32: '> ' .:' "" ' 92 TL :1. 27$ ' '4,. 1"" -'2'. ' -"' .*:4".5' » , - -~i-" * - >~< >' . >1?-¥=92-' ='** ' *- = - "' ~**';-' aw ; y ~.-.:.. . - 12-, » ~1-..:-,-1.: 92 ?+_--~- 5 ~. _ - » __ -_ __ . ___ _.___ ~¢_ -_' _ _ _. _ - _ - 1; ~.-- -<-~ _ -- v_;_.'-,». -_ _-_-,=. » _. ..-r. . ,;-_,'*,1,, --...-w_,~ W» »,-;-:4:-c:"'r . - , . _. .. . -_ - _ . , »~.@,_ - ..1, ,~~'- V _;_*_ -- . . ~___ _4,,.,92,y._ .._1_,__=--~ . >-4<-" ' , =-~ = 1: ~ _.-5.",-1-~ =; - -.: -4k
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I--=1 ,~_ -k: .
821114-O91;-C - Episode ii O 0 Page I4.
SCENE
13 copy machine
ZIJ4. paper out
15 LS office
16 looks in micro.
>-.NARRATION
wnzu A CRIMINAL'S FINGERPRINTS ARE SENT IN BY POLICE' an em: u! wH..'.s1*1:f-FLFI1-i-$4_d£.2- "ONLY ONE CARD IS KEPTF%RIlIIEHIiIHhIEIIIIi. ANY
REMAINING CARDS ARE FILED IN A JACKET ALONG'ITH A I
. FRESHLY PRINTED, UP-TO-DATE cor! or HIS Rosie RECORD.
/IJ¢In+|- #0 Q I + 0!
THAT'S WHY THE FBI IS CALLED THE CENTRAL CLEARING HOUSE
FOR CRIMINAL IDENTIFICATION IN THE UNITED STAXESI.
.I!¢.92f.~'¢*¢f-'c'92 _f¢s0C_BAL{ If "Lt-BECAUSE AFTER THEZS§§22;E§;Asé2¥h;:oiII IS nswugyzn In
THE POLICE...AND THEY KNOW IN A MINUTE OF THEIR susranr
CRIMINAL ACTIVITIES ANYWHERE IN THE conway. '
'.a
THE FBI ANSWERS THOUSANDS OF REQUESTS EVERY-DAY FROM
POLICE DEPARTMENTS SEEKING INFORMATION THROUGH FINGER-
s
PRINTS -- THE IDENTITY OF A LOST PERSON...DISASTER
VICTIM. IN LESS THAN THREE DAYS, THE ANSWER IS ON ITS
WAY!
IT'S REALLY TERRIFIC HOW THEY CAN TAKE ONE LITTLE
FINGERPRINT...PICK OUT A UNIQUE QUALITY...AND TRACE IT
THROUGH MILLIONS TO THE RIGHT PERSON. MISTER CHRISTENSE
SHOWED M HOW IT'S DONE...BUT ONE QUESTION STILL
BOTHERED ME. HOW DO THEY GET SOMONE'S FINGERPRINTS I?
HE DOSN'T WANT TO GIVE IT? pause! IT WAS AIFOOLISH
QUESTION] I HAD LEFT MY PRINTS ON THE TELEPHONE.
821}-I-I.-09-FM-'0 - Episode ii 0 Page 5
scans =1 __ " ..nRATION
17 gets bottle
18 shows print
19 title
20 enter room
21 pix starts
-QIv
TO MAKE THE INVISIBLE THUMBPRINT AND PALM IMPRESSION
STAND OUT, MISTER CHRISTENSEN USES A LIGHT COLORED
POWDER. THAT'S BECAUSE THE PHONE IS BLACKa IF IT WERI
mum, mm usn BLACK POWDER. '1
. ' - .
THERE...AS PLAIN AS DAY. NEXT HE WOULD PHOTOGRAPH IT -
THEN LIFT IT WITH BLACK TAPE. THAT WAY, IF THE TAPE
92 .MARRED THE PRINT, HE'D STILL HAVE A PICTURE OF IT.
DUST...PHOTOGRAPH...LIFT -- mass MORE nmsons
cams nozswr PAY. BUT T/"5 FBI A5 HER
wm/5' To CA"?!-H I»-1K0/mD0§,R S'
AND NOW, THE.CASE OF TH ENEMY SPIES.
AS A FEDERAL AGENCY, THE FBI'S NUMBER ONE JOB IS TO K32
AMERICA FREE OF ENEMY SPIES. IN ONE OF THE LECTURE
ROOMS, THEY WERE GOING TO SHOW AN ACTUAL FILM TAKEN BY
FBI AGENES nming was INVESTIGATION or-' AN ENEMY srz K/NJUST ¬ r~ -
-a~nze-Bxm:r1qz wonm WAR II. THEY GAVE ma: A szn RIGHT
UP FRONT. '
QUALITY OF THE FILM WASN'T VERY GOOD.;.BUT, AS EVIDENCE
IT SURE DID THE JOB. THE FILM WAS TAKEN THROUGH XRAY
GLASS FROM AN OFFICE NEXT TO THE MEETING PLACE OF THE
ENEMY SPIES. IT WAS ONE-WAY GLASS -~ THE FBI COULD SEE
THROUGH IT, BUT TO THE SPIES, IT LOOKED LIKE A MIRROR.
1u92
:192s,- V il.
I
' ' * MEDIUM SHQT 3%.; ;?;>__ M ll
FADE * "
DIRK
Yes, in peace; or war...the FBI does a '
big job keeping our country safe td live
in. Tomorrow, we'll go looking for clue 8000and follow FBI agents ate b p y step as theytrack down a bank robber. I hope you'lljoin me then. So long. -
FADE GUT_ kg, .:_--av,=..r .-
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-1 R-;i5;&;'l ~.
MEDIUM SHOT Dirk stand 1 E A r_. ...,,,. __'-~:i:.:= T. . V,-.~,-..., 3- _-" "-.
_,_».~¢: ' %§s co ing at pictures ot'b1o -.Q%~R&u@w'%*a finger 1 tpr n n -hanging on wall behind ieaké ~§*5--"»-"=5-5
zsa_ . ,3-
, '7;-.' "vi turning toward ;&»
I>w_J '1
.-.-. ..>~,."" .-Ptf_.,. Acm,-. -~~- .camera, walks over
_ to desk!Let's return now to complete our inspectionof the FBIs modern Fingerprint Bureau,>§§?EE FADE OUT
sang-o9u¢c
SCENE
22 camera
23 camera
/I" "Ir
> 1 ..._
CJ-I], V
3''1-_¢ _-vme-
.-_- Episode 2 U _. U P8136 6
NARRATION
A SPECIAL CAMERA TOOK MOVIES OF EVERYTHING THAT WENT
ON... A CLOCK AND A WALL CALENDAR SROUED THE EXACT
TIME. THE ENEMZ AGENTS WOULD BRING IN STOLEN SECRETS
AND TURN THEM OVER TO THEIR LEADER -- WHO WAS REALLY
A counmnnsrz FOR THE FBI. THE ROOM was ARRANGED so THE
SPY wounn ALWAYS sxw FACING was CAMRA.
92 .THIS WENT ON UNTIL THE FBI KNEW EVERY MEMBER OF TEE; SPY
RING. 33 SPIES WERE ARRESTED AND YUT BEHIND A
PERFECT JOB -- ONE OF MANY BY OUR FBI. .
14.! *3-.<,' -u-92v- ..,. .- . .' -_ . 7,1. 7?. »_*- ' -'<c--~-:- ». - -,. _. _iv _. I ;~ 1 _, E? . _~'V 'q;g.~'_.-__~ ..,-... F Q _ .' . > '.' - . . > - . . '~ 1~ _ , . e 0 . ' ~ . , . " ¢:'-- -~ we"-~§_~ - A .'... .'*.- -... :».;..~_".'~..'¢ ».&' _-.,¢C 92-"v-92""-¢~il92 Joni---'~ '92'v¢- : =-- --<-5 - *4-' "-
~ § ~
FBI Live L: G!. .B2hh-09h-C . d 3Doug Duitsman - I8/IQ/57
1
>-INT.DAY - DETECTIVE OFFICE. SAME SET USED IN PREVIOUS EPISODE
FULL SHUT - Dirk is leaning over desk rumaging through paperslooking under books, etc. There's a long printed nemtie inthe middle drawer, out of sight.- ;
FADE IN .'l
DIRK
muttering tohimself! '
I know it's here someplace... looks up to Ldiscover audience!...Oh, hi, everyone. I'll be right &-with you. - ' '"
continues search,
finally pulls out
middle drawer!H$re 18... ' pulls out tie!
...One of the clues in today's bigcase. " -
starts around
to front of desk!If you missed our first two episodes,
my name is Dirk Metzger...
jumps up and sits
on desk!...and I'm right in the middle of tellingyou all about the FBI
CAMERA starts to dolly in.
DIRK _ continuing! _You know, the collecting and safe keeping
of evidence...
gestures'with
tie!is a vital part or FBI work. Police, too,for that matter. Without clues, a criminalwould seldom be caught. Luckily though,they all seem to forget something. _¢ jumps down off desk! 5In gathering my story on the FBI... _* starts back A around desk!
...I got to visit the scene of a make-believe
_ murder. It was a training exercise for newagents and the clues were planted. That'swhy I call it... -
,%I1?/~¢é-5%, '7 ' °FADE OUT
.3>4
5-3'
~
1,.921',»
92FBI Narration! 'l H "Ag
82m-091-c - Episode 3
Doug Duitsman - 10/11/57
scmm
1 title
2 seareh.scena
3 put in bag~
N measure
5 agents searchNARRATION
...THE CASE OF TOO MANY CLUESI _
IT TOOK PLACE IN A WOODED SECTION NEAR THE FBI ACADEMY
IN QUANTICO, VIRGINIA. A WOMAN'S BODY HAD BEEN FOUND.
IT WAS ONLY A DUMMY, OF COURSE -- BUT AS TRAINEES, OUR
JOB WAS TO FIND EVERY SINGLE PLANTED CLUE. THE NECKTIE
WAS EASY.92 .
IN REAL LIFE, CRIMINALS RARELY LEAVE SO MANY CLUES.
BUT THE TRAINEES LEARN THAT EACH PIECE OF EVIDENCE MUST
1
BE PROPERLY COLLECTED, IDENTIFIED AN!EXAMINED...OR IT
IS OF LITTLE USE LATER ON IN THE COURTROOM.
THE LOCATION IS IMPORTANT,
EXACTLY WHERE EACH CLUE IS
INCH. '
I DISCOVERED THERE'S A LOT
THE SCENE OF-A CRIME...AND
NEW AGENTS LET ME HELP. ITOO. THEY MUST,RECORD
FOUND -- RIGHT DOWN TO THE
OF DETAIL REQUIRED IN smn
I FELT» PRETTY LUCKY THAT TFIE
DID PRETTY soon, Too -- IF I
DO SAY S0 MYSELF. I WAS FIRST TO FIND THE GUN wad?
.u5 AUTOMATIC. pause! m
015?-@ 3' i GE.
6 p
up gh I00 Mn gal +0 mmITmn-.wTmn-emmm sm .2 M %@5§
.9
c c K. Scan:
L4nu:Lin=h8car-fr my S, -
.82hJ.|.-09l.|.-C - Episode 3 Page 2
SCENE
B find shells
9 measure
10 walk to door
11 closer angle
12 CU Dirk
>-mnmvrron
nor FAR AWAY, I FOUND -Iwo FIRED srmus. I PICKEZD mam
ur wnn A THIG so I WOULDN'T ma mm cmsxms. IF. I
ManSCRATCHED THEM AGEMS Mm TO CU-ECK TO SEED
IF THEY WERE FIRED BY THE GUN I HAD JUST FOUND.
OF COURSE, ALL THIS CALLED FOR MORE MEASUREMENTS.
wait three seconds!... SEARCHING THE SCENE OF A CRIME
-- MAKE-BELIEVE on NOT -- was AN INTERESTING .IoB§?*' BUT
om: THING STILL BOTHERED ME. wan cm ma: FBI FIND om
FROM ALL nus EVIDENCE! '
' dissolve to!
I FOUND THE ANSWER AT THE FBI'S LABORATORY IN WAS!-IINGTOI?
. $_$I.S2':6./.v1". 1! 1.&L<2.'.c_&D. c. THE MEIR IN amass Is A MAN NAMED masons --
MISTER DONALD J. PARSOBB, WHO HAS BEEN WITH THE FBI FOR
MORE THAN go mans. - I
gen! ~ pqom-|1'¬&I ourzss MAYBE H3 HA8 Aiii on oi wno Is
A MICKEY MOUSE CLUB FAN...BECAUSE THE MINUTE I TOLD HI};
WHAT I WANTED...AND FOR WHOM, HE II'IMEDIATELY PICKED UP
THE PHONE.
=4I DIDN'T KNOW IT AT THE TIME, BUT THEY HAD RECEIVED
WORD OF A BANK ROBBERY IN NEW YORK...S0 HE CALLED IN ONE
OF HIS STAFF -- AGENT RENE BIDEZ TO LET ME FOLLOW THE
CASE!
I
I
92
- _ _ 1 '827.114. 091+<C Episode g Page 3
SCENE NARRATIO
13 title
114. down hal-1 '
1E bit le
-.- -1
16 walk into room
1
17 puII Out note
18 to f1lesA '
~.C'I CALL IT, THE CASE OF THE BUNGIED BANK ROBBERY...AND
YOU'LL SOON SEE WHY! -
I FOLLOWED AGENT BIDEZ DOWN THE HALL TO A ROOM CALLED
THE DOCUMENT SECTION. THAT '8 WHERE THEY HAD THE FIRST
BIG CLUE... » _
92 .
. . .THE MISSPELLED NOTE! ..
- .. ..
THE DOCUMENT SECTION IS WHERE ALL HANDWRITING AND
FORGERY CASES ARE HANDLED. H IN THIS CASE, THE BANK
ROBBER PASSED A NOTE TO THE TEIJIER. IT WAS QUICKLY
SENT TO THE FBI...MARKED SPECIAL!
LIIE ALL EVIDENCE, IT WAS WRAPPED IN PLASTIC...FOR
PROTECTION. IT READ, THIS IS A STICK UP. ' BE QUITE
AND LIVE." ANYONE CAN SEE THE ROBBERMEANT TO SAY
"QUIET" INSTEAD OF "QUITE" -- BUT THIS WAS THE FBI'S
FIRST IMPORTANT CLUE.
AS I _WAS_8OON TO FIND OUT ONE0F THE ."FBI S MOST I , _?-< '- - f-
. ~ i , .
IMPORTANT LABORATORY AIDS IN FIGHTING CRIME -IS THE
REFERENCE FILESNAND THAT'S JUST HERE THE HANDWRITING
EXPERT BEADED. E FEE CONTAIN ALL KINDS OF HAND-
WRITING SAMPLES. . . COPIES OF FORGED CHECKS. . .ANONYMOUS
IET'1'ERS...AND EVERY KNOWN MAKE OF TYPEWRITER LETTERS.
THE JOB IS TO MATCH THE NOTE AGAINST SIMILAR NOTES USED
BY BANK ROBBERS IN THE PAST.
19 finds note
20' donipares note
is
21 waves goodbye
22 CU examiner
»-
I:
'2}.
<.~
.__:_3, 1 ..'
-;...,<'_..,
r ...-"V-.92-1.5 A-,--='.--W -<-,"J.-~= _ A,..._. -I"..~: .' .-<.--.,.
up
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___.», 211""-:a~-.- ~ - -»r*-7. 1v§P~<§--12<'9'~-51¢;Pi-;=».v.=;.,. :¢-4-;$1_<-Q.821411.-0914.-C - Episode - ' Qg A Page 1;.
' WW " 3
SCENE NARRATION
LOOK! THE SAME NOTE! WELL, ALMOST ANYWAY- THE WORDS
"HOLD UP" HAVE BEEN OHANGED TO "smcx UP" - BUT "QUIET"
IS ALSO MISSPELLED.
!-THE HANDWRITING EXPERT NOTES THE PRINTING IS PRACTICALL
. IDENTICAL...AND HE IS ALMOST CERTAIN ONE MAN WROTE BOTH
moms. on THE BACK, HE FINDS wan ma mms -- TEE MAN
um. » ~
1 .
I LEFT THEN BECAUSE I KNEW THE EXAMINER WOULD BE BUSY
FOR THE NEXT FEW MINUTES. HE HAD TO RELAY THIS
INFORMATION IMEDIATELY TO THE FBI AGENT IN CHARGE OF
BANK ROBBERY INVESTIGATIONS.
IN A MATTER OF MINUTES...AND WITHOUT MOVING MORE THAN
~15 FEET FROM HIS DESK, THE FBI AGENT WAS SENDING OUT Tl
NAME OF A GOOD SUSPECT. I GUESS THAT'S WHAT THEY MEAN
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FBI Live Action! Page two82!4J4-0911.-C - Episode 3Q esoi ,
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Q 2 MEDIUM SHOT - Dirk Metzger leaning back in swivel chair behind
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DIRKWe're just be 1' ig nn ng to see how the FBILba oratory helps in catching criminals,To find outmore, let's get back to thecase of THE BUNGLED BANK ROBBERY.
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